Evening Star Newspaper, September 9, 1928, Page 55

AMUSEMENTS Moving PictureflAlbum BY ROBERT BOUT eight years ago—long be- fore your correspondent became old picture had known as “that crabby critic”—I1 reviewed a called “Passion,” which been imported from Germany and offer- ed, rather nervously, to American au-| diences At that time, short skirts were ob- | fects of curiosity, Victory Loan posters were still to be seen in barber shop win- dows, F. Scott Fitzgerald was attract- ing popular attention to an odd crea- ture known as the “flapper.” the boot- legging industry was in the throes of its infancy—and the phrase, “Made in Germany,” retained a sinister and om- inous note. The mporters of “Passion” had no way of ¥nowing how the American pub- lic would greet this film, which had been produced by the enem: there was a good chance that various pa- triots might rise up in their wrath and demand its suppression. So, when “Passiol was first pre- gented by S. L. Roxy-Rothafel at the Capitol Theater, in New York, only one of those involved in its production was mentioned by name on the program. That solitary exception was Pola Negri, who, being a Pole and therefore one of | the allies, was exempt from the charge of pro-Germanism. Those of us who applauded “Passion” in our reviews did not know that the plcture was directed by a fellow named Ernst Lubitsch, or that the actor who gave such a magnificent performance as Louis XV was named Emil Jannings. Within the next few months. how- ever, the American market was flooded with German films—"The Cabinet of Dr. Caligari.” “Gypsy Blood.” “Decep- tion” and others—and the identities of the great stars and directors of Berlin were revealed. k% Since the remote era of eight years| back, the Great War has been rele- gated to history, and there is hardly any one left in this country who can be- come excited about the German menace. | Even films manufactured in Moscow by | the Soviet government are allowed to | pass the customs authorities and to be | publicly displayed. | Pola Negri, Ernst Lubitsch and Emil | Jannings, the three artists who were | introduced to America through “Pas- sion,” have moved to Hollywood. Mis: Negri, to be sure, has moved away again. but Messrs. Lubitsch and Jannings have settled down and are qualifying as na- tive sons of California. They appear to be as keen about the climate as though they had emigrated to Los Angeles from Towa. ! Strangely enough, the paths of these three have crossed but twice during the lurs that_they have been in America. ubitsch directed Pola Negri once, in| “Forbidden Paradise.” and he and Emil | Jannings have lately collaborated on “The Patriot.” “Forbidden Paradise” is almost the only fine picture that Miss Negri has had since her transplantation to these shores. The series of failures with which she has been identified has served | genial, gullible acrobat in “Variety.” E. SHERWOOD. in France and stating vehe- mently that the dust of Hollywood has been shaken forever from her feet. Lubitsch has done much better. His first effort was the direction of Mary Pickford in “Rosita.” a beautiful picture that failed to find favor with the Pick- ford fans, Through the influence of Irene Rich, who played in “Rosita,” | Lubitsch was employed by the Warner Brothers, and it was in their studio that he produced the comedies which really made him famous. “The Marriage Cir- le” was the first, and it was followed by “Three Women.” “Kiss Me Again” and Lady Windermere’s Fan,” among others. Since leaving the Warner establish- ment, Lubitsch has had two great suc- cesses, “The Btudent Prince” and “The Patriot.,” His influence on his fellow directors in Hollywood has been profoundly bene- | ficial. He has given them all lessons In delicate dexterity and in good taste. He has proved that subtlety can be effec- tive even in a movie comedy. xR ok sulking Emil Jannings was the last of the great Teutonic trio to come to America. For a long time he refused to accept the various invitations extended by our native magnates; he had crossed the ocean once (he was actually born in Brooklyn) and he had no desire to cross it agein. The climate of Berlin agreed with him, and so did the beer. ‘Eventualiy, however, he went the way of all flesh to Hollywood, and he has now become just about the greatest man in the movies. He is a prime social favorite in the exclusive and snobbish film colony. They tell me that when he is asked out to dinner his prospective hostess always submits to him a list of the other guests so that he may strike from the list the names of those who might possibly bore him. The recent Jannings pictures have done extraordinarly well financially, in spite of the fact that all of them have been tragedies and largely lacking in that form of sex interest which is sup- posed to be essential. By sheer force of genius, Emil Jannings has overcome all the traditions and superstitions of the box office and has achieved what is un- questionably the most startling triumph in the history of the screen. Consider the record of his various performances—as the flabby Louis XV in “Passion” and as the sflwart patriot, Danton, in “All for a Woman": as the supreme autocrat in “The Loves of Pharo,” and as the broken old porter in “The Last Laugh”: as the bawdy King Henry VIII, in “Deception.” and as the methodical bank cashier in “The Way of all Flesh”; as the noble Czar Peter, in “Peter the Great,” as the mad Czar Paul. in “The Patriot,” and as the His latest performance in that re- markable picture, “The Patriot,” is his greatest. It is the culminating point in his career. It is a superb demon- stration of the art of acting, and I commend it to the attention of all those poseurs who announce that there never has and never can be anything resem- bling creative artistry in the movies. to destroy-her as a great popular at- traction, and she is now reported to be (Copyright. 1928.) “The Benelli Twins” Tm call them “The Benelli Twins” —but as a matter of fact Clara 4 17 and Guglielmina (pronounced Wilhelmina) is a year younger. They are the daughters of Sandro Benelli, conductor of the famous Florentine Choir and brother of the Itallan play- wright, Sem Benelli, They are both in Washington now with the men and women singers who are appearing at B. F. Keith's Theater. Looking like two very modern young American misses, the sisters Eenelll trimly steoped down the chip's gans- plank in New York 2nd answered a lot ot questions asked by the newspaver men and women who awaited their ar- rival. Did they like America? Cer- tainly! On that the sisters agreed. Did they like the dress of the average American “flapper”? Clara said “Cer- tainly!” Guglielmina blushed and said “Certainly—not!” It was noticed that Guglielmina’s skirt was at least three inches longer than Clara’s. That started the ent. Fanned by the questions of the re- porters, the girls entered on a warm discussion. Clara thought the modern girl was all right—her sister thought she should be spanked occasionally. Clara decided she would like to marry & handsome American—Guglielmina said she would never marry, that her | life was to be dedicated to music. . | may change. Clara wants to hear the roar of a big foot ball crowd—to see the sparkling electric signs of Broadway, of Chi- cago's loop, of San Francisco's Market street. She wants to dance the Charles- ton and learn to do and say things lik» an American “flapper.” Guglielmina wants to see Florida and southern California—they are said to be so much like her native Italy. She wants to hide away somewhere and play her violin by the hour, undisturbed by the rush and hurry of American daily life. She says she doesn’t want to dance or go to the theater or to par- ties, But maybe after the tour of some sixty-odd cities in the country she will have changed her mind—and by that time she’ll be over 17 and her attitude Both girls are highly artistic. Clara is one of the finest organists in Europe, while Guglielmina is an accomplished violiniste. They both sing in the choir, with clear, high soprano voices. And lest they assimilate too much modern- ity in America, both Papa and Mama Benelli are keeping a careful eye on their offspring. Earl Burtnett's Biltmore Hotel Or- chestra furnishes the music for the night club scenes and incidental action in “Lights of New York.” The music is interspersed throughout the action. FACES — FACES—FACES— —FACES PEERING FROM THE FACES—SINISTER FACES _FORGOTTEN FACES. A MELODRAMA OF UNSEEN, ABLE; FEAR, THAT MOVES, THAT THRILLS. AMBASSADOR col*#s" X'y TODAY and TOMORROW — CLIVE ROOKE end MARY BRIAN in TODAY and TOMORROW — KARL DANE and GEOI R’ 1 ANE and OFORGE K. ARTHUR in TODAY ODAY and TOMORROW __ GILBERT in “THE_COSS CENTRAL ** “St. Bet. "SAILORS " WIVES." . i "CHE? ve. and MeKinley St. D.C. a4 E LOYD OR in CHEVY CHASE TCDAY and TOMORROW — JOHN 'GILBERT in "THE ECekACHE™ YORK © Ave. & Quebec St. N.W. TODAY and TOMORROW—_MAY AVOY and LIONEL BAI in “THE LION AND THE MOU TOACH STAR COMEDY. PAST-ACCUSING FEAR, UNFATHOM- Jack Benny IN “Bright Moments™ Burr Mclntosh Famous on Stage & Screen in “Non-Suppor(” A One-Act Playlet EMPIRE 911 H St TODAY and TOMORROW-—RA! NOVARRS. and HEREE, ADOREE N “FORBIDDEN HOURS." "HOME 1230 C St. NE TODAY and TOMORROW-—MAY Mc- AVOY and LIONEL BARRYMORE __in “THE LION AND THE MOUSE." _ NEw 535 Sth St. S.E. TODAY and TOMORROW-—-EDMUND A ICTOR MCLAGLEN and DEL RIO WHAT n LEN R _-"vofl 1ith & Park Rd. N.W. | Leader b Ambassad’r Apollo o = gibert ki acks " cartoon Cameo ) Mt Rainier. Md. Tuesday nd Mary Ciiva Bronks and Mury Brian in A “Porgotten Faces ' Asson Fable News Lowin-Btons and Nl\lp!l“ Kerry In Goorge K Artiur in Detoctives ' Inkwe]l Tnp cartoon “The Dioe Nel Pache Naws ¢ 1n Dane and corge K Arthur in “Detectives’ Comedy_ News. 3 Johnny IHines in Carolina Home "Made. Lioyd Hughes and 1 Mary Astor in “Sailor: % & Chevy Cha. n “The Cossacks." News Central Wiver 2 Gilbert _ Come Lols Moran in Johnny Hines (n > Don't: Marry Home Made hes and John Gilbert tor in n Wive: N Mary “Satlors’ ks " 5. At eartoon John Gilbert n “The Cossacks.” News. Rod_La Rocque and Jeanette Loft in “Hold "Em. Yale." _ R Mary Asior and Llovd Hughes in “Three-Ring Mar- Tiane.” od_La Rocque and Jeanette Loft n i Hold 'Em. Yale." K Cla: Bow in Dumbarton - vadies ot "the Ron. Elite 1 “Why Sailors Leave Home.” e Our Gang_comed: or McLaghien in Girl in Every Port." Horton comedy. oddity reel “Billle. Dove John Gilbert i i A “The Cossacks.” rasy Kat cartoon. Sally Phipps n “The Yellow Lily." s Come imon Novarro in 2 Comedy. ‘Ramon Novarro in “Forbidden Hours." Empire Ramon Novarro in “Forbidden Hours. Charles Murray n “The Gorilla Felix_cartoon 8 Comedy. H R eview. News. Hip’odrome Eleanor | an ) “Diamond Handcuffs." Comedy. “The Forelgn Leglon " Metyo-Cio bl Wednesday Thursday Friday Saturday Norman Kerry in “The Foreign Legion." Cameo comedy. News. Norman Kerry in Cameo_comedy News Comedy. Eddie Griboon in “United States Smith." Charles Chase comedy. ‘Sport reel. _Serial amon Novarro in “'Forbidden Hours." Aesop Fable. Topics. _Snapshots. Lewis Btons and Kerry in Helene Chadwick in ‘Modern Mothers." on d comedy. comady enic. ‘Thomas, Meighan “The Racket.” News. Laura La Plante in “Home. James. Tke and Mike comedy. Serial. Thomas Meighan n ““The Racket.' Cameo comedy. toorge & Arthur in Detectives nkwell Tmn caf taon Technicalor reel “The Leovard Lads. Lupino Lane comedv. Jacqueline Logan Harry La in “Th e Chaser.” Our Gang comedy. News. _ Serial. Mary Astor In “Three:Rinz Mar- ringe.”" Comed oddity. Fdmund Lowe in Publicity. Madness oldwyn News. on._Topica. ___Pathe Review Mat.. Barry ‘Norglfm in ving. Nite. Chester Conklin, ‘Fools for Luck.” Lois M. in ~Don't Marry." Karnival_comedy. Mary Brian y McAvoy in Ma; “A Reno Divorce.” “Under the Tonto Rim. Polly Moran in Will Rogers in ‘Bringing Up Father.” > “A Texas Steer." ““John Giiberi n ““The, Lion Mouge.” Novelty reel Comedy. ancks " dy._Toplcs. cartoon May McAvoy in Virginia Browne Faire in “The Chorus Kid." Comedy. _News. _ ay McAvoy in """ Esther _Ralston The Lion and the in 2 “Hall » Leide." Movse. Comedy. News Johnny Harron in Green Grass Widows." Our_Gang comedy. 0ddity_reel Taura La Plante in ome, James." Tke and Mike comedy. Serial. Renee Adores and Comed, "Us. Fred Thomson in Sydney Chaplin in “Bkirts.” “The Sunsst Legion " Johnny Harron in “Green Grass Widows." Bruce novaity scenic. Com " edy. Col. Tim McCoy in “Wyoming. Mermaid comedy. Cartoon. _Rey George K. Arthur in “'Detectives.” Buster Brown comedy. Sport reel. _ Serial John Gilbert, in “The Cossack! Comedy. Gilbert. aracks.” John Comedy’ Buck Jones “The Bran: Sombrero Comedy. in ded Kildaire." P News. May McAvoy in “The Little Snob " omedy. Paramount_News. Fields and ¢ Conklin in for_Luck. re Pola Negri in “Three Sinners." Metro_oddity. William Russel and June Colljer in “Woman Wise." Comedy. _Serial Lon Chaney n “The Big City Billy Bullivan 1 tick to Your Story. arold Lioyd reissue comedy. _Ne! June Marlow Lol n in “Free Lips.’ “‘Ransom." Oswald cartoon. Al_Cooke_comedsy. Serfal. Adolph he Menjou “His Tiger Lady. Fox New " Tom Mix _in “The Arizona_Wildcat. Pola Negri in Good_and_Naughty.” Karl Dane and George K. Arthur in Circus Rookies News. Comedy. TMthLMcA\nydmh i wThe’ Lion and the Home Mous Comedy. _News. Ma; in "The Scarlet Dove.” Lupino Lane comedy. Novelty _reel. erite Livingstone _Victor M Dolores Del Rio and Edmund Lowe in What_Price_Glory.” Ramon Novarro in “Forbidden Hours.” Comedy. Review. Topics of the Day. cLaghlen, Sid Smith in “Dugan Jack London's “Prowlers of the Sea." Comedy. Snapshots Serial. of the Dugouts.” Horton_comedy. Hodge Podge reel Emil Jannings P “Streets of Sin." Comedies. Paramount Milton Sills_in “The Blonde Saint.” Comedies. yde Cook in omestic Troubles Comedie: 5. News Richard Dix in asy Come, Easy Go.” Comedies. 10 Marceline Day in “Night Life." News. Comedies Larry Semon comedy Willam Heines in Lon Chaney in "West Point e, Paramount Ne! & Dolores_Costello “Old San Francisco.” Comed: Liberty Richard Barthelmess in “The Wheel of d_ Bar Adolphe Menjou in “His Tiger Lady." Chanc Comedy: Comedy. Metro_oddity. “Stop That Man " ‘Buster Brown comedy. Sport_reel n Pri ¢ an ingle 1n Bo: d Soul.” Hodge Podse. Somedy. Buck Jones in “The Branded Som- brero.” Come: Serial " Mary Philbin in “‘Surrender."” Sport re C Victor McLaghlen \ New “What Price Glory." News. vmnr’xgxcnnmm n “What Pri Ne “Lon Chaney in “The Big City." e Glory.” Ben_Hall_comedy s Milton Sills in “The Valley of the ants. Charles Chase comedy. 'suumun‘m the dos, n “Where Tr: John wn_in “Square Crooks.” Oswald cartoon. Begin." ot Rerial Comedy. John Gilbert n “The Big Parade.” Fox News. Park n “The Big Parade.” x_Nes Florence Vi Jon ¥ *Doomsday. And Edmund Lowe in “Publicity Madness.” Comedy. Edmund Lowe in “Publicity Madness." Comedy. Fox News. Fox_News. Lon Chaney in Rod La Rocque n “Hold 'Em, Yale." Comedy. | Tom Mix in “gilver Valley." The Collegians. News Princess Edmund Lowe In “One Increising Pur- €. New n Mix i “Silver Valley.” The Collegians. New: “Come to My House. "Madge Bellamy In “8oft Living." Cartoon. News. Glive Borden in Serial. Comeds. _Ken Maynard in ‘The De: l"s Saddle.” 1 e Comedy. George Bancroft in “The Showdown.” Gomady. Lloyd Starts New Picture. Afl'm several months of prepara: tion, Harold Lloyd is to start shooting at the Metropolitan Studio, in Hollywood, on his latest production, | the first of the sound era, September 4, | exactly five years from the day Lloyd | started on “Girl Shy,” his first feature | as an independent producer. | Where previoysly the bespectacled comedian has started a production with but a thread of a story, building | it up as his work progressed, on the current production he has spent more time than usual in “preparing” the out- line of his story in detail. This has | been necessitated by the growth of the “sound” picture, which, in a measure, has brought about a new method in the development of motion picture comedy. While purposely avoiding the over- worked underworld theme, a consider- able portion of the story will be set in San Francisco’s Chinatown. Much stress will be laid on the mystery :le- ment, with the general idea of the story being selected, aside from its comedy possibilities, for the effestive openings for sound accompaniment Lloyd is to be seen as the son of a famous police officer of San Fraucisco, who was feared and yet loved by the Chinese of the Golden Gaie City, but whose boy was more intercsted in flowers and plants than he was in po- lice work. San Francisco’s -ity jail will provide the setting for the open- ing_shots. The gates are ajar for a leading lad: for Lloyd, as the comedian is continu- g his policy of selecting a new le: ing lady for each picture. In his se- lection this time, Lloyd faces a doubly hard task, for the quality of the voice will have to be considered along with the looks and ability. | HELD FOR A Victor McLaghlen in “A Girl in Every Port.” Animal_comedy. Screen_Snapshots. Savoy Ramon Novarro ““Across to 8ingapo: Roach-Davidson comedy. ~“Huntley_Gordon in “Name the Woman." will Rogers in “A_ Texas Steer.” Joneses comedy. Felix_cartoon. Pathe Review. Ken Maynard in “The Wagon Show." McDougal Alley Siverstreak, the dog. | i “Where Trails Begin." Comedy. Novelty reel. Siver, Seco ‘Sprine. Dark. Ma. Bryant Washburn in, “Skinner’s Idea." Richard Tmess in “Little Shepherd of Kingdom Come." Comedy. _Ne Bix k Comedy. News. William Bovd in ‘The Night Flyer." Comedy. rge Bancroft in The Draz Net.” Comedy. Viilliam Haines in “Telling the World." Comeds. News. Takoma “Ramon Novarro in R orbidden_Hours.” News “Gang" comedy. “Forbidden Hours.” amon Novarro in Norma_Shearer 0y e ws. “The Latest From " “Gang” comedy. Paris”_ Harry Longdon fn Richard Barthelmess ‘Three's & Crowd. ‘Wheel of Chance. in Richard i ‘Wheel Hines in Johnny ¢ Made.” Barthelmess in x 3 ‘Home eel of Chance William Sovd in “The Skyscraper. Truxten Fred Thomson in Lofs Moran in ‘Publ unset Legion. ublicity Madness.” “Night Life.” Jackle Coogan in “Buttons.” .Milton Sills_in Emil Janni ‘The Hawl's Nest." “Sureet of £ Frank Borzage’ els in o Tivoli “Hot s Comedy. Novelty reel. Pathe Review. ews Comedy. Novelty reel. Bebe Daniels in m in T t Cameo comedy. Topics of the Day. T Pathe Review. Wallace Beery in “The Big Killing." Technicolor reel. Aesop Fable. News. homas Meigni “The Racket." Cameo_comedy. opics of the Day. Wallace Beery in “The Big Kiiling." Technicolor reel Aesop Fable. News. Willlam Boyd in Barney Goosle comedy. Serial. York Dolores Del Rio in *The Gateway of the oon Comedy. Review. May McAvoy in The Lion and the Mouse. Roach comedsy. Edmund Lowe in, “Dressed to Kill.” Lupino Lane comedy. “Half ride, Cameo comedy. Novelty reel. May McAvoy i “The Lion and the ouse.” Roach comedy. 114 INGS,” which will be shown next weéek, begin- ning Sunday night, at the National Theater, was more than 20 months in the making. Much of it was taken on a made-to- order battle area of 5 square miles near San Antonio, Tex. The picture was directed by William Wellman, a youns man who served as a member of the Lafayette Squadron during the war. Sharing the responsibility with Well- man were Lucien Hubbard, Paramount teature supervisor, and John Monk Saunders, the author of the story. Five thousand men were used in the filming of the St. Mihiel drive. In ad- dition to the land ‘“troops,” 120 air- planes, manned by the cream of the country’s pilots, deployed over the “American” and “German” armies, dropping gas and “death” bombs. The battlefleld was honeycombed with almost 1,000 mines, the explosion of which simulated the laying down of a barage to screen the oncoming Yanks. Narrow escapes were many, but in the big battle scene no casualties were listed. Not a foot of the picture was photo- graphed from the ground which could conceivably be taken from the air. The action was “shot” from planes, from % 2% i LEY- RANDALL'S 2 Z Z % % DICK 12 MELODIOUS TODAY _and TOMORROW — BE] oAIEL" S TSP NS~ TOOR SANG COMEDE. . , COLONY G Ave & Ferrasut 6¢. TODAY and TOMORROW — JOHN GILBERT in ' THE ACKS.” 3to11 P. M. AMAZED BEYOND WORDS! NEVER BEFORE IN WASHINGTON HISTORY HAS A MOTION PICTURE CREATED ORCHESTRA OFFERING POPULAR MELODIES s in “Wings” captive balloons and from lofty paral- lels ranging from 6 to 100 feet in height. Flying 12,000 feet above the earth and separated from the ground by a cloud wall 8,000 feet thick, Charles Rogers and Richard Arlen, featured players in the picture, accomplished many unusual feats. In order to get the desired effects Director Wellman had automatically operated cameras mounted on the airplanes just back of the propeller and c‘ntrolled from the | switchboard in the cockpit. Then Rogers and Arlen, each alone in a separate piane, climbed to more than 12,000 feet and there enacted one | of the most realistic scenes of the pro- | duction. During the filming of the production | at San Antonio, Paramount maintained a complete film developing and print- ing laboratory at Kelley Field, the United States Government aviation plant, where all of the planes used in the picture were serviced. This in it- | self was a stupendous undertaking, for | as many as 10,000 feet of film were | taken during many of the days of camera work. | EARLE Mhe Houre of Talkies # Daily, SUCH A SENSATION! Yesterday—Crowds—Tremendous Crowds—Sat Spell- bound, Listening to Every Word and Every Sound of A WARNER BROS. VITAPHONE SPECIAL The Mighty Thrill of Hearing Every Character Speak Throughout a Complete Production Is Now Yours in This Wonder Drama! ADDED —\0TCGems PRESENTATIONS BENIAMINO GIGLI RICH Star of the Mets MONARCHS Burlesque News. 'HAT there’s always “something new | under the sun” if you look for it is | proved by an innovation of the Strand Theater, the Ninth street burlesque house. Patrons are now furnished with the Mutual Burlesquer, a little magazine full of the latest news about Mutual | attractions, back-stage stuff and many | original jokes. This magazine is pub: lished weekly by Fred Block. Herk is managing editor and F. M. McCloy associate editor. This week's cover is a photo of Hindu Wassa, who has a star role in “Hindu Belles,” the show that will play the Strand this week. The Mutual Burlesquer is dis- tributed through all houses on the Mutual_circuit. Washington's Unique Playhouse THE LITTLE THEATRE Between F and G on Ninth NOW PLAYING “Peter the Corsair” with PAUL RICHTER (Star of Stegfried) A Stirring Tale of Sixteenth Century T'alian Buccaneers and Unusual Short Subjects D Jp 13th ush 1 A. M. to 11 P. M. Ken Maynard in “The Wagon Show." Our Gang comedy. Serfal. Laura La Plante in “Home, James." ke and Mike comedy. PALACE ERATED AlR MCTURE WITH LOVE AT MONTE CARLO WHERE MENARE MEN == IR, $= = S = FOX MOVIETONE A Great 224 ADDED ATTRACTIONS FOX MOVIETONE NEWS Hear the Latest News ORGAN SCENALOGUE A Jazz Scenie. PALACE CONCERT ORCHESTRA Harry Borjes. Conductor M-G-M NEWS CHARLES GAIGE At the Console A FRANCO- AMERICAN RE\UE ith THE WILLIAM SISTERS The Norvello AN v v e N7 N < ALl ropolitan Opera Co., in selections from “LA GIOCONDA” CIRCLE 5% ta Rocor. Teane ETTE_LOFF in_“HOLD 'EM YALE JESSE THEATER ™" Continuous from 3:30 to 11 pm ‘SATLORS' ES. with LLOYD HUGHES and MARY ASTOR. COM- EDY. "HIGH STRUNG." TOPICS OF T AY. PARAMOUNT NEW: JOHN GILBERT in “THE BI ADE " DUMBARTON 5738w 5 “LADI! OF RICHARD ARLEN THE MOB." COMEDY. SIDNEY L I HIPPODROME rodisSomortew CLARA BOW in “RED HAIR 1ith AND R. I AVE. i OO A ARRO “ACROSS SINGAPORE. " i o LIBERTY “OLD SAN_FRANCISCO. CAROLINA 38 S0k E JOHNNY 1419 N. Capitol St. DOLORES COSTELLO in S.E. with & © s A Matinee 3 pm in “LADIE3 OF THE PRINCESS ronl 8 SiCN. TOM MIX in “SILVER VALLEY." NEWS. THE COLLEGIANS and TRUXTON ™ %hfiin's “THE SKYSCRAPER." TOMORROW-—"SUNSET _LEGION Buttornut _Sts. TAKOZIA “No*Fircing Troubies RAVMOND NOVARRO In “FORBIDDEN "HOUR3.” NEWS. CAMEO THEATER ™ .fa™™'* TOMORROW — KARL DANE GEORGE K. ARTHUR in RS PR AMERICAN '8oftet*vboks" T ~HAPPINESS AHEAD. F AT FOURTEENTH SECOND WEEK In Response to Popular Demand WILLIAM FOX presents Veapolitan Tove Lyri STREET ANGeL with JANET GAYNOR and CHARLES FARRELL ACCOMPANIMENT Picture ATMOSPHERIC STAGZ PRELUDZ FOX MOVIETONE NEW IT SPEAKS FOR ITSEL FOX GRAND ORCHESTRA Leon Brusiloff, Conducting = gg'.l“llllllllllllll“!é,z . NOW PLAYING In His Greatest Picture TEMPEST With CAMILI:A HORN nd LOUIS WOLHEIM By birth h ant . the arm; love—a disaster . portunity for re he use 1t? i ing romance. tinguished ~ actor most seductive actr e was Ambitior . Fal Russian_peas- jpurres him to brought him Love brought . Then came revolt, . Power—his op- . . Did o erce love died? A most ‘gripping, thrill. America’s most_di and Germany rince Had his ADDED ATTRACTIONS -G-M NEWS M-G-M _ODDITY “THE EAGLE'S NEST” An Adventure Thrill KRAZY KOMEDY KUT-UPS THEMATIC PRELUDE COLUMBIA CONCERT ORCHESTRA Claude Burrows. Conduetinz