Evening Star Newspaper, June 6, 1937, Page 90

12 EVERYBODY NOTICES YOUR SHOES MICROSCOPE SHOWS WHY Certified unretonched photemicrographs This is the Shu-Milk cleaned mate of the shoe on the left. Note the smooth, even surface—still like new! Shu-Milk actually remores dirt, adds nothing to the leather but soft, daz- 21ing white that cannot cake, crack or rub off. Absolutely safe to use. The shoe above was cleaned with a **cover-ovet” type of cleaner—liter- ally “painting” over dirt and stains instead of removing them. Note the cracked surface, the dingy, unsightly appearance that make this shoe un- anractive and undesirable to wear. SHU-MILK cleans as it whitens Comparative tests show an amazing dif- ferencein white shoe cleaners. The photo- micrographs above were taken of a pair of white shoes after being worn and cleaned daily for just three weeks. They show clearly how much safer Shu-Milk is! Shabby white shoes can spoil the whole effect of your smartest summer costume. There is no need for this to happen. Clean yowr shoes with Shu-Milk. It costs no more and it will wot rub off or mat nappy leathers. Shu-Milk is guaranteed THE BEST YOU EVER USED OR YOUR MONEY REFUNDED. Try i’/ BOTTLEOR TUBE “THIS WEEK" gives advertisers BOTH - Magazine Power + Newspaper Sales Punch 350 ~, 8 —— e WOTEL - Wanfair.» "0 Each room with guestcon- trolled air conditioning private bath. radio and other F refinements. Three air- conditioned restaurants, RATES 50% of ull rooms. 23.50 or lens, single: 235.00 or less, double. 8th & St. Charles ST. LOUTIS “Downtown At Your Doorstep™ HOTEL LENNOX...ONLY ONE BLOCK OVER...SAME MANAGEMENT THIS WEEK ITH the arrival of sum- mer many persons will want snapshots of the favorite flowers in their gardens. And the first rule tor taking pictures of flowers is: Avoid harsh lighting. The light between ten and three in the summer is too intense. It is best in the early morning or late afternoon. An angular side-lighting will give roundness and form to the subject. When a flower is strongly lighted on one side, it is sometimes necessary to reflect some light to the shaded parts A white cardboard reflector will help to modify the deep shadows. Close-ups are particularly pleasing. If your camera will not focus closer than six or eight feet, get a portrait attachment (a simple, inexpensive lens that fits over the regular lens). With it you can get large images for striking and beautiful effects. Here’s another suggestion. To make | a particular flower stand out vividly. place a large sheet ot gray cardboard or any other neutral color in back of the flower. It should be placed far enough away so that no shadows fall on it. i Angle shots sometimes add interest. Hold your camera low so that the flowers and upper part of the stems are silhouetted against the sky. If you can get fleecy, white clouds in the back- ground the effect will be still more pleasing. Both detail and shadows should be considered in taking flower pictures. For detail a very small lens aperture should be used. With the smaller lens Have you a ‘“snapshooting’’ prob- lem? The expert who conducts this column may be able to help you. Werite to This Week Magoazine in care of this newspaper, enclosing o stamped, self-addressed envelope. We will print the answers to as many questions as possible. Others will be | answered by mail. Scotch and soda, Middleton,” svg- gested Thompson. “Pete, go mix an- other one.” Pete disappeared silently | from the room as the telephone rang in the hall. “Get it, Bill,”” said Thompson. | Dumb Bill rose and left the room. | ‘‘Middleton,’’said Thompson,softly, “‘you can see how devoted they are, | but some day they might forget them- selves; when they saw me asleep with nothing between my throat and a knife except thin air, they might think of carving papa into a nice new dish. If you know a man I could trust, a man I could bet on for a week, I'll give him a job. Money no object!” “I’lldoit for my keep,”” said Middle- ton. “No!’ exclaimed Alison. She was out of her chair, shaking her head. ““No, you can’t do it!”’ she commanded ““It’s that way with you two, is it?”’ asked Thompson, his expression be- tween a glower and a grin. “‘You didn’t mean it, John,” urged the girl. ‘‘Please take it back. You | can’t stay here — there's danger!” [+ Middleton drew his eyes away from her with an effort. “‘I'm staying if you’ll have me,” he said to Thomp- son. The girl groaned, and went slowly back to her chair. ‘“‘Brother,”” said Thompson, ‘the minute I saw you, I knew I was in luck. Is it a deal?” “It is,” said Middleton. Bill stepped back inside the room. “It’s Tony,” he said. A smile ot hungry satisfaction gleamed and was gone from his face instantly. ‘“He’s coming up.”’ “That's Galliano.” explained Thompson. *“‘If you want a gun, Middleton, there’s one in the drawer of thattable.”’ | “I'll try to get along without,”” said Middleton. “You'll have to go, Al,”” said Thomp- opening it requires, of course, a longer exposure. The picture above was taken at 8:30 A.M. The lens aperture was £.22 and the shutter speed was one- tenth of a second. Questions from Snapshooters Question: 1 would like to know, as a lrack meel enthusiast, how to use a color filter when photographing an action event such as the high-jump or pole-vault — a shot of the jump with a cloud-filled sky for a backgro:nd. (R. M.) Answer: I suggest that you try a fairly deep yellow filter. such as the “G” filter. Take the picture from a rather low point and use a fast shutter speed and a medium-size opening. This should result in the sky photo- graphing very dark so that the clouds ' Voice From the Record | Continved from poge ten son. “‘But tell me why you came. It wasn't to get the drink.” She stood up to go. ‘‘John found two red finger marks on the collar of this coat,” she said. ‘““We thought it might mean something.” *‘He found it, did he?"’ asked Thomp- son. ‘I knew he was good, but I didn’t know he was that hot. I was calling for help, Al; but now that I've got him, you can go on home and forget about me.”’ Middleton took her to the elevator. “Can you tell me anything about Joe in three words?”* he asked. ‘“He’s been everything and every- where — from the South Seas to the Great War. He's half devil and half Santa Claus. John, I'm leaving you with a gun pointed at your head! Are you doing this for me?”’ “Not a bit,”" he answered. “I'm simply thinking about old Luigi and his flat feet; and the nice little moustache of Galliano. Good night, Alison."” She shook her head as he leaned above her. ‘‘No, please,”” she said. “It’s just pleasant manners, you know,”’ said Middleton. ‘‘But suppose I lose him. . . Sup- pose I lose him!"”’ she whispered softly, closing her eyes. **Will you take care of yourself while you're here?’ she asked. Middleton took her cautiously in his arms. She lifted her face to him, though her eyes were still closed. “I don’t know what you do to me, John,” she said, “but you make me as sad as Monday morning, to think of the years that I've been without you. Don’t kiss me unless you love me a little. . . " The elevator came and took her away and he listened for a moment to the sigh and whistle of the wind down the shaft before he went back into the rooms of Joe Thompson. (To Be Continved Next Week) Magoazine Section Snapshooting Flowers - will stand out 1n good contrast. [ also suggest that you use some type of panchromatic film. Theatre-quality movics at less cost Uses e Unive X Cine Film. | Ounly motor-driv- 1 cnNmm. projector undcr $26! Pro- jccts any 8 mm. Rim. IS (catures Everything youneed to take and show clear theatre-quality movies at less i cost than snapshots. 1 UniveX Cine 8" Camcra $9.95 | UniveX X mm. Proje 14.95 | Eveready Case for 2.00 | W Roll of UniveX 60c May Re Purchased Individwally Prices Subject 10 Chante Withont Notice 1 CINE & FALSE TEETH ' Klutch holds’em tight all day~ i “Klutch" forms a comfort cushion; holds the plates so snug they can't rock, drop, chafe or be played with, and not a seed { can get under them. Yow caw ear awd | speak as well s yon did with your ows teeth. Don’t endure loose plates another | day. “Klutch” will end your troubles. | 25¢ and 50c¢ at druggists. If your drug- | gist hasn't it, dow’t weste money on sub- stitutes, but send us 10c and we will { mall you a generous trial box. | HART & CO., Box 2541-F, Elmira, N. Y. Y L