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F—4 Union Station Turns Thirty Years of Age Arrivals and Defaartures t')y Train From National Capital Now Number 55,000 Daily—Increase Is Large. By William A. Bell, Jr. HIS is thirtieth anniversary year of Washington's Union Station, now one of the busiest terminals in the country and gtill one of the most beautiful, from the standpoint of location as well as of architecture. With trains arriving and departing on an average of one every six minutes, with 55,000 peo- ple inbound and outbound throughout a 24-hour day, it is the most repre- sentative place in town of the spec- tacle of restless mankind's moving from one place to another. Now as never before America is on the go. Higher incomes, structural and decorative improvements in rail- road equipment and lower rail fares have pushed the volume of train travel to high levels and more than 20,000,- 000 people a year are flowing through the gateway ot the Washington Terminal. Most of these travelers have tickets for destinations 100 miles or more away. That is a feature of the sta- tion which distinguishes it from others presenting a husier scene—it is prin- cipally a through-train station, serv- ing virtually no large suburban com- munities where rail facilities are used extensively. Under present schedules, the first daily arrival at Union Station is a train from Memphis due at 1 a.m. Between that time and the last train from New York at 11:40 p.m, 113 trains will have emptied their passen- gers on the station’s concrete plat- forms. Departures, beginning with & train for New Orleans at 12:05 am. and ending with an Atlanta-bound train at 11:59 p.m, currently total 116 every 24 hours. And this rail- road men call an “off season"! Sched- ules were far more crowded between December 15 and April 15, travel to Bouthern Winter resorts having been among the briskest in history. Winter vacationists were going to Florida and thereabouts at such a rate that some trains were running in four and five sections and on one day 10 sections of a Florida train were operated. THE immense volume of travel in and out of Washington also is reflected by the fact that approxi- mately 5,000 tickets daily were sold at Union Station last menth, an in- crease of about 40 per cent over the corresponding month in 1936. Ticket revenues, it was learned. have in- | creased approximately 10 per cent. Present train service out of Wash- ington for New York, and vice versa, provides 29 arrivals and 28 departures daily. & reservation is wanted on a Pullman leaving some other point than Wash- ington, the station will obtain it by wire., So experienced are the information and reservation clerks that often they can give the requested information without consulting time tables or rate books. When there has been a change of schedules or rates, however, they are directed not to rely on memory. This was true, for instance, when day- light saving time became effective in numerous Eastern cities served by railroads out of Washington. The longest ticket ever sold at Union Station within the memory of employes in the station ticket office was & round-the-world ticket, paid for in cash. It included boat tickets, of course, and coupons for rail travel abroad. This rare incident occurred about 20 years ago. Just recently a ticket to Mexico City was sold at Union Station, but this was said to be a not uncom- mon occurrence, It is rare these days, according to railroad men, for a traveler to be un- able to secure the desired Pullman | reservation. He may not get the lower | he wants in the middle of the car, but | he’ll usually manage to get some kind | of Pullman accommodation on the | train on which he is planning to travel. That is, unless he waits until the very last minute. When it is foreseen that & train is | filling up, provision can be made | quickly for the addition of extra cars and Pullmans. Around Christmas | time, as many as 100 extra cars a day were being put on trains leaving Union Station. Now this number has dropped to an average of 15 or 20. There is said to be more train serv- ice out of Washington for the East, West and South than ever before. It is likewise believed by railroad men that trains using Union Station repre- sent the most modern development in this type of transportation equipment. They are among the best and fastest in the country is the claim, In speaking of themselves and their duties, Union Station forces are care- ful to omit anything that might be construed as not wholly impartial to | all the railroads which the station serves. | Outdoor Amusements THE SUNDAY STAR Coming Attractions Downtown Theaters Book Films for Next Week. " EITH’S—"Wing’s Over Hono- lulu,” new film about naval fiying, reported to be a bit of all right. Stars are Ray Mil- land and Wendy Barrie. Now sched- uled to open ‘Wednesday. Earle—“I Met Him in Paris” new {ast-fiying comedy romance, starring Claudette Colbert and giving her two well-poised and capable leading men, Melvyn Douglas and Robert ‘Young. Directed by Wesley Ruggles, acripted by Claude Binyon, who made “Gilded Lily” and “Bride Comes Home” with Claudette. Earle’s parade of “name” bands continues, the next being Clyde Lucas and his orchestra, called “the most versatile band on the air.” New show Priday. Capitel—“Parnell,” Metro-Goldwyn- Mayer's screen adaptation of the hit stage play, just previewed amidst praise on the coast. Clark Gable and Myrna Loy are teamed in the leading roles. Due to open Friday. There will be a variety stage bill accompanying, of course. Palace—"Make Way for Tomorrow,” screen version of the novel “The Years Are So Long" with Victor Moore taken out of comedy roles to do some character acting opposite Beulah Bon- di. Due to start Friday, following the current second week of “This Is My Affair.” Metropolitan—"The Story of Louis Pasteur,” picked by many a critic as the best film of 1936, again released by Warner Bros., and will open Fri- day. The dramatic film biography has Paul Muni in the leading role, with Josephine Hutchinson opposite. Cast also includes Akim Tamiroff. — Mitchell in “Hurricane.” "THOMAS MITCHELL, under con- tract to Columbia Pictures as an actor-writer-director, who scored a hit in the supporting cast of Frank Capra's “Lost Horison,” has been placed on “loan” for an important role in “Hurricane.” Mitchell recently completed the screen play for “Life Begins With Love,” scheduled for early production, with Jean Parker and Douglass Mont- gomery in the leads. Bedecked with a glass roof, sliding and removable, the coliseum at the Univ WASHINGTON, D. C, JUNE 6, 1937—PART FOUR Y of Mar; land will be the “roadside,” stage where plays will be produced all Summer, beginning the nigi of July 12, by “Steve” Cochran, long identified with the theater in Washington. < Dance Concert. “Tl'fl SLEEPING BEAUTY,” com- posed by Marian Chace to the well-known choral arrangement of the Tachalkowsky ballet, will be one of the numbers presented in the Spring concert program delivered by the Marian Chace Dance Group Wednes- day night at Central High School audi- torium. “The Bolero,” created by Miss Chace to be danced to Ravel's music, is an- other number on the program, which will include several of the successful production numbers done by the group this year. ‘The dance the group staged for the ‘Washington Civic Theater's produc- tion of “Lysistrats,” “The Baccha- nale,” also will be seen. Club’s Debut. THI ‘Wilson Windjammers, & dra- matic club directed by Forney Reese, sponsored by the Community Center Department, will make their debut Wednesday night in “The Barker,” Kenyon Nicholson's three-act play, at the auditorium of Woodrow Wilson High School. ‘The cast will include William Bar- bee, Mary Evelyn Fuqua, James Parker, Paulin Tracy, Willlam Draper, Robert Burdett, Marion Warmack, Robert Fain, John Guthrie, Kilmer Borty and Richard Burdett. The famous University of Mar; yland terrapin broods over the campus, where Washingtonians will take their drama under the stars on warm 1937 season evenings. Photoplays in Washington Theaters This Week Sunday Open-Air Theater Will Opeiqthollege Park “Steve” Cochran Has Secured University of Maryland Coliseum for Plays Fresh From Broadway and Revivals. By John Jay Daly. IKE the girl who must have mu- sic wherever she goes, the American people must have dramsa even when the regular theater season is over. To meet an inherent demand in hu- man nature, that perennial producer | of plays, Stephen Augustin Daly Coch- ran, s Washington boy born under a stage apron, is going to give the resi- dents of this locale drama under the stars. Cochran will open his “star-flecked” theater this Summer on the Univeraity of Maryland campus—in the university coliseum, to be exact. His company will be the National Players, out- growth of the old National Theater Players, who for 11 Summers held forth on E street. The curtain will be Tun up on the new company's first ef- fort the night of July 12. With the catch-phrase, “Stars in the drama under the stars,” Cochran has been planning theatrical presenta- tions which he hopes will appeal to drama lovers of both Washington and { Baltimore. The idea is to offer some 10 or 12 plays fresh from the province of Broadway, or classic revivals, or Cochran believes that Washingtonians, what with the improved boulevard sys- tems surrounding the city, are eager and anxious to take their trusty steel steeds by the steering wheels and go flivvering into the country in search of the elixir called drama. “Steve's” plan has the approval and aid of his friend, George C. Tyler, vet- eran American producer. Mr. Tyler is willing, if there is a demand, to bring down some of his old-time successes. Other Broadway friends of the Wash- ington impressario have given the idea their blessing. The coliseum where the Cochran- produced plays are to be given is equipped with a sliding glass roof that can be drawn over audience and stage if & thunder shower threatens. At the first sprinkle of rain the roof will be drawn without interruption of the play or annoyance to the spectators. Complete plans for the venture have not been announced. Cochran con- templates a trip or two to New York soon for informal comferences with colleagues in the world of the theater. John McKee, who was for 10 years plays that are right off the pens of | general stage director for Henry W. their authors. THE trend in Summer theater is to | Savage, will be director of the National Players. Associated with him will be | Addison Pitt, son of the beloved stags sbandon cities for the suburbe.! star, Fanny Addison Pitt. With His Ears Widrc_e Open F YOU want to cure your insom- nia, be a comedian. W. C. Fields is famed for the ease with which he can drift off into a restful snooze, whilst all about him are tear- ing their hair as they argue over a script. Eddie Cantor hasn't lost a night's sleep in years—except when he goes to parties, which isn't often. Another blissful devotee of Morpheus is Jack Benny, the star of Para- mount’s “Artists and Models,” who | can speak over the radio to about | 10,000,000 people, curl up on a couch and sleep as hard as if he had been clubbed on the head. Eddie Welch, who has been writ- ing sketches for him since the first Earl Carroll's “Vanities,” doesn't trou- | ble himself about Benny's knack an; more. “It did bother me at first, years 240, when I used to go to his apert- ment in Manhattan,” says Welch, in his armchair and be fast asleep. “I didn't know whether my play was rotten or whether Benny was just naturally sleepy. I would read on, anyway, at the top of my voice, for my own satisfaction. Better a self-audience than none at all. And when I left he would be in a shooza 50 deep that it seemed to border on catalepsy. “The queer thing about it is that he heard everything and could re- peat the play word for word the next day or a week afterward.” It must be a gift, Welch thinks. Benny has it worked down to a fine point. Looking at his watch in the dressing room at Paramount, he may see he has just time for 20 winks, {or 35 or 40, sets his mind for so many minutes ahead, then drops asleep and wakes up on the dot. But nobody says anything personal in Monday “ionE 87 Academy :xm O'Brien. "PaTk n:|ney.” ° Also" “Thr 8th and G 8ts. 8E. Night"|der Cover of Night| . Lesionnaires x "G Robinson, . Robinson, | Edward G. Robinson, Edward G. Robinson,| Jean Harlow and | Jean Harlow and | _Paul Muni and Ambassador “;-'zr‘g Bavioana = Bers Baviccand™ ;;m: Dayis and | Bette Davis and iasonertIsYiociin ,| Miriam Hopkins In 1 3 i3 n (umphrey Bogart 2 & 18th and Columbis Rd. ““%’a'?.’..‘.‘i\'.'é" s nq"l"(fl'"&.fi"n. 1n | Huges fo’ \had. “Kid_Galahad.”__| Also short subjec Love TRonere Tarior? | TRt anart | ARIIESrT | e Yuni and | | Faul Munt and A r k creased popularity to the excur- oY Sobery Tavior “in "7 |“Tne Woman 1 Love” “The Woman 1 Love “Time Out for Ro- | dance for Billy Rose in the elabo- | edition will be issued next Fall as today. A train of eight cars, at that “Personal Property.”!“Personal Property.”'“Personal Property.”' Also short_subject. t i 624 H 8t. NE Also_short_subject. . mance.” Tate 1937 version of his Casa Manana | «;ck: vt slon steamers plying down the Robert Youne in _[Lionel Barrymore in Lionel Barrymore in|Tex Ritter in_~8on& . ucky Star” the title already se- time, v_l'a.;cgnsidered long. Thelgr““s Potomac and back in search of | Arcade e andlIons T L ore Ly Elone L Barrymore) | Tex 'R Gringo.” Vir- | Revue. Miss Hoctor, who is appear- | jected for the picture fé l::r“ ave as many as 14, 15 and | .00 preeses. e “History Is Made at 4 Di Richard Dix in Jack Dempse: Jack Dempse: einia Bruce in “When | ing on the screen in “Shall We Dance, Filming of the screen play will fol- o ; ‘The Wilson Li — Because Washington is the major e ine steamer, City of “History I y in y in ¥ Night.”” Cart. News.|Night.” Playground.”|“Devil's Playground.”| “Idol of Millions” | “Idol_of Millions.” |° Love Is Youne. R-K-O Radio’s Fred Astaire-Ginger | on B i = T |” Greta Garbo and | Miriam Hopkins in_| Miriam Hopkins in_| Charles Starrett in_ | 3 ow immediately on the completion h] x Washington, has Sammy Marks and Ashley Deanna Durbin and | Deanna Durbin and | Grets Garbo and Greta Garbo ani iriam Hopl en Are Not Gods " “Dodge City Trail” | Rogers co-starring musical, will ap- | of Bobby Breen's current vehicle, “breaking point” between the Nortl his orchestra aboard on the moon- s | and South, more switching of trains is oon 7th 8t. 8.W. Binnle_ B Binnie Ba: Robert Taylor Robert Taylor |“Men Are Not God: | 3 nnle Barnes L "’f‘ n “Don’t Tell the Also “Don't Tell the; Also ~The Jungle | pear at the Casa Manana in a ballet “Make a Wish.” now in production _Three Smart QGirls.”|"Three Smart Girls.” “‘Camille.” Wife Wife | Brinces’ © | raned “Gone With the Wind.” H g < light cruise to play for dancers on “Huzh Herbert Hush Herbert on ne Wi e Win €T | under the direction of Kurt Neumann, done here than in most stations. While the cool, breeze-swept decks. And Ashton Doris Nolan in Doris Nolan in role will be that of Scarlett O'Hara. & number of trains are made up at . 2 2 . s . B . ol D with & supporting cast headed by Dt arstn e T ans Eore | SR opier e owr [T opfot {theiTonn The revue was inaugurated by Rose | Basil Rathbone, Marion Claire and % rail, 33 x_Crosh: ~ Bing Cros d last Bummer as the main feature of | Henry Armetta. nccions which have t be witched to | o OF the b boom, or whatever | ') T+ RER | Hae | R e e X 2 o ; g%;&?’:}ffi&e"zxms“;mfiy{s is just as good listening. The moon- | 5612 Connecticut Ave.| “Waikiki Weddine.” | “Waikiki Weddine." | “waikiki '3 | ol K Ciinsieon 20 much attention to Fort Worth that 5 i a v 1) - n ve Is fleet of switch engines. light leaves every night at 8:30 pm.| Avenue Grand eanon FEurn | Plthamic,nd | 8imone Sy and | 8imone Stmon an raaret Lindsav tn| | Dick Foran in | Foung civic leaders invited him to stage it y “‘Outcast of Poker “‘Outcast of Poker n in ‘Song of the City. *‘Oherokee 8trip.’ 3 nd again. The 1937 show opens June 26 It is estimated Lhatm:bout 27,500 Moonlight jaunts down the river are | 845 Ps. Ave. 8.8 Flat.” Fiat.” “Seventh Heaven.” | “Seventh Heaven.” ‘Sea_Devlls. P le arrive at, and t the same W T and Winchell and| Mi; Hopkins and/Miriam Hopkins and ~ Errol Fiynn and | _ Patsy Kelly an e mm leaves, Union Station each | ,f:,pm"um "thhe smn;‘" Potomac, | Calvert wu%;x? ’;fi?‘i!‘:"?.nd wu:x’l;’zjg '351}1'5 lfl'“ | Bt e ',t.’,;im,::‘l’é’ Chases | WommecCmases Anlt oulie R s Bty St for Bobb out here from New York to portray ’ | too. ' “Wake v 2 el ] : 5 Y day. Five or six years ago, arrivals | po- . J:::oe :'n'd' S "g;g‘:;fw:: 2324 Wisconsin_Ave ren " ime March "ot Tir : i YMan 5™ Man. “Green Light." Also serial, ory tor Bobby. their original stage roles in “Dead and departures were less than half | op ot < Aol iun miac ae s CATED Deanna Durbin in | Deanna Durbin in Lionel Barrere, 10| iam Fonell and | William Powell and[Jumes Qunz in “We | IDURCHASE of the story .which will | End.” from bicycling while in Hople: those totals. water in the past and became favorites form the next starring vehicle |wood as the result of one of their When a train has been unloaded Mount Rainter. Md. for Bobby Breen has been announced number having narrowly escaped in- “Three Smart Girls.” |“Three Smart Giri E Affair.” “A Family Affair.” | Myrna Loy in “Al}(l’ Myrna Loy in “ Have O Moments.” wit 1 shi : here it is taken into the yards and | popamecr pupoodrd dancers. The |G ol by Sol Lesser, president of Principal | jury when thrown from a bicycls L o 3 evor 1) Claire Trevor in the Thin Man the Thin Man.” Also “‘Courageous e rtaon, = A oo 'gr;'fo?'.‘fif.rk “Star for a Night." | _Cartoon. News Cartoon Avenger” and_serial. 3 | Potomac’s moonlight sails 3 i gone over thoroughly. It is cleaned, | oyery syoning . LT ShLS 8¢ 345 | Productions. The producer has just' upon the studi water and electric sources are re- 5 Tuesday Wednesday Thursday Friday I wford. ““The|Joan Crawford. ‘'The|Alison Skipworth and| Alison Skipworth and, Tatt O Mri Crevs | Lash, oF Mesc Crevs| Bollo Mavbn on Fng Aonon,Bxizuerth and 2 ney.” ~ Also “Three| Wi " Also| W ids " Lesionnaires.” Saturday Peter Lorre in ““Crack-U, “and read my play to him. After | the interim, for if Benny's eyes are Such a picture of travel-at-a-peak the first line Benny woulfi sink back | closed his ears are always open. contrasts sharply with the scene of three decades ago when Union Station was opened. In those days stntion‘ Parks Ofier Heat platforms were shorter and wooden | 3 Rellef passenger coaches and Pullmans meas- 3 ured only about 50 feet in length, AT AR compared to the 85-foot steel cars of | I AST week's weather brought in- | Apollo Moonlight Cruises and 1ds. s Tim McCoy in “Light- cret_Valle: - se 0 “Becret_Valley.” | nin’ Bill Carson. Scarl:tt in Bfille‘. acquired the screen rights to the % best-selling European novel, “Katzen= ARRIET HOCTOR, America's in- | nqii » written by Renee Fuelopes ternationally renowned ballerina, | Miller and already translated into ,, of dPol"‘ has arrived in Fort Worth. Tex., m{ 19 foreign languages. The American " Charles Starrett n Dark. “Code of the ange Ann Dvorak in if just to out “Midnight Court.” i the yard, there are a number of con- you just want to sit out on the | Arlington. Va. George Murphy and | George Murphy and |Josephine Hutchinson Doris Nolan N Hugh Herbert in Doris Nolan and George Brent “That Man's Here g in n in in Aza aikiki_Wedding.” | “Top of the Town.” | “Top of the Town.” | “Mountain Justice.” | Qur Gang comeds. Verboten. AMUEL GOLDWYN has forbidden any of his six boy actors, brought Ty C 7 Ty Cooper an Lée T Lee Tracy in Joan Blondell and” | “Joan Blondell and | Dorothy Lamour in AL e DA awyer.” | “Criminal Lawyer.” | Fernand Gravet in | Fernand Gravet in | Jungle Princess.” in Martha Sleeper in | Martha Blecper in | “The King and the | “The King and the | Ann Dvorak in “The Plainsman.”_|“Fou ‘Four Days' Wonder.”| _ Chorus Girl." __| Chorus Girl __"Racing Lady.” _ “Time or Ro- | “Time Out for Ro- | Barbara Stanwyck | Barbara Stanwyck |~ Lew Ayres and | Karen Morley Warner Oland mllg‘tl xlnfl mance” and and Joel McCrea in d Joel McCrea in | Ruth Coleman in Robert Baldwin in n *“The Woman I *“The Woman I “'Internes Can't Take|“Internes Can't Take, “The Crime Nobody “Girl From Sco!llnd"'Cher- Chan at the Love.” Loye.” Money.” Money.". Baw | Yard.” Olympics.” 11th and N.C. Ave.8.E. supplied, the locomotive is taken to | the roundhouse for inspection and | each car is examined by men from the | mechanical force of 1,000, exclusive of | the Pullman men who condition the | equipment of that company. DANCING. The Edward F. Miller Studio | 814 17th ST NATIONAL Ros3 ? t _We Teach It. _° E BAL'LE | - or do me g DANCING. There's dancing in the breeses over | Central at Seaside Amusement Park also, and | 425 Sth 8t. N.W. i g they're breezes wit! it o’ tang | Cy Olivia de Havilland | Olivia_de Havilland : A Circle and Tan Hunter jn | and Tan T | JShiney Rors in 8Shirley Ross in rea in g “Internes Can't Take ““The Woman Alone." % 1 of salt water in them, for the danc- “Call It a Day.” ‘Call “Waikiki Wedding.” | “Waikiki Wedding."” ing is on the pier jutting out into | 2105 Pa. Ave. N.W. N.",x Cartoon. N ._l Cartoon., e Comedy. i Comedy. Money. " Also comedy.| Money.” Also comedy! _ Comedies. Many trains do not receive this at- | :g};:f?fn?k:t B;:;sml;ot t.:; oltnh:];d:; colony nfl::?r{&"fi’.;:d "u":yffii";{-:g'" 'fl::fi:}:‘;{.;{m Denrl;:’t‘{‘:{gr‘yn and °'°‘5&.‘.‘:fi§f‘.’n'“" Edward G. Robinson| George O'Brien tention, of course, as they are through | swimming, an almost 'mue_io“ board.- | 8- Ave. and Parragut| «waikiki Weddine.” | “Waikiki Weddine.” | “Waikiki_ Weddine." | “Top of the Town.” | “Top of the Town." 2 trains and remain in the station only | walk and a half-mile fishing pler. Dumbar!on Edward Arnold and/Edward Arnold and| Ann Dvorsk and Joan Crawford in wiord in Joan Enw!ord in 25 or 30 minutes at the longest. The Crystal Pool is doing its share, | LA1 Wik Ave. K.W. an Ci Francine Larrimore in Francine Larrimore in| Smitn Ballew in ?h:'mx‘.:;:“g(” Mrs. e ooy, | peade s o Gomedy. | comedy. News. Comedy. . News. medy. _News. Also_serial. health children: %3 per mo.: private o TATION s\])tho;lties ;re th".lforme;:: 100, to make life pleasanter. The Glen Fairlawn W. over railroad-owned telegraph | Echo Park swim plant opens eve wires of the movements of all incom- | morning at 9:30, doesn'cm;elose una S [urp} Walbrook and| Bris levy and , d d 1581 3 " | sons day or evening. 1329 M St. Doris Norfl'r‘x’nf“ M&:fi.‘%fi'&‘l‘;’x;‘“ 5:1‘5“!:‘:‘x:ch§:p¥::lle‘ A:l‘l::‘hefl: .{fl‘:n in ?r'.':mbf '6::{9 n and_ Ian Hunter in | Wallace f;’:er‘; and | Natienal 3341. ing trains. This enables them 0 plan | 11:30 at night. The wate is sanitised | Hippodrome how to route the trains on station | and there's a sand beach adjoining for | g near 9th & e]es . | in “Quality Street.” | “Soldier and_the | “Midnight Taxi.” | “Call It a Di Jackie Cooper in “Top of the Town. Top of the Town.” | in Quality Btreet e & . LEILA FOWLER tracks and to inform the public of the | syn worshippers. There's dancing in Bing Crosby and Bing Om-hlt. Martha Rave Cartoon. |_Lady.” Betty Boop. Pictorial. Cartoon. “Treasure Island.” Sqark Oaple In | Victor Melagien Ta| Victor McCagien 1 Ballroom Dancing SUMMER RATES progress of trains. the Spanish Garden 'ball room to Home CLLEIRLID = 8 One of the “musts” of station pro- | music by Dave McWilllams' Orches- | 13th and C 8ts. N.B. | «waixixs Wedding.” | “Waikiki Wedding.” “Men i ite " Martha Raye in | Deanns Darbin in | Deases Doris: 1 Atlontic 6238 Telephone after 7 P.M. . cedure i that train crews report to | tra and all the other 50-odd attrac- esse Annabella and Annabella and | Bing Crosby and Bing Crosby and the station forces immediately after | tions are in what is known as “full J 2 Henry Fonda in Henry Fonds in Martha Raye Mariha Rave | and Joel Mo “Hideaway Girl.” |“Three 8mart Girls."!"“Three Smart Girls.” 4 “Wings of the Morn-|““Wings of the Morn-| in in 2 t 8 anc their trains have been emptied of pas- | swing.” ing.” ing.” “Waikiki Wedding.” | “Waikiki Wedding Money. Lew Ayres and |°T Promise to Pay. | 110 Maryland Av. N.E. ree Brent in| Olivia de Havilland in| Ruth Coleman in | “The Mi Mountain Justice,”| " “Call 1t a Day." | “The Orime, Nobody ecd oney. ° . e e he Cool sengers. This is usually the job of A Do s Neen e HushEHerhert Cod Charles Btarrett in o m t e 00 the conductor, who is as much the “Top of the Town.” | “Top of the Town." A 's Here “ThntAMan Here | “Dodge City Trail. ‘Rlc:e‘liurl in “. é 5 Sy Z vy gain.” xile.” | master of his train as a ship's cap. e FeneT e T e | Canellis Dance Studios Who Are About to| Who Are About toiin hrail ef o wer Summer Course Die.” Also “Paradise|Die.” Also “Paradise Express.” Express. " Bing Crosby and | Bing Crosby and | | C | “Barbara Stanwyck | Sylvia Sidney and and Joel McCrea in Oscar Homolks in 'Cause good b dancing—is in Thunder fn the Ereat fun— “Hollywobd Cow al_Nert £ boy. " MAE DAVIDSON | Joe Cook and | Reduced rates for summer. Ballroom classes June Martel in ‘Tues. and Thurs, from & to 11 p.m. Teach- “‘Arizona " Mahoney.” | ing 8 to ® p.m. practice 9 to 11 pin. Tap, velops poise and 3 trace — brings P O PULARIT; creates a WI NIN| Robert Youn in ‘Dangerous Number.” Alice Faye in ' ‘Sing. Baby, 8ing." Josephine Hutchinson| Joe K. Brown in | Robert Younz in - “When's Your Birth-| “Dangerous Number. teach 'y ou day?” ice Fave in DANCE Deautl’ Cartoon. News. ! “Sing, Baby. Sin _“March_of “Tim Barbara Stanwyck | Barbara Stanwyck bert Young M and Joel McCrea in |““Dangerous Number.” “Internes Can't Take| Betty Purness in Money. "Fair Warning.” George ‘mnExéu 18thnr. R. I. Ave. N.E. Drop in; appointments mot required RUMB * e Dark. Shakespearean Comedy. | fals Church. va. ‘HE romantic country of Navarre Lido Is Here to Stay— Learn in 5 Lesson ““America’s Noted Dance Master” (Over 40.000 Pupils in U. 8. tain is of his vessel. He is supposed Preston Foater in “We to report any irregularities—whether Charles Boyer and | Charles Boyer an in the time of England’s Q 3227 M 8t NW. Hieors r Mide e =y ueen 2 . NW. i there has been damage, accident or | Elizabeth is the scene of Shak peare’s | NA: AEIENL U s ta i —_Navy Blues.” _ L — |- & X June 14 te August 21 injury, however slight; whether there o8] Milo Mitiam Hopkins, "W Patricia Ellis in William Powell and | William Powell and = (3 n o . We're Private Lessons “Love's Labour's Lost,” to be played man Chases Man.” Chases """ |“Step Lively, Jeeves.” Myrna Loy in “After | Myrna Loy In “‘After (in the Legion Now. has been complaint of rough handling Tuesday and Wed: f Rock: Jack Dempser in Jack Dempsey | Cartoon. ‘Doctor’'s Diary.' the Thin Man. the Thin Man. Gene Autry in “‘8in « nesday even 1 ockville, Md. & 3, vs. 3 : of the train, sharp stops, jolting starts. Y 2y s in Idol_of Millions. New: | Cartoon. ing_Cowboy. i Baliroom "Nl)n‘ciy ?kcl:!l Nso Serial and the garden of the Alva Belmont House, | [ ; Wrnvar vy Diana Wynyard and (Diana Wynyard and | Diana Wynyard and | Diana Wynyare The station forces, in turn, make a heagqunu:u of the National WQn:':x:'n Little D T D AT | D e Broske '(‘:Tm:grmn Giive Brooke e Brsatetnd list of any such occurrences and sub- Party. . Oth between P and G lc mit it to the railroad involved. ¥ Clive ‘glmki Clive IDXWK! n “Oavalcade.” “Cavaleade.” alca al “C Next to the actual handling of | . F1oMas Enzor will play Ferdinand, | Palm HoBrintia ™| Tand Pnn Hevwn trains th i King of Navarre, and Mary Crowley /omi " Chases in b e e o iata= | Wil be seen as the Princess of France, | DlRar, Ve | e tn. San S e mit parade | e gt - . 5 ¢ a| Wi M Valter Winchell and|Miriam Hopkins and|Miriam Hopkins an public contacts—ticket sales, Pullman | Ohers in important roles in the cast | Penn Bon’ Bernie ""f' Ben Barnie | Clive Brooke n “Cavalcade.” and .. Robert Taylor in .| “Bersonal Property.” inee at 1 Tap or Spanish Or 20 PRIVATE and 8 2-Hr. CLASS with Dancing Enroliments Now to June 15 Convenient Weekly Payments Chil s Clamses, 8 weekly g6 “524 (1th St N.W. Dist. 1673 ces Lanxford Pr New York—Pittsburgh—Cincinnati and Phil Regan Rates Greatly Reduced! Stage—Tap—Beginners—Advaneed AIR-CONDITIONED 1811 H St. NW. NAt. 3767 “Don Martini Conducts this Branch” |_Matinee at 1 p.m. _ Pats: ol McCren oel McCrea in Ronesy Kelly and reservations and information and the | 4irected by Maurice Greet will be Ed- Snw & No Vacation Blues For SMART DANCERS Hush Herbert Miss Lord won footlight recognition and s screen contract with R-K-O largely as a result of her wark in the Pulitzer prize play, “The Old Maid.” Miss Roberts was with Eva Le Gal- lienne's repertory company for nine years and has subsequently appeared Robert Taylor gy o| ene Autry in 3 7, Ride.” 'oman I Love.” ins in | Henry Fonds in oman I Love.”| “Wings of the Morn-| “That Man's Ners Also_short_subject. ing.” Edmund Lowe in Include dancing lessons in your va- cation plans. A good dancer makes friends easily—is always invited to share in all the fun. If you want your vacation to be the best ever— glowingly different from the work- y June The Holy Terror. | “Night Waitress.” Live Once.” | Only ; “Cireus Girl." istmas, i dore Freter, Eccles Huff, Ted Tenle, o i usuiatbniuay Esster 7| Reed one Power in Tone Fower Tyrone Power in Qinger Rogers in | Gineer Rogers in | Ginger Rogera in : 8 a Questions, “What time can I get Dual Film Debut. Richmond Dark, Anita Louise in | Anita Louise Helen Burgess in | Helen Burgess in | “Good Old Soak.” | “Good. Od- Baasr Moir and | Lowe "X Jowe and Ereston Fomer in | B "'": ;":‘ e e TRaGge “Bvens™® | am Aves and, Dick Foran in ark Gable in 7 pis 6! st of Poker | *“Outcast of Poker - do I take to make the best connec- | “Borden Cafe,” current R-K-O Radio | 3030 14th gt. M. L il Flat. .y Ccast ahort_sublects. ."_|_“China_Passage.” | “Too Many Wives.” | “Too Many Wive How do you get to Constitution Hall? [ San Francisco is her home town— tion clerks in the ticket office. It is T n Une iness. u-&;’nfi; J» . % ipe] 5 ._News. “Easy i . clerks which handles Pullman reser- | in “Searching for the Sun” and the opkins a: lls and | _Annabel The Mauch Twins T¢ Armstrong ake Usand Live.” Ran st | TWORRD, Ghases “Nobody's Baby.” “Wake 2atal L ASER mMAn ot by handling of baggage. ward A. Finlayson, Charles Grunwell, Jane Withers in | Marsot Grahsme in Bylvia Bidney In “You| ravis in Two or more men—more during |i'; Theodore Pield, Leila Carrington, A arc in| Merie Oberon in | Mer sKIpvorth and Mor Alzo “Riders of the rush periods such as occur around | MYl Rhine, Marcella Bertram, Theo- | 1oth and B sty N ‘Hands AcrossTable.”| “Beloved Enemy.” | “Beloved Enemy.” lin “Two Wise Maid: Whistling Skull" T Loretts Youns and | Loreita Youns and | Loretta Young and | Fred Astaire and | Fred Astaire and | Fred Astaire and end cherry blossom time—always are | 81 eodore Smith. E b | “Cafe Metrovole.” | “Shall We Dance?” We Dance?” | “Shall W kept on duty in the waiting-room in- Alexandria. Va. Carpsurgpale” | Ship et | “Chrtoon. News. | ‘Cartoon:_News. | - Curioone_News. | ol e News, formation booth to answer travelers’ George Brent and | George Brent ‘x’xfl John Trent and John Trent and Wallace Beery in ‘Go- : "Go-Getter.” “Doctor's Diary. »| “Doctor's Diaty. ‘Cartoon. ‘Cartoon. & train that will take me through MAR-’SR;E L%Rlifl:fl Leona Rob- | lexandris, Va. e SR R sloon,. Newh | cariaen.’ Newk News. = ::.;_“ - to Walhalla, Ga.? How much is a erts, New York stage actresses, Jean Muir anc Je ove w Ayres an argle Lombard an ticket, to Phoealx, Ariz? What train |37¢ making their screen debuts. i | SAVOY oetean "oTokny | Joretion Foster in Mac e T R Cyime, Nobody | “Crerokee 8irip.* | “No'Man of Her aw.” e 15 ! i ‘More| Edmund Lowe in “Un-| Edmund Lowe in ~Un-| toins with the Pan-America: plane | 8dventure-romance, starring Harry Pors | Kashagine, Besburn |Jean Arthur in “More A e ¢ Night.”|der Cover of Night.” for Havana at Miami? Where do you | Carey and John Beal. Qu % Gt et | ThaR. e ety AI-starcast on, | e Bhiles T | S Ane Bherier T Bebn oixces carlo goltojthe Cathedralo | ASRDMAYE dughietof {Californiac AL Jean Harlow and | _ Paul Muni and ‘Paul Muni and Annabella and | riam Hopkins in | Miriam In addition to the human en- eyclopedias in the waiting room there aye half a dozen telephone informa- these who know the answers when it in you call National 2760, X erlop. Then there is another group of Also e Four Broa Josl L in He 7"‘:’3?m“‘?.. and gmeglmnl% and Errol Flynn in vations, Before them are shelves |recent dway hit, “Stage Door.” ‘oman =4/ of the Morn-| *"fne” po d | “*The Prince and which can be slid back and forth | Their roles in the film mark the first Shame o, e o) T Pauger.t the Pauber.” across a long table and are stocked | time they have been cast together. a-day world you leave behind—make your dancing faultless, At the Leroy H. Thayer Studios, understanding, expert instructors will teach you to dance the way that is correct and smart—that your partners are sure to enjoy. All private lessons are given in indi- vidual studios. Call for guest lesson and dance analysis—without obli- gation. Studios open daily from 10 to 10. __in, the Pauper.” Betle Davis and. | Jean Arthur an Humphrey Bogart in a ."_|_“Marked Woman.” hrey Bogart in|Humphrey Bogart in Hack. Legion.” “Black Legion.” Lawrence Tibbett in | Lawrence Tibbett in “Under Your Bpell.” George Murphy and Bette is and R Doris = lolan Hulnnhn; Bogart JO4 R. I Ave. N.W. “"Top of the Town.” | “Top of the Town.” | “Marked Wo: MacDonald [Jeanette MacDonald u-'::"l:el‘mn xady | “and Nel:s‘o‘n Toay |Humy n “Maytime.” __ “Maytime.’ Walter Winchell and| Walter Winchell Ben Bernie in | "“Ben Bernie n Bernie in 5 14th and Park N, | Thdarch ol “Times Arch "of i Mareh "ot “Timec Paue Hars Tortheaming Golumbia. prague: | U RSRTST | e Nonor e | Setn Mapn, | Cm s ane | Ce Ml navane <, aion WHEN you call a railroad’s city | tion, entitled “The Sound of Your ptown Personal m_g-r?v." “Personal Property.”|“Personal Broperty.”| *'The. Woman 1" | MU HOPER' 1™ | erhundl® 1n sbe R K . Conn, Ave. &Newark8t.| “‘March of Time.” | “March_of March_of Time." Love.” Love. ____ Gty |“Secret Agent X-5. ticket agency to make a reserva- | Vofoe. W ] “Paul Muni snd | Paul and Paul Muni and and| Walter Winchell and| Walter Winchell and tion, this office, in turn, calls Union | The story was written especially for Wllsoll I ‘é‘%’klm in | Miriam Hopkins_in Beknie in Ben le‘r’me 1 _‘l#:lrs\u-gh o er - Btation by dialing a single digit on & | Miss Moore by Btephen Morehouse | arimston, Va. e X TOA Sveman e oA Sver * “Livel ve.” er u o - direct line. A panel of lights on the | Avery, famous author and magasine W ur and | Jean Arthur and | _ . = station reservation table is marked to | writer, and has been sdapted for the | York 2y il "Eg;.u ..fi:-fl:,i- B stanmaa| 1215 Connecticut Avenue X MEtropol{fan 412}, indicate which road is calling. When | screen by Jane Murfin, Sa. Avo, i GRsOTL “Tew of Tovar | "gos of Tora” . "’ 4 i ) i I ‘ | 1 ‘ o f d | Jean Arthur and Charles Boyer in | Charles Boyer in “History 1s Made'at|“Histor with charts showing available space not only on every train leaving ‘Washington, but on every car of that . train for six months to come. The ELVYN 'DOUGLAS, Columbia's | 12koma charts are adjusted to conform with contract leading man, who | Takoma Park. D. C. the reservations made through down- | played opposite Irene Dunne in “Theo- Tivol town ticket offices or by ticket sellers | dora Goes Wild,” has been selected at the station, 1 “Fair Warning.’ 'y Is de at Joe Cook in _ Night.” ____ | “Arizons Mahoney.” Jean Arthur Opposite Grace Moore. “Fean Arthur Richard Ar Betty Purness in 5 8 _“Fair_Warning.”_ 1 d the Errol FI Al Patsy Kelly and T e e e ehatey Kally and, “The grlnu and the “The Prince 4] d & y's Baby.” 'auper.” r.” n n “History Is Made | “History Is Made __at_Night at Night Also_serial. Gary Ceoper and w and Forever.”