Evening Star Newspaper, November 10, 1929, Page 57

AMUSEMENTS. Flashes From the Screen By C. E. Nelson. HEN one glances down the list of photoplay at- tractions in Washington this week, he is inclined to think that good things come in batches. garden variety and then there is| a burst of movie splendor. It is’{ natural that all this does not come about through accident or chance.l It is the law of competition, which | holds good in the photoplay game | as elsewhere. One theater adver- | tises a super production, another | theater must have an attraction | which will draw a certain part of | the box office cash. Therefore,| when one outstanding picture| comes to town amid a blare of | trumpets, it is quite likely that other theaters will be making good | showings in order to hold up their own ends. | All this, by the way, brings us to the excellent list for this week. | At the Metropolitan we have| George Arliss in “Disraeli,” which | has made a decided hit in Newf York. Modern photoplay methods | and the use of sound should make this. Arliss play into an even greater success than it was on the stage. There is that glorious mus- ical affair, “Rio Rita,” at Keith's RKO, and from a glance at the| advertising trailer of a week or| so ago, John Boles and Bebe Dan- iels will be “packing 'em in” along Fifteenth street northwest. Fol- lowing the policy of “big picture month,” the Earle is showing Col- leen Moore in “Footlights and Fools,” which is another elaborate music-and-dance affair. The Fox, not to miss some of the big-time stuff, is showing “Frozen Justice,” starring Lenore Ulrich; and, of course, there is another of those Fanchon & Marco Ideas for the lovers of vaudeville. A Washing- ton favorite, Joan Crawford, holds the screen at the Palace in “Un- tamed,” together with plenty of stage dancing, singing and fun- making. “Shanghai Lady,” with Mary Nolan, is the big attraction at the Rialto. At this writing we do not know whether this is a version of “The Shanghai Ges- ture” or not. But probably not. The screamingly funny Moran and Mack are being held over for another week at the Columbia, where they are approaching box- office records. So, you can pay your cash and take your pick, and you cannot make a mistake. The Little Theater is reopening with the British picture, “Pica- dilly,” featuring the well known Gilda Gray. The comfortable little playhouse has been closed for some time and it has now dropped from the control of the Film Guild, John Klein being the new manager and promoter. “Pica- dilly” has met with unusually good receptions wherever it has been exhibited in this country and abroad. * k kX THERE is corsiderable interest in the method of turning American - pictures into foreign pictures. That is, taking the Hol- lywood product and giving it French, German ' or Spanish dia- logue. This is not an easy task, as has been discovered by the| studio workers, and yet Ameri- can films must have foreign pro- duction in order to make them really profitable. The newest pic- ture to be given German dialoguc is “Lummox,” and the finished product is an evidence of the in- genuity with which American pro- ducers attack their problems. It was once understood that the mo- tion picture was a sort of inter- national language, but with the| perfection of the sound devices; this has ceased to be. The German version of “Lum- mox” was made b¥ Fred Zelnik, who is well known in this country and Germany. He took a print of the finished picture as it was made under the direction of Herbert Brenon, played it over and over again with painstaking care, and finally had a German version made which dove-tailed exactly into the one in English. In other words, he simply studied the American picture as though it were a piece of music and substi- tuted beats for the English sylla- bles, beats to be replaced by Ger- man syllables. It is said that, with the com- pleted German version, one can occasionally notice that the voices are not exactly synchronized to their sounds, and yet it is surpris- ing how often the German words fit exactly into the mouths of the English speakers. Of course, these are “faked synchronizations,” but there is no doubt that many of these have been produced with our own American pictures. It remains to be seen just how the German audiences will react to the shopmade versions of the Hol- lywood pictures. It is probablc MARY NOLAN Efi SCREENS MOST BEAUTIFUL STAR—_OIN For a week or two| the pictures run to the ordinary that, in the future, pictures for foreign exhibition will be pro- duced with foreign casts. The | first experiments are being made | in a London studio. * x % "THE Ontario Board of Censor-| ship has barred four well-| known American pictures—“The | Cock-Eyed World,” “The odless Girl,” “The Thunderbolt” and “Dynamite.” In the case of “The. Thunderbolt,” starring George | Bancroft, the censors decided that the majesty of the law was not up- held in the story. “The Cock- Eyed World” has gained a point, inasmuch as the censors have de- cided that they will give it fur- ther consideration. £ e THE musical situation of the photoplay theaters now settles | itself into a long drawn-out argu- ment. The American Federation of Musicians, through full-page space in newspapers, is firing broadsides at “canned music,” and the motion picture men come back with a statement that the theater music is better than ever before. Here is a word from the musi- cians: “If the theater-going public ac- cepts this vitiation of its enter- tainment program, a deplorable decline in the art of music is in- evitable. Musical authorities know that the soul of art is lost in mechanization. It cannot be other- wise, because the quality of the music is dependent on the pres- ent mood of the artist, upon the human contact, without which the essence of intellectual stimu- }azéon and emotional rapture is ost.” And a word from the sound pic- ture producers: “The artist must be in some kind of mood when he is called upon to fiddle for synchronization. This mood dribbles out of the horn into the hearts of the audi- ence just as surely as if the player were perspiring in the orchestra pit. Moreover. mechanization, in- stead of sounding the death knell of musical appreciation, is spread- ing this same appreciation every- where. The motion picture and the radlo are introducing the masses to good music, are educat- ing them to like it and ask for more.” Of course, each side has more to say on the subject, and in the meanwhile the American Federa- tion of Musicians reports a big war chest and a willingness to enter the battle wholeheartedly. * ok k% LONG this same subject, Law- rence Tibbett of Metropolitan Opera fame says that the sound pictures are leading to broader cultivation of music. Here is the way Tibbett looks at the matter: “With other singers, I cannot ap- pear in small towns, but the peo- ple in the small towns can see and hear the new pictures. They are enabled to become acquainted with the great artists and the great music. And they can even get a better idea of real music than by going to the Metropolitan, where the voice is often Jost in the volume of the orchestra. I look upon the sound pictures as a possibility for a new musical form which will be definitely American.” Tibbett is appearing as the leading singer in the Metro-Gold- wyn-Mayer production, “The Rogue’s Song,” s0 one cannot con- sider him entirely unbiased in the matter. Fat contracts are fat contracts, even if they are made with the movie companies. * X ¥ ¥ ILD Life Among the New Pic- tures—Arthur Hammerstein announces that he will produce talking pictures for the United Artists’ "Corporation, and that within a month or so he will begin work on four all-color, talking, singing and dancing pictures. The first will be a musical version of “Bride 66.” John Ford has started work on “White Flame” for the Fox Co. There will be-no women in the large cast, Douglas Fairbanks, jr., has the male lead in “Dangerous Busi- ness,” and Marie Prevost plays op- posite. Betty Compson and Eddie Dowl- ing are featured in “Blaze o’ Glory,” and the picture has been made in Spanish and English. John Barrymore's new starring vehicle, “The Man,” has been com- pleted at the Hollywood studio of ‘Warner Brothers. The next picture to star Dolores Del Rio will be “The Bad One,” and George Fitzmaurice will direct. for United Artists. It is said that the story is unlike anything Del Rio has done. “The Humming Bird” is Clara Bow's new picture. THE SUNDAY STAR, WASHINGTON, D. C, NOVEMBER 10, 1929—PART FOUR. Photoplays at Washington Theaters This Week Sunday Monday Tuesday Wednezday : Friday Saturday Golleen, Moore “Pootlights ard Fool Colleen Moore Colleen Moore n “Footlights and Pootlighte and tlishts Wi “Gol Tner Bros. id Digsers of Broadway.” Trier Bros. ld Dicgers of * ‘Broadway. Glenn Tryon_in “Barnum Was Right.” Varlety' reel Mermaid_comedy. Bessie Love in “The Girl in the how "~ Song _reel. o Vitaphone reel slter Huston in r NOVEMBER 10 Wi “The Lady Lies.” Variety reel. Walter Buston in “The Lady Lies.” Charles Rogers and Naney Carroll reel. in subject. Charles Rogers and Jeanne ™ “Jeal vitaphone reel. Sennett_comedy. Nancy Carroll o Dolores Del Rio Jnck Oakfe and s ol FEvelyn Trent In Evang>line Fast Compant * Vitaphone el _ Mermaid_comedy. , Ambassad’r Vitaphone _subject. Apollo Walter Huston in Avalon 5 Variety Yitaphone Walter Hrston in “Tne Lady Lies.” Vitaphone_reel. cv_Carroll & Hal Skelly Variety reel Nancy Carroll Hal Skel n “The Dance of Life." in “Tilusion.” i“and iy Jobn_Gilbert n " lorious Night.” Hiifashone teel Virginia Valli in “The Isle of Lost Ave. Grand iE e o o Vi “The sl Ships. Vitaphone_reel. Claudetie Colbert and ‘Walter Huston in irsints Valli in “The Lady Lies sle cf Lost c\g'g.anie Colbeit and “The Lady l.hlli Dolores Del Rio in. “Evangeline." Vitaphone_reel. alter Buston in Vitaphone T ot | Skelly_and Jack Oakie and !yn Brent in “Womantrap Vitaphore ree Joan Berneit and Ciaude Allister 1n ree Live Ghosts _Nitaphone ‘reel oy Ships. Vitaphone _reel. Carolina Billie Dove and Rod La Rocaue in ““The Man and the V.oment.” Vitaphone George Bancroft and Richari Arien “Thunderbolt.""_ George Favcett + Belle Bennett liam Coilier. “The Power of e of b Corin riffith, Edmund Towe and Louise Fazends in “Onteast.” P Circle Corinne Loulse Fazen: Griffith. —B. Warner and Guliha Baith Stewart' i “The Remance of a_Roque.” mund “Outeast. glas Fairbanks n ‘Flontinz_College." Sallv O'Neill and William Collier, jr, Ricardo Cortez in “The Gun Runner.” Eddle Leonard In K le Lsonard. Ken Maynara i e Glerious Trail” Central “Vitaph Nove!! £ fsy Ruth Miller in Patsy PR Fail of Eve”" THH e re Warner Oland in_ “The Mysterlous, Dr. Ruth Milier in Eve. anchu. Vitaphone reel. Fall of itaphone reel. Novelty reel. Warner_Oland in “The Mysterio cl Tie Colbert Clt¥arier Saston tn ¥Phe Lady Lies. s, Br. N Vitaphone _reei and i tn audette Colbert and Walter Huston i __Vitaphone_reei 01 Jack Oaxie in “Fast_Company. aramount_subject. Vitaphone_reel. Colony st Corr| Vitaphon John Gilbert “His Glorious Nij ed ght.” monut_subject. jewlyweds crmedy. Hal Skelly_and Eynivn Brent in Monte Rius in “'No Defense.” Novelty Song re Senneit Ruth Tavior and William Collier. ir.. in “College Coquette.” ne_reel Jeanne Eagels Dumbarton Betty Compson and Grant Withers in - Place and Comedy. “Mary Duncen and dmund Lowe in Lo ru\llh Different ves.” tion.” Paramount News. Ciara Bow in “Dangerous Curves' Comeds. Pla; Family here."" “Over TI Bennett comedy. Antonio Moreno 11 “Midnisght Taxi. Comedy. sn Sennett - shots. Georze O'Brien in “Masked Emotions.” ‘amedy. Fable. Duran Comedsy. Hippodr'me Trial of Mary Dug: G George Bancroft in "'{'Eundz{‘holv,.” eorge Rancroft in "“hunderbolt. indi . Snapshots omedy. Snavshots. Sally Phipps in “Protection. * Metro_act. Jack Oakie 1 “Fast_Company Vitaphone reel. Eddie_Cantor reel Wallace Beery in “Chinatown Nights. medy. Snapshots. {2 Leader el Eddie Cantor reel. st_Comi n itaphone e “Hig Gloricus Night.” Sk Naney Carroll “The Dance of Pable. “Barnum Was R Glenn Tryon o . Technicolor reel. D iiate Yeave. Varjety Colleze Vitaphone_reel o “Woman in the OV ere.” rht." Comedies Comedies. n “Come Across.” Comedies. Dolores Costeilo in “Madonna of Ave- Ruie A Comedies. Jack Mulhall in “Dark Streets.” ‘Snapshots. Liberty Comeds. Over There: “Black Magic.”" Comedy. Cartoon. “Devil's Chaplain.” Comedy. June_Collycr in “Not Quite Decent.” o3 3 Cartocn. Qe Tim McCoy in “Sloux_ Blood.” Comedy. Comedy. Ton Chaney ere East I Comedy. Princess in Lon s East.” “Where Marceline Day in 's_Last Case “Trent’s Comedy. News. ch Ea ey 1n 1s East.” Comed: gias MacLean in Serce Made Easy. Comedy. Petty Bronson and Buster Collier in “One Stolen Night." News. Touise Pazenda i1 ~House_of Horrors.” Comedy. News. Dark. Richmond “?F,"‘"" Tucker in sngmn'flénr in onky . Tonk."” “fonky Tonk.” a: Comedy. aphone variety. Vitaphone variety. “Hollywood Revue." Vitaphone variety. “Hollywond Revue." Vitaphone variety. “Hollywood Revue.” Vitaphone variety. Alexandria. Va. Vit Ann Harding ~paris Bound vitaphone reel. and art in Home' Savoy o 4 Takoma r ewh Ann Harding in Sue N Lewis ftone in “Wonder of Women' e R ihone el Noveity artoon. “Pawns Glga Chekove asion.” o Thomas Meighan in of “The Argzle Case.” hone_reel. Cas! Vitapl Marsaret Livingstorn 4 n “After Marriage.” Metro_short_subjrct. on Wixon in Red Sword." Mari “Uiaphone ‘reel: n e ‘gey\efl Wailace Beery 1_and A “Chinatown Nizhts.” Comedy. kcfll:lllrl in YLeave, Home?" medy. u y Le O “Chinatown Nights." O nedy. e Colleen Moore_in — “Bmiling 1riah “Eves.” ‘omedy. _ News. Coll “Smili ‘olleen Moore in _ nk_Ci ng Irish Eves. “The Very Ide Comedy. Tim_McCoy_ii _News. “The Desert ¥ dy. «Tne_Gold Disgers Tivoli - 1d_Disgers TPsodwar “The Gold Diegers of Broadway. “The_Gold Disgers o Biondwar Fay Wray in “The Four Featiiprs. Vitaphone reel. artoon. ay Wray in “The Four Feathers.” Mary Forl “The Thirtee Vitaphone reel. e artoon in nth Chair.” Comed Vitaphone reel of "Broadway. Carroll and NoRSl Skeliy i - ce of Life” “The The T attoon. York Ninc{ g:r Waiter Huston and Claudette Colbert in “"The Lady Lies Novelty song_reel. Fon and y ncl: of Life.” Walter Huston and Claudette Coll e La Novelty song Dolores_Costello “Hearts in Exile.” Vitaphone reel Monte Blue “No Defen: Vitaphone r Mermaid comedy. Hal Skelly and Eyelyn Brent in “‘Womantrap.” Vitaphone reel. In Concert fiANCESKA KASPAR LAWSON, Featured soprano soloist in the Earle ‘Theater’s concert today. Photo by Underwood & Underwood. Guild Incorporated. THE Community Drama Guild is now duly incorporated for the purpose of “assisting members in cultural de- velopment through drama; to promote the use of Government-owned facilities, buildings and grounds for educational and recreational development of drama, and to secure funds to carry out its general purposes, provided the associa- tion shall be a non-profit corporation.” The incorporators are Miss Sibyl Baker, director of the Community Cen- ter Department; Lieut. Col. U. S. Grant, 3d, director of public buildings and ublic_parks; Cuno H. Rudolph, Wil- lam S. Corby. Judge Mary O'Toole, Mrs. Marie Forrest, Dr. DeWitt C. Crolssant, Mrs. Fulton Lewis, Mrs. Maud Howell Smith, Miss Bess Davis Schrei- ner, Capt. Ray C. Montgomery and Robert M. Miller, Uncorking the Sc‘o!cl’\. 'RNEST TORRENCE has taken Xis Scotch accent out of the mothballs, dusted it thoroughly, and is using it ta Joan Crawford’s first talking picture, “Untamed.” ‘The gigantic Ernest was brought to this country originally to play a very | Scotch Scofchman In musical comedy. For years he aired his natural Highland tongue in scores of stage productions. During the last decade, however, he has been no need for peculiar intona- tion of those who come from Glasgow, Edinburgh, or points north. District of Columbia. THE EARLE—13th and E streets n.w. RIALTO—Ninth near G n.w. AMBASSADOR—18th and Col #d. n.w. APOLLO—624 H street n.e. AVENUE GRAND—645 Pa. ave. s.e. CENTRAL—Ninth street. AVALON—Conn. ave, and McKinley. COLONY—Georgia ave. and Farragut. HOME—1230 C street n.e. TIVOLI—14th and Pai STANTON—515 C street n.e. HAPPYLAND—1020 7th street n.w. Maryland and Virginia. MARYLAND—Hagerstown, Md. OPERA HOUSE—Leesburg, Va. RECREATION HALL—Indian Head, REPUBLIC THEATER—Annapolis, Md. UNIVERSAL—Shady Side, Md. MARYLAND—Frederick, Md. TOME SCHOOL—Port Deposit, Md. MARADA—St. Michaels, Md. BETHESDA—Bethesda, Md. MEL! > IMPEI PALACE—Frostburg, Md. JEFFERSON—Charlottesville, Va. COLONIAL—Winchester, Va. STRAND—Staunton, Va. MASONIC—Clifton Forge, Va. OLIVER—Crewe, Va. has been in silent pictures and there R YORK—Georgia ave. and Quebec n.w. NATIONAL—"Hunting Tigers in India.” The “talkies” have invaded the jungle. We are to have the mysteries, thrills and dangers of strange places brought to our ears, as well as to our eyes, now that the microphone has been joined to the motion picture camera as & part in the explorer's equipment. “Hunting Tigers in India,” made by Comdr. G. M. Dyott on one of the Ver- expeditions of the American Mu- :.uym ofpe Natural History, is to introduce this new type of entertainment to Wash- ington next Sunday evening, Novem- ber 17, at the National Theater. Tt is the first of a series of six full- length picture entertainments to be brought to the theaters this season by Talking Picture Epics, Inc., an organi- zation of capitalists interested in big- game hunting, exploration and scientific investigation, most of whom were mem- bers of the company responsible for the exhibition of “Simba,” the Mr. and Mrs. Martin Johnson picture, which revived interest in travel and adventure films in America. “Hunting Tigers in India” will be ex- hibited twice daily at the National Theater. The voice of Comdr. Dyott will be heard throughout the exhibition . Next Week's Photoplays. EARLE —Richard Dix in “The Love Doctor,” a talk- ing picture. FOX—“Sunny Side Up,” a musical comedy talkie, with Janet Gaynor and Charles Farrell. PALACE—“Sweetie,” talking picture, with Nancy Car- roll. COLUMBIA — “The Taming of the Shrew,” with Mary Pickford and Douglas Fair- banks. A talking picture. METROPOLITAN — “Wel- come Danger,” Harold Lloyd’s first talkie, will fol- low “Disraeli,” with George Arliss. RIALTO—"“The Sophomore,” with Eddie Quillan; a talk- ing picture. R-K-O KEITH'S — ‘Jazz Heaven,” talking picture, with Sally O'Neill. LOEW'S E PaALAC F_ST. st _ISth—Cent. from 11:00 NOW PLAYING A Metro-Goldwyn-Mayer Picturz JOAN - CRAWFORD A Primitive Girl in Society in | “UNTAMED” With ROBERT MONTGOMERY —ON THE STAGE— AL EVANS in THE SONG SHOP FEATURING HAL SHERMAN LOEW'S '¢0LUMBI F_ST._at_i2th_Cont. from 10:48 HELD OVER 2d WK! A Paramount Picture MORAN MACK THE TWO BLACK CROWS in_an Octavus Roy Cohen Story WHY BRING THAT COLONIAL—Fredericksburg, Va. VIRGINIA—Harrisonburg, Va. REGAL—Urbanna, Va. | TOWN HALL—Trappahannock, Va. NINTH AT GEE WEISS, Emporia, Va. RITZ—Chatham, Va. RELEE—Relee, Va. NEW-—Woodstock, Va. STRAND—Strasburg, Va. NEW MARKET—New Market, Va. UP? ALL TALKING M-G-M Colortone Revue “MEXICANA” Coming Attractions of the picture, ex.phlnlnl and comment- ing upon its various sequences. In ;’:dmon to the tiger hunts, in one of which the slaying of three of these jungle destroyers is shown, there are views of a rogue-elephant hunt; the only known motion pictures of the one- horned rhino in its native habitat; close-ups of religious ceremonies of va- rious sects in India, where every third day is devoted to religious observance; torture, self-inflicted by penitents; great herds of both wild and tame elep its, and many other unusual and interesting camera and microphone shots. GAYETY—“Sliding” Billy Watson. Next week’s show at the Gayety Theater brings “Sliding” Billy Watson, » DARED — FOUGHT—KILLED FOR JUST ONE HOUR WITH THIS BLAZING SIREN—BUT ONLY ONE MAN LOVED HER— The Screen's Red-Hot Star in A White-Hot Romance * LOOKING FOR THE RIGHT KIND OF MAN in HER TALKING ond SINGING SCREEN DEBUT FOX MOVIETONE ALL TALKING MELODRAMA with LOUIS WOLHEIM ULLRICH Tom Patricola Dark-Eyed Senoritas, Handsome Caballeros, Song, D and Laughter, in A EDDI EVATH JOHN IRVING FISHER with a supporting company consisting of Frank Mallahan, Eddle Murphy, George Monfred, Esther Lang, Lilly Lewis, Bobby Eckard and a chorus of youngsters with pep and personality. A Watson show is always a good bur- lesque show, and next week's offering, it is promised, will be no exception to the rule. It combines snappy tomedy, attractive costumes and scenery, with laughable skits and new musical num- bers. - Jesse L. Laskey believes that eventu- ally the dramatic stage will be subsi- dized by the motion picture industry. “The stage will remain because the public wants it.” Laskey said recently, adding that “this is fortunate, for it will be a training ground and proving field for the sound films of the future.” Patronage of an ancient art by such a new one is distasteful to many of drama’s minions; a good deal of retort has been stirred up by Mr. Laskey’s prophecy. ROBERT FRAZER HAUPT El Brende! a Whirlwind of Castillian Gayety “FIESTA Panchon & Marco Ides With E HILL THE ROMEROS ORNTON JUNE WORTH | put on | movie—in Grorge Lewis and | 0X GRAND ORCHESTRA Suvervision of Meyer Davis LEON BRUSILOFF, Conducting Fox Movietone News AMUSEME *“The Color Age."” ISTORIANS, in centuries to come, may refer to the present period of | human life as the “Color Age.” | Probably never befors has man lived more brilliantly, for from ths moment he is awakened by a cerise alarm-clock, | and takes a shower in an orchid tile bathroom, until he dons his blue-and- beige pajamas for repose, color domi- nates his Lfe. He rides to his office in a maroon car; signs letters with a green foun- tain pen, aftcr they have been written on a typewriter; lunches on feed served with an eye to color, from plates of a pleasing hue, plays tents with red tennis balis, while wearing an orange | sweater, and drives hom> along boule- | rds lined with extravagantly colored | pillbserds—which probably urge him to gome new article in attrac- w, after he has din=d from a table spread with green linen. he can is hat, with a peacock feather in the band, and take his wife to a colors Colleen Moore’s “Footlight's and Bearded at 712" HARLES MACK, of the team of Moran and Mack, the Two Black | ! Crows, and authority on Goopher feath- ers and such, wore long white whiskers ‘when 12 years of age. His theatrical debut was as one of | the dwarfs in “Rip Van Winkle"” when | the late Thomas Jefferson appeared at | the Tacoma Opera House. “The show traveled with a minimum | cast, and at each city hired several boys to fill in_the parts of the dwarfs who discover Rip asleep,” Mack said in re- | lating the story, while making “Why | Bring That Up NES, Sts. N.E. 3 PM. THE LOVE nd C inee S 5 0 St NE. N CHANEY in EAST 1S EAST. p— LN R HIPPO\DROME Toany & Fome ay & Tomorrow prma Shaarer in of Mary Dugan” All-talking Thrill Drama RICHMOND ALEXANDRIA, V, Tomorrow & Tuesd: SOPHIE TUCKER in “HONKY TO] ) TAPH SINGING & TALKING 1419 N. Capitol 8t. JACK MULHALL in RK _STRE] i No_Park| SUE CAROL & NICK “WHY LEAVE H (Al Talking.) Also Mickev McGuire Tall Sunday Shows—3:00, 5:00, 7: Last Feature, 9:45. Monday Shows—6:00 to 11:00. Last Feature, 9:45. 1#th & Sts. N. *THE MYSTERIOUS DR, FU MAN “DMUND » LOUISE . UTCAST." WARENCS EUMB ARTON %%, Wisconsin Ave. 4 FREDRIC MARGH in JEAL an in_ ouUsY." 1007 ALL PORE._comedy. “LISTEN CHILOREN 0 in BILLT with BILLIE - YO ROGUE. with music and dieton 00 Continning Big Picture Month With a Bang Is Now Presenting the Third Big Hit of Big Picture Month—And this one is greater thaw either of the other two. VITAPHONE VARIETIES CONCERT OVERTURE suNDAydgf}Ezz / )2k ggpn. 4 EMORY DAUGHERTY Sun ASTER ORCHESTR super Syncopad Clen seintillati First National Presents for This Week - Only COLLEEN MOORE A New Colleen Moore in Catchy Somgs, Daszsling Dances “and Daring Costumes “FOOTLIGHT AND FOOLS” A First National and Vitaphore Pictare 'fl Y @ tors/ SUN~MON-TUES -WED. DAYS Only oL T Warner Bros. Present Sensation of the Screen World This Ses D DIGGERS OF BROADWAY~ [URSDAY AND FRIDAY “THE FOUR FEATHERS” The Synchronized Sensation “THE THIRTEENTH CHAIR” and AMBASSADOR col*'Ra*Rw. TODAY AND TOMORROW-—COLLEEN MOORE in “FOOTLIGHTS AND FOOLS" ~ (100% _ALL-TALKIN SINGING AND' DANGING PI AP\ €4 B st NE. ‘TOD: 0LLO e AND TOMORROW-_CLAUD- H N in “THE LADY TALKING Ga. Ave. & Farragut St R e, AR PAA‘!!T COMPANY™ ~ (100% AIE ICTURE! ). TODAY _ A TOMORROW. OAKIE EVELYN “PABT COMPANY" " (1 TALKING PICTURE). JACK cot T STO! (100% _ALL-TALKIN¢ . Con: MeK| TQDAY AND TOMORRO ERT AND WA €Ol HUSTON in ‘“THE DY #‘ _mu"‘fiwm B (100% ALL-TAL LE. V) R SR ke CENTRA! et D and T%WAERAAL’;ET:J“OWW—PAT!Y N T 1ith & Col. Bd. N.W. SAVOY : el b AN, Rl TIVOL] "® & Forv e Row. TODAY ~ AND __TOMO! GOLD DIGGERS OF Bl !%wup‘*.mu-. 5 i ol ek