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F—10 LOCAL Appreciation And Patrons Seen Here br. Kindler’s Proposal for Watergate Be-| lieved to Await Only Right Develop- ment of By Alice Eversman. ! T THE last concert of the “Sunset Symphonies,” Dr. Kindler responded to the delightful appreciation Several times during the struggling existence of the National Sym- phony Dr. Kindler has chosen an appropriate moment to address the audience in behalf of the orchestra. MUSIC of Opera Details. of the audience by a short speech. The special significance of his talk at the end of the Summer series was that he mentioned his desire to include opera next year in the presentations« on the barge at the Watergate. | This is the first time that opera in the Nation's Capital has been cham- pioned by a leader and an artist of the standing of Dr. Kindler. This fact should be a source of rejoicing by those who love and have missed opera in the local musical season. It must have occurred to many who visited the Summer concerts how ideally suited to a presentation of music drama was the entire setting at the Wacergate. The romantic at- mosphere which Mother Nature so understandingly provided, as if she knew how closely united are music and the beauty under her control, did more than could be realized to reveal the evanescent but powerful message inclosed in harmonic sound. But this had to do with but one section of great musical art, and there remains another, in which the human element plays a still greater part. and which is admirably fitted for the beautiful | background which this city is fortu- | nate in possessing. * ¥ Xk X Dr. Kindler, with true artistic in- gight, sees the possibility of opera under these conditions. He realizes that many could be won to the cause of opera in such a setting that would not be so interested in hearing it as usually presented. And those who have had experience in such matters know that once opera is understood, | and that by being heard often enough, it will be demanded as part of each | musical season. | The pros and cons regarding the | eppeal of opera have been discussed constantly, but the point that is most overlooked is that we, in this coun- trv. are not well qualified to have an expert opinion. for we have had too little opportunity to know much sbout the subject. The development of operatic art has not gone hand in hand with that of other branches of music. Symphony orchestras have £prung up in nearly every important musical center and have been a suc-- cess, both financially and in the in- crease of appreciation of this kind of music. but opera, from the Metro- politan down to the smallest local venture, has had a hard time of it, and the present moment sees the pos- eibility of its complete abandonment if something drastic is not done about it. What is the reason for the lack of success of the opera, the most inter- esting and entertaining of all music branches? *oxow ok SEVERAL factors are the cause of this condition. In the first place, opera has been expensive, because it required the importations of direc- tors and singers who had no hesi- tancy in setting the prices of their services many times above the fee they received in their own country. Today America does not need these impor- tations, for it has well trained execu- tives and the greatest opera artists in the world. Besides those already fa- mous there are many waiting an op- portunity to prove their merit and at no exorbitant fee. Although opera requires a special talent and particu- | larized training, as a music form it | should be taken on fits value for musical expression, and not as a medium for the exploitation of per- sonalities. When considered from thag angle, the problem of cost will not be difficult to solve. Opera, purely as music and not as 8 spectacle, has as much to offer as & symphony. It does not matter that one knows exactly what the music represents. It is a great art to be able to expréss in musical phrases the emotions of life and, even with the subject foreign to the present era, the emotional content is the same as we | know today. Although principally presented in a foreign language, it is not more difficult to understand or ap- preciate than a symphony. It is true that an unknown tongue makes it difficult to follow the dramatic devel- opment of the story, but the remedy for that will come with increased in- | terest by music patrons in the art of opera presentation. | ST 'HE second reason for the lack of | appreciation of opera is due to | the manner in which it is given. With | the exception of the large organiza- | tions, operatic companies have been mssembled as a financial adventure, with the artistic side left to the talent of the principal singers. Washington has known, to its regret, just what | that means, and has become wary of | companies whose performances are | marred by mishaps. Inadequate scen- | €ry, poor costuming, choruses which are a trial to the eye and ear, prin- | cipals who have no vision as to the ! interpretation of their roles, orches- tras that fade out at critical moments, and long waits between scenes—there are a few of the many annoyances which the operatic public has grown | to expect when an operatic season is | announced. With an artist such as Dr. Kindler &t the helm the public would be as- | sured that all lapses from a hlgh} standard would be obliterated. The careful working out of details, which adds so greatly to the pleasure of a presentation, could not but be given minute- attention by a2 man whose musical education was grounded in a country where opera has been lovedi and appreciated for centuries. No, musical venture can be a success without the leadership of an artist, and the absolute truth of this state- ment has been verified by the failures of operatic enterprises undertaken | from a business angle. * K Kk K | FEW years ago it would have been nearly impossible to convince this city that a symphony orchestra could be sustained by the music lovers-them- selves. Statistics were brought out; to show what percentage of the popu- | | , National Symphony Orchestra, Must Americans, and Washingto- nians in particular, be continually deprived of opera because heretofore | its production has not been success- | ful? There is a remedy for every con- | dition, if a remedy be earnestly de- | sired and sought, and for opera it is a very simple and logical one. Fore. sight in the budgeting of expenses, and the choice of an artist with a reputation for accomplishing things | in an artistic manner in charge of the productions, it would be safe to wager that the public would do its part, as it has before. ‘Washington has Dr. Kindler, t:e the stage of the water-gate barge and the support of an enthusiastic public, hap- py in its growing love for music. Does this not form a splendid nucleus for the giving of opera? It is not a duty, now that the National Symphony is firmly established, to seek the next means to broaden musical culture? The local concert season lists world- famous pianists, violinists, singers. en- sembles and orchestra, but no opera, New Bureau Opens. NEW national concert bureau with headquarters here has been opened by Arnaldo Conti Berenguer, business manager of the International Art Fo- rum, and Lyle A. Brookover, newspa- per man and member of the forum | and the Arts Club of Washington, to | be known as the Beren-Brook Artists. The bureau announced today its plans to present artists in Washington and other cities during the coming season, concentrating on musical performers from Latin America, a number of whom already are under the local| management. Berenguer is the son of Manuel | Berenguer. flute soloist for years with | Amelita Galli-Curci, and Mme. Ame- lita Conti, solo harpist of the Met- ropolitan Opera Co. Mme. Conti. founder-president of the forum, is artistic adviser to the new enterprise. Philip M. Baker, locai attorney, is associated with the buieau. Among many plans being worked out is presentation to American audi- ences, late this year or early in 1936, of Dalia Iniguez, Cubaa diseuse, who has thrilled artistic circles in Madrid and Havana with her musical reading of Spanish poetry. Iniguez will bring an entirely new type of entertainment | to the United States. | Other artists to be sponsored will | include Ernesto Berumen, Mexican | pianist and radio artist associated with the Frank La Forge Studios in New | Yorl Marta De La Torre, Cuban vio- | linist, who recently toured Spain with | great success: Osvaldo Mazzucchi, | Uruguayan cellist and soloist at N.! B. C.; Remo Bolognini, Argentine vio- linist with the New York Philhar- monic; Aida Donninelli. Guatemalan coloratura with the Metropolitan Op- era Co.; Irma Goebel Labastille, au- thority and lecturer on Latin Ameri- can folk songs and dances, and qthers of equal rank. Club’s 13th Season. THE commencement of the thir- teenth season of the Washington Pianists’ Club on November 2 is an- | nounced by its director., Mrs. Martin A. Morrison. The bimonthly pro- gram-meetings will again be held at 1810 Connecticut avenue northwest, by courtesy of Mrs. Hugh Roberts, presi- dent of Washington College of Music. At the 14 bimonthly meetings of the club last season 138 different stand- | ard piano compositions were per- formed by outstanding advanced stu- dents of different teachers. This organization for the encour- agement of advanced piano study is | open to students (under 30 years of | age) of leading teachers and their | assistant teachers. The membership is limited to 50 and early applications | are advisable. The eight active and three substi- | tute memberships are determined :by | a competitive examination held by | the director by appointment on Octo- | ber 28, 29 and 30. The associate | membership is not examined, but ad- mitted upon recommendation of the students’ respective teachers. _Teachers interested in making ap- plications are invited to send for the | Fall announcement and calendar of the club giving full information in | regard to applications, examination, membership duties and activities of club, including bimonthly program- meetings, and festival dates, Address Mrs. Martin A. Morrison, director, 3017 Thirteenth street northwest. { Change in Meeting Place. THE Washington Choral Society, Louis Potter, conductor, will have its first meeting Tuesday at the Cal- vary Methodist Church, 1463 Co- lumbia road northwest, in the Guild Hall, instead of Central High School, as first announced. Auditions for all voices will be held at 7 o'clock for new members, while the rehearsal will begin at 8. Work will be begun on a Christmas program of choral works to be given at Epiphany P. E. Church the week before Christmas. Studios Open Tomorrow. ‘HE Florence Howard Studios of Singing will open tomorrow at 1408 New Hampshire avenue. The Tuesday Evening Music Club, the en- semble group of the studios, will hold its first rehearsal on Tuesday evening. Mrs. Howard will have affiliated with her this year Bessie Reynolds, teacher | of the Yersin method of French dic- | tion; Anita Schade, teacher of Ger- | man diction, and Marjorie Davis and | Helen Campbell Williams, accompan- | ists. Ina Holtzscheiter, artist pupil of | 'Brings Pianc THE SUNDAY STAR, WASHINGTON, D. C., SEPTEMBER 29,.1935—PART FQUR. Sergei Rachmaninoff, at left, arrives in New York next Monday to begin his concert tour in this country. Flora McGill Keefer, contralto, the soloist of on December 10. Center: He will appear at Constitution Hall this afternoon’s concert at Washington Memorial Park, and, right, Alden SEASON MUST EXPAND TO INCLU Singers Heard Today, and Noted Pianist on Winter Series .Symph DE OPERA . ony Here Offers Noteworthy Season Brahms Festival in February Among More Important Features for Washington Music Patrons. ITH the opening of the new season of the National Symphony Orchestra, Dr. Kindler, conductor, an im- portant change in personnel man- agement will become effective. Be- clarinets. Sune Johnson will be first player among the French horns, of vhich there will be five instead of four. Rebert Clark, noted trombonist, will once more take charge of that section. cause of the orchestra’s expanded ac- tivities, the men this season will be paid on & weekly salary basis, instead of by rehearsal and by concert, as Smith, bass, who recently won acclaim at his New York concert and who will be heard in joint recital this evening with McCall Lanham at the Chevy Chase School. Annual Tour Artist Here Rachmaninoff, With New Compositions, | on Season’s List. ERGEI RACHMANINOFF. the dis- tinguished Russian pianist and composer, will arrive in New York Monday, October 7. on the ste-m-hip Bremen for his annual concert tour of the United States. which brings him to Washington for a recital at Constitution Hall on Tuesday evening. December 10. as one of the attractions of Dorothy Hodgkin Dorsey’s evening concert_series. Rachmaninoff will bring with him several new compositions on which he | has been at work during the past | Summer at his chateau on Lake Lu- cerne in Switzerland. He is keeping | secret the nature of his new compo- sitions, according to C. J. Foley, his personal representative. | “He is very superstitious about dis- cussing a new composition until he has written the last note of it,” Mr. Foley explained. “He has broken his rule on several occasions in the past and on each occasion something has happened to prevent him from com- pleting it. Discussion, he feels, takes the edge off his inspiration.” Rachmaninoff spent the greater portion of the past Summer at his Swiss chateau. although he made a concert tour of Spain, England. Swit- zerland and Scandinavia before set- tling down to his composition. He never composes during a concert tour; he declares the two are incompatible in his case. This American tour will include 28 | concert appearances in eight weeks. Four of his American concerts will be as soloist with orchestras at Chicago, | St. Louis, Minneapolis and Phila- delphia. | * ok ¥ X i KURT JOOSS and his ballet, which | makes its debut locally at the Na- tional Theater January 23, under the | auspices of Dorothy H. Dorsey Concert | Bureau, opens a four-week season at | the Globe Theater in London, Eng- land, tomorrow. | The ballet has a work-stage for re- | hearsals at Dartington Hall, Engiand, | an old estate where the ballet spends | its hours of preparation between tours. The manor house of Dartington Hall | dates from the days of Queen Eliza- beth. Here, for bad weather, is a lit- tle theater, with seating capacity of 500. In good weather the dancers practice on a wide stretch of lawn walled in by century-old clipped yews. A tour of Holland, Belgium and Switzerland will be made by the ballet before coming to America for a sea- son of six weeks. * %k ¥ X BRAHMS-WAGNER program is announced by Dr. Leopold Sto- kowski for the first in the series of four Thursday evening concerts to be given this Winter in Constitution Hall by the Philadelphia Orchestra under the management ef the T. Arthur Smith Music Bureau. Dr. Stokowski will conduct the initial concert October 24, and the concert December 19, at which Fritz Kreisler, world-famous violinist, will appear as soloist. Other guest con- ductors will be Jose Iturbi, March 12, and Eugene Ormandy, April 2. In preparing his Brahms-Wagner program, Dr. Stokowski is deferring to popular demand and in all proba- bility the program October 24 will in- clude Brahms’ “Fourth Symphony.” Wagner, according to present plans, will be represented by selections from “Tannhauser” and “Rienzi.” Stokowski recently returned from Hollywood, where he experimented in the field of “movie opera,” and was given a screen test in the char- acter of Wagner. “Movie operas are possible,” he said. “For presentation as movies, of course, Wagner, Mozart, Gluck, Bizet and Debussy operas would have to be edited. Operas will come back, as/ things #mprove—and they are improv- ing. Some of opera is too wonderful to die.”” | Season tickets for the Philadelphia Orchestra’s four concerts will be on sale until October 10 at the T. Arthur lation was interested in serious mu- | the'studios, will again be Mrs, How- | SMith Music Bureau, 910 G street sic, and the figures were not large. | But the history of the National Sym- phony Orchestra has proved that the statistics were incorrect, and the most | ardent enthusiast must admit aston- ishment at the growth .n appreciation of symphonic programs in the last four years. Could not the same thing be proved about opera, if a trial were made? ard’s assistant. Music notices intended for pub- lication in The Sunday Star should be received by the Music Editor not later than 9 a.m. Thursday of each week, and they should be typewritten if possidle. northwest. The advance sale indicates capacity audiences, Especially heavy is the | demand for’ tickets for the concert | December 19, at which Kreisler will be soloist. i e T Police Get Radi Police of Japan will have radics. | composer, In Local Music Circles ELICIA RYBIER has returned to Washington and opened her studio at 2 Dupont Circle for I the season. On September 19 she was presented by Victor Kaganofl, concert manager, at Acolian Hall, New York City. and will give three other recitals later on in the seazon. She is engaged for the Maine festivals next month. Flora McGill Keefer, contralto. will sing at Washington Memorial Park this afternoon. These concerts. held every Sunday from 3:30 to 5 o'cleck. are arranged under the direction of Edith B. Athey, organist, who will accompany Mrs. Keefer at the organ. A musicale and song fest was given ‘Thursday evening at the Washington Sanitarium and Hospital in Takoma Park. the soloists being Harriett Mitchell Alexander, Marjorie Wilson, Grace Meyers, Catherine Latimer and Master Charles, 14-year-old cornetist. Maude Burklin Kimble lead in the community singing. The program was | given through the courtesy of Charles Bates. The first Fall program meeting of | the Lyric Music Club. under the direc- | tion of Dorothy Sherman Pierson, will | be held Tuesday evening at the home of Mina E. Gardner. The French | Saint-Saens. will be dis- cussed by Thelma Elizabeth Steele. Mary Ellen Folmer and Mina E. Gard- ner will sing several of his songs, with Ruth Walker at the piano. The Nordica Mandolin and Guitar Orchestra and the Nordica Banjo Club, founded and directed by Walter T. Holt, will resume weekly rehearsals on Tuesday. Information regarding mem- bership in these organizations may be oblained at the Walter T. Holt | Studios, 1801 Columbia road. Olive Constant Pratt presented the following pupils in a piano recital at | her studio in Foxhall Village on Wed- nesday: Ralph Conway, Larry Con- way, June Hall, Barbara Houghton, Harriet Burton and Elizabeth Jane Cook. | Mme. Susanne Oldberg has returned | from her Summer vacation at Ash- ton, Md, and has resumed her teach- | ing in her studio in the Play House. Her first student recital will take place the second week in October. Eva Whitford Lovette, who spent the | Summer months in the Blue Ridge Mountains and on the Bay Shore, has | opened her studio at 1910 N street northwest. Mrs. Lovette's classes in- clude voice, piano and dramatic art. There are a few vacancies in the choir at St. Margaret's Epsicopal | Church and any one interested may | communicate with Charlotte Klein, the | organist and director. ‘The choir of the Georgetown Presby- | terian Church has resumed rehearsals and will make its first formal appear- ance for the season at the communion service next Sunday, October 6, at 11 o'clock. Soloists with the choir will be Mrs. Herbert T. Aldridge. soprano, and Barrett Fuchs, tenor. Mrs. Frank | A. Frost, organist and director, an- | nounces a few vacancies. Persons de- | siring to sing in the chair should com- municate with Mrs. Frost at her home on Jonquil street. The Community Center Depart- ment announces the postponement of the presentation of Gilbert and Sulli- van's operetta “Patience,” which was to have been given in October, to some future date. Thomas N. Leef, for the last three years bass soloist at the Petworth Bap- tist Church, has been appointed bass soloist and director of music at the Chevy Chase Baptist Church. Kathryn L. Beck, former active member of the Washington Pianists’ Club, announces the opening of a piano studio at her residence, 5420 Thirteenth street northwest. The choir of the First M. E. Church King-Smith Studio-School 1751 New Hampshire Ave. VOIFE, PIANO, VIOLIN T nction Children’s Department under the direction of PENELOPE and REBECCA TARWATER See Educational Page Telephone Novth 10385 South of Hyattsville, Md., will present “An Evening of Sacred Music” to- night at 8 o'clock. Solos will be rend- ered by Frank Osteen, tenor and choir directar; Blanche Hutchinson. organ- ist, and Mrs. Frank Osteen, foprano. Minna Niemann, pianist. has re- sumed her teaching and reopened her studios at Gunston Hall. Dorothy Louise Linwon ha~ her piano studio at 9206 Tio.njiil road, Silver Spring, Md. and 5420 Thirteenth street northwest afier a vacation at Old Orchard, Me. reopened H:nri Sokolov, violinist and {racher. has resumed his private and ciass lessons in violin for the coming season at his studio, 1601 Argonne place northwest. Mr. Sokolov will conduct a special course in ensemble playing. Winifred McGregor Michaelson, pianist, has returned to Wilmington, where she is director of the Wilming- ton School of Music. Miss Michaelson | spent the Summer in London at the | Tobias Matthay Pianoforte School | coaching with Mr. Matthay and Irene | Scharrer. Early in the Winter Miss | Michaelson will give a recital in ‘Washington. Otto Torney Simon has reopened his studio ‘at 1624 H street northwest for the season, specializing in the art and science of singjng. Courses are offered those wishing to become teachers of singing and for the practi- cal and esthetic side of choral aud choir directing. The Chadwick Orchestra will re- sume its weekly rehearsals on Satur- day at the studio, 2026 O street north- west, under the direction of E. W. McKean. Musical young people may make application for membership to Alice Chadwick at the studio. Players of fretted instruments and saxophone are not eligible. Regina Vicarino _announces the opening of her vocal studio at 1712 Connecticut avenue northwest. Lovette C;;oro| Club. 'HE executives of the Lovette Choral Club, named for the or-| ganizer, the late Dr. Thomas S. Lov- ette! and directed by Eva Whitford Lovette, met last week at the home of Margaret Smith, president, to set the dates for 10 programs to be given | wdio. 5tn Met. 3850 Applications Now. SINGERS WANTED Prima Donna, teacher of successful opera and radio stars, will train four ‘more singers for roles in coming pro- ductions. Only serious, ambitious girls with good voices accepted. Weekly ex- perience. Class lessons reasonable. Voice trial by appeintment. Phone Emerson 5100 VON UNSCHULD UNIVERSITY OF MUSIC, Inc. AND INTERNATIONAL EXTENSION SCHOOL Accredited by the Board of Education, D. C., to confer degrees, Unsch President and the ‘Piano Department. Teachers in All Branches of Music. A serious School which proved for 31 vears to give results to Beginners and Advanced Students Inquire 1648\ Col. Rd., Col. 5265 T B Rl Mme. Vo Head of 52 Artist Kubelik’s Concert. | JAN KUBELIK, the celebrated Bo- | hemian violinist, will make his sec- |ond appearance in Washington Tues- | day, December 3, at 5 o'clock in the | afternoon, at the Shoreham Hotel, following his extraordinary success at Constitution Hall last Spring. This concert will be under the management of Concerts Intimes, Elena de Sayn, director. | Jan Kubelik belongs to Mischa El- man’s generation of world-famous ar- tists, who made their debut at the beginning of the twentieth centur$. Kubelil: preceded Elman by fou ar cre2ting a sensation in Lendon in 1500. His metcoric career. during which he cencertized in all parts of the world. lasted come five years and netted him a fabulous income. He retired from the concert stege soon after his marriage to the Hungarian Countess Marianne Csaky-Sill and went to live at his estate in Silesia, which he purchased from Prince Hohenlohe for nearly $1.000.000. Dur- | ing the World War Kubelik gave his | services to charity. arrangement will be one of advantage to the players, and at the same time will give the orchestra patrons the benefit not only of more concerts, but also of many more rehearsals. Frank Gittelson, violinist, will begin his third season as concert master of the symphony. His fine musicianship and ability in leading the men of his section, in response to Dr. Kindler's baton, have made him a bulwark cf strength for the orchestra, while his talent for musical interpretation. as demonstrated in his solo parts, has been hailed in the Capital and wher- ever the orchestra has played. Howard Mitchell will once more oc- | cupy the chair of first cellist, a posi- tion he has filled for two previous seasons. This section will have eight instruments this season. In the wind sections, other veteran | players will be found in first-chair positions. Gilbert Stange will lead the has been the policy in the past. This | Noteworthy among the special pro- grams planned will be the Brahms Festival next February, when Dr. Kindler will present Myra Hess, pian- ist, as a feature attraction. In March the orchestra will give its first per- formance of Liszt's great “Faust” symphony, with the assistance c¢f a | male chorus and tenor soloist. Eagerly awaited is the orchestra's presentation of the “Symphony No. 1.” by Shostakovich. the Soviet composer, who rose to fame with the opera, “Lady Macbeth of Mzensk.” The per- formance will be the first given this symphony in the Capital. Other new works also will go into rehcarsal the orchestra men convene. and w. be performed during the Fall ‘Winter. Tickets are finding an enthusi market at the box office in the Jul Garfinckel & Co. store. Fourteent) and F streets ncorthwest, since the sale opened last Wednesday morninz The demand for season tickets i the heaviest the orchestra box offic has experienced Alden Smith in Recital. A JOINT recital will be given this | evening by McCall Lanham, | baritone, and his artist pupil, Alden | Smith, bass, at the Chevy Chase | School at 8:30 pm. Mr. Smith, who has studied with Mr. Lanham for the past six years, recently appeared in recital in New York City with out- standing success. His program this evening will feature three arias frcm operas by Handel, Lully and Pur- cell, three Strauss songs and a group of modern English songs. Mr. Lan- | ham will open the program with an air from Mozart's “Don Juan” and twa classic ballads. followed by a group of French songs and four num- bers in English. The recital will con- clude with a duet by Mr. Smith and Mr. Lanham. Army Band Concerts. T HE schedule of the United States Army Band, Capt. Thomas F. Darcy, leader, includes the following concerts to be given in the Army band auditorium during the coming wveek: Monday—Concert at 6 p.m. Wednesday—Concert at 11:30 am Friday—Concert at 4:30 p.m. | . Helen Genevieve Wagner Teacher of Piano Teacher’s Certificate, Peabody Conservatory, Baltimore, Md. New Choral Conductor. 7THE Washington Choral Festival| Association announces the engage- | ment of Harman Nicodemus. B. M., M. A. graduate of the Baldwin-Wallace | College of Berea, Ohio, and the Mu- | sical Institute of New York City, to conduct the rehearsals of the group. Mr. Nicodemus has had wide experi- ence in choral conducting, succeeding Gilbert Spross as music director of the Second Presbyterian Church in Paterson, N. J, and later went to North Carolina as directer of a com- munity chorus at Rocky Mount. For five years. Mr. Nicodemus was chair- man for the State Music Contest for the Eastern Division. The first rehearsal will be held in the music room of Central High School. arrangements for which were made early in June. The chorus will be given an opportunity to vote on accepting several invitations to sing for important civic occasions. Sing- ers not already enrolled who desire to jomn this group may make applica- tions to Gertrude Lyons, 1325 G street northwest. i CHARLES L. BOYD Vikloneello Instructor. ~ 111 Willow Ave. Takoma ssons at pupil's 1ome Phone _Shep. 1310-W. BESSIE N. WILD Voice Culture. Piano and Harmony St W, during the coming season. Except for the club’s annual concert, to be held in May, and two other appearances, | all events will be presented solely for | active and associate members and their guests. Elsie Cranmer is the accompanist. A local artist is engaged for appearance at each annual concert, | the club constitution specificlly pro- | viding that this artist be strictly | identified with the Washington music world. | Owing to the increased membership | at the club’s weekly meetings, a large studio at 1325 G street northwest has | been engaged for the season, where | rehearsals will be held each Monday | evening, beginning October 7. The | director will accept appointments for | auditions for all voices at her private | studio, 1910 N street northwest. | FRAUENHEI Teacher of no “Dynamic_exhibition of musie”—N. Y. Telegram. - PHONE_GEORGIA e WALTER T. HOLT Mandolin, banjo. guitar, Hawaiian gui- tar and ukulele. Pupils trained for | home, orchestra, stage and radio play- ng. Ensemble Practice with Nordica Clubs 1801 Col. Rd. N.W. Vera Neely Ross, B.M. VOCAL INSTRUCTOR Juilliard Fellowship Pupil of Schoen-Rene. Oscar Seatle, Fdear T. Paul and Walter Golde. Washington Musical Institute 831 18th St. N.W, Met. 2511 Mrs. Hamilton-Wolfe e e harwenka. Berlin. Ger- o ot X o letsons . reatonable ~(in pupil’s home if desired). Graded courses, | besinners or adult. 3210 17th St. N.E. PHONE_DECATUR_2100-W McCALL LANHAM BAR}I?}EE M"ART of SINGING DEPARTMENT HEAD of VOICE DEPARTME CHEVY CHASE THE NORTH 8200 STUDIO N 1310 19th St. WED. by Appl. MOZART --LISZT STUDIOS 1630 19th St. N.W. Piano—Violin—Voice ALICE LONG BRIDWELL. Director. Helen Ware Concert Artist, Teacher, Opens ‘Washington Studio October 1 1501 Conn. Ave. We. 1 De, 1811 i | | | | | | | | | | OTTO SIMON 1621 B St. NW. National 8683 Art and Science of Singing al courses for teachers choir directors. Evocation of “tone through vocal l techaie. . Stu 4511 15th St. NW. Georgia 8108 WILLIAM WEBSTER Tenor Instructor of Voice Protege of the Late Caruso has one partial scholarship left Phone North 9711 Dorothy Sherman Pierson Soprano—Teacher of Singing Director of Lyric Music Appreciation Club—Affiliated With Teaching - NW. R MISS GOODWIN Teacher of Singing—11: H St For Appointment. Phone Attractively Furnished S N.W Orllninl—yirirlnr Instruction in PIANO—ORGAN—HARMONY Willa Semple, B. M. | New England Conservatory [ Pupil of SKLAREVSKI, FRANK BIBB Piano—Theory—Solfeggio ;’ Coaching, Accompanying | i EVA WHITFORD LOVETTE TEACHER OF VOICE Kindred Arts 1910 N St. N.W. i THE THREE Are now being shown by us. Faculty Recital. \11’NNA NIEMAN, pianis anl “¥% Marjorie Lowe, soprano, director of the Music Department at Gunston Hall, will give a recital in the school auditorium this evening. Miss Nieman will play selections from Chopin, Paderewski, Rachmani- noff and Debussy. Miss Lowe will sing selections from , Brahms, Shu- bert, Greig. Charles and La Farge, with Glenn Carow as accompanist. Lucia Mackenzie Hendley Will Open Her 1945 h'runn on the Hendley- on August Contjae Kasper School of 15th, 14 b Armando Jannuzz’ . Grand Opera, Dramatic Tenor Voice Sgecialist | Italian Method hool of bel canto : Dist. 140377732 13th 'St N.W. * Florence Howard Studios of Singing 1408 New Hampshrie Avenue Phone North 6705 Musical appreciation of song literature developed in individual lessons and ensemble classes. Director: The Tuesday Evening Music Club The Burrall Choral Ensemble Lois Abernethy PIANIST TEACHER Private and Class Piano Studios: 1349 Iris St. N.W. 8th and H Sts. NW. Telephone Georgia __4010 REGINA VICARINO Opera and Concert Soprano VOICE STUDIO Beginners and Advanced Students Connecticut Ave. Claude Robeson | Piano Organ Coaching Telephones: Adams 5121 | Adams 3472 LA SALLE SPIER || PIANIST*AND TEACHER Pupil of Rafael Joseffy, Richard Burmeister. Berlin. Compiete ystematic course of piano instruction cluding harmony and ear training to bighest proficiency. New York Frequent pupils’ recitals Interview by Appointment Bancroft Place N.W. NOrth 8332 “The Music You Want—When You Want It” NEW MODEL PHILCO RADIO—PHONOGRAPHS They are “Double-Tested” for perfect performance, both Before and After delivery. your own selected programs at home! MODEL 610-PF _____$100 MODEL 630-PF _ MODEL 650-PF _____$180 WE HAVE THE LARGEST RECORD STOCK IN WASHINGTON OF Enjoy --$140 Popular and Classic Music—Musical Masterpiece Sets Six Sound-proof Booths on Ground Floor ] HELPFUL AND INTELLIGENT SERVICE GIVEN | OUR PATRONS. I DROOP’S—1300 G |