Evening Star Newspaper, June 16, 1935, Page 61

AM USEMENTS Picture Personalities Change Little in Year Nearly All of the Stars Are Shining Brightly—Why Some of the Players Are Favorites. By E. de S. Melcher in Alabama this season, but are they TARS may be fallin falling in Hollywood? Are S the heap and why? Every so often a small, humbl, - will come into the office with no other thought in mind save to sit down and “talk Hollywood.” Simon’s face assumes that ruddy glow which comes from discussing something which he admires, invariably he will ask, “Well, now then, who are your favorite star: have a favorite anything, just a somebody better “because,” crop up in cycles. Nevertheless, it does seem as though the past season has had as few re- verses as any motion picture season “ever and that the stars of today are pretty much the stars of yesterday. _A few have definitely kicked the ‘bucket. One or two have eased them- selves out. But in the main the Hollywood tide has been agreeably | calm, neither washing out so many as in former years or washing in an alarming number of newcomers. ERE, for instance, are 12 top- notchers—and why: Norma Shearer—Because, Whether you like her or not, you will have to admit that “The Barretts of Wimpole Street” was a distinguished photo play and that her presence in it made it just that much more so. Mae West—Because she has lasted two years instead of one and because she knows that her cry. “Now I'm a Lady,” is a fib and one that she never contemplates changing. Garbo—Because therc is a deflnite indication of emotional electricity every time she sneaks around the cor- ner and because she has never turned in a sloppy or a second-rate per- formance. Claudette Colberi—Because she is the office boy's dream of the girl he would like to marry. i Clark Gable—Because he has never | tried to be anything except Clark | Gable and because his acting is im- | proving bit by bit and because no one | has worn that “matinee idol” crown for 50 long, since the late Valentino. | Jean Harlow—Because her films | are exciting and dramgtjc and be-} cause, except for Dolores pe| 1o, she is the only girl in Hollywooa who can wear a bathing suit without fear. | Robert Montgomery—Because he still represents the best in youth and because '-his pictures are seldom cheap—never coarse. Myrna Loy—Because she is e\'ery‘ man's favorite and because she has | definitely behaved herself in Holly- wood. Grace Moore—Because she made good music popular on the screen and because she is one of the few good- looking opera singers. Paul Muni—Because he is an actor. Frederic Marsh, ditto. And Janet Gaynor — Because whether you believe it or not, she is the greatest box-office attraction in the world. TH!: list above, except for the pres- | ence of Miss Moore, iz certainly little varied from last year's. However, the following would have been in- cluded at that time, too: | of 1935 as great as they used to be? Who is at the top of he has to say that he likes them all, depending on their moods and that good things as well as bad of Twelve Months Ago | the great motion picture people e, but honest, Simon-the-Snooper And as the talk progresses and s” and since no department can sneaking suspicion that he likes | Katharine Hepburn—Because she | made “Little Women” one of the great | pictures of all time. | Margaret Sullavan — Because she | did almost the same thing in “Only | | Yesterday.” IP THOSE who are still as good | . today as they were yesterday | should be assembled we should arrange | them something like this: | Kay Francis—Because she has| hung on in spite of a lot of bad roles. | | Joan Crawford—Because she has kept her chin up in the face of con- siderable adversity (we being in the | | great minority when we admit that we thoughte«“Forsaking All Others” ‘was poppycock.) Leslie Howard—Because here is an- other actor. | | Gary Cooper—Because he proved in | | “Lives of a Bengal Lancer” that he| | has something more than a grin. | Charles Laughton—Because “Henry | VIII” was just the beginning of things. | Una Merkel—Because she can take | it. (She's played in something like 23 films in the past year.) | Shirley Temple—Because she was | “discovered” just a year ago, and because she is still the idol of every | mother who thinks she has a daughter L | something like her. AMONG those who have obviously | slipped: TAR ‘CINEMA PALACES PREPARING FOR WARM WEATHER “Becky Sharp” Returns'to- the Screen in-an All-Color Film | Anna Sten—Because Sam Gold- wyn thought that teaching her Eng- ‘ish was euough. Barbara Stanwyck—If you saw her at the Earle last Summer you'll under- stand why. Mary Pickford—Because she’s let too many seasons slip by. Constance Bennett—Because hasn't been attending to business. Jimmie Dunn—Because there will never be another “Bad Girl.” Ann Harding—Because up until “The Flame Within” she was hope- lessly burled in “whimsy and whamsy.” The Four Marx brothers: Where | are they? | | N\JEWCOMERS who deserve a place in the year's roll of honor in- | clude: Pred Astaire, for putting danc- |ing on the map; Ginger Rogers, for being able to dance with him; Louis | Heyward, for turning in a first per- | formance as good as he was in “The | Flame Within”; Freddie Bartholo- mew, for being David Copperfield; sue | Informer”: Bette Davis, for attaining both a new high and a new low in “Of Human Bondage”; Louise Beav- ers, for “Imitation of Life,” and Merle Oberon, for being the year's most interesting new film personality. O\IYHOOI Amuaemente. SPARKLING with fun, gay with laughter, cool and breezy amid its 40-acre woodland setting on the banks of the Potomac River, Glen Echo Park :-1s providing recreation for thousands | daily. prices lowest, and the popularity of Glen Echo as a playground is attested | by the fact that more than 100,000 | fun-seekers have passed through the turnstiles since April 27, the opening day. | The first big outdoor swim meet of | the season will be staged at Crystal | pool tomorrow night, when leading Ewimmers compete in a card sanc- | X'onedvby the District of Columbia | . A. U. | With the addition of the regular moonlight orchestra directed by Ste- phen Le Sieur, the 5:30 or “Sunset Cruise” has become one of the most popular trips run by the Wilson line. ‘This trip is especially suited for the office worker, who, after a hot day’s work, likes a few quiet, cool hours of rest in the early evening. This tea dance- cruise arrives back in Wash- ington at 7:45 p.m. thus making a 2%-hour sail down the most historic part of the Potomac River, Drama at Sylvan Theater. i LORD DUNSANY'S three-episode drama, “The Gods of the Moun-| tain” as produced in May by the| ‘Washington Community Players, will| be given a second public performance on Monday ‘pight, June 24, at the Natimal Sylvan Theater in the Wash- ington Monument Grounds, in con- Junction with “Helena's Husband,” by Philip Moeller. A brief run‘,luz-nhzri will open the program, which will be further enhanced by musical inter- ludes by the Civic Symphony Or- chestra. Leading roles in the Dunsany drama will be played by John Sikken, How- DANCING, Learn to D-AN C ard Whitfield, Paul Murphy, Robert Duke, George Wilcox, Stanley Pro- theroe, James M. Rawls, A. L. Diket, Herman P. Riess, W. J. McLean, Hugh Smith, Theodore FPreter, Henry K. Bradford, Prederic Cole, Harry Nich- | ter, Robert Morey, Terry MacPhear- Here thrills are highest and | son, Robert Linz, Charles Moser, | Le Roy Swab, John Hildebrand, Jack Miller, Edythe Lazaroff Goldman, Phyllis Speich Marjorie Beall and Dorothy Manning. Among the peo- ple of Kongros will be Betty Brainard, Betty Sleeper, Geraldine Wells, Lil- lian Harris, Hazel Boes, Lee Brunner, Judy Rawls, Mildred Baitz, Lorraine Rakusin, Dorir Linz, Dan Derrick, Lewis Shallenberger, Nathan Popow- | sky, Robert Rieseberg, Robert Kohn. Players in the gay comedy, “Helena’s Husband,” will be Adele Whiteside, Jean Smith, J. Edmond Veitch, Paul Bradbury Walter and Kent Dyer. B g Grace Moore's'New Film. “J OVE ME FOREVER,” Columbia Pictures’ elaborate production starring Grace Moore, will have its Nation-wide release on June 15. Vic- tor Sch , noted composer and director, who guided the star in her worldwide success, “One Night of Love,” again directed Miss Moore. In her new production Columbia’ brilliant star has many opportunities to display the wide range of her wonderful vocal powers, which thrilled those who heard her in “One Night of Love.” Miss Moore has three leading men in “Love Me Forever’— Leo Carillo, Michael Bartlett, well known operatic tenor, and Robert Allen. Other members of the cast include such prominent screen and musical personalities as Merola Gaetano, Spring Byington, Luis Al- berni, Gavin Gordon, Harry Barris, Olin Howland, Edmund Burns, Wil- liam Worthington, Thurston Hall and Douglass Dumbrille. Reginald Le Borg acted as technical director. DANCING. E SMARTLY At Low Summer Rates Vacation days are here. Are you going to enjoy them as you should? Remember, you'll never want for an enjoyable outing if your dancing s up-to-date. At the famous Leroy H. Thayer Studios LOW SUMMER PRICES are now in effect and his talented instructors make the les- sons enjoyable as well as instructive. . Call TODAY for guest lesson and dance analysis without obligation. Studio open until 10 p.m. MEtropolif phone tan 4121, Le Tele- routh Chaner 1226 CONNECTICUT Victor McLaglen, for his work in “The | Plays the title role in the R-K-O all-color production of “Becky Sharp,” which comes to Keith's nex{ yriday. Next Week's Films. ‘KAY FRANCIS comes to the Earle | | Theater next Priday in “Stranded.” | This new Warner Bros. produ.ion was based on the story “Lady With a | Badge.” written by Frank Wead, the | | auther of “Ceiling Zoro,” and Perdi. | hand Reyher. eorge Brent heacy the supporting cast in this pew film, while others in importani roles in- clude Patricia Ellis, Donald Woods, Robert Barrat, Barton MacLane and | Frankie Darro. On the stage the| Earle will present Hal Kemp and his | band. The Kemp orchestra is said | | to be the mpst imitated grouy, of mu- sicians in e country. Witn them | will appear a group-of entertainers | including Skinnay Ennis. Saxy Dowell. Maxine Gray and Bob Allen. | Charlie Ruggles and Mary Boland, | | popular pair of motion picture comics, | come to the screen at Warner's Met- | ropolitan Friday, in “People Will| | Talk,” a story tailored to suit their | particular talents. = Ably supported by a cast including Leila Hyams, Dean Jagger and Jack Mulhall, Ruggles and | Miss - Boland clown merrily through | | one of the pleasantest pictures of re- | | cent months. Al Santell directed. In the all-color production of | | “Becky Sharp,” which comes R-K-O Keith's next Friday, will be | found what is believed to be one of | the most imposing casts ever as-| sembled for & motion picture. Mariam | Hopkins, acknowledged star of the | | sereen and one of the three greatest actresses on the stage, steps into the | shoes of Minnie Maddern Fiske to ! carry the name of Becky Sharp | brilliantly into the great new color era of the screen. Crawford and Bob Mont- are starred in “No More Ladies,” the latest Metro-Goldwyn- Mayer hit that Loew's Palace will offer for the first time starting next Priday. Franchot Tone, Charles | Ruggles and Edna May Oliver add comedy to the film and Gail Patrick and Reginald Denny are also in the cast. Joan gomery t “Public Hero Number 1” a dra- matic, tense and thrilling screen tribute to the gallant men of the De- partment of Justice, will be shown at | Loew’s Columbia Theater starting next Friday. o | New Screen Start. Tflmm is a lucky number for at least one screen luminary, who is given a chance for a screen come- back in Fox Film's “Black Sheep,” featuring Edmund Lowe and Claire | Trevor. Mildred Harris, whose career was | interrupted by her brief marriage to Charles Spencer Chaplin, has a role in this production. Miss Harris is sure the tide will turn for her because | Allan Dwan, who directed her 13 years | ago in a picture whose name neither | recalls, and again when she was 13 in “The Americano,” with Douglas Fairbanks, was the director of both. PROF. nd Mrs. ACHER—34th Yr._ Studio, 1 :’! N, Class Di ioth St. 8 B Met. 3050 Learn o dance acation or while visiting in eity. Stand ines. Leroy H. Thayer School of Dancing ANNOUNCES* et tome 310 Classes Now Forming Morning and eveni classes for adults an children in Tap, Acrobatic and Ballet Dancing All ciasses limited in number. Enroll now! Stage Department 1223 Connecticut Ave. MEtropolitan 4121 SUNDAY STAR, WASHINGTON, D. C, JUNE 16, MIRIAM HOPKINS 1935—PART FOUR. * Roadside Thea HP Roadside Theater opens iis secopd Summer season tomor- I row night with Dion Bouci- cault’s popylar melodrama, “After Dark,” under Anton Hardt's direction. The production will run for two weeks. The Roadsiders’ new home, a huge | two-story red barn, is gituated on the | Rockville pike, 4 milcs beyond Be- | thesda, just past the Gwrgcm-ni Prep School. Edith I Allen, de- signer-technician, and her stage crew have been working day and night for the past month convert the into a completely equipped theater. On the ground floor is a large lobby, box office, refreshment booth, dress- ing rooms and workshop. The former hyloft is the thester opee,. Whers l original company, will do the leading | a stage 40 feet wide and 21 feet deep | has been built. Three revolving | stages will facilitate scene shifting. | Twelve rows of those famous canvas seats. will provide a seating capacity | for 221 persons. “After Dark” is probably the most | famous of all melodramas; just seven | years ago it proved the sensation of over to the old Rialto in Hoboken, | where Christopher Morley, Cleon Throckmortan and Harry Wagstaff | Gribble were producing the fine old | thriller. Sensation after sensation follows in rapid succession—the heroine jumps off London Bridge—the hero's ter Opens | vest friend is about to be crushed to | | death between the wheels of an on- | | rushing subway train—both saveq in | the nick of time. Then there is che | cabaret scene—which Boucicault | claims was the first on any stage— where London's underworld carouses. | Eugene Kressin, villain extraordi- | nary of last Summer’s melodrama. | hits; Carey Lucas, popular young ‘Washington actress, appearing for the Nt time with the Roadsiders; Janet }mn‘ also of last year's company; | Ralph Fowler, best known for his barn | Work with the Montgomery Players: | Thomas Cahill, the Roadside’s fine ‘ character actor: William Phillips, one | of the most promising young actors | of Eva LeGalliene's company, Walter McIntosh, another of the Others in the cast are John Prancis Koonce, Charles roles. Rappolt, Bell, Milton Hirshfield, Mario Geraci, | Murray Bernhardt, Ralph Howenstein, Karl Rodibaugh, Lavina Merrick, Ed- | ward Stevlingson, Jean Smith, Shirley | Lake, Erma Stalfort and John Bland- ford. Last Summer’s patrons will remem- t0 | the season, drawing all New York | per “She's More to Be Pitied Than | Censured” and “Don't Swat Your Mother, Boys,” touchingly rendered by & quartet. The entr'act for “After Dark” will be “Heaven Will Protect the Working Girl,” sung by a trio composed of Eugene Kressin, Janet Coon, both of the original quartet, and Willilam Phillips. New One for Fred. FR!:D ASTAIRE and Ginger Rogers, the most popular starring team | of the day, will appear in “Follow the Fleet” as their next musical picture for R-K-O Radio, with production scheduled to start about September 1, | under the direction of Mark Sandrich. | “Top Hat,” their current picture, | with musical score by Irving Berlin, | is nearing completion on the R-K-O lot, with Sandrich directing. At its conclusion Astaire will take a three- month holiday, while Miss Rogers will Co-Stars With Veidt, ICHARD DIX, R-K-O Radio Pic- tures star of outdoor dramas, has sailed for London to co-star with Conrad Veidt in & British-Gaumont film, “The Tunnel.” Dix’s contract with the English film company is for one picture, after which he returns to the R-K-O Radio Jot. The star joins a large group of well-known American players m:a ing films for Gaumont-British, in- cluding Helen Vinson, Madge Evans, Noah Beery, Maureen O'Sullivan lnd‘ others. begin work at once in the starring | role of “In Person,” a Samuel Hop- kins Adams story, under William Seiter's direction. \ =7 Z 2 PULITZER PRIZE PLAY ¢/ 1935 ‘ . e T WEDNESOAY . SATURDAY MATS. 88¢ 1o 9273 Marshall Hall o B s AsINGTON ashington’ "Daily and Sunday e Round e QIS o g e M)ONLIGHTS, Rightly FREE DANCING '“ Round Sun. snd Holldays, 7B 3 Sunday 2 P. M. MT.VERNON,Sindey 2 10 A. M—2 P. M. Reund 50¢ " ’s First Jazz Comedy R “MOSCOW LAUGHS” lete English Dirlogue T, CImBittet Srustenl 2 ¢ - Taughable, Singable . . . You'll En- Joy Tts Mad Hilarity. A rousing musical comedy “HOORAY ixLOVE" Ann SOTHERN © Gene RAYMOND Bill ROBINSON ;ulkm'- GAMBY omiing . @ MIRIAM HOPKINS Jo “BECKY SHARP™ ol in_the stunning beauty of the new WONDROUS {NOW « & iEs moes e eavens | AR AWK | and | Today's Film Schedule AMUSEMEN his conversational references and The de luxe first nighters are at, Southampton (widowed this season of | the accustomed presence of George | Haight and C. Potter). The two dark | | men from the Shubert office, omni- presemt spies, are at Ogunquit or | Skowhegan, painfully enduring the | Spartan fare of outland places where “Sardis” is not and “Varjety” doesn't arrive till Wednesday or a belated | Thursday. Mrs, Marion Tiffany Sa- has seen all the shows and | isn't theatergoing. Neither is Suzanne, | Lady Wilkins, Delos Chappell, nor any | of the inevitable Ryans and Donahues. ’ Alone, the shirtfront of Brock Pem- berton gleams as that of an ambas- | sador of Winter carri trade. Long- | acre SquUAre assumes an unwonted at. mosphere of georgic quietude, and a cow tethered beside the police kiosk at Forty-third street intersection would cause little comment. Theatergoing in New York during | | Summer months may be an acquired | taste, like an understanding of the authentic palate value of oysters, but | it 15 a joyous and amiable pastime to the knowing, savoring of nothing so much as attending the showshops of London during what the British are pleased to call “the season.” As all the world knows, one goes to the play in London via Kieth Prowse, the ticket location agents, and the main restaurant of the Savoy. Possibly, it being June, with the prospect of July, a dividend quarter, in the almost jm- mediate offing, one dines in somoer magnificence at Claridge’s, with earls and satraps on every hand and three powdered footmen to assist in the consumption of a Martini. Even a bad play becomes palatable in London LOEW'S ¥OX—“Under the Pampas Moon,” at 2, 4:30, 7:15 and 9:55 pm. Stage shows at 3:45, 6:30 and 9:10 pm. R-K-00 KEITH'S—“Hooray for Love,” at 2, 3:57, 5:54, 7:51 and 9:48 p.m. METROPOLITAN — ‘‘Sky Hawks,” at 2, 3:50, 6, 7:55 and 9:45 pm. 4 PALACE—"Doubting Thom- as,” at 3:10, 5:20, 7:30 and 9:45 p.m. COLUMBIA — “Goin’ to Town,” at 2:50, 4:40, 6:25, 8:15 and 10 p.m. EARLE—"Oil for the Lamps of China,” at 1:55, 4:35, 7:15 and 9:55 p.m. Stage shows at 3:50, 6:30 and 9:10 p.m. BELASCO—' ‘M oscoWw Laughs,” at 2:45, 4:45, 6:45 and 8:45 p.m. De Mille's Next. | CECIL B. DE MILLE announces the Biblical story of “Samson and " as his next production for Paramount. He will start preparing | within five or six weeks, after he fin- | ishes his current production, “The Crusades.” Harold Lamb, novelist- | historian, and Jeanie Macpherson al- ready are at work assembling material for the next picture. Paramount has purchased both music and libretto of the opera “Samson and Delilah,” by Charles Camille Saint-Saens and Ferdinand Lemaire. Theater Scion Clicks. IOSCAR HAMMERSTEIN, 2d, has | writer and lyricist to work on “Song | of the Nile,” which will be Jan Kie- | pura’s first picture in Hollywood. The noted European singer will arrive in | the Fall. The picture’ is slated for | November production. Gponing/ MONDAY JUNE 17 * 8:40 PM. 2 WEEK ENGAGEMENT ) "AFTER DARK" A5 ROCKVILLE PIKE PAST GEORGETOWN PRER. H @ MRS. DORSEY'S IN DROOPS “UNDER the PAMPAS MOOK" flage IN PERSON! RY ARMETTA A MELODRAMA BY BOUCICAULT= RES. SEATS 03¢ » 55¢ IHTIGALLI.M#A"H. SCREENS FUNNIEST STAR knn‘(l‘lnll(IMIIEGYPIM'MIM \. Sioqe EVA LE GALLIENNE s zo 1ssue MARCH of TIME® “GOOD LITTLE MONKEYS CRAWFORD ROB'T MONTGOMERY Trla.zl Lfld‘é) T Lt tm Qteo. FRANCHOT hecause the atmosphere of piaygoing | jn 80 agreeably leisured. [he putr-artes are long enough to provide 1or assuag- | ing the rising theater thirst, that | dread parchment of the inner econ- | omy sure to set in during act I. The | aisles and gangways are wide enough | | for a team of horses. The evening | progresses at a courteous pace, suit- | | able to manners of the gentlefolk who Ts. P8~ New York Theater World Settles for the Summer A Half-Dozen Attractions Receive Bulk of the Hot-Weather Trade, With “Ceiling Zero” Pointed Out as a Selection. E flavor and temper of theatergoing along Broadway, with the advent of Summer and goes a subtle metamorphosis which is more likel; tangible to the amateur of plays than to the professional aficionado who goes to everything. For one thing, the regular in the theaters is by instinct an early goer. nights or, at best, second performances or catches a new show during the first week in order to be brightly up to the moment in the long, light evenings, under- to be He attends first critical technique. Thus, when Summer comes and for a quiet interregnum there are no openings and the maddening crowd of first- becomes the stamping ground of the casual and occasional enthu- siast, the modest and lounge-suited out-of-town visitor, the sub- urbanite who has treasured the reports of the season against his annual descent upon metropolis and means to “do” the shows he has so long since envisioned by envious report. nighters is dispersed, the theater is possible, at least, to approximate decorum, decency and dignity as it certainly is not during the fevered urban season. One can, for example, purchase his tickets at the box office, a thing unthinkable in the months when Forty-fifth street is a sea of silk hats and parked Minervas. There is the pleasing noveity of arriving in the carriage rank by davlight. There is not the necessary requirement of at- tiring one's self in choker collar and tailcoat. The dressiest in Summer seldom exceed the formality of a white linen dinner jacket and soft shirt. (Ever a town for rushing the season, and one where bock beer signs begin appearing in February, Manhat- taii takes to Summer evening clothes in June.) The weather is clement by habit and one can make Frankie and Johnny's between the acts without benefit of galoshes and burberrys. It is even possible to capture s hack after the show without outrageously feeing a menial for the service. A nicety for the truly exquisite, of course, will be to arrive in a victoria commanded in advance from the Plaza cab rank. In case you want the best cabby in town, his name is Patrick Rafferty, and the Plaza doorman knows him. His horse, whose name is also Paddy, will positively not fall down on the way ’‘cross town. Not by any means that “Ceiling Zero” is the sole possible selection these latter weeks in June. Until the end of the morth it might, with equal appropriateness and pleasure, be “The Petrified Forest,” with the ever adroit and commendable Leslie Howard: Kenneth McKenna's “Accent on Youth,” “Three Men op a Horse,” “Anything Goes” oy ‘‘rne Children's hour.” About & weey witl AlOW wne choosey playgoer to waxe the Broaa- way round, although actually thece are enough houses lighted to enabie the drama fan of catholic tastes to 80 out every evening for a fortnight. ‘mlke theatergoing an accustomed oc- cupation. | Gotham can never aspire to such practiced perfection. It was not built | that way, but in the warm months it l Lead in “Main Street.” I JOS!PHTN’! HUTCHISON, headlined | with Pat O'Brien and Jean Muir |in “Oil For the Lamps of China,” | the new Cosmopolitan special produc- tion for First National release, will probably play the leading feminine role in a talking film version of Sin- clair Lewis’ “Main Street.” The fa- mous best-seller of the early 20's is now in the process of being adapted | for the sound zcreen and is likely to be placed in active production within | the next few weeks, according to an announcement from the First Na- tional studios. 9th & F STS. N.W.i Cont. _11-11 P.M! Stage and Screen Presentation '{ SEX MADNESS SHOWS FOR | Adult Men Living Models been signed by Paramount as a | AY NJOY @‘D JiL A EARL LATE NITE, 2 MORROW NITE fT 8:30-DCAAV SWIM MEET ACADEMY ° "t ooz ppton [ E u‘;:?'cne"?héuln;"m’mne Beautiful | WILL ROGERS in "f19E BEGIN CHAI 8 Al A SHOT IN THE DARK. CLARENDON. ASHTON sonaSy 2 E8%W0%n Sven- ETTE HORTON in “$10 RAISE." 11th N. C. 3 CAROLINA SHIREEY “TEPLE and g }.(gurg‘u. BARRYMORE in “THE LITTLE 13 Ave. CLAI COL- BERT. FRED MacMURRAY - FG@:D Ly M 'Netro News T AIRLAWN g ANACOSTIA B €. CHARLES B O THUNDER_IN THE EAST> " PRINCESS 1119 H 8¢ NE, WILL ROGERS in “LIPE MINATT ‘Ana *TrLiie® ix oan LET 8214 Georgia Ave. Silver Spring, M “, 1A STUART in GOLD DIGGERS OF 1035." Comedy. News. 2:00 P. JANET GAYN NER S UORE SeRiNG: LN AR VE Vo SECO inee. 2:00 P.M. |STANTON Wireon: UDETTE 8 _LIVE TONIG! Mat DICK POWELL and GLORL Matinee. Sunday. “OUR LITTLE GIRL.” Matinee, 3 P.M. Continuous. _ Cartoon. Comedy. | TAKOMA &% me uigmi e Continuous Prom 3:00 P.M. BURNS and ALLEN in “LOVE IN BLOOM.” HIPPODROME 5520, Al Jolson, Ruby Keeler in “Go Into Your Dance.” CAMEO 0%, Homor Trusemss Jeanette MacDonald in ‘NAUGHTY MARIETTA.’ ARCADE *Rarrsymizie. Jean Harlow, Wm. Powell in “RECKLESS RICHMOND 45msiseii.de Hugh Herbert. “Traveling Saleslady.” Direction SIDNEY LUST 624 H S, N.E. Lincoln 3375 WARNER BROS. THEATERS Matines, 3:00 PM. JAMES CAGNEY in “G MEN.” Sy Symnhony, “Tortoise and Hare.” A CENTRAL 523, 2%cf* off ‘NAUGHTY MARIETTA. HOME %ot ot . . SAVOY ‘g inpgww B 0h e Boesst Pass No. 1. TIVOLT g0 3™ Ga. Av Piace N Cel " to1s POWELL n rtreel. JESSETHEATER "*&.* 5™ “STAR OF MIDNIGHT,” ROGERS. Micker Mouse Carsoon. “ROBERTA,” INGER ROGERS.