Evening Star Newspaper, December 16, 1928, Page 78

AMUSEMENTS.® THE SUNDAY STAR, WASHINGTON, D. C. DECEMBER 16, 1928—PART 2.° “Success of Foreign Players| HY do foreign Star§ achieve sen- sational succéss in American pic- tures? The most valuable box office names today are said to be Greta Garbo, Lupe Velez, Dolores Del Rio and Vilma Banky—all foreigners, Director Alfred Santell answers the guestion so far as concerns Miss Banky's popularity. “Miss Banky had years of training in Europe before she attempted to make American pictures,” says Mr. Santell. “She came to our screen a finished actress, not an immature girl as many of our stars are. Combined with beauty and ability, Miss Banky pos- sesses poise, technique and years of training.” Edwin Carewe is credited with at- tributing Dolores Del Rio's appeal to her spontaneity and fire. of years of inheritance of Spanish passion and love of the beautiful .and unusual come to Miss Del Rio,” he says. “She possesses the individuality and motion picture screen. After all, it l!i exotic beauty impossible to a conven- tionally bred American girl.” Of Greta Garbo Fred Niblo says: “Nationality is - immaterial. Foreign “Hundreds | girls succeed for the same reason that {some of our own girls succeed—with abllity and natural charm. The inten- is helpful, of course. Miss Garbo was attending dramatic school when most girls were in grammar school. She | studied for years before coming here.” To the defense of the native actress comss William DeMille. “The foreign star lacks spontaneity because of much | training,” he declares. “Our girls are | more pliable. They make up in natural- |ness and charm what they lack in |techmque and training.” , . Th2 director of “MotHer Knows Best,” | Jack Blystone, also favors the American girl. “Her determination and grit makes up for any lack of preparedness. She meets the situations as they come,” he claims. Dorothy Dwan, Irene Rich, Billie Dove, Phyllis Haver, Janet Gaynor and |Sue Carroll all certainly offer diversi- fled attractiveness and talents to the |a matter of individyal tastes as to | which actress plsases—each has much | to offer the public or she would not be lon the screen. Still Guessing. ‘A LTHOUGH it is making sound and dialogue pictures by the score there 1s no coubt that the motion picture in- dustry is still at sea as to what is es- sential to the success of dialogue pic- | tures. Public curiosity apparently has not yet abated, and the picture houses seem to be enjoying their usual patron- age, but nevertheless thought in the industry where thinking is to be ex- pected continues to be employed in quest of that something which is still necessary to make the dialogue picture what it should be. Harold Lloyd, one of the most suc- cessful of the screen comedians, be- cause Lloyd is a clever thinker as well as a deviser of something to make them Jaugh, has evidently lately, and he is credited with some conclusions upon the subject. Here is what he has had to say: “I can readily see now why come of our foremost stage favorites not only dread appearing but have ‘Talking before the camera and to an audience represents two_entirely dif- ferent reactions. Speaking into & phonograph record, without having a camera trained on you, is still another. “Good voice and diction, and I might say acting, will not by themselves con- stitute success in talking pictures,” de- clares Mr. Lloyd. ¥ “There will be isolated instances, and | we have 'seen them, where popula favorites of the stage who failed t make good in-pictures prior to the ad: vent of the sound films have since succeeded in the talking pictures. But these instances are few. “The dominating ingredient for suc- cess in talking pictures will remain as it always has been, screen personality.’ The voice will be secondary. been _thinking | in talking pictures, | unsuccessfully - tried them. | | _ “My own reaction to the first test | I made for talking pictures, of course, | deeply interested me. One senses, im- | mediately he goes to work before the | microphone, that there is a certain adjustment necessary from the old order of things. Screen technique must be | changed but little, but the use of the | voice naturally eliminates some of the | pantomime that in the silent film has carried through to an audience. And | yet to make matters a little more con- fusing, one must always bear in mind that there will be thousands of theaters where the picture will b2 shown with- out dialogue, and the player's action must conform to this situation. “Some of our cleverest stage per- formers, who can convey a thought with a little gesture—maybe just a motion of the hand, for example—will find the camera perhaps blinded when it comes to recording these gestures and getting them over to an audience. On the other hand, in a picture close-up a wink of an eye might get over what a hundred lines wouldn’t do on the stage. “One whose entire training has been | along the motion picture lines will have difficulty in talking pictures through |lack of stage technique. Separately, | neither stage nor screen experience en- | tirely qualifies one for talking picturés, | as far as I have observed from my per- sonal experience. Together, plus screen personality. they form the ideal combi- nation. The hundreds in pictures who have had both stage and screen experi- nce can adapt themselves readily to he talking pictures. Those who have had only screen training will have to | acquire ‘stage presence’ and diction, though I do not feel that lack of stage experience is an overwhelming handi- cap. “In fact, I think those who face the rost sericus problem h talking pictures are those who lack screen technique.” Children in Talkies. HILDREN are going to be more popular on the screen than ever, according to officials in the Fox talking film studios. It's not simply that the 1928 model of youngster is more apt than is predecessors to increase the vogue of the children. It's because movietone has already given evidence of putting the small actor over in a big way. Several definite reasons are given for First of all, children’s voices seem {deally suited for re uction by the audible system. They “are high, ‘and therefore carry well. Moreover, children seem much more unconscious in. the pew medium than their elders. Grown-ups who have long consciousness are now faced with a new embarrassment, that of microphone consciousness. Broadcasters over the radio know the sensation ‘well. But children speak with an easy art- lessness, without the ‘slightest indica- tion that they are aware they are speaking memorized lines rather than babbling the easy patter of childhpod. And the appeal of child actors is en- hanced by the natural inclination which all fond parents have.to read into the screen youngsters the characteristics of their own offsprings, and ‘to find in their entertaining lines an echo of the bright sayings.of their own progeny. Only in the case of the screen young- sters the bright sayings are really amusing to others besides the fond since. overcome their Ipitial camera- | parents. A Costly Picture. 'HE biggest and most costly picture ever made by First National Pic- tures will be “The Miracle,” Max Reinhardt’s stage spectacle, which will be brought to- the screen, it is an- nounced, at a cost of $2,000,000. It is expected to be the mosth&reux.\fious pic- ture ever produced by.this company and the most. spectacular in the history of the motion picture industry. Rights to the play have been in con- troversy for the past. two years, First | them. National finally . winning The dispute was settled out of court undet the direction of Irving D. eim, president of First Nationa! Pictures, and the contract was signed by Ned Depinet, » W. C. Boothby and E. A. Perkins, for First Naticnal, and Al H. Woods and Joseph Menchen. __The dispute was between, First Na-| tional and Woods on one side and Menchen and Metro-Goldwyn on the other, First National having purchased | the screen hts from ~ Woods' nndi Metro-Goldwn from Menchen. i N ’I‘l‘l:o uttl!meant llgvu Hfi:ml'{lafinn:\ | ree to proceed with product work, | which is expected to start soon. | ““The Miracle” as a stage spectacle | broke theatrical records both in Europe and in the United States, where it was | presented by Morris Gest. The screen version is expected to be just as im- posing and spectacular as the stage play, with the marvelous pictorial possi- siellllles of the screen sadding to its uty. Mantell’s Plan to Go On. NE of the most famous Shakes- pearean companies, whose record for years has stood with the American pub- lic as being of the highest standard, will continue its activities early in 1929. Miss Genevieve Hamper (Mrs. Robert B. Mantell)—the only Shakespearean woman star now appearing before the public—has assembled and will head this new organization. During the past eight years Miss Hamper has been co- starring with the Robert B. 'Mantell Company, and during that period has endeared herself to hundreds of ad- mirers by her renditions’of the splendid gallery of Shakespeare's famous woman characters which she presented. The following repertoire will be given: Hamper has arranged for a large num- | ber of reserved orchestra and balcony | tickets at one dollar each for eyery one of her performances. George M. Cohan's next production, “The Barn,” is due in New York New Year week. It is a comedy by A: E. Thomas, in which Phyllis Povah will have the principal role, JESSE THEATER ™%, “As You Like It,” “Macbeth,” “The Merchant of Venice,” “Romeo and “THE MAN WHO LAUGHS," with CON- RAD VEIDT. COMEDY, “THE BOY sive training the European girl receives | Milestone Re-Engaged. 1 ‘OWARD HUGHES, president of the Caddo Co. has renewed his con- tracts with Lewis Milestone, the direc- | tor, and Louis Wolheim, character ace, | thus refuting rumors of his retirement from the picture business following. completion of “Hell's Angels,” the 1$2,000,000 aviatioh classic. | After “Hell's Angels” is completed, | it is stated, Milestone and Wolheim | | will appear in future Howard Hughes | productions. - Meanwhile. they are be- tx‘:,: loaned to other producing organiza- ns. Milestone is one of the director sen- sations of Hollywood. He made two of the Caddo Co.’s outstanding releases, “Tw) Arablan Knights” and “The | Racket,” and at present is directing | the newest Emil Jannings picture for Paramount, & | Wolheim, even before his triumphs in “Two Arabian Knights” and “The | Racket,” became one of the most popu- i lar character actors of the screen. He {is one of the most-sought-after per-| formers in pictures today. Film Cutters Organize. THE cutting room artists are the| latest of the movie specialists to “organize.” The “Edited By” Club, composed cf leading film editors and cutters, now takes its place with the A. 8. C,, the Wampas and other professional movie fraterrities. The new club will be | primarily social, but has for its express purposes and aims the betterment of pictures, and the promotion of better understanding and co-operation between producers and film editors. | _ Founders of the “Edited By” Club are Frank Lawrence, film editor-in-chief of the Caddo Co.; Lloyd Nosler, George McGuire, Stuart Heisler, Eddie Adams and Roy Stone. The newly organized -celluloid trim- mers plan weekly meetings for the dis- cussion of the problem of film editing and work toward the objective of better- edited photoplays. “We have pledged ourselves to keep politics and unionism out of the ‘Edited By’ Club,” says Frank Lawrence ONE OF THE FIRST NATIONAL STARS Billy Dove prepares for Christmas and is also appearing in a new picture, “Adoration.” Antonio Moreno plays the male lead. | |Goes From De | ing roles. Hld a Famous Ancenor. F there is anything in heredity, W. Scott Darling, Pathe scenario writer, should be able to write a splendid light- house story. Mr. Darling claims to be a direct de- scendant of Grace Darling, daughter of an English lighthouse keeper, who be- came famous sbout a century ago for the number of lives she saved during terrible storms. Songs and stories have celebrated her exploits. Darling contesses that, so far as he is concerned, his own love for the sea received a finishing blow when at the age of 9 he crossed the Atlantic to go to school in Scotland, and the vessel on which he had passage went from one terrific storm into another. His latest srcenario is that for “Noisy ! Neighbors,” which Charles Reisner is directing, and in which Eddie Quillan, the Quillan family, Alberta Vaughan and Theodore Roberts are featured. Mille to Fox. ERTRAM MILLHAUSER, for many years associated with Cecil B. De Mille as a writer, supervisor and asso- ciate producer, has been signed by Fox Films. His first assignment under his new contract is to prepare one of his own stories for the screen, Beulah Marie Dix writing the scenario. This is a story of modern youth and according to present plans, Sue Carol, who re- cently put her signature to a Fox Film contract, will have one of the outstand- While with De Mille, Millhauser offi- ciated as associate producer on “Three Faces East,” “Silence,” “Walking Back,” in which Sue Carol played the lead, “The Country Doctor.” With Miss Dix, Millhauser aiso wrote the scenario for Margaretta Tuttle's “Feet of Clay,” and he was the writer of what has been called Raymond Griffith’s most success- ful comedy, “Forty Winks.” . HOLLYWOOD, Calif., December 15.— Most famous men have their weak mo- ments. A few of them in the film in- dustry have spent some of those mo- ments handing out advice to. young ladies determined upon a cinematic | career. So, if you feel strong, here goes: Alfred” Santell—‘For Heaven's sake, don't go on the street with the seam in {our stockings crooked! It looks dread- ul.” This is only a Winter suggestion: Hollywood ladies aren’t troubled with' seams in the warm season. Fred Niblo—"“Don't apply make-up to your face in public. Nothing shows in- ferior breeding like powdering the mose conspicuously.” i It is the American girls' defense in | foreign Hollywood. Al Rogell—"Don’t wear the skirts too | short. The rear view of a woman’s knees is horrible to behold. So keep them covered.” ‘What are the girls to do when Holly- wood merchants have dress-up week at least every other month? James Gleason—"Don't wear a hat so small that the back of r neck shows under the hat. It's all right if you haven't bobbed hair, but with a shaved neck it's terrible.” / It is not the hat is small, but that the head is large in Hollywood. Robert Armstrong—“Don’t try to change the shape of the mouth with a dipstick. No one ever vet did it suc- cessfully.” Lipsticks are used in the colony chiefly for jotting down the lady's tele- phone number on & corner of the menu. Ken Maynard—"Don't pretend to be something you are not. Just act nat- ural. You don't fool Hollywood.” Oh, Mr: Maynard! How could you? You know very well that every once in while some one “acts natural” and Tands in jail. William Howard—“Don’t wear gaudy jewelry on the stfeet. It's not so bad at night, but in the sunlight it looks = 3 heap. It probably i$ cheap. £nd now, after you've had your morn- ing exercises—your hair blondined, your plastio treatment at the beautician’s, your reducing treatment at the reduc- tionist’s, yo r dancing lesson, your 15 minutes at fen.ing (to make the waist supple), and your hard day’s work at the studio—if you're a Hollywood star, you go in for a little Jight cookery. Phyllls Haver, Lois Wilson, Ethel Kent Armstrong, Dorothy Dwan and Lena Basquette may not do all of the above in one day, but every Monday — MOVIES AND MOVIE PEOPLE COMPANY THEATRE “The Hourer of LES hier® AMUSEMENTS. English “Talkies” Coming. tives in England has made a tentative agreement for the distribution of the NGLISH motion pictures producers are to prove to American audiences that “talkie” pictyres have put them on an even basis with Kollywood,} et Deaicts o Ux g = subject products for the pasf ee NN SR S0 P 06 B, years, and the scouts report that this players and hence better recording of | axperfence has resulted in a quality speech Is the claim made for the British | of voice registration in the “talkies™ producers. [thnt is superior to anything which has British Sound Film Productions has | yet been shown in America. started an ambitious production pro- [~ Two of the most noted of English gram at its new studios constructed at | anthors—Arnold Bennett and Eben ‘Wembley, using the De Forest Phono- | Phillpotts—collaborated on the first film method of recording. General | feature for British Sound Films, which Pictures Corporation, which | has been given the title of “Sinews of controls the same method here, has | War.” It should be completed within been watching the English productions | the next six weeks and a print will closely and on reports from representa- ' be forwarded to America immediately. American Beyond Doubt. NEW leading man signed by Fox, Six generations of Sedillo's family Films is Juan Sedillo, who traces have been born in Socorro. His father his fimfly through 404 years in Amer- is district attorney of Albuquerque. His fea. Sedillo will play the lead in an grandfather was on attorney, and his outstanding production on the Fox younger brother is studying law at Film schedule this year. | Princeton. His great-grandfather on ‘When this young lawyer of Santa Fe, 1 his mother's side was the last Mexican N. Mex., was brought to Hollywood for | governor of New Mexico before that a screen test it was the first time he|State became a part of the United ever had beea in California. | States, in 1828 His mother's family is said to have 2w sroag come to what is now Socorro, N. Mex.,| Juan Sedillo is a graduate of the in 1524; his father’s in 1734. The lat- | University of New Mexico anld of the ter was granted 90,000 acres of land by | Law School of Georgetown University, the King of Spain for long service in| Washington, D. C. He ran for Con- the Spanish army, and the new leading | gress two years ago, but was defeated. man is the sole heir to this vast tract. |He is a captain in the United States because he is the “sixth first-born di- Army Reserve Corps and assistant ad- rect descendant” of the man to whom | jutant general of the 1lith Cavalry, the grant originally was made. | New Mexico National Guard. here. The British Phonofilm Co. is sald to have been actively engaged on short LOEWY PALACE *THE SHOW WITHOUT EQUAL FSTaf13™ NOW PLAYING i APARAMQUNT PICTURE 4 BY MOLLIE MERRICK. 5 ; | cile Webster's. They are learning to |make all the nice things a successful’| star can’t eat—a head of lettuce, a lit-| tle salt and half a lemon being a suc- | cessful star’s idea of a meal. But they | are providing against & rainy day in| the domestic department by learning | the one sure way of holding a husband. | Of course, these husbands cannot be | Hollywood male stars, because a male | star’s waist line nowadays i3 nobody’s business. The girls will have to con- centrate on authors, scenarists, direc-| tors, - technicians and other human knights of the convex vest. Hollywood has a new phrase—‘sky- scraper Romeos.” They are not tossing back kisses from the steel girders of | 30-story buildings, as you might im- agine. It is just the latest bonmot for | the group of leading men 6 feet tall and over. And it includes Gary Cooper, Nils Asther, Johnny Mack Brown, Lane Chandler, Reginald Denny, Richard Dix, Edmund Lowe, Jack Holt, Col. Tim McCoy, John Loder, Robert Castle and Maurice Chevaller. (Copyrisht. 1928 by, North American aper Alliance.) Thirteen For Luck. (THE MISSING MAN,” Pathe's first all-dialogue production, laughs at superstition. ‘There are 13 principals in the picture, actual production began on the 13th of November and there are 13 letters in the title. All that remains is for the picture to be finished on the 13th of the same imonth and then the moth-worn superstition would receive a test such as has never been given it in the motion picture business, Benjamin Glazer, in charge of sound | production at the Pathe studios, believes that the number 13 can be just as lucky as any other. George Barraud, June Nash, Lee Patrick and the other prin- cipals agree with him. Hope for All in Talkies. HARLES RICHARDS, casting di-] rector of the Pathe studios, has received a letter which reads, in part, as follows: . 3 “I have a talking and singing parrot that I believe would go over big in talking pictures, This bird can sing the following choruses: “It's a Long Way to Berlin' and ‘I'm Forever Blow- ing Bubbles' and he carries the tune wonderfully well with piano accompani- ments. Would like for you to hear him and also would like to know if you will night they attend cooking club at Lu- Supported By Myrna Loy in the THE MIDNIGHT TAXI P AT FOURTEENTH &7, TUE SCREEN SDE-AKS./ Unall cal/z[ng Jrogramu HELENE COSTELLO ANTONIO MORENO VITAPHONE TALKING PICTURE give him a.tryout.” | Willlam Fox presents A Toy Shop Romance of Song, Dance and Talk FORGET ME THE FINEST FILMS IN TOWN Sunday Doars Open 2= M, THIS WEEK Presents the Two Lovable Youngsters NANCY CARROLL RIGHARD ARLEN a Vivid and Diverting Romance of Reckless Youth—Of Daring Adventures Along the Great White Way NHATTAN (OCKTAIL Singing—Dancing Sound Effects and Perfect Musical Scor SEE AND HEAR NANCY CARROLL, Singin, “dnother Kiss” and “Gotta Be L ood” METR SUNDAY: % to 11 I, Doors Open 2 F. M. D M. Daily: 11 A. M. to 11 P. M. Open 30 A, FOR THIS WEEK Presents a Program of Out- standing Screen and Jlusical Features—Led by BILLIE DOVE with ANTONIO MORENO “ADORATION’ Glorions Days of Romance In the Glittering Splendor of Russian Aristocracy! e Specially Arranged Interpretative Musical Score METROPOLITAN CONCERT ORCHESTRA ALEX PODNOS, Conducting AMBASSADOR 18th St. and Columbia Rd. IN WARNER BROS. TALKING BILLIE nov PICTURE TIVOLI 14th St at Park Rd. N. W. SUNDAY—MONDAY DLITAN JACK great SHELTON—MARTA _ NOW PLAYING Zane ' Grey’ revolt—crushing human effort—a picture of sacrifice, love and bravery that grips the heart. HOLY In a Picturgof Love and Action \ with BACLANOVA~ s story of nature’s FEATURING ROSS & EDWARDS—THE GATANOS—GENE KAY—RUTH PETTY THE GOULD GIRLS ADDED ATTRACTIONS SCENIC OVERTURE PRODUCTION “THE AMERICAN INDIAN" PALACE CONCERT ORCHESTRA ¢ HARRY BORJES, C! ox SouErIL ORGAN NOVELTY With Sound Effects and Soleist, NDUCTOR NEWS “SONNY BOY" TRE HOUSE OF SOUND prs WY (Ol F ST. a 12T This is a football com- edy with & new twist— for all the players are - of Newberry penitentiary.” “dear old liet” and “Julius Ci ,” which will | . UR! R Ry B e i waught 1 pr. | E———— twenty-five recognized players. A W POOR NUT, A thrilling melo- A Fox Movietone All Talking Produc. caught m_the_ Fflg “AnonflTIo"" Unusual interest, has been created by | pe N drama of today tion as a Christmas Gift to Children R the announcement of the engagement | B ...you SEE Everywhere in *“‘SHOW GIRL" RONALD COLMAN %xeds?m"nlfi.‘se x’::ed ts’h‘&e‘:p%:::}:‘ !;‘zl:;r:?.} and HEAR every char- With S d T VILMA BANKY in “TWO LOVERS" it will be recalled, during his long | acter. ™ NORMAN KERRY in TRIDAY *‘The Magnificent Flirt" regime as leading man for Robert B. | [ H Man, Woman and Wife" SATURDAY Mantell made himself a popular favorite and is recognized as an actor of sterling Synchronized SATURDAY WM. BOYD in “POWER” ability. 1In the present repertoire he ‘‘BEGGARS OF LIFE" EMP]RE 911 H St. N.E. will be seen as Macheth, Marc Antony, A Taramornt_Sonrd Pletare OW-_CHARLES Orlando and Romeo. Vitaphone Sabjeets on Each Program TODAY . and _TOMORROW-_BILLIE | TODAY and TOMORR In order to appeal to the thousands of theatergoers who want good enter- AMBASSADOR ci 35 Col. Rd. N.W, RROW- DOVE in “*ADORATION.” CHARLES R N CHASE 'COMEDY. IRttt MARY BRIAN i tainment at a reasonable price, Miss APOELO o H S ONE. "HOME ™% © st NE __ALx TQDAY and TOMORROW—COLLEEN TODAY and TOMORROW-AWCE GORE" and . GARY COOPER. in CHARLES CHASE COMEDY. RROE TR s - 535 th 8i. SE. RAND) 60 P N Ave. S. ‘TODAY and TOMORROW—CHARLES R and MARY BRIAN in “VARSITY." SAVOY 1ith & Col. Rd. N.W. TODAY and TOMORROW — REG- RALD BEnny i HINE NGKT R N R TIVOLI ™ ¢ . TODAY and TOMORROW-—CONRAD NAGEL and MAY MAVOY in UGHT IN THE FOG.' n- CHARLES CHASE Dane and Arthur in this colle; prison film sentence you to continuous hard laugh- ter. et 15th & 150 White Patronage JACQUELINE LOGAN, THE CTRCUE Better thaw Rookies! North C d Fla, Ave, VICTOR MCLAGLEN in “A GIRL IN EVERY PORT." L ) Pt e Butternut Sta No Parking Troubles Today at 3, 5, 7 and 9 p.m. Tomorrow at 7 and 9 pm.— “FOUR SONS” _sacrificing_mother. ________ " PRINCESS riciirpsantilniess in “THE WHEEL OF CHANCE" __VLUDEVILLE, COMEDY and NEWS. CAMEOQ THEATER ™ figin'e~ TOMORROW—PHYLLIS H A VE R ONORRY AVER in 53 _"BATTLE OF THE SEXES CIRCLE. "6irfi M5ok™ rims ERPESE. TR PERPECK ORIGE. DUMBARTON "ses"Banfefs™ ind NEIL HAMILTON in “TAKE MF OME."” COMEDY, "HELLO,: SAILOR." mppomffifi'fi' T ear 9 EMIL JANNINGS “THE PATRIOT” and ARCADIA PODLUBNYIL the fa- mous Russian Baritone. in person. th and R. I z BELLE PENNETT, “MOTHER MACHREE. LIBER" 1419 N. Capitol St. Joan Crawford “Our Dancing Daughters” FOX MOVIETONE Appearance of WILL MAHONEY Star of “Take the Air” In his inimitable burlesque of many stage stars. Why Be Serious? Washington Unique Playhouse THE LITTLE THEATER Between F and G on Ninth Unusual and Artistic Films We Are Honored to Present "THE FIRST AMERICAN APPEARANCE OF KIN(;‘v ALFONSO XIII 's Popular Monarch eet You in English the Mediam of MOVIETONE NEWS The Talking Newsreel A METRO-GOLDWYN =mAYER DICTURE: ADDED ATTRACTIONS Metro Movietone Acts GEORGE DEWEY WASHINGTON A Dark Spet of Harmony ELLA SHIELDS - Famous English Character Actress Fox Movietone COMEDY FEATURETTE M-G-M Presents STAN LAUREL & OLIVER HARDY in “Should Married Men Go Home” ALLTATGH_WEEK “AVENUE GRA Continueus Daily 0 11 .M. NOW PLAYING! Demand _the Motion Presents Positively the Showings: of “SIEGFRIED” A Poetie Drama Based on the Saga of the Nibe 11“ UFA PRODUCTION ALSO “Australia’s Wild Northwest” ETC. Overture FOX GRAND ORCHESTRA Leon Brusiloff YORK. W OREUCHEE Conn. Ave. and NEW WORLD SYMPHONY MOORE and GARY COOPER in | COLdfiY "Ga. Ave. & Farragut St. TOMORROW-—JOHN TODAY .and BARRYMORE in “TEMPES’ Fox & o CENTRAL " 5t Bet. D and TODAY. and_ TOMORROW—_GEORGE BANCRGET In “THE DOCKS OF ciitonized') _COMEDY. iy YORK Ga. Ave. & Quebec Si 3 TR MRS VoS RER" LILAC TIME."