Evening Star Newspaper, October 4, 1936, Page 61

AMUSEMENTS. Colorful Personalities Required by the Stage La Bankhead Proves, Despite Poor Plays, That a Vivid Personality Delights the Customers. By Richard Watts Jr. HERE can be no doubt that one of the most valuable people in the American theater today is Miss Tallulah Bankhead. That curious and slightly offensive word, “glamour,” still is of vital importance in the drama, but, unfortunately, most of the quality seems to have departed for Hollywood. As a matter of fact, Hollywood has too much of it. It has become a wholesale and self-conscious commodity there, and it is 0t o geodl M 15 WS N RS ——————] community overrun with it. But Broadway is in considerable need of some and Miss Bankhead is the girl who can supply it. Fortunately there 1s nothing synthetic, in the California fashion, about the glamour that Miss Bankhead provides. It is based on 2 natural and almost instinctive gift for showmanship, for providing a certain quality of excitement in everything she does. We reviewers sagely lamen® the fact that playwrights fail to pro- vide her with roles which permit her | to demonstrate the extent of her acting talent. I think we should admit, | though, that the important thing about Ter is not so much her histrionic skili | as her capacity for giving a great side- show wherever she goes. There are still a lot of good actors about, but there aren't too many vivid per- sonalities, and the theater can't do without its splashes of personal color It is my guess that Miss Bankhead is an excellent actress, but it is hard to be certain in the matter. Only in “Rain” have New York play-goers been given an opportunity to see her in a part which demanded a real characterization, and there she faced two immense handicaps. In the first place, she had to battle against the unconquerable phantom of the late Miss Jeanne Eagles, who created the role and left behin® her a million memories that made poor sadle‘ Thompson peculiarly hers. In the second place, Miss Bankhead could not conceal a dominating personality which made it obvious that the Rev. Davidson never had a chance against her. You | never could worry about her ability to take care of herself. In the rest of her plays Miss Bankhead has mere!y been called on to give that incom- | parable one-woman show of hers. It 1s obvious she is a shrewd comedienne, with a sparkling sense of fun about her, and it is clear that in her more serious works she is better at sharp, broad, vivid strokes than in the subtleties of characterization. I wish she were given better plays, though, ‘ if only that her admirers might not | have to depend entirely on her ac- tivities for & satisfactory theatrical evening, M ISS BANKHEAD'S current com- | edy, “Reflected Glory,” is a dis- appointing play, coming as it does from George Kelly, one of the front- rank American dramatists. As a ve- hicle, however, it decidedly has its points. Its heroine, as you have un- doubtedly heard, is a temperamental star, an actress on the stage and off, who firmly believes that what she have happened to the world, the theater and the cinema which have caused us to lose that affectionate and perhaps slightly patronizing at- titude toward the actor as a lovably wayward child. I think we prefer our picture of the thespian in a more sardonic vein, as, for example, in the fashion of the screen’s recent “Sing, Baby, Sing.” Miss Bankhead may have glamour, but the very fact that such a quality makes her a unique figure proves that the theater is sadly lacking in it these days. THE stage's crusade against the military academies has now brought us two plays, “So Proudly We Hail” and “Bright Honor,” and it remains my suspicion that it is virtually impossible to write a satis- factory drama denouncing these cadet institutions. It is not my contention that such schools are so far above reproach that it is impossible to blacken them with malicious attack. I do not believe, either, that if a military academy takes hold of & fine and sensitive young man and turns him into a sadistic martinet it is a matter so trivial that it does not de- serve consideration in the Olympian theater. If there are educational fac- tories in this country that are helping to turn our youth into incipient Fas- cists it is certainly worth our time to find out about it, and it can be added that both plays offer a great deal of convincing detail to indicate .that there is something in what they say. Yet about both works there is an un- happy suggestion that even if the facts are as represented the playwrights make them seem a bit exaggerated. You don't expect propagandist dra- matists to be strictly fair, but they should always seem to be. The two authors have employed dif- ferent ways of achieving their unfor- tunate lack of complete persuasive- ness. In the case of “So Proudly We Hail,” the failure paradoxically arises from one of the dramatist’s virtues. | His bitter earnestness is emotionally | compelling, but at the same time it fesults in a shrill, hysterical quality that destroys some of the editorial | validity of his argument. In “Bright Honor” the viewpoint is convincing until the author, apparently feeling up his indictment too speedily for proper impressiveness. Perhaps when you are old enough to write such plays you are too old to take the subject with enough seriousness, wants is love and domesticity, while | in reality she is only happy when giving way to her instincts for ex- | hibitionism. It was, I think I can safely say, type-casting when Miss | Bankhead took.the role. Certainly no one can seem the actress on the stage | as believably as she, for the simple reason that she is our one player who is in the heroically flamboyant and | legendary tradition of the actress. A few Hollywood ladies capture some of the quality, but most of them are too synthetic, and Miss Garbo lacks the flamboyant aspect. In addition, the leading part in “Reflected Glory” | gives its star an opportunity to pre- | sent a one-person show that could | well make Miss Ruth Draper and Joe | Cook jealous, and you can imagine how Miss Bankhead takes advantage | of it. | Nevertheless, despite the grand show | that its star gives, “Reflected Gxory“ remains unsatisfying. You would ex- | pect of Mr. Kelly that if he took 50| routine and familiar a plot, he would | &t least, in his customary fashion, | have enlivened it with some of those | shrewd and penetrating bits of in-| sight into human conduct and human | character that have brightened his previous plays. Instead, the treat- ment is as conventional and lacking in originality as the story. Then, too, | his latest comedy suffers from the | fact that the theater has changed so0. | ‘When “The Royal Family” was write ten it still was possible to grow hu- morously sentimental over the tradi- tion of acting. Since that time things DANCING. TON_PENN STUDIO. 1715 F 3050. cing; THE ELLEN WALLER SCHOOL OF DANCE MODERN BALLROOM STAGE Children—Adults §tudio. Corner Conn. Ave, and & St. Phones: Decatur 3064 and Col. 9072 6* BON MARTIN| “America’s Noted Instructor” Studios in Pittsburgh—Cincinnati—Louisville Waltz—Fox Trot—Tango Stage—Tap—Newest Routines YTalented Teachers Private Lessons Don Martini Conducts This Branch 1811 H St. NN\W. Hrs. 1 te Nat. 3767 Half Rates This Week! EVELYN DAVIS School of Dance Registration Now 2109 S Street North 2358 * Kathleen Wright Assisted by George LeClaire ANNOUNCES THE OPENING of Her School of _ Smart Dancing Reducing end Top Dancing Class for Beginners 6-Week Course, $5 Starting Tuesday, Oct. 6 7:30 P.M. Ballroom Instruction. Private 6 Lessons, $10 1000 Conn. Ave. Ent. 1711 K N.W. Ph. Met. 7300 Ad. 9381 n.w., Stireess Teamed Again OBERT ARMSTRONG and Sally Eilers, who have previously teamed together on the screen ml “Remember Last Night” and “She Made Her Bed,” share leading honors | for the third time in R-K-O-Radio's | “Without Orders,” a romance of com- | ; mercial flying. Next at National THE ‘Theater Guild brings S. N. Behrman's hit play of last season, “End of Summer,” to the National Theater for a week’s engagement starting next Monday, October 12. Ina Claire and Osgood Perkins play the leading roles and a distinguished Guild cast is in support. The scenes of the play take place in the Maine Summer home of a wealthy and spoiled matr who has a psychiatrist as a new diversion and house guest. The shifting of the doc- tor's affections from mother to daughter, the daughter's difficul- ties with her fiance, and other problems of the day discussed by the various house guests, pro- vide the entertainment. “End of Summer” was directed by Philip Moeller and Lee Si- monson designed the sets. DANCING. School of PEGGY KELLY o5t Beginners, Intermediates and Advanced classes for children and adults. Ballet, Tap, Modern Technique, Acrobatic, Rhyth- mics for Dance students, Music apprecia- tion, Piano. Register now for Fall Term. Studio, 1018 18th St. STerling 9888. *| season in Washington, and the con- || stantly increasing number of our pupils forces us to expand. We take pleasure in announcing the opening of the new CANELLIS 724 11th St. N.W. Sinse, Instruction for | \ \ I I | SPANISH DANCING | Enrollment at Studio 607 15th St. N.W. Phone Dist. that he was not bitter enough, piles | THE SUNDAY STAR main,” HE Theater Guild inaugurates I its nineteenth season at the National Theater tomorrow night, presenting the first of- | fering of the American Theater So- clety, the new comedy “And Stars | Reman.” The play, the first by Julius J. and Philip G. Epstein to be produced, has been selected by the guild as the first Cli!to'n Webb and Helen Gahagan play the leading roles in the new comedy “And Stars Re- }{ Julius J. and Philip G. Epstein, which the Theater Guild presents at the National Thea- ter /or the week starting tomorrow night. to be presented this season at the| *“But that the clouds depart and Guild Theater in New York. stars remain. In addition to Clifton Webb and | ., Helen Gahagan, in the principal roles, *::13‘ they remain, and ye, slas the cast of “And Stars Remain” in- cludes Claudia Morgan, Charles Rich- ‘The authors are screen play writers, man, Ben Smith, Mary Sargent, |having gone to Hollywood from Suzanne Jackson, Richard Barbee and | Pennsylvania State College. Edgar Kent. The comedy is being Aline Bernstein, who designed the settings for the guild's production of directed by Philip Moeller. “Reunion in Vienna,” was also de- The title of the play is found in Shelley’s lines: signer for “And Stars Rematn.” Colbert’s Next MET HIM IN PARIS,” a story by Helen Meinhardi, has been pur-| chased by Paramount as & probable‘ starring vehicle for Claudette Colbert, currently in the Frank Lloyd pmduc-l‘ tion, “Maid of Salem.” i “I Met Him in Paris” is a romantic adventure done in the modern man- | ner, its central characters an Amer-! | ican girl and men of three assorted | | nationalities. | Wesley Ruggles probably will pro- | duce and direct, from a screen play by i Claude Binyon. Ruggles and Binyon | | joined forces on two of Miss Colbert's previous successes, “The Gilded Lily” and “The Bride Comes Home.” School Term Starts THE National Academy of Stage Training begins its 10-week Fall term tomorrow, offering courses in all the essentials of acting, a professional course in dancing and training in fencing and swordmanship. | ‘The new director of the academy is John McKee. He will be assisted by Adelaide Hibbard. Students will be afforded opponu- nities for public appearance and actual stage experience during each term of the school, in addition to the student performances at the National Theater at the end of each term. *“Kid Galahad” DWARD G. ROBINSON, who will soon return from England, where | he has been on loan by Warner Bros.- | First National to one of the leading British studios, is to be starred in “Kid Galahad,” a picture based on the serial by Francis Wallace. Pat O'Brien also will be featured in the cast and Barton MacLane and Ross Alexander will have prominent | roles. .Seton I. Miller has written the | adaptation of “Kid Galahad,” which will go into production at the studiés of Warner Bros.-First National early in the Fall. This will be Robinson's first American vehicle since “Bullets and Ballots.” DANCING. National Academy Of Stage Training DANCE DEPARTMENT Marion Venable. Director For Children and Adults Complete amateur and rnlmunfl course in all types of dancing. Ballet—Tap—Acrobatic Spanish—Modern Fall Term Begins October 5th 1000 Conn. Ave. N.W. National 8248 A SELECT SCHOOL TEACHING ALL FORMS OF DANCING CLASSES | NOW 333014 StNW COL. 8400 DANCE INSTITUTE STUDIOS OF Dance Classes Now Forming Mona in “Justice” JMONA BARRIE has been assigned to the role previously assigned | by First National to Frieda Inescort in “Mountain Justice,” now in pro- duction with Josephine Hutchinson and George Brent. The change is the result of the fact | that it was decided to put “Another | Dawn” into production at once, with Miss Inescort playing one of the most | important parts in that picture in support of Kay Francis, Errol Flynn and Ian Hunter. “Another Dawn™ is being directed by William Dieterle. Today's Film Schedule LOEW'S CAPITOL — “Old Hutch,” at 2, 4:25, 7:15 and 10:05 pm. Stage shows at 3:20, 6:10 and 9 p.m. WARNERS' EARLE—"Give Me Your Heart,” and stage show, continuous, afternoon and evening. R-K-O KEITH'S—'My Man Godfrey,” at 1:45, 3:45, 5:45, 7:45 and 9:45 pm. | METROPOLITAN “Seven Sinners,” at 2, 3:50, 5:45, 7:40 and 9:45 pm. COLUMBIA—"The Road to Glory,” at 2:50, 5:05, 7:20 and 9:40 p.m. PALACE—"The Great Zieg- feld,” at 2:20, 5:40 and 9 p.m. BELASCO — “Magnificent Ob- session,” at 1:39, 3:39, 6:39, 7:39 and 9:39 pm. RIALTO—"Grand Hotel,” at 2:16, 4:36, 7:06 and 9:36 p.m. LITTLE—“Naughty Marietta,” at 2, 3:56, 5:52, 7:48 and 9:44 pm. ELASED ROBERT TAYLOR IRENE DUNNE <« "MAGNIACENT O ALL SEATS 25¢ BALCONY UNTIL 1 0 M. ® WEEK DAY MATINFTS 25 EVENING SALCONY 40c % ver s v Continuous From 1:30 Daily Greta Garbo—Joan Crawford John and Lionel Barrymore Jean Hersholt—Wallace Beery P24 SEASON TICKETS now on sale National Symphony HANS KINDLER, Founder and Conductor Good seats able for Sunday and Midweek series, Box office on main floor, Julius Gar- fnckel & Co. Store 14t and P Streets N.W.—NA. - c. c. Capel. u nager. “GRAND HOTEL” ALSO A SPECIAL TREAT 35-Year-Old Newsreel Including Scenes With Theodore Roosevelt—William Jen- nings Bryan—President McKinley Organ Reeltals, 789 P.M. LOANS 70 years of buying, selling and lendingon diamonds, jewelry, etc. Liberal Loans st Lowest Possible Rates CASH FOR OLD GOLD AND SILVER (Government License) THEATER ARTS KING- SMITH PLAYHOUSE WESLEY McKEE, Dramatic Di- rector, Honor Graduate Yale Drama School. HUGO IDEN, Stage Design. Fully Equipped Theater Cultural and Professional Study For Information Address 1751 New Hampshire Av: No. 10385 Losn Office 805 King St. Alexandris. Va. Office 108 0. MARTHA GRAHAM Greatest Expongnl of the Modern Dance Will Conduct Clas: KING-SMITH PLAYHOUSE For Information Address NOrth 10385 This Season at ACADEMY OF DRAMATIC ART Directors \ 1751 New Hampshire Ave. MAURICE GREET G R E E I MILDRED COLEMAN THE LA SALLE—1028 CONN. AVE.—SUITE 1110 TERM FEE for 40 Class Lessons in Dramatic Art—VYoice Correction—Oral Expression—Physical Grace — Diction— Public Speaking—Deportment—$75.00. 20 Class Lessons— $50.00. CHILDREN’S CLASS SATURDAY MORNING—Term fee, TWENTY DOLLARS. Morning, Aft. and Evening Classes. Telephone Metropolitan 2161 AN closses and public perform ised by the eminent Brosdwa el oot o syl shir eyt Yo CLASSES ARRANGED FOR LATE ENTRANTS In Luxurious Studio Theater | NATIONAL—Sun. Eve,, Oct, 11 | | WASHINGTON, D. C, OCTOBER 4, 1936—PART FOUR. Kelly Play Adaption For Earle “Craig’s Wife” Next. Capitol Books Tay- lor Film. OSALIND RUSSELL and John Boles appear together for the first time in “Craig's Wife,” motion picture adapted from George Kelly's Pulitzer Prize play, which will be the next at- traction at Warners' Earle Theater, opening Friday. The supporting cast includes Billie Burke, Jane Darwell, Dorothy Wilson, Aobert Allen and many others. Red Nichols and his famous “Pennies” will present new arrangements of popular dance tunes as the feature of the vaudeville show. Jimmie Shea and Gus Raymond, dancing comedians, also will appear on the bill. The screen’s new romantic duo, Rob- ert Taylor and Barbara Stanwyck, play leading roles in “His Brother's Wife,” which will be the screen attrac- tion at Loew's Capitol, starting next Friday. Jean Hersholt is the third corner of the triangle. The stage show will be Phil Lampkin's “Varie- ties,” presenting the Elida Dancers and a number of featured performers. Samuel Goldwyn's screen version of Sinclair Lewis' novel and stage play, “Dodsworth,” comes to Loew's Palace Priday. Walter Huston plays the title role he played with such success in the play, which ran for nearly two years on Broadway and on the road. Ruth Chatterton and Mary Astor have the principal supporting roles. “The Texas Ranger,” film tale of the lads who made Texas safe for folks who didn't have pop-guns with which to make Texas safe for them- selves, opens at the Metropolitan Pri- day. Fred MacMurray, Jack Oakie and Jean Parker are the principals in the picture, which just completed a week’s run at the Earle, “Cimarron,” R-K-O's picturization of Edna Ferber's best-seller, which won the Academy award in 1931 for best adaptation of a novel, opens at the Rialto Thursday. Richard Dix and Irene Dunne play the leading roles, Mrs. Dorothy Hodskin Dorsey’ CONCER S Sonotiintion WaB_Sessan 1006-37 —Met- Quarict (Anteins, ‘elbetm, lnu-m Huehn) ; Hei. Nelson jepson (Joint recital os- sack Cherus. Poms, Iturbi, Tibbett. 0 SERIES TICKETS $4.15, $5.50, $7.50, 10, ineluding tax. 4 y's Concert Bureau. 1300 G { Music Store) Tel. NA. 7151 '““KEITH S 2 POWELL LOMBA N THE NEW ONIVERSAL PICTUNE “MY MAN GODFREY” with Al.nc: BRADY KEw AnD rxc TING EDITION “THE MAICI OF TIME"” WINO MARTING 450 CARRILLO o 1DA LUPINO is “THE GAY DESPERADO™ N 1936-1937 HILADELPHIA ORCHESTRA FIVE TUISDAY EVENING CONCERTS Oct. 27. Dec. 8. Jan. 12, Feb. 2, April 6. coNs‘rl'nm IN HALL—8:45 P. M. Conducters: Stokowskl. Ormandy. SOLOTSTS: HOFFMAN, ELMAN, RACH- MANINOFF. PIRATIGORSKY. Season Tickets, $12, $10, $9. 36, 85. T. ARTHUR DUREAU. 910 G St With Hamill Musie Co. A Miracle of Vocal Art KED JFF QI.AR'I‘ET Nov. tion Hall Ti!l.ll MC ll. William _A. Albaugh Offers EUROPEAN The Grest Success of Last Season BALLET Seats $1.10 to $2.75 at Box Offiee Nights at 8:20, $2.75, $2.20, $1.65. $1.10 & 85c. Wed. and Sat. Mats. at 2:20, $2.20, $1.65, $1.10 & 85c. THE THEATRE GUILD (FIRST PLAY OF THE AMERICAN THEATRE SOCIETY) PRESENTS THE NEW COMEDY ““And Stars Remain’’ By Julles CLIFTON WEBB HELEN GAHAGAN AND A BRILLIANT CAST INCLUDING CLAUDIA MORGAN CHARLES RICHMAN SUZANNE JACKSON EDGAR KENT sTAGED BY PHILIP MOELLER SETTING DESIGNED NEXT WEEK BEG. MONDAY MAIL ORDERS NOW SECOND PLAY AMERICAN THEATRE SOCIETY The Theatre Guild presents ‘S. N. Beh “End of Summer” INA CLAIRE 0SGOOD AND A DISTINGUISHED SHEPPERD STRUDWICK NICHOLAS JOY JEAN ADAIR Directed by Philip Moeller. fitees, tne, Goxt. tax—Nights. 207 Bak. S0, envelope fhe for AMUSEMENTS. Unmarried Movie Stars Fast Becoming Rarities Claudette Colbert, Myrna Loy, Jack Oakie and Fred MacMurray Among Many Players Recently Wed. By Sheilah Graham. OLLYWOOD, October 3.—Unattached or unmarried screen stars will soon be as rare as silent pictures, and contracts containing clauses forbidding marriage as outmoded as pre-war swimming suits. Beginning with the amalgamation of Joan Crawford and Fran- chot Tone last October, many highly-paid box-office draws have married within the past year or have announced their intention of doing so at the earliest possible moment. Among them & re Claudette Colbert, who became Mrs. Joel Presman on Christmas day; .. Myrna Loy, now Mrs. Arthur Hornblow, jr.; Fred MacMurray, | riage is said to have been solemnized | several months ago. | In addition, myriad rumors are linking the names of Clark Gable and Slmle Lombard, Robert Taylor-Bare ara Stanwyck, Jean Harlow-Willlam :‘:Tpol:k‘;’c“‘;‘n': Powell, Loretta Young-Eddie Suthere Henry Fondas land, Merle Oberon-David Niven, Jeanette Mac. Ronald Colman-Benita Hume and Donald, who soon Eleanor Powell-Jimmy Stewart. ST t would be interesting to find out Gene Raymond what the fans think of this wholesale Maureen O'Sulli- renunciation of celibacy, whether they van, Joan Blon- prefer their screen heroes and heroines “ dell, Dick Powell, | married or single. George Raft, who | (COPYTight. 1936, by the North Americaa weds Virginia | _ Newspaper Alliance. inc.) Pine just as soon | as he is freed| from his first wife, and Charlie Chap- lin and Paulette Goddard—their m: GAYETY BURLESK STARTING TODAY'S MATINEE FOREIGN FRIVOLITIES OF 1936 Featuring. WALTER “DUTC] MARGO Sheilah Graham. [ ACADEMY ©f Periest fovnd Photentay E. Lawrence Pmm Theatre Beautiful Matinee 2:00 P.M. “ONE NEW YORK HT.” with UNA MERKEL _and ~ FRANCHOT _TONE. RICHARD DIX in “SPECIAL INVESTI« culz'mo'l. VA, JOAN _ CRAWF ROBT | _~THE GoRr;zous HUSSY. CAROLINA it 4 3h DUN‘I‘E "l Doors pen 1:30 NOW KAY FRANCIS Give MeYour Heart o Paul Draper GERTRUDE MICHAEL RAY MILLARD, +THE RETURN OF SOPHIE LANG. News. DUMBARTON 246 Rl eon done PAT oamtn MARGARET LINDSAY PUBLIC ENEMY'S WIFE" News and Comrd! FAIRLAWN ARRCOSTA B S FRANCISC 53 &5 9th Between F and G LI'ITLE Acousticon Equipped NELSON EDDY and JEANETTE MACe DONALD. “NAUGHTY MARIETTA,” with FRANK MORGAN. _ PRINCESS 1119 B 8t NE D York Air Conditioned JANE WITHERS in “LITTLE MIS8 NOs BODY." RICHARD ARLEN in “THE MINE WITH THE IRON DOOR SECO 8214 Georzia Ave. Matines 2:00 P.M. Silver Sprine. Md. JEAN HARLOW. FRANCHOT TONE, March of Time” No. 17. ~Our Gans* 6th and C Sts Comedy STANTON n8 0t Bl ROBERT TAYLORJ-m SORETTA YOURD Bix m PECIAL YP«VESTIGA'N)R & Oher Acts in Caumont British's SEVEN“SINNERS Constance Cummings DOLBHE MANTOT i “SING, BABY, SING.” TIM AND IRENE COMEDY and NEWS EVENTS. FALLS CHURCH, VA. UbRRR G LEE AN 1 “THE SKY CAPIT~ Lpm WALLACE BEERY in “OLD HUTCH" STAGE “GLORIFIED FOLLIES" OF 1936 A GLITTERING REVUE LOR in_~GOR- GEOUS _HUSSY " | TAKOMA Continuous From - Y FRANCIS “WHITE ANGEL.” HIPPODROME . Near o Continuous 2:00 to 11:00 PM W.C. Fields and Rocheile Hudson in “POPPY.” “MARCH OF TIME.” CAMEQ T, ® nml——'ln\xes. Continuous 2:00 to_ 11:00 WARNER BAXTER and MYNRA LOY in “To Mary—With Love.” HYATTSVILL I ™MD, ARCAD Aodar Continuous 2:00 to 11: 00 PM Robert Montgomery in “PICCADILLY JIM.” “MARCH OF TIME. RICHMOND ‘LEXANDRIA VA Tomorrow—Wwed. urs. FREDRIC MARCH in “ANTHONY ADVERSE.” MILO Lz 4D, @ COMING FRIDAY o Robert Taylor Barbara Stanwyek *His Brother's Wife" Phil Lampkine Varieties _loon; PRLACE NOW—SECOND WEEK! GREAT ZIEGFELD WILLIAM POWELL MYRNA LOY ¢ LUISE RAINER Direction of SIDNEY LUST @ NEXT HIT o DODSWORTH WALTER HOUSTON RUTH CHATTERTON MARY ASTOR |_4-coLUMBIN | ROCKVILLE. MD. Today—Tom —Tues.—Wed. Conununut 2:00 to_11:00 P.M. JOAN CRAWFORD in __| “GORGEOUS HUSSY.” " |AMBASSADOR " Fredric March - Warner Baxter “ROAD TO GLORY” Lionel Barrymore ¢ Junc Lang MON. AND WEEK 2 P.. APOLLO B stur. PAT !!V‘IRLY AVALO Sh, tarts 2 KAY FRA ow Start 624 B ST NE ith EN noss A%XAND!R and __in_"“TO_MAI AVI-'.NUEG RAND S w{.,e‘l-k Matinee 2:00 P3L, ROCHELLE 3. and Philis G. Epstein —WITH— WARNER snos. THEATERS | WARNER Ax'?&n' 2 M\ LOY T MARY W wvé ; BEN SMITH T MARY SARGENT RICHARD BARBEE *ERANGES TARMER | RS 4nd THE RARGE " Mickey Mouse. nt Sts. IS.A. 179 Matinee 2 P.M. ALICE FAYE and ADOLPHE MENJOU in “SING, BABY, SING.” T SE & Col BE NW. L 4968, She L1 BRIAN o&'v'u.fi? B‘I'UA)\T i Tm"—.lx HOUM TIVOLI o E:.' 'c‘.‘l' o™ ALICE FAYE and ADOLPHE MENJOU in “SING, BABY, SING.” “MARCH OF TIME YORK riite ‘Viv>" 0ol ™56 Show Starts 2 P.M, BING ;nosnv JESSE T THEATEIL A Foien BY ALINE BERNSTEIN SEATS THIS THURSDAY rman’s Comedy Hit PERKINS THEATRE GUILD CAST VAN HEFLIN SUSAN FOX STIANO BRAGGIOTTI Sening by Lee Simonson .20, .l.e‘Lul “TocMary—th Love.” et el MTRNA 10T . SYLVAN &iant & b .'!' “PO Y AI.H 'I'I!EATER Bal. $2. 24 m of tlel Cartoon. Novelty. g 31107 retarn BERNHEIMER’S