Evening Star Newspaper, July 14, 1935, Page 61

AMUSEMENTS," THE SUND AY STAR, WASHINGTON, D. C., JULY 14, 1935—PART FOUR. AMUSEMENTS. r5" HOLLYWOOD TURNS TO NOVELS FOR STORY MATERIAL Screen Treatment of “She” Causes Much Controversy Complaint Made That Rider Haggard’s| Popular Novel Has Been Changed Way Beyond Recognition. By E. de S. Melcher. H. WRITES in as follows: “Someday won't you please discuss | in your column in The Star the question of adapting novels to the screen? L] “There is no doubt frequent justification for changing the names of persons and places, and for subordinating characters and incidents in order to clarify and make more forceful the drama involved. But why is it sometimes considered obligatory to supply new incidents and practically rewrite the story? “What has aroused me to write you | overcome that difficulty by his gift for on this point is the distortion of the| dialogue. adventure novel, ‘She.” Except for the | At any rate, we sympathize with A. names of the main characters, a few | H. for his or her reaction to this pic- lines of dialogue, the tragedy of ‘She’| and the hint of reincarnation there | is little to suggest the original tale. “If you know the story you will re- call that the chief scenes of the novel | are laid in East Africa, as are most of Haggard's stories, while the movie version places them in the Arctic| regions. “Leo Vincey in Haggard's tale mu‘ & ward of Holley's, who on his 25th | birthday learrec of the family legend. The movie stresses a span of 500 years | between the death of John Vincey and the coming of Leo Vincey. The novel has 2,000 years' elapse since a priest of Isis broke his vows and fled with an Egyptian princess. This Kallikrates became the beloved of Ayesha and was killed by her in a fit of jealous| anger. Tania and her father are the | products of a scenarist’s imagination. | “These changes in plot are too| marked to be accepted without promst\ by one of Haggard's admirers. The| excellence of the movie versions of *The Virginian,' ‘Little Women," “Cimarron’ and many other novels shows what the movies can do. Why| can't they do better by the fantastic | novel? Perhaps R-K-O thought no| one read Rider Haggard any more | and decided to give its writing staff ! something to do. What do you think?” ‘ ‘VE think that they should have taken greater care with “She"— especially since the letter above is an indication of what the public still thinks of this novel. Most “fantastic” | novels are so weird and so readily for- ! gotten that ¢ little tinkering here and there prckably doesn't do them any harm. But in the case of a book as popular as “She” it seems a little cruel to juggle the facts of its fiction 8o completely that people who hung on every word come away angry and disillusioned and quite ready never to go to a film again. ‘The task of adapting a novel to| the screen is at best a delicate one. We have alwaye claimed that a good book does not necessarily make a good film—just as e good play very seldom becomes a good film. It is the tech-| nique in a novel that may put it over the border—just as in a play if the action is at feult the playwright may | | (We hear that it is). ture. While we enjoyed Miss Gaha-) gan’s performance and marveled n' some of the dancers and the fire and | the snow and ice and Miss Gahagan’s splendid diction as compared to Helen | Mack’s, it did seem to us as if Hag- gard admirers would find it pretty stiff sledding—and as if “She” had | been pretty badly mutilated. However, we enjoyed a good deal of the picture. UESTIONS: Why daes the R-K-O publicity | material coming from New York in- | variably contain items like this: “Final | cutting and editing on ‘She’ has been | completed,” etc.—when “She” has not | only been “cut” but had its seven-day | fling at a local theater? Is it true that Francis Lederer will head a production unit of his own out in Hollywood? Shouldn't Luise Rainer give Myrna Loy a vote of thanks for walking out on “Escapade” and thus giving her the break of a lifetime? Is it true that Garbo gives her great- est performance in “Anna Karenina"? Why wouldn't the local Warner Bros. introduces our “singing cop” to Brooklyn's ex-singing cop (Phil Re- 2 Which picture is coming out first: Warner Bros.’ “Dress Parade” or Par- amount’s “Farewell Annapolis”? What kind of a story is Metro- Goldwyn-Mayer going to give Grace Moore when this great lady moves over to that studio to do a single pic- ture? (Somebody has suggested “Student Tour.”) Do you remember Fred Astaire when he did a hoofing number in a Joan Crawford picture and wasn't | even billed? Is it a fact that the Warner Bros. plan to build Winifred Shaw up to being one of their favorite dramatic actresses? Did you know that Bette Davis' husband now has his own orchestra at a San Francisco club? And that talented 'Marian Chace has accepted an invitation from the dean of the University of Virginia to present her pupils there in recital Friday of this week? And that with her will be Michael | (“Life Begins at 40”) Logan and the | same dancers that scored a hit re- cently at the Sylvan Theater? Next Week's Films. DGAR WALLACE'S “Sanders of the River,” combined with Jolly Co- burn and his Rainbow Room Or- | chestra and Mae “Betty Boop” Ques- tel on the stage, have been booked | into Loew's Fox Theater for the week beginning next Friday. The film stars are Paul Robeson, Leslie Banks and Nina Mae McKinney and the story is of a big, lovable native of Africa who helps the miracle-working Brit- | ish district commissioner to maintain peace in his territory in dark Africa. ‘The picture was almost entirely filmed in the African Kongo, where the di- rector, Zoltan Korda, led a location “College Scandal” an exciting | mystery picture with a college campus for its setting, comes to the screen at the Earle Theater on Friday. On | the stage Ina Ray Hutton and her Melodears will appear in person in a special repeat engagement. Para- mount Pictures produced “College Scandal,” in which the leading roles are played by Kent Taylor, that per- sonable young leading man; Arline | Judge, pert comedienne, and Wendy | Barrie, latest of “Henry VIII's” screen wives to leave England for American | pictures. William Frawley, Samuel Hinds, Mary Nash and William Stack round out the cast. i “The Triumph of Sherlock Holmes,” with Arthur Wontner again playing the redoubtable sleuth, comes to the screen at Warner Bros. Metropolitan ‘Theater on Friday for a week's en- gagement. Based on the late Sir Arthur Conan Doyle’s novel, “The Valley of Fear,” this new production shows the worlds most celebrated de- tective emerging from retirement to counteract the deadly schemes of that infamous international crook, Prof. Moriarty. The cast supporting Arthur ‘Wontner includes Ian Fleming, as Dr. ‘Watson; Lyn Harding, as Prof. Mori-, arty, and Leslie Perrins, Jane Carr, Charles Mortimer and many others. “Ladies Love Danger” comes to Loew’s Columbia Theater on Friday. The cast includes Gilbert Roland, Mona Barrie, Donald Cook, Adrienne | Ames, Hardie Albright, Herbert Mua- | din, Nick Foran, John Wray and Henry Kolker. Noel Coward’s first appearance on the motion picture screen will take place on Friday at Loew’s Palace in *“The Scoundrel,” writeen and directed | by Ben Hecht and Charles MacAr- | thur, noted writers and producers. | In the cast are such personalities es Julle Hayden, Stanley Ridges, Martha Sleeper, Rosita Moreno, Alex- ander Woollcott, Hope Williams and others. A wave of renewed enthusiasm for | the works of the late Gene Stratton- | Porter has brought the screening, during the past year, of three of her | most famous novels. First of these | was “The Girl of the Limberlost,” | next was “Laddie” and now R-K-O | Keith’s is announcing the third, “The | Keeper of the Bees,” as that theater’s | next attraction. " (ER, 1127 10¢h St. N.W ys. 8:30 pm, Private lessons by Met. 4180. Est. 1900. 18* ce and Teaching. 9 to 11. Tap classes and private lessons by appt. Phone National 3341. The Edward F. Miller Studio 814 lflh St. N.W. National ms If It's Dance. We Teach PIYTON P!NN STUDIO. 1743 F M N.W. Learn to dance d g vacation. ?l-lu rates. Private luu- by | season, when 50 leading swimmers | | free dancing is supplied by Stephen | Outdoor Amusements. AN amusement program offering infinite variety is found at Glen Echo Park, only 10 miles from F street. This popular breeze-swept playground, with more than 50 gloom- killing features, viver of jaded spirits these hot days and nights, and when recreation is mentioned the chances are that the average Washingtonian names Glen Echo. Glen Echo, however, means more than rides on the coaster dips, car- rousel, pretzel, whip, dodgem and airplane swings. It means swimming in magnificent crystal pool, where thousands keep delightfully cool in| 1,500,000 gallons of constantly <:lr-I culated water. Tomorrow night crystal pool will be the scene of the! second big outdoor swim meet of '.he\ compete in the national junior dlvmg. championship for women. Increasing in popularity daily is the sunset cruise on the big, modern Wil- son Line steamer City of Washing- | ton, leaving daily at 5:30 pm. Din- ner is served on board and music for | LeSieur and his orchestra. 1 Passengers have the privilege of stopping over at Marshall Hall Park, | where many innovations have been installed this season. The large, spacious, free picnic groves have at-| tracted thousands to this famous river resort. With the addition of new rides and devices, the park is enjoying | the most prosperous season in its| history. — Del Rio Gets Another. | OLORES DEL RIO will star in “Romance in a Glass House” | with Everett Marshall, Jane Froman and other stars of stage, screen and radio also in the cast, says a wire from | the First National studios. The story | of “Romance in a Glass House,” the| Coast advises, is about the love of snl actress and a radio star “whose pri-| vate lives and loves are public prop- | erty.” Jerry Wald and Julius Epstein is an infallible re-|,, | falsely accused, sentenced Earle Friday. ‘WENDY Melodrama Tonight. O DIE AT DAWN,” a melodrama that packed the old town halls Pike, for the two weeks, beginning tomorrow. Anton Hardt, done all the Roadside melodramas, is again directing. Exciting rescues, thrilling scenes and the battle of law against coun- terfeiters and moonshiners feature this tale of life in the Kentucky in the famous Mammoth Cave itself, where a band of counterfeiters have set up their “factory.” They have captured the girl and the leader is about to flog her when Silent Dave breaks down the wall and saves her! A moonshiner’s cabin, a deserted mill, a corridor of the county jail and a among the settings. The main plot revolves about the efforts of the vil- lain to secure possession of “the will. A murder is committed, the hero is “to die at dawn” when—but that is the climax! “To Die at Dawn” was one of the most popular melodramas in the rep- ertory of William Vance's barnstorm- ing company, and it was his widow, “Jolly Bonny” Vance in her heyday, who gave the script to the Roadside Theater. She did not remember who was its author, but on one of the original “sides” that was too faded and marked to be used now was found a faint notation that one E. Lawrence Lee wrote the play. Wheth- .er he wrote other thrillers or whether “Tc Die at Dawn” is his sole claim able to discover. In the cast are Gail Dennis, John Edwards, William Phillips, Thomas Cahill, Ralph Fowler, Harold Stepler, are the authors. A. Bell and Elinor Cox Karsten. DANCIN( SMART DANGERS Don't leave on your vacation until you feel confident you can master the new dance steps. You want to dance and be popu- lar wherever you are. You will be, if you learn the new dance rhythms at the cool Leroy H. Thayer Studios. SUMMER RATES NOW IN EF- FECT make learning to dance well worth while. Call tomorrow guest lesson and dance analysis out obligation. MEtropolitan for a with- 4121 Leroyl.Thayer 1226 CONNICTICUT AVENUI back in the 70s and 80s, is the at-| | traction at the Roadside, the popu- |larn barn theater out the Rockville who has | mountains. One powerful scene is| room in the Governor's mansion are | to fame the Roadsiders have been un- | Lavina Merrick, Kenn Romney, Charles | Today's Film Schedule EARLE—“Love Me Forever,” at 2, 4:40, 7:20 and 9:55 p.m. Stage show at 3:50, 6:25 and 9:05 pm. LOEW'S FOX—“Men Without Names,” at 2, 4:35, 7:25 and 10:10 pm. Stage show at 0, 6:25 and 9:10 p.m. R-K-O KEITH'S—“The Raven,” at 2:46, 4:33, 6:20, 8:07 and 9:54 pm. PALACE—“Escapade,” at 5:15, 7:25 and 9:35 p.m. METROPOLITAN—“The Ari- zonian.” Continuous per- formances from 2 pm. COLUMBIA — “No More Ladies,” at 2:15, 4:10, 6, 7:57 and 9:54 pm. 3, Ferber Novel Bought. SAMUEL GOLDWYN has announced | the purchase of Edna Ferber's best-selling novel, “Come and Get It,” as a starring vehicle for Miriam Hop- kins. Edward Chodorov, author of “Kind Lady,” New York stage success, and now a Goldwyn staff writer, will be Miss Ferber's technical assistant. Mr. Chodorov will be responsible for the actual continuity. “Come. and Get It,” the newest of the Ferber stories to come from the pen of this gifted novelist, takes for its theme the growth and disintegra- tion of a great lumber enterprise, from | the turn of the nineteenth century to the present day. It will provide Miss Hopkins with a characterization differ- ent from any she has yet attempted | before the cameras. Coins Found in Cottage. In a cottage condemned by officials of Munich, Germany, ¢s unfit for hab- itation and razed recently, an urn containing 250 gold and silver coins dating back to 1450 was foun Tonight at 8 P.M. Watergate near Lincoln Memorial. Sunset Symphonies National Symphony Orchestra Hans Kindler, Conduetor Seats—25c, 50c. S1—on sale at Watergate after 6:30 p.m. C. C. Cappel, Manager. BOATTRIPS his Mod. Steel | B S St of w-:i'l'um-; | 1. MT. VERNON 50¢ [ Lv. Daily 10 A. M.-2 P.M. (Round trip) | 2. MARSHALL HALL 50c | Lv. 10 A.M.-2 P.M.-5:30 P.M. (Round trip) | | 3. SUNSET CRUISE 50c | | Lw.5:30 PM.—Back :45 .M. (Round tris) 50c_Piate Di rved on | proepancine to-Sievhen e Siew 4. MOONLIGHTS 2 BARRIE, Popular English player, who made her film debut in “Henry VIIL” is currently starred by Paramount in “College Scandal,” British Star Featured in New Film Coming to Earle i Gilbert énd Sullivan Co. Makes Its Bowin New York New American Company Sponsored by Lode- wick Vroom to Present Operettas This Week. BY LUCIUS BEEBE. HERE is this much in which the English Savoyards are more far-seeing than American adherents to the Gilbert and Sullivan tradition—they stagger their crops of actors so that there is always a new one reared and trained in the atmosphere of operetta coming along. Any British Gilbert and Sullivan company is sure to have some young singers in it, probably versatile, plausible and ambitious ones, too, while a quick glance at the program of almost any band of Savoyards out of New York will discloge names of players at once familiar and delightful, but very seldom new, and never apprentices. A London manager will point with pride to a veritable juvenile singing his first “Pirates”; and American entrepreneur will rejoice in the circum- stance that his Mikado was a member of the original Savoy company which trod the boards at B. F. Keith's in Boston heaven knows how long ago. which comes to the Hit Composers. JUST two men have composed slightly over one-fourth of America’s song hits. They are Mack Gordon and | Harry Revel. Through their minds | and fingers have come the notes and words for such popular music as “Love | Thy Neighbor,” “Stay as Sweet as You Are” and a library of others. Still | the team of Gordon and Revel wasn't | satisfied. “I think we ought to do something | classical just to show our competitors | and the world that we're something| more than potboilers,” said Gordon‘ “Yes,” agreed Revel. “Something | classy, maybe for the concert halls; | something that would appeal to a singer of class.” ’ It happened that Mary Ellis’ new | picture for Paramount. “Paris in Spring.” in which she appears with | Tullio Carminati, was in production | when the song writers got their in-| spiration to wander off the beaten | path. | Miss Ellis was delighted with the | classical effort of these popular com- | posers and studio officials regarded the composition so highly that they ordered it arranged for a symphony orchestra. This theme song, Wwhich Miss Ellis sings through several times in the picture, has for its title the name of the feature, “Paris in Spring.” | — Stage Star Slgned. 'RIEDA INESCOURT, noted stage star, has been signed by Samuel Goldwyn for a leading role in his forthcoming production, “The | Dark Angel.” Miss Inescourt, who has | been identified with numerous Broad- way successes, among them “Spring- time for Henry” and “When Ladies Meet,” makes her screen debut in | this picture. | _The screen play, which is already | before the cameras, has Merle Oberon, Fredric March and Herbert Marshall | in the stellar roles, with Henrietta | Crosman, John Halliday, George | Breakstone and Claude Allister in the supporting parts. The production is to be released through United Artists. | T“B%mi 816 ACT 'SYM STEL | ! Odean Comet]y Continues. UE to popular demand, the Odeon Players will continue their pres- entation of “The Bride the Sun Shines On” this week, instead of starting in| on Tuesday with Margaret Hatfield's original play, “Till Death Due Us Part.” have been offering at their Forest Glen theater has met with such enthusiastic response from the public that it will remain for at least one more week— possibly longer. The cast, under the direction of Forney Reese, includes Robert Pitkin, | Catherine McCord, John Sikken, Richard Midgley. Isham Keith, Mar- garet Hatfield, Harry (“Hamlet”) Mac- Arthur, Ann Garrett and others. The curtain rises nightly at 8:40. Waited Reasonable Time. GRAFTON, W. Va. (#).—Ward C. Wilcox waited for what he considered a reasonable length of time for his wife to come back to him, and then filed suit for divorce. She left him 24 years ago. of drolls and minstrels which has been | assembled by Lodewick Vroom to per- |form for the current week at his | handsome Adelphl ‘Theater with “The | Mikado” and “The Pirates of Pen- | zance” The chivalry he hds enrolled | for his hot weather revival is familiar |to New Yorkers and twice welcome, | for they know its talents. In fact, no !local Savoyard undertaking would {seem native or complete without | Frank Moulan, Herbert Waterous or | William Danforth. They have been | modern major generals, pirate kings and lord high executioners so long that thoughts animal, mineral within their heads must girate in their very sleep. ‘The announcement by Mr. Vroom's office nominates the revival for a week | only. Perhaps, with favorable notices and reverent attendance, prove to be but a basic estimate of Gotham’s Summer time capacity for the gayest of decorous entertainment. Only the stadium concerts offer oppo- sition, and, after all, there are 7,000,000 people in Greater New York. ‘The company at the Adelphi will, too, have an admirable opportunity to show what an American troupe can achieve stacked up against the recent and amiably remembered frivolities of the D'Oyly Carte singers at the Martin Beck. The D'Oyly Carte Savoyards are, to be sure, a permanent convoca- | tion of talents, boasting the magnifi- | cence of Martin Green, Derek Oldham | and Sydney Granville, byt in a sense | s0 are the associated Messrs. Waterous | Moulan and Danforth. Mr. Danforth {and Mr. Waterous sang in both the projected operettas no longer ago than April of last year,'if the record serves, and rhould be narrowly familiar with the scores from old experience ‘The director of the present venture is R. H. Burnside, himself a grizzled veteran of the earlier days of the D'Oyly Carte company. He knew W. S. Gilbert and Arthur Sullivan in their proper persons in the early days of the Savoy and he feels for the tradi- | tion of their music and lyrics. ]n addition to this, Mr. Burnside is of a mechanical turn. He contrived the Rube Goldberg devices of most of the Fred Stone musicals and arranged all sorts of Babylonish spectacles at the | Hippodrome. A sort of Cecil B. De This is very far from being intended | as an impious comment on the troupe | vegetable and | this may | ’ screamed, “Pensively, I said; not ex- pensively!"” In any event, the week is fair with | promise, and we look for Alfred A. Knopf, most tireless of Manhattan Savoyards. to be in an aisle seat tomorrow evening as the curtain goes up on the courtyard of Ko-Ko's palace in the Kingdom of Titipu. x X *x ¥ THE favored selections among the Summer playhouses of the week offer an interesting study in what suburban managers think suburban audiences will like after the salmon salad suppers of the season. “Accent on Youth” is playing at no less than five of the rustic show shops chronicled | in the Sunday editions. “The Bishop Misbehaves,” like “Petticoat Fever,” is at two, while other pastoral allegiances | are divided between such established dramas as “The Pront Page” “Tea for Three,” “Post Road,” “The Cat ‘and the Canary, The Second Man™ ‘and “Miss Lulu Bett.” By and large, | the redde barne entrepreneurs seem to | feel that the milder hits of the Broad- way season immediately past promise the most allure to four-corners audi- ences. Perhaps the most ambitious essay in this direction has been launched at the Beach Theater at West Falmouth, on Buzzards Bay, where “Ceiling Zero” was presented the week after its Broadway closing, with Robert Ross and an established Massachusetts trouper of experience and favor, Richard Whorf. Florence Reed appeared in “Thoroughbred” at Ivorytown, N. Y., and with Harry Ellerbe in Hollywood. Imagine! The play, if memory serves, was admirably | received everywhere on the road when it was first shown in 1933, but had but a sour reception in the vicinage of | Longacre Square. ACADEMY ot l’ulen Sound nau- ay E. Lawrence Phillips T! CLARENDON. Monday—MAE WEST fn " Charley Chase Com | Mille of the legitimate stage. he played | | with the famed Bostonians for a num- | ber of years, but (love comes back to its ancient dwelling) his favorite | reminiscences are of a vanished Lon- |don of the horse cab and Sherlock |Holmes era, “when these old songs were new." He told the reporter last week of a well-remembered re- hearsal of the earliest performance of | “Ruddigore,” in which Mr. Gilbert | | directed a pmq\ud thespian to “sit down pensively.” The fellow sat, and The comedy which these players | sat himself quite through a flimsy gilt stage chair, whereupon the great man | Bernie Jarboe’s Orchestry Brand-New nce ”our. Adults 60c Sun. and Holldays, IQ15"2G % KEITH'S “Frankenstein” KARLOFF “Drecula” BELA LUGOSI in POE'S "The RAVEN" ++GENE STRATTON-PORTER'S last. best and most famous novel “The KEEPER of the BEES™ OPENING 8:40 P.M. MONDAY ¢ JULY I5 2 WEEK ENGAGEMENT - 'TO DIEAT DAWN 02 "RESCUED FROM THE WHIPPING POST" A Weelodrama of the ‘70s SPECIAL BUS FRIDAY- CL.4256 ROCKVILLE PIKE PAST GEORGETOWN PREP. RES. SEATS 83¢ « 55¢ MRS. DORSEY'S IN DROOPS E EAR E E NOW PLAYING GRACE MOORE i her new picture LOVE ME FOREVER Columbias Hut 225 | “LOVE ME FOREVER." CAN ALSO BE SEEN TODAY, TOMORROW, & TUES. AT THE AMBASSADOR “NOW IS THE WINTER OF OUR DISCONTENT” BUT IT IS OUR SUMMER JOY THAT IS FOUND AT THE 40 ACRE WHERE IS PRESENTED MORE THAN FIFTY FINE FEATURED ATTRAC TIONS, INCLUDING Swimming DAILY 9:30 A.M. to 11:30 P.M. Dancing Nightly Except Sun. 9 to 12 Rides And Amusements Every Day From 1 P. M. to Midnite TAKE GLEN ECHO OR CABIN JOHN STREET CARS, IN 45 MIN. FOR 25c ROUND TRIP OR MOTOR VIA CONDUIT ROAD IN 20 MIN. OR VIA MASS. AVE. EXTENDED IN 15 MIN. DIRECT TO PARK ENTRANCE. . Ave. . Thurs.. Saf. PALL LLP§R= ‘“},)(,F EVANS in AGE Ia ardy FLL Pnnp\f Comedy, Metro News. FA'RLAWN ANACOSTIA. D.C. | DOLORES DEL RIO in “IN CALIENTE" 1119 H St. NE. PRINCESS Completely Axr-CooIed Open Sunday. % 5:00 PAT W) S| ENWELCOME ST | | SECO Siiver s';'.....P‘wa Continuous Prom * ‘J‘EA\F‘r‘r" MacDONALD. "NELSON | “NAUGHTY MARIE’I'I' Comedy. News. STANTON r.',‘.‘.’:“g.'.‘....‘i Beetomcat Matinee. Sunday. ALI(‘E PAYE and Ji ‘GEO] VH AlSoTARN SOT}' STATE P - “The Modern Theater Wis._Ave.. Bethesa: Open 2:i5 P.M.--Sh Today Throueh ‘n\( :‘. r" (74vr PV[ WILL ROGERS in “DOUBTING THOMAS.” Also News Events. Ccmedy Show Starts 6:00 P M. Tomorrow TAKOMA % Fuwe SHTRLEY TEMBLE in “OUR LITTLE GIRL.” = THIPPODROME =Y. CLAUDETTE COLBERT. “PRIVATE WORLDS.” CAMEQ ™L,AMee. Mo GEORGE ARLISS in ‘“Cardinal Richelieu 7 ARCADE_'arrsvinte FREDRIC MARCH in “LES MISERABLES.” RICHMON AIF‘A\DII.H v erne' Baxter, Lnd?’?m oo Yoo AMBASSADOR 5™ &, %53 Air Conditioned. MOORE in o Direction of ‘s‘lbfii?:v LUST a Pampas GRACE APOLLO Tinco PAT O'BRIEN, JOSEPHINE HUTCH. NJON in \OIL FOR THE LAMPS OP‘ CHIN Mickey Monser “'Mickev's Ser\lrr 'm\on AVALON Conn. Ave. | ley Si. N.W. cx-r 2600 CHARLES LAUGHTON and F MARCH in_“LES MlsERABL AVENUE GRAI’"I‘J i S.E. LL 2406 THOMAS” WARNER BROS. THEATERS P 2841 CHESTER MORRIS. umsEL Bm.m'- MORE in MAE WEST in "GOIN' TO TOWN’* Hal Le Roy Comedy. coln (0266 “PUBLIC HERO CHFSTER MORRIS, Mi “Mickey's ickey Mouse, Nan Prida’ g SAVOY 14ih St. & Col. RA. N.W Columbia 4968. JACK HOLT in “AWAKENING OF JIM_BURKE." _ Novel 14th 8 fll [y Plrl ld N' TIVOLI e _ THO! YORK rSx RS %™ CHARLES LAUGH-I'QN and FREDRIC MARCH in_“LES MISERABLES.' JESSETHEATER '*8:,* ¥ ‘It Happened One Night,’ CLARK GABLE and CLAUDETTE COLBERT. _Cartoon. “LADDIE,” JOEN BEAL and GLORIA STUART. edy. _Cartoon, PALM mnrm Ly T"gow"u"fl fl Dcwm Dl!. NO Gomedy, " BERNHEIMER'’S w