Evening Star Newspaper, March 24, 1935, Page 55

AMUSEMENTS, SPLENDID FARE FOR CINEMA AND THEATER < Musical and Theatrical Affairs of Central Europe A Wasl’l;ngton Traveler Makes Note of Plays. Oreras, Films and Customs in Vienna, Prague, Berlin and Budapest—The Popular Movies. By E. de S. Melcher. East as Asia Minor, has stopped long enough in his inter- esting peregrinations to w: rite us of theatrical and musical RANDOLPH LEIGH, “on a long European tour,” going as far doings in those continental hinterlands. Writing from Budapest on March 7, he says: “In Berlin, Prague, Vienna and | Budapest I have noticed an interest- | ing struggle between the classical and | the comic in the amusement world. | There have been many excellent pres- entations in both lines, but the classical seems to have a little lead in popular support. “The very heavy opétas (‘Lohen- grin’ and ‘Rhinegold’ in Berlin, for instance) attract capacity houses. But | at the same time such frivolous plays | as ‘Waltz-Paradice,” have been well received, particularly in Vienna, where Oscar Strauss, nephew, I believe, of the great waltz Strauss, has created & number of excellent musical com- edies. “In spite of all that one hears about | the misery of Middle Europe, people | continue to amuse themselves in ex- pensive ways, such as theater-going | and night clubs. I have become ac- customed to that surprising fact. I have not yet managed, however, to understand the basic idea (if there is one) relative to correct dress on such occasions. In Berlin, at the | biggest opera, I felt positively foppish in a dinner coat, although there were dozens of people who were dressed in | that manner. Most of the audience were in business clothes, and a few were even in golfing clothes. Yet a few nights later I was refused admission | at another function because I only had my dinner coat. Vienna is equally casual about dressing for the theater. Budapest takes its opera very seriously so far as apparel is concerned. “However, Berlin and Vienna are very dressy, even magnificent, when it comes to any affair where there is an element of exclusiveness, which, of course, does not apply to the theater Central Europe, indeed, seems quite informal, not to say sloppy, at most public events, but when it does turn | formal it does it with g bang. Night clubs show the same eccentricities in | dress as do the shows, the same place being very dressy one night and very casual the next “But to get back to some of the actual shows over here: thing I have seen is the U. F. A. film “The Sea Lion,’ the story of which turns on the resemblance between a very frivolous king of a tiny little na- tion and a very serious porter in that same kingdom. The title comes from the drooping (sea lion) mustaches of the pair, and the fun begins when they, to get the king out of a trouble- | some situation, swap places. “Another funny one is the Austrian film ‘The Face Lifter, in which a | beauty doctor and his male secretary | get into endless trouble as a result of | the secretary’s mistake in taking a beautiful English dancing girl (who knew no German) for a very homely English girl who was seeking the aid of the beauty specialist. He met the Wrong one at the train, and the well- sustained complications were endlessly ‘hilarious, without being forced. “The Czechoslovakian film ‘Sym- phony of Love,” which is to be. or has been shown in America under the title ‘Ecstasy,’ is very popular, very sentimental and fairly good. It is| supposed to use a new technique— that of parallel implication. of a burst of passion in the heroine, | The funniest | it shows a thunderstorm. Instead of a close-up love scene between the principals, it shows a frantic stal- lion. The hero’s hope of an heir is depicted by the planting and growth of a wheat fleld, out of which the faces of the heroine and her infant miraculously appear. It is a film in which in speed and with much loss of con- vincing power. “In Budapest there is much excite- ment over the new opera, ‘The Venus de Milo,’ by Eugen Hubey, who has taught many of the greatest musi- ciahs of Europe and who now, resid- ing in Brussels at the age of 75, is the idol of them all. It was pre- sented for the first time this week and the author was here. He took at least a dozen curtain calls. “Along with it went a fantastic with music by Leo Weiner, winner of the musical prize of 1933 the Elizabeth Sprague Coolidge ballet, of Foundation in Washington. “The one thoroughly original film | that I have seen is ‘Frederick Chopin, in which the | that of Chopin, Liszt. etc., is blended with the fast- moving story in such a way as to take away one’s breath. It is a won- derful historical picture, with all kinds | of usually totally disassociated history an Austrian product very finest music, running smoothly along together. “It is really the love story of the novelist George Sand, and the com- poser Chopin. But is is a story that | gets its full meaning from its con- nection with the struggle of Poland from Russia in 1832 and from the pulsing literary for independence world of the Paris of the same period. “There is one scene. in Prr’s. As he is about to enter the salon he is shown a newspaper ac- count of the suppression of rebellion in Warsaw, which he knows means the death of his relatives and friends, who were instigators. In a daze he goes to the piano, strikes a few cords of the piece which he had intended to play and begins improvising under One sees the keyboard burst into flame as the stirring music unfolds and along with the vision at the keyboard one sees the sway of his emotions. the tottering, fire-swept Warsaw. “It is a picture which would be | stirring anywhere, but here in Central Europe, where just such conflagra- tions and rebellions have been very | recent and still threaten to reappear at any time, the picture simply hyp- notizes. “There are a large number of American films all over Europe, of | course. They are kept down, however, by the increasingly strict quota sys- tem, by which a film house is al- lowed to show only a certain per=| | centage of foreign pictures. “Tom Mix is the American literary idol of Europe. Little books trick photography seems to have gone mad, with no real gain incredibly stirring Chopin, just beginning to at- tract attention, is invited to play bee fore the most distinguished audience in the | style of the story of the three bears | Harold Arlen. THE SUNDAY STAR, WASHINGTON, D. C, Star of Broadway Revue Opening Tomorrow at National i THE New York Winter Garden revue, “Life Begins at 8,40, which comes to the National Theater to- morrow night for a week’s engage- ment, is headed by such stellar per- | formers as Bert Lahr, Ray Bolger, | Luella Gear and Prances Williams. It also has a large group of Charles Weidman dancers, 60 beautiful chorus | girls and settings by Albert Johnson. The revue's music was written by Its lyrics are the work are seen on all book stalls, with Tom -of Ira Gershwin, famous brother of Mix as author of Wild West experi- | ences. He is depicted, in the highly Instead | colored covers, in Indian war clothes, | not cowboy regalia.” Next Week's Films. 'HE last novel, and one of the great- est, written by Charles Dickens, will follow “Man of Aran,” when the latter’s engagement is ended at the Belasco. _Dickens' novel, “The Mys- tery of Edwin Drood.” was uncom- | Pemberton Premiere. E of the most important premieres of the Spring theatrical season will take place next Monday evening, April 1, at the National Theater, when Brock Pemberton will present ;!Amou.s George, and E. Y. Harburg, {the most successful and prolific BERT LAHR, Stage and radio comedian, is featured in “Life Begins at 8:40." which comes to the National tomorrow night. The revue comes direct from New York with its original cast. lyricist on Broadway. Its sketches were written principally by David Freedman. And, finally, the direc- tion and lighting by John Murray,, Anderson guarantees a finished show with a great deal of revolutionary | innovations in lighting and staging. A double revolving stage is one of the features of Anderson’s staging and it is said that for the first time on a musical stage the lighting, the music and the motion of the re- volving stages are integrated and co- ordinated so that there is an exciting rhythm and unity to the whole pro- duction. f . | Change in Cast. | | THE Pierce Hall Players announce [ © that a change in the cast of | | “Field of Honmor,” by Betty Souby, | which they are presenting this com- | ing Wednesday and Thursday in | Pierce Hall under the direction of Ina Today's Film Schedule LOEW'S FOX—“Folies Ber- gere,” at 3:05, 5:20, 7:43 and 10:05 p.m. Stage show at 2:20, 4:35, 6:55 and 9:20 p.m. MARCH 24, 1935—PART FOUR. AMUSEMENTS, F—5 PATRONS “Panic,” a Poetical Drama, Goes Back to the Library New York Will Have None of This Speculation on prospcrity‘s DOWn{all—A Word or Two of England's Actor Craup. By Percy Hammond. Theater, Inc., Archibald MacLeish’s “Panic” seems to have been retired to the library, there to be enjoyed by book- ! FTER three experimental performances by the Phoenix worms for its vigorously poetical speculations upon pros- perity’s downfall. A proud example of the hay-stack drama, it sent all the New York critics of literature and the show business in search of the needles hidden therein with.discouraging results. Some of the investigators found ndthing in it except verse; others, more diligent, discovered beneath its covering of song an explanation of the five years’ terror. This, as many have said, is the ravages of fear which, like a dragon termite, silently, ica. That with courage. abused fraternity, “Panic’s” invisibly, and destructively has gnawed at the economic structure. Mr. MacLeish (himself a Pulitzer winner) reveals as much in a paragraph of dedication to John and Katy Dos Passos. Among other clues symbolic mazes is a hushed plea for|aged playwright still seductive to thea- tolerance in criticism of the afflicted | trical young women? The season has bankers of the United States of Amer- | been enriched by Hugh Sinclair's cruel cursed | characterization of a nice artistic rat by all the political evangels rrom]m Miss Bergner’s “Escape Me Never,” Mayor La Guardia o Father Coughlin, {and by the dignified Dame Sybil gets a friendly break from Mr. Mac-| Thorndike as she supervises, in{“The Leish, who pictures them as pitiable | Distaff Side,” an interesting and well- victims of an unseen force. He shows | acted hen house. Robert Loraine, Rex them up s stupid rather than vil-| lainous, unable either to understand | Miss Lynn Fontanne, Ernest Lawford, the causes of the catastrophe or to | Basil cope with it. His hero, Mr. McGafl- | scores of others from across the seas erty, is a likable Colossus, bestriding have been of great assistance in mak- the financial world, poetically and|ing the recent Broadway dramas at- Even if Mr. MacLeish | tendable. does provide him with a woman who | my reputation as a patriot by in- talented alien, in the role of a middle- O'Malley, Ernest Cosart. Lionel Pape, Rathbone, Brian Ahern and A chauvinist at heart, I risk visits him during office hours in eve- | quiring what American actor could ning dress, he is a comparatively have played George Washington so honest, efficient and durable capitalist. | faithfully as Philip Merivale, an Eng- It is a personal impression that Banker | lishman, played him in the Theater McGafferty would not have com- | Guild’s unsuccessful- production of mitted suicide had he not seen the | Maxwell Anderson's “Valley Forge." chorus that represented the meek and | George M. Cohan, Walter Hampden, events. might say, ! Square dramas the ther night, I was | tions. overcome by a sense of the debt the | believe, that the best of the American United States theater-lovers owe to ) actors are British. To Great Britain are we especially obligated, since it gives | us its most luminous actors, and asks | from us little in return. We may send | them, via the cinema, our Jimmie | picture theatersin Argentina still show Cagneys and our Joan Blondells, but | silent films. they always reciprocate with an Arliss | or a Diana Wynyard. Now and then | the British fail us, as when, for in-| stance, Ronald Colman plays “Clive of | India” as if that historic figure were not a human being, but a ham actor | in a sloppy Hollywood photograph falsifying great foreign lands. cheapening through and BUT what would Robert Sherwood's successful “The Petrified Forest” | 5 be without Leslie Howard's obvious ¢ magic or “Laburnum Grove” without e o Gwenns egrestous tmpesson. | CAROLINA ating of a suburban counterfeiter? | “BABES IN TOYLAND Where would “Accent on Youth” be = 3 were it not for Nicholas Hannen, a Wow Gallooe Bl | AMUEL GOLDWYN announces an | ambitious schedule for the next six months, for during the half-year beginning May 1 he will release six productions through the facilities of United Artists. Starting with “The Dark Angel,” to which Sidney Frank- lin has already been assigned as di- rector, the schedule includes “Bar- bary Coast,” the Herbert Asbury story in which Miriam Hopkins will be starred under the direction of How- ard Hawks; Eddie Cantor’s sixth an- . nual musical comedy under the Gold- | wyn banner, the Rachel Crothers screen play, which she is writing for Miriam Hopkins under a producing- | partnership arrangement with Gold- | wyn: the first edition of the newly- | Tonight Only 8:45 NATIONAL THEATRE STRAVINSKY composer- pianist JOINT RECITAL WITH DusKl N Vielinist In full Stravinsky presram. Prices, $1.10. $1.65. $2.35. Bal. $3.30. Oreb.. $2.35; vernment (ax.) $2.20, S1.65. nd Bal Bal. $2.20, $1.65, $1.10. Box Office 1 P. M. MONDAY ©and 31.10. 2nd | FAIRLAWN | LORETTA YOUNG in “CARAVAN." 'SECO windy proletariat in the play. That| Walter Huston and Alfred Lunt, all of ballet in its affected elocution and|them expert specialists in credible its meaningless postures was enough | characterizations, might have fumbled to drive the strongest figure of finance | the role of the Father and made it or the ploneer stage to self-destruction. | perhaps more of a platform puppet | VWHILE strolling, as O. O. McIntsTe | the Mother Country has bestowed upon the Times | us its friendly and esthetic beneface than Mr. Merivale did. At any rate, this has been another season in which It has been said, and truly, I Silent Films Remain. Six hundred of the 1500 motion ACADEMY ©f Perfect Sound Photoplay 8th at G S.E. E. Lawrence Phillipe' Theatre Beautiful Continuous From Matinee. 2:00 P.M RONALD COLMAN and LORETTA YOUNG, ‘BULLDOG DR 8’ KES BACK.' RAY WALKER APPY LANDINGS." CLARENDON, VA. Monday, Last Day “DAVID COPPERFIELD 11th & N. Double. and Ave, SE “GIRL OF = i SRR R, CIRCLE 2105 Pa. Ave.. Ph. WE. 0653 Mat. Tues.. Thurs. Sat.. Sun. RAMON NOVARRO and EVELYN LAYE in “THE NIGHT 1S YOUNG.” Com. News. DUMBARTON !3£°,% i in_ Ave. JOE MORRISON and HELEN TWELVETREES in “ONE HOUR LATE." News and Comedy ANACOSTIA, D. ¢ PRINCESS ...t S0Lst i 2:00 P.M.)—SIDNEY FOX in_“ POR_GIRLS ™ CHARLES STARRETT n “THE SILVER STREAK" _ 211 Georgia Ave. ver Spring, Md. Matinee. 2:00 P.M. DIX in “WEST OF THE PECOS.” Comedy. _Cartoon. News ST“TON 6th and C Sts. NE. Finest Sound Equipment Continuo TOM BRO! 00 PM W “SWEEPSTAKE AN} Also BRUCE CABOT in “RED HEA! STATE “The Modern Theater | 6070 Wise. Ave., Bethesda, Md. ORGAN CONCERT. 2:30 to 11:00 P.M MARGARET SULLAVAN. HERBERT SHALL and FRANK MORGAN THE GOOD FAIRY.” _ Also News and Cartoon lgnned “Goldwyn Follies.” and Anna | ? ~ | his latest production, “Ceiling Zero,” |L. Hawes, has been made necessary | = Ppleted at the author’s death, but com T T pleted later, as much as possible, lnfby Frank Wead. by the forced withdrawal of John| | the spirit of the original It stars| Mr. Wead, formerly a commander|gy e popular young Washington Claude Rains, Douglass Montgomery, | I the United States Navy Aviation | cior pecause of his leaving for New — — | Heather Angel and David Manners. | SPthe. Ho8 bt ;;"‘rfi:zm:;teg}fls | York. His role will be assumed by | 6:20 and 9. ~ 5™ G | 0! v v nt. | : i ward Francis Gau | |R-K-0 Keith’s—“Roberta,” o ois | | of the skyways and their bewilder- le roles in the new ! ment and problems in a world which | m:;,hir:ngz‘;;n;::ded by Elinor Cox at 1:45, 3:45, 5:45, 7:45 and rd Week .. 1 recognizes fiying as a science rather | garcten and Helen Shields. Frank | | 9:45. 3 Pibedd ithan individual feats of bravery and | Jamison plays the stellar role. Other | e lumbia msoz‘fgceedmg;lefxiwxnem Perry and Mr { well-known pla)ye;sl “'“"d“""“ilffiig,‘,’l: “ROBERTA” 5 e 5 er, e inle | headiinellentes tathment iz | Pebertion whooe mostirecent Washs | oo oae i ard Wertaoeth: William | FRED AS scheduled for Loew's Fox Theater, |ington premiere was with “Strictly | oystin Davis, Clifford Harriz, Larry starting next Friday, with George | Dishonorable,” “Ceiling Zero” has an EARLE—“Ruggles of Red Gap,” at 2, 4:35, 7:10 and 9.50. Stage shows at 3:45, TKKOMA ith and Butternut Sts. No Parking Troubles JOAN CRAWFORD and CLARK GABLE in “Forsaking All Others — [HIPPODROME .%o [ WALLACE BEERY in “The Mighty Barnum.” Continuous_From 2:00 to 11:00 P.M. CAMEO .. RAINIER, MD. Tomorow-Tuesday Lionel Barrymore in “David Copperfield.” Shirley Temple will gain a second week on F street, for next Friday, *The Little Colonel,” which just closed a record week at the Fox, will open ELA « » 8 week's engagement at Loew's Co- E SC0_Man of Aran, at 2:58, 5:05, 7:14 and 9:22 pm. PALACE—“Life Begins at 40,” at 2:55, 5:10, 7:25 and White's 1935 Scandals on the | screen, Benny Davis and his future | stars revue on the stage and Phil | Lampkin's anniversary overture aug- mented by a choir of 16 voices. | George White's 1935 “Scandals” boasts of a cast consisting of Alice Faye, James Dunn, Ned Sparks, Lyda | Roberti, Cliff Edwards, Arline Judge, Eleanor Powell, Benny Rubin, Emma Dunn, Charles Richman, Roger | Imhof, Jed Prouty. Fuzzy Knight, | Jack Mulhall, the Boop Sisters, the | Do's Four Gals and George White | himself, and in addition, the Scan- | dals beauties in numerous and spec- | tacular dance numbers. Colymbia Pictures will present Tullio Carminati in a new and romantic | production, “Let’s Live Tonight,” next | Friday at the Earle Theater. Lillian | Harvey is Carminati’s leading lady. ‘The supporting cast includes Janet | exceptionally large cast of distin- | guished players. | Margaret Perry has the leading | feminine role and Cagood Perkins, recently featured in “Point Valaine,” portrays the wartime aviator who could adapt himself to changing con- ditions, but who can imagine no fu- ture which does not include his two buddies of more reckless days, neither of whom has been able to orient him- self to the demands of modern in- dustry. The other two of these three musketeers of the sky are played by John D. Litel and G. Albert Smith. “Ceiling Zero” will remain at the National for one week, after which it will have its New York opening. Kelly in Musical. pA‘l‘sY KELLY, one of the best- known comediennes of stage and screen, has been signed for a leading Hart, Dixie Diket, T. C. Gardner, Mina and Stuart Hackstafl. ! . Press Agent Gargan. TLLIAM GARGAN will play a press agent in “Broadway Gon- dolier,” Dick Powell's big musical starring picture for Warner Bros., in | which Joan Blondell will have the | feminine lead. And Louise Fazenda | will appear as Mrs. Flagenheimer, owner of a large cheese concern. Other principals will be announced within | the next few days and the picture will | go into production next week. “Broad- way Gondolier” is being planned as | the most lavish_and spectacular of all the Warner Bros. and First Na- tional musical films up to the present time. 9:35 p.m. METROPOLITAN—“Love in Bloom,” at 2:00, 3:45, 5:35, 7:35 and 9:30 p.m. COLUMBIA—“Under Pres- sure,” at 2, 4, 6, 8 and 10 p.m. LAST MATINEE IN Constitution Hall. Sain & G Wednesday Aft.. Avr. 3. BOSTON FTTTT T e on an AAA Bil Robert Flaherty's Saga of the Sea ‘MAN OF ARAN' S 353 * ~Chi. Times AAA —N, Y. News —Lit. Digest “The Best Picture of the Year” National Board of Review A Special Added Attraction * k% —N. Y. News “DAWN TO DAWN” The finest featurette ever filmed. kS DIXIE DUNBAR WALTER DARE WAHL WINIFRED HARRIS OFELIA & PIMENTO FRANCES COMSTOCK SALLY GIBBS RariP SELFSAME NEW YORK CAST OF BRIAN DONLEVY JOHN MeCAULEY JACK STARR ETHEL THORSEN GLORIA PIERRE JANE MOXON 125 INCLUDING JOSEPHINE HOUSTON JAMES MacCOLL JESSICA PEPPER CHARLES WEIDMAN DANCERS A JOHN MURRAY ANDERSON PRODUCTION L b Music by ketches by IRA Glml;flr B.,!. BARBURG HAROLD ARLEN DAV‘D FREEDMAN WORLD FAMED BEAUTY BRIGADE PRODUCTION DESIGNED BY ALBERT JOHNSON Peatures Approx. 4:35. 8:25._8:15 ARCADE ™ATToyiuE. . GRACE MOORE in “One Night of Love.” Continuous From 3:00 to 11:00 P.M. RICHMOND RUDY_VALLEE in_“SWEET MU ARCADE %26R“ibhe o “@Girl of the Limberlost.” Continuous Prom 3:00 to 11:00 PM, 18th St & AMBASSADOR _ cif'si*s v, Direction of SIDNEY LUS { H 8t. NE. JAMES CAGNEY. PAT O'BRIEN In " “DEVIL DOGS OF THE AIR™ __ AVALON 3 Matinee, 3:00 P.M. JAMES CAGNEY, PAT O'BRIEN in “DEVIL DOGS OF THE_AIR." AVENUE GRAND .. &5 Matinee. 2:00 P.M. ‘onn._ MeKiniey “David_Copper! eld. CENTRAL 425 oth St N.W, LEO CARILLO. “WINNING TICKET." Laurel and Hardy. L Popeye. COLONY “* Ax X, JAMES CAGNEY. BAT OBRIEN in “DEVIL_DOGS OF THE AIR." HOME 1230 C St. NE GARY COOPER. FRANCHOT TONE, “LIVES OF A BENGAL LANCER." SAVOYV““ St. & Col. Rd. N.W, PAUL MUNI and BETTE DAVIS in “BORDERTOWN.”_ Novelty. TIVOLI 1ith 8t & Park RANW. Matinee. 2:00 P.M. “David Copperfield.” . bt e = ARY COOPER. PRANGHOT - _“LIVES OF A BENGAL JESSE THEATER "“i.* ¥ “The Mighty Barnum,” ‘WALLACE BEERY. Cartoon ‘s‘Y[v'AN"fnfa"lf L Ave. NW. “IMITATION OF LIFE,” CLAUDETTE COLBERT and WAR- REN WILLIAM. Novelty. PALM THEATER **%F*" Tomor. EDDIE i 113 Beecher, Hugh Williams, Luis Alberni | comeq: “ o 3 K | y role in “Four Stars For Love, and Tala Birell. Mitzi Green will be |%he new Felix Young musical picture seen and heard in songs and in her | to be made by R-K-O Radio. famous impressions of Hollywood's | Walter Lang will direct “Four Stars notables, including George Arliss and | For Love” which will have several many others. thrilling Negro dance numbers staged _ by Earl Dancer. Fred Keating and Bing Crosby, radio’s prince of |1 ionel Stan for erooners, and W. C. Fields, the prime deriarelureadyjsanca minister of comedy, will waltz their gheiwlitojcast: way onto the screen of Loew's Palace == ‘Theater in ;M!sal.ulppifi' the screen | attraction following “Life Begins | : 8 T |z Gharles E Merriam v’ “1t Happened One Night,” the pic- ember of the Nat'l Resources Boaré ture” tnes won Bve of the ‘coveted | | THE FUNDAMENTALS OF awards offered annually by the NATIONAL PLANNING Academy of Motion Picture Arts and Shoreham Hotel. Admission $1.00 Mail Orders Now. Opens Mon. April 1 Prior to Opening at Music Box, New York BROCK PEMBERTON Presents Pnl heran: !Tnnbe vel)s ymp S mohony (Sibettas Chioe. 24 Suite (RaveD. Tickets. $1, S1.50. 32, $2.50, §3 (no tax) Mrs. Dorsey’s, 1300 G. Droop'ss NA. 3151 BELASCO| Locws RO chow 1ES SRCERE MAURICE U F AT Z, e aca—— MARYLAND BALTIMORE T2 Three Days, o Thurs., Apr. 4 Mat, Sat. For the First Time in America KATHARINE CORNELL presents a new, modern play FLOWERS OF THEFOREST by John van Druten MAIL Olbfis NOW: Send Mar. 24 7277 S Featuns o 2004407 18956 CHAR MERLE OBE! by FRANK WEAD with 0SGOOD PERKINS MARGARET PERRY and JOHN B.LITEL and a distinguished cast of 35 players. DYNAMIC DRAMA — ROBUST COMEDY—INTRIGUING ROMANCE. WARNER BROS. THEATERS - Friday—George White’s 1935 Bflnm dals. Stage—Benny Davis vue. 7 D % %% 52.20, 165, rch.. $2.20; Bal. $1.65. 81 Pllcil—ul:‘htl.osr:‘h.. ou.'m Bal., dressed Ded envelope for return of Gavtp wit rerrace CHALIAPIN—saMz TICKETS GOOD ONLY U. 8. RECITAL THIS SEASON—APRIL ath, 4:45. CARLTON GAULD Pr 3 “He is one of the srestest artists of our time . o . be's marvelous . . . DO's?. . . grea sneer Yo ‘hear Cariten Ameriean® MARY GARDEN. §mtgcould Bace b ET WOOD: . Arthar Smith. 1830 G. In Kitt's, NA. 3700, 7 7 velope. Nig 83¢c r: $3.30 incl. U.. BERNHEIMER’S % EWIS MILESTONE, director of “All Quiet on the Western Front.” «The PFront Page” “Two Arabian Knights” and several others memor- able in Hollywood, has signed a two- year contract with Paramount. The e O EDW. F. MILLER STUDIO 814 17th S A. 8093, W it’s dane we teach | I besrd such sinsing .."&."'uu lesson any yeuns Starting This Sugday Matinee d-1 Mm!:{.,l:? -‘lflr‘n new FRANK X. SILK EDNA “Hot Cha Sciences, will return to Warner Bros.’ | — e Metropolitan Theater, Friday, for a | BALTO.—. April oth duction has been booked as the result of the many hequests from patrons who missed seeing the film when it was originally presented as well as Besides Clark Gable and Claudette BAMPTON Colbert the cast includes Walter Con- MARTINELLI nolly, Roscoe Karns and Jameson PINZA Thomas. Co TIBBETT, R . . BALLET Milestone With Paramount (8 5 0 oy spectacutar opera “AIDA” Verdi Seats Now on Sale at Albaugh'’s deal 1s the result of his current 8 E. Lexington St. handling of “Paris in Spring.” which Orch., $6-$7-$8—Bal., $3-86-37. Paramount is co-starring Mary Ellis '"l‘elurv-u-n 'Inl7l1.: m %!_ special repeat engagement. The pro- the many who want to see it again., opm REITHBERG e ENTIRE Lyric Theatre at 8 »and Tullio Carminati. e e VE X148, W