Evening Star Newspaper, August 15, 1937, Page 82

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Liggett, algreen or other ists hand back money if NOXACORN fails to remove any corn, callus, or wart. families in 24 key centers, from Coast to Coast, will be week-after-week readers of THIS WEEK T HAS been said that ‘‘an artistic picture 1s an object beautifully photographed,” rather than ‘‘a beautiful object photographed.” That is essentially true, but regard- less of the subject, the photographer first must be able to see some beauty in the object. Who but a person with such perception would think of taking a ‘‘worm’s-eye’’ view of the bare limbs of a tree, with the pleasing and artis- tic result shown here? This 1s a beauti- ful object — and it is beautifully photo- graphed too. Without the proper high- lighting and shadows resulting from the position of the sun, the composi- tion and the filter-darkened sky, the picture would lose much appeal. For this snapshot the lens aperture was set at £.8 and the shutter speed at 1/100 of a second. A light yellow filter was used to darken the sky and bring out tone qualities. There is no rule for discovering beauty nor for determining what is artistic. It's largely a matter of one’s likes and dislikes. There are, however, certain sound admonitions that must be obeyed if you wish to make artistic pictures. First, provide every picture with a single, dominant idea. Exclude ele- ments that distract attention from the principal one. Second, see that the setting is in harmony with the principal subject. Third, work for well-balanced com- position in your view finder before snapping the picture. Generally the dominant subject should not be in the center. Fourth, study the light and shadow area before taking the picture. Fifth, allow ample exposure in order to bring out desired details. It’s up to the snapshooter. If he puts thought into his work, he can get pictures that win admiration. T “I'll give you a still better toast.” ‘““Marquise?”’ “Leave her name out of it. We've done her damage enough.” Goddard laughed. ““All right then, here’s to riot duty!” “No. May the better man win. No heel-taps.” Goddard stared, puzzled. He drank. He wiped his lips. He nodded."*‘Leav- ing on tonight’s train, are you? You've a fat chance. So long.” Haigh watched him go. Then he tried to find General Mitchell. He had to wait outside a door for fifteen min- utes, until two officers came out, worried and secretive. One spoke: “General Mitchell won’t see anyone.” Haigh knocked and entered. The General stood by a window. “‘Can’t see you now, Haigh.” ““This is urgent, sir. I overheard a conversation on the phone. I under- stand there’s trouble and the line’s down between here and Palanpur. I stood at the window to keep anyone else from overhearing.” ““Well, keep it secret. Go. I'm mak- ing over the command to Colonel Bradley. I'm not fit for duty.” ““This is awfully urgent, sir. Gen- eral O’Rell’s daughter is on the road to Palanpur. Guru Govind is with her. 1 have reason to believe the Guru —” *‘What! That Guru? Haigh, I haven’t a corporal’s guard to send after her i34 The roadster bumped into a Raj- putana thank-you-ma’am, which is a species of valley almost filled with dry dust. Marquise applied the brakes. The servant got down and recovered two suitcases. Flies seized the oppor- tunity. The hot wind curved inward like invisible flame around both sides of the windshield. The servant pitched the bags into the rumble seat, climbed in and wrapped his face in the ends of his turban, so that he looked like a corpse. The Guru wiped his spectacles and blew on the bridge piece that was too hot for his nose. “Speed, Sakiba! Speed! We may be too late. Have you noticed anything?”’ “I’m too busy holding the road.” “They have cut the telegraph wire.”’ Marquise restarted the car. “Guru Sahib, if we're too late — "’ “We must not be, we shall not be! Sahiba, fortune favors loyalty to principle. Be brave.” “Brave?” she answered bitterly. THIS WEEK Moagazine Section For Sna shooters The Snapshooter Asks: Question: When using a porirail lens, is any greater depth of focus ob- tained when the apertire is cul down to a smaller opening? (W.R.S.) Answer: There is a little greater depth of focus obtained when using a smaller lens aperture even in connec- tion with a portrait attachment. How- ever, the depth of focus is not very great, and it is necessary to focus quite carefully when using a portrait attachment and working close to the subject. Have you a “snapshooting” prob. lem? The expert who conducts this column may be able to help you. Write to This Week Mogazine in care of this newspaper, enclosirg a stamped, self-addressed envelope. e Treacherous Road Continved from page five “I’'m not afraid for you and me. But loyal? 1 feel like a monstrous thing, with two heads and two hearts, and only one eye that scorches the road to Palanpur.” “That is the glare on the road. It burns me also. We must endure it."” “Do you realize what I’ve done?"” *I know what you think you have done,” he answered. “You think you have played one man against another. But I tell you that is not so.” “How do you know?”’ “Knowledge grows from within. And love grows from within. The more honest we are, the more we hesitate until the heart informs the mind, and then the mind that doubted becomes wiseand knows — and knowing, knows how to wait.” “I could wait a million years,”” she said, “‘if I believed it would cure me of indecision. Guru Sakid, I'm in love with two men. I'm ashamed — He interrupted: ‘“There is no profit in flailing the night to make it bring forth day. Faster. On to Palanpur.” ‘“There’s the halfway dak bungalow. There’s the village beyond it. We'll have to stop there and get water for the radiator.” “We will get information. friends in that village.” “I can see a crowd; can you? Wipe your spectacles. They’re pouring out of the village. They mean to hold us up.” “They will do you and me no harm, Sahiba. But this is the home of one of those leaders whom the Govern- ment arrested. He was born here. They are proud of him. He is the only articulate voice of their discontent. Now that the voice is silenced, stifled passion begets unwisdom. But I will talk to them.” Marquise slowed down. The road was bad. There was a partly broken culvert, but it was still practicable. “Why not go first to the dak bunga- low?’’ she suggested. *“You could send for your friends. It might save time."” “No, no, no! To the village! Quickly! We are followed.” The driving mirror was covered with dust. Marquise had to turn her head to see the flash of the sun on a windshield several miles behind. I begin to be afraid now,” said the Guru. “Can you drive faster?” There was barbed wire on the road and broken glass, but Marquise man- aged to reach the gap in the mud wall I have that did duty for a village gate. Two or three hundred villagers swarmed into the road with long sticks, hoes, knives, an ancient sword or two, and several shotguns. They were moist-lipped, ominously silent. Their eyes glowed beneath untidy turbans. They thrust their leaders forward and surrounded the car, glaring at Marquise, sullenly respectful to the Guru. They smelled of sweat and anger. One man with a high-pitched voice, who had whipcord sinews, shouted; Marquise couldn’t understand what he said nor what the Guru answered. They seemed disposed to yield the right of way toward Palanpur. But fifty men separated themselves from the crowd and moved in the direction of the half-broken culvert. They blocked the road in the way of the car following Marquise. Its driver sounded the horn furiously, drove straight at them, realized too late that they wouldn’t give way. Brakes — broken road — dust — clat- ter of shattered glass — glimpse of a car overturning — knives. The villag- ers were slashing the tires. Marquise turned her own car around and went at full speed to the rescue of the other. She avoided the broken cul- vert by crossing a field. She drove straight into the riot, stalled her car against the overturned roadster, shouted to the Guru: “Stand up on the seat! Talk to them! I'll — ' She jumped out. The crowd gave way. She could hear the Guru’s voice. The crowd offered her no violence, nor any insult, even when she knelt to see who was under the overturned car. It was Captain Tom Goddard, stunned, pinned to the road by the weight of the car on his ankle. She caught a glimpse of the dust of God- dard’s servant running away. Her own servant crouched behind the Guru, who was standing on the seat of her car, talking — talking. Marquise seized the nearest man’s arm. He did nothing — glared — muttered. So she herself tried to raise the overturned car.Then shame stirred one man, then another. A dozen helped her, getting in one another’s way. She used every ounce of her strength and dragged out Tom Goddard. He wasn’t stunned any longer. He caught hold of the framework of the car, hoisted himself to his feet. His teeth were clenched. Pain in his eyes. Courage behind the pain. Anger behind courage. **Are you hurt? Are you hurt badly ?” Through the anger and courage and pain Marquise saw triumph in his eyes. He laughed. ‘‘Hello, Blue Eyes! You look good. What's happened? Guru saucy to you? Well, we’ll see about it!” Palanpur! Father in danger of deatk in Palanpur! Marquise spoke as calmly as her throbbing heart would let her: “‘Please! You must get away before , they kill you! Quick! Quick!"”’ (Te Be Continved Next Week) BLACKHEADS Prevented with Oxygen Cream improved way to refine skim. Brings freshness to complexiof Countless women formerly miserable over a skin marred by blackheads, whiteheads, large pores, and other skin faults, are now enthusiastic. about a new beautifier. This remarkable preparation releas- es oxygen—not ordinary oxygen, but oxygen that is active and cleansing. When the cream is applied, this oxy- gen works down into the pores, loos- ens any blackheads so they come out easily, and prevents others forming. APPROVED BY GOOD HOUSEKEEPMING The name of this preparation is DIOXOGEN CREAM and there is no other cream quite like it. Dioxo- gen Cream benefits any type of skin to which it is applied. It helps ta normalize an excessively oily or dry - skin and to restore freshness to the complexion. The regular use of DIOXOGEN CREAM keeps the pores free from dirt and other foreign matter. Then the skin can resume its fresh, clean appearance and becomes soft and smooth to the touch. 50c and $1 jars at drug and dept. stores. SPECIAL OFFER: — If you have: not yet used Dioxogen Cream, send 10c for generous trial jar. Address “Dioxogen Cream, 63 Fourth Avenue, New York City.” t |