Evening Star Newspaper, April 24, 1937, Page 40

C—16 AMUSEMENTS. T HE EVENING STAR W’ASHINGTON D. C, SATURDAY,. APRIL 24, 1937. AMUSEME _— ey AT e Yo 0 AMUSEME “Hit Parade,’ ” at Capitol, Picture of Varied Mood Excess of Characters and Dearth of Materials Handicap Big Picture—Lenore Ulric Offers Tabloid “Lulu Belle.” BY JAY CARMODY. & parade all right. unrelated bits that it may hoped. HE HIT PARADE,” which opened at Loew's Capitol yesterday, is a As a matter of fact, it is such a long parade of be less of a hit than its producers There are beguiling moments scattered through it, most particularly those in which Frances Langford sings her throaty threnodies, but they occur too infrequently. In making the picture so big, Republic apparently overlooked, too, the fact that freshness is a feature ofy. merit in film musicals. Neither in the story it tells, nor the dialogue and action through which it is related, does “The Hit Parade” try to out-| guess you as to what is coming next. Its plot is built around a singer on her way to stardom and the field of action of singers on their way to stardom has been pretty thoroughly :xplored. If Republic Pictures Corp. were to walk through the drama de-| partment door and ask us what we| would do to freshen up that story we | ‘would have to admit point blank that they had us. Until that happens, however, we sort of have them. If you are a Frances Langford fan, | however, you probably will like her in “The Hit Parade.” She sings four numbers which were tailored perfectly for the Langford mood and vocal chords. “Sweet Heartache,” for one, is just the thing to sing when you are alone under the moon this April, May or June. Phil Regan helps Miss Langford on this one. He, too, is good in it but Phil spends most of the time trying to untangle Miss Langford from the difficulties which beset her rise to four-figure stardom. ‘He gets no chance to sing. * Kk % X EVER did a picture go.in for more bands; and big bands at that. There is Duke Ellington and his boys to blow swing for you and Eddy Duchin to play sweet, and Carl Hoff to tilt first one way, then the other. On the comedy side, Republic ecooped up Molasses 'n’ January, George Givot, Al Pearce and his gang, Edward Brophy in the part of an apologetic radio sponsor, and Max Terhune as a simpleton with a ven- triloquist’s dummy playing a !trong‘ eupporting role. None of them exactly laid the audience in the aisles, least | of all Givot. Gus Meins directed “The Hit Parade” and considering the horde of people he had to tuck into the piece, he did a reasonably good job. Both he and the picture would have been better off, however, if he had used his megaphone to shout “Go away” to a regiment or so of char- acters. It is a bright and entertaining stage show that comes traipsing out of the wings when the projection machines stop whirring. Little Jackie Heller, of stage, screen and radio, stopped every- thing with his pleasing interpretations of a number of the more popular of the current tunes. He let the audience name a couple of encores, singing two of the 40 or 50 which were requested. * ok ok X LENORE ULRIC, occupying the big spot in the stage presentation, gives a condensed version of “Lulu Belle,” her play sensation of a decade ago. The condensation consists of the last scene of the play in which her former lover takes Lulu Belle to task for the double-cross she gave him. Divorced from the rest of the play, the once flery scene seems to have lost much that made it memorable in the original version. Saul ‘Graumen and his “musical stairtone” dancing bit is fresh and extremely pleasant to look at; an opening act that is quite superior to many you have seen in better spots on stage’ programs. Miller, Kirk and Howard sing, dance and clown the vaudeville program to a pleasant ending. - Billed between the feature picture and the news reel (nice work, Movie- tone) is the yo-yo maestro Art Lang. Irene Weber, another yo-yo expert, says Mr. Lang is very, very good. Keith Film Is Slow and Unmoving Guns Provide Only Fire in “Woman I Love.” BY ROBERT B. PHILLIPS, Jr. T MAY surprise you somewhat to learn that in a cinema loaded with such potential histrionic dy- namite as Paul Muni, Miriam Hop- kins and Louis Hayward, the only dra- matic explosions spout from the busi- ness end of a machine gun. That nevertheless is the plight of “The ‘Woman I Love,” which opened yester- day at R-K-O-Keith's, leaving more or less cold at the end of an hour and too many minutes an audience which had bounced into the theater fired with the white heat of expectation. Certainly no one would have guessed that the mighty Muni or the facile Hayward would be compelled to resort to those old devices, the rattle of gunfire and the roar of airplanes in | combat, in order to inject a semblance | of life into a drama. Mr. Muni, it is | true, refuses to be downed completely | by the material handed him. How- ever shallow its concept, he insists upon reading a few strokes of subtle characterization, of individuality, into | his definition of the role of a Sensh‘ tive, bedeviled aviator rather confused and lost in the mundane uproar of war. Mr. Hayward also gets across a lick or two now and then, renewing the faith of those who have regarded him as & white hope among the younger screen actors, but like his senior co- hort, he is unable to enliven materially the progress of a thick story, slowly told. As for Miss Hopkins, she is left without & machine gun or an airship to help her out of a bad predicament. 8he is merely caught flat-footed, there on the ground. Usually one of the screen’s liveliest actresses, whether her talents are dedicated to comedy or more serious matters, la belle Miriam 1s suppressed to the point of collapse here. Director Anatole Litvak has guided her into a channel of charac- terization so lugubrious that it be- comes impossible to believe two men could have been fascinated by a dam- #el of such dour mien. That, by the way, is the crux of the plot—the fact that a young French lieutenan®, (Mr. Hayward) meets and falle in .ove with a beautiful lady (Miss Hopkins), then goes to the front and becomes the defender, con- fidant and beloved friend of her hus- band (Mr. Muni). Discovering this situation too late, he is embittered, Mr. Muni is embittered, Miss Hopkins is tragic and sad, and Colin Clive, who has the meanest look of any man alive when he chooses to put it on, uses an insignificant role to outem- bitter them all. Such fun as may be had with “The Woman I Love” goes on in the skies, ‘where there are some stirring aerial dog-fights and a rather remarkable series of photographs of the postures, expressions and grimaces of & man who is pointing a machine gun at a fellowman. Mr. Hayward takes care of that grim business, but nicely. For those who énjoy a good cry ebout as much as any other indoor eport, Mr. Litvak has employed a youngster named Wally Albright, who squeezed a great many tears out of the first audience yesterday with his somewhat obvious boyish charm. THEATRE PARKING - sPMTO 3B, 1AM. CAPITAL GARAGE 32293 % A DINNER DANCE Dinner, $200, Sat, 5225 $110 Cover , Nightly o Additional Cover for Dinner Guesty Where and When Current Theater Attractions and Time of Showing. National—‘The Good Earth,” 2:30 and 8:30 p.m. Earle—“Internes Can't Take Money,” at 9:45 am., 12:10, 2:40, 5:05, 7:35 and 10:05 pm. Stage shows at 11:10 am, 1:40, 4:05, 6:35 and 9:05 p.m. Capitol—"The Hit Parade at 11 am., 1:35 4:15, 7:05 and 9:55 p.m. Stage shows at 12:40, 3:20, 6:10 and 8 pm. Keith's— The Woman I Love," at 11:45 a.m., 1:45, 3:45, 5:45, 7:45 and 9:45 pm. Palace — “Waikiki Wedding,” at 11:15 a.m, 1:15, 3:20, 5:25, 7:30 and 9:30 pm. Metropolitan—"Marked Woman,” at 11 am, 1:05, 3:10, 5:20, 7:20 and 9:35 p.m. Columbia—"Maytime,” at 11:15 a.m., 1:50, 4:20, 6:55 and 9:25 p.m. Belasoo—Ecstasy,” at 12:05, 3:05, 4:05, 6:05, 8:05 and 10:10 p.m. Rialto—"The 39 Steps,” at 11:15 a.m, 1:50, 4:30, 7:20 and 10:10 p.m. Little—"Barretts of Wimpole Street,” at 11 a.m, 1:06, 3:12, 5:18, 7:25 and 9:32 pm. Trans-Lux—News and shorts. Shows run 1 hour and 15 minutes, continuous 10 a.m. to 12 midnight. Ambassadar—"‘Nancy Steele is Miss- ing,” at 2, 4:05, 6:15, 8:05 and 9:55 pm. Tivoli—"“A Family Affair,” at 1, 3, 5, 6:40, 8:20 and 10 p.m. Uptown—"“We're on the Jury,” at 2, 4:10, 6:10, 8 and 9:50 p.m. Howard—“Love Is News,” at 13:30, 3, 5:30, 8 and 10:20 p.m. Stage shows at 2, 4:30, 7 and 9:20 pm. “MARKED WOMAN" BACK FOR A WEEK AT THE ‘MET’ Grim Realism Colors Film Built Around Vice Racket and Giving Bette Davis an Appealing Role. “A/IARKED WOMAN,” at the Metro- politan this week, looks every bit as grim and compelling as it did two weeks ago when it started Bette Davis fans trooping to the Earle. It is all about vice rackets and Miss Davis, with the help of Edward Cian- nelli, makes them look 80 unattractive you think maybe you will go buy a farm somewhere and forget cities altogether. There is a strongly topical quality about “Marked Woman.” So strong is it, in fact, that you almost would think the film was a pictorial rewrite of the inquiry which had New York all agog such a short timé ago. The picture is a sound vehicle for the preservation of Miss Davis’ repu- tation as a knockout in tarnished dove roles. But it is even better, we go on thinking stubbornly, for the oppor- tunities for being bestial it presents to that sterling old sadist, Ciannelli, A magnificent rat he is as the rack- eteer who marks women like Miss Davis. The film has Humphrey Bogart, too, and quite & few other sterling players Who make it grim and unlovely but E. Morrison Paper Co. quite fascinating all the same. You get variety and value 1009 Pa. Ave. Phone NA. 2045 at —J. C. here. See our big steck. Leeturs “Sleep—Dreams— Death” April 25, 8:15 P.M. UNITED LODGE OF THEOSOPHISTS Hill Building 17th & Eye Sts. N.W. No Dues. Fess or Colloctions In a New Headline Yarn JOSEPHINE HUTCHINSON Plays the leading feminine role in “Mountain Justice,” another Warner Bros. film snatched from the headlines. It's scheduled to open next Friday at the Earle Theater. Bing’s New Film Stays At Palace “Waikiki Wedding” Has Crosby and Much More. T PROBABLY will be no great gurprise to any one that “Waikiki | Wedding” has been held over for | a second week at Loew’s Palace. “Waikiki Wedding” has, for one thing, Bing Crosby, and Mr. Crosby’s fans abound in great numbers in this or any other city where radios and motion pictures add to the complica- tions of our daily life. There are enough of them, at least, to account for one week of a Crosby fllm. There are things about “Waikiki Wedding,"” however, which will add to the number of persons who will be or have been diverted and amused by it. For one thing, it's the best vehicle the ex-Whiteman choir boy has had in lo these many vehicles. It has happily a rather fresh plot idea, tell- ing the sad tale of a lackadaisical press agent who comes near being another Frankenstein, almost being destroyed by his own gag, & just fate, of course, for & few selected press agents. The Frankenstein allusion, how- ever, is not meant to imply that Shir- ley Ross is a monster. Shirley is | part of the gag perpetrated by Press | Agent Crosby, in the end falling in | love with him, which may or may | not be destruction, depending upon your point of view and whether the | poached eggs were right at break- fast. Anyhow, Shirley is nice to look upon and not a monster, even though the cameramen did ignore her a bit. “Waikiki Wedding” 1s further brightened up by a pig named Wof- ford, by Martha Raye's antics, by Bob Burns, by some nice music and by some fine Hawaiian scenery, and we don't mean hula girls. HM SPRING IS IN.THE NEWS AT TRANS-LUX THEATER Base Ball and the Kentucky Derby in the Pictorial Parade of Events. SPRING not only is in the air, _l'-'l in the news. The current bill at the Trans-Lux Theater proves it, if you didn’t know it already. Have a look at the headline events of the day as they're pictorialized at the Capital’s news reel outpost. The base ball season opens and the Senators go to New York to trim the Yanks by & slim margin. The Cards beat the Reds in spite of the fact Dizzy Dean is knocked all over the lot. The Kentiicky Derby looms and favor- ites in the Churchill Downs classic pass in review. Beer is legalized in Kansas, with the Governor saying it isn’t & legalization of beer but a defi- nition of the State’s prohibition act. China masses forces to be ready when comes the time to give up pas- sive resistance. A Paris modiste de- signs a hat that can be made different for four different days by removing pare parts. The bridge to the cave of the Winds at Niagara is made ready for June's honeymoons. Gloria Swanson, looking a bit of all right even in a news reel, sails aboard the Queen Mary. New York’'s model: say theirs is not an easy life, not a’l brer and skittles when they have it and they don’t have it long. Congress considers the budget and | the President's request for relief | funds. Police jail strikers in Phila- delphia. A ‘“mystery” statue is planted in Lafayette Park. Wash- ington cleans up for Spring. It's & comprehensive and worthwhile stp- plement to the daily newspapers that's been gathered together this week at the Trans-Lux. There are four short subjects on the bill, too, including “The Counfry Cousin,” winner of the academy award, and “Fleet Hoofs,” an inter- esting item dedicated to horses. -—H. M. Four Die in Explosion. COELEMU, Chile, April 24 (P).— Four workmen were killed and 11 in- Jjured yesterday when a boiled exploded in & lumber yard, one block from the public square. e e e e e Picture of Interne Life, AtEarle,AppearsaComedy Stanwyck Film Has Its Laughs and Is Fun, Even If It Was Meant for Melodrama. Heidt Music on the Stage. BY HARRY MacARTHUR. HIS is all becoming s mite confusing. At first, over at the Earle Theater, it was a bit of fun looking upon “Internes Can't Take Money,” because there are a lot of laughs in it. Now it's confusing, for nowhere in the ads can we find “Internes Can't Take Money” called & comedy.’ It is supposed to be an exciting melodrama about what happens when an interne gives a gangster back $1,000 which his love could have used to find the baby her husband hid in ang orphan asylum before he was shot and she went to jail. It's about something like that, anyhow. That may be melodrama in Holly- wood but it looked more like & comic satire on melodrama yesterday in ‘Washington. The Paramount people, of course, may not see eye to eye with us about this matter, so you'll' prob- ably have to make your own choice between the opinions. Just remember the Paramount people have been wrong before, too. Anyhow here’s some of the evidence in support of the theory that “Internes Can't Take Money” is a comedy and not a stirring, nerve-rousing drama. Right at the beginning of things, for instance, there’s this tried and true scene. Miss Barbara Stanwyck, a lovely piece of driftwood in the steady stream of patients flowing under Dr. Joel McCrea's -scalpel, sits down to have a burn treated. Business of McCrea being brusque and surgeonish. Then he looks up, his eyes and Stan- wyck's meet, the sun stops in its course, the stars careen wildly through the Heavens.' If that revered old lovers-meeting scene hasn't attained comic status by now, nothing ever will. * % ok X 'HERE are other items, t00. There are all the various gangster characters—the stool pigeon, the taciturn boss, the gunmen, etc.—all neatly typed, we insist, for a laugh and not for melodrama. There are a few tough and bloody gangland scenes that are almost riotous fun. There's a pleasant innovation in “In- ternes Can't Take Money,” too. Op- erating room scenes are out. Dr. Mc- Crea performs two emergency surgical tasks; one in the back room of a saloon and the other in a gangster's private office. This does not help the premise of the picture, though, for it seems only fair that an interne should be allowed to take money for such extracurricular jobs. The gentle humor flowing as an undercurrent to “Internes Can't Take Money” is no aid to Miss Stanwyck, when it comes time for the storm she | is permitted in reel 7 of her every film. The tantrum seems out of place amidst all this fun. At other times, however, her performance is | an honest and successful one. Sur- | prised? We were. Mr. McCrea, too, is sincere as he sticks to the in- terne’s code, maintains his honor and gets Stanwyck anyway. It's really an amusing thing, this melodrama. We enjoyed it, only we missed the Ritz Brothers. * ok X TH! Earle's stage bill is presented by Horace Heidt and his Brig- adiers and it's a top-notch bill of musical entertainment. The Brigadfer manner with tunes of the day is sweet and pleasant to the ear and the selec- tion of the numbers has been a happy one, blending favorites with novelties in a proportion that should keep everybody happy. The show reaches something of its muisical apex with the Heidt rendition of “Liebestraum.” There's an imposing array of spe- cialty artists on hand to aid the Brigadiers in filling an hour with en- tertainment. The best of these seems TOMORROW EVE at 8:30 | Natlenal Theater Direct from its New York Success MORDKIN BALLET Mikhail Mordkin, choreographer & director AN ‘GISELLE’ and ‘THE GOLDEISH’ Bis éast of BO dancers, Chase, Viols Essen, Romanel Beautiful scenery and costumes, the Metropolitan Opera phony Orchestra. Seats $1.10_to $2.35 at Boxr Office TRANS-LUX 14th & H Sts. .N.W. World News Pictorial AND SUPER SHORT FILMS Entertaining—Educating Cont. 10 AM. to Midnight ADMISSION 25¢ including Lucia Varkes, Dimitry YOU FOLLOW THE CROWD YOU'LL LAND AT THIS AFT. OR TONITE Park Open Daily 1 to 12 p. m. DANCING STARTS AT 9 . "KEITH'S 1 S'I'H ATG THE YEAR'S OUTSTANDING PICTURE! LAST NIGHT THEY CHEERED PAUL MUNI ACADEMY AWARD WINNER 1936 MIRIAM HOPKINS IN THE RKO RADIO PICTURE “THE WOMAN | LOVE” With LOUIS HAYWARD 7000l 4 (4 - i BUBBLES: “Mrs Sad Iron, You Can Siop Ironing Sheels - Forever! Just Call ELITE Laundry at Potomac 0049” & BERNHEIMER'S NTS. to be young Burton Plerce, as deft and graceful a tap dancer as has been seen on local boards in months, and s lad with a wealth of promise. There are songs, also, done pleasantly by Alyce King, the King Sisters, Larry Cotton, Bob McCoy, the Glee Club and a host of others, but most pleas- antly of all by Lysbeth Hughes, the singing harpist, who does not look like & feminine harpist. MAN IS HELD FOR JURY IN FAUQUIER SHOOTING By the Associated Press. WARRENTON, Va., April 24.—Trial Justice B. Richards Glascock ordered Charles Reed of New Baltimore yes- terday held for grand jury action in connection with the fatal shooting of Aubrey Moore on Reed's property Tuesday morning. After the hearing, requested by Sherifft W. 8. Woolf, Reed was re- by his son, Warren W. Reed. Moore died in the Fauquier County Hospital of a gunshot wound in the abdomen. * § Sows oty — oty 438 Firk Suingtime i Springtime Show S Gruat Grchestras Right ia Saccession! Warner Bros BARBARA « JOEL I'{ STANWYCK McCREA HORACE HEIDT & NIS ALEMITE BRIGADIERS “itornes Can' Y.llflflllu METROPOLITAN Now Showing BETTE DAVIS In Warner Bros. [ " ‘Marked Woman' vt HUMPHREY BOGART MAT. 25¢-EVE. 25¢ & 40c YETY BURLESK SBTARTING SUNDAY MATINEE We Present Our Feature Guest Star “HINDA WAUSAU” The Garbo of Burlesk Last Time Today—"NADJA" leased under $1,000 bond furnished | LAST TIMES TODAY! i iRl fuck tzer Prize Winming N. fi-]am Hrr wite! Frices Inciude Tag NATIONAL WEEK BEG@. NEXT MONDAY JRN VISIT BY POPULAR DEMAND BT AW I HARRIS PRESENTS JANE COWL “FIRST LADY” Mats, Wed. and Sat., 55¢ to $2.20. Prices Include Tax. LAST TIMES TODAY R. DONAT and M. CARROLL fa “THE 39 STEPS” and JESSIE. MATTHEWS in “FIRST A GIRL” STARTING SUNDAY AM © “STAR OF MIDNIGHT” and VICTOR McLAGLEN in “THE LOST PATROL” GINGER ROGERS BELASCO HELD OVER AGAIN Sth Big Week in Washington LI WASHINGTON HISPERING ABOUT Suppressed by . <. Customs i | IS W T HIT PARADE | | | | FRaNcES ™ pMiL | LANGFORD REGAN | and Stars! Stara! Stars! i *SZge...in person i LENORE ULRIC - | Little JACKIE HELLER BING CROSBY BOB BURNS-MIZ’!}A RAYE wHlikiki Z with SHIRLEY ROSS ¥ JeanetteMacDONALD MY ©Of Perfect Souna Photoplay ACAD B 216 S E Lawrence Phillips’ Theater Beautiful, Continuous From 1:00 P.M “COUNTERFEIT LADY,” With RALPH BELLAMY and JOAN PERRY. “WESTBOUND MAIL,” rring_CHARLES STARR in “WILD BRIAN KENT.” CLARENDON, VA. ASHTON GUY KIBBEE and ALICE in “MAMA ST T EPS_OU h and N. C. Ave S.E. QROHNY “'s‘ CIRCLE 8TU. HIRLEY TEMPLE and. OUNG .in__“STOWAWAY." 2105 Penna Ave. N.W. EDMUND 'LOWE. GLORTA “THE GIRL ON THE FRONT Comedy. _Cartoon DUMBARTON Wisconsin_ Ave. and P S Hi 1343 SPANKY McFARLAND ILLIPS HOLME: “GENERAL ANKY." Chapter No. 15, 'Darkest Afric Also_Comedy. BUCK_JONES in “LEFT-HANDED LAW." 27T M P 8t. STEELE Our Gang_Comedy. mond" Serial. _Cart Oth Between F and G Last Day NORMA 'SHEARER. FREDRIC MARCH and CHARLES LAUGHTON in_ “BARRETTS OF WIMPOLE STREET.” Sun. “Mr. Deeds Goes to_Town." PRINCESS 1119 B St ‘WALTER N.E POLLY RAWLES and COY in “LOVE LETTERS OF A STAR”" Aiso CHARLES STARRETT in “CODE OF THE RANGE." SECO_ St Sovine. M Continuous From_1:00 P.M. “PENROD AND SAM,” BILLY MAUCH and ALL-STAR Cast. Also “CONFLICT,” Ace Drum- JOHN WAYNE. Chapter No. 13, “Phantom Rider: A RIES LEE NOAH BERRY. JR. E MIGHTY REVE FERNAND GRAVET JOAN BLONDELL KING 'AND THE CHORUS GIRL AMBASSADOR VICTOR McL. in “NANCY § __“Jungle Jim APOLLO Phone 5 Doors Open 12:30. Show 00 P.M. JANE WITHERS "HOLY TERROR. " and PETER LORRFE. BRIAN DON- LEVY CRACK UP." ‘“Jungle Jim.” No d Short 8 AVALON 512 Doors Open B 18th St. & Col. Rd. Col. 5595 d JUNE LANG IS MISSING.” Conn. Ave, Clev. 2600 Show 1:00 P, AND %; Doors Open_12:30, 5 DOLORES DEL RIO S P Ninth S Phone Met M THE Show ‘100 Py N MARION “MARSH YOUR BIRTHDAY." n" No. 5 and S 1230 € Phone_Line. 0. " 'Sho pen THEATERS Doors_0; JOE E HOME Doors Open RICHARD VALLEY " P Ave. 8] Line. 2179 30, pShow 1:00 .M. R £ in A FAM- FFAIR."_Also Cr\mrd\': . SAVOY 3qie m Bt 10858" Doors Open 12:30. Show - FREDDIE MADELEIN Ca “LLOYDS OF LONDON O WARNER BROS STANTON nf 3258 fi, K. Sound Equipment. Continuous From 1:00 P.M. “CONFLICT,” With JOHN WAYNE. KEN MAYNARD in “THE CATTLE THIEF.” STATE-BETHESDA %275 & CHARLES RUGGLES in “MIND YOUR BUSINESS.” RALPH BELLAMY in “WILD BRIAN KENT.” Gang Comedy and Popeye. TAKOMA 4th d Butternut Sts. o Parking Troubles. From 1:00 P.M WM. GARGAN and BINNIE BARNES i “BREEZING HOME.” BUCK JONES in “EMPTY SADDLES.” Ovp. Colonial Village. Arlington. Va. ny ntinuous 2:00 to 11:00 P.M. KATHARINE HEPBURN and FRANCHOT TONE in “QUALITY STREET.” JESSE THEATER '*%:.%4" uble Feature “CRACK-UP.” PETER LORRE. BRIAN DONLEVY. e GENERAL SPANKY,” ‘GEN] McFARLAND, Matinee n | PALM THEATER _ =i zax: “LOVE IS NEWS,” TYRONE POWER. LORI 'A YOUNG. Matines at 1:00 PaL DIRECTION OF SIDNE & Sheridan Doors Onen 12:30. " Show 100 B . HELEN BRODERICK and MOORE in WE'RE JURY " Also Short Sub ==X Also Short Sul TIVOLT "4 & Fare me, N one_Col. 18 Doors Open 12:30. LIONEL . BARR e _ILY AFFAIR."_ Popeye Cattoon UPTOWN Conn. Ave. and Newark St Doors Onen 12510, Show’ 50 B’ HELEN 'BRODERICK and VICTOR MOOEE in WE'RE ON THE Also_Cartoon. Ga. Ave. and 1 ?“lll're ;V W. ?o,l:::flbl.é; 30, Show 1:00° P.M. GEORGE O'BRIEN in “PAR] - NUE LOGGER.” Also Shofix.“vg Near 9th HIPPODROME X Near ot BING CROSBY in “PEN- Doors Open [ 5 =1 | NIES FROM HEAVEN.” Dbl 21D MT. RAINIER. MD. Double Feature ark Avenie Log- ., Rocheile Hudson, ~Woman- »= [CAMEO George O'Brien (3 [ Mer ARCADE FXATISVILLE. M. Dick Poran, “ ‘California Ma ane Darwell, " “Laughing Frouble.” RICHMOND Avexaxpmia va Jean Arthur. George Brent in ‘‘More Than a Secretary.’ REED Ausxomeis. va Dolores Del Rig, Richard Dix, “Devil's Playground.” "Free Parking Space for Theater Patrons. MILO " ROCKVILLE. Mp. Double Featurp Gene Autry. “Guns and Guitars” 4ne ones Family, e Races. Chapter No. 1. “Robinson Crusos,” L at