Evening Star Newspaper, October 20, 1935, Page 63

AMUSEMENTS. AlineMacMa honGetsLead’ In New Screen Productlon lay Title Role in Film‘ 3 Popular Actress to P Version of “Kind Lady”— Back at th By E.de S. Melcher. LINE MACMAHON, an actress during her long and then not A cheered at her entrance. ‘This shows that the public which is fickle to some is not fickle to all—and that in spite of the fact that Miss<— MacMahon didn't seem to be getting anywhere in particular a year or so ago and in spite of the fact that she had what is called an ex- tended lay-off, her return has been eagerly awaited—and the chances are that she will soon hit the moon again The announce- 3 ment therefore that she will play the lead in M-G- M's screen ver- sion of “Kind Lady” is very § 0od news —al- . Shough if we re. _Alne Machaben. member correctly the play called for | a lady of somewhat mor: advanced age. Nevertheless if Grace George could do it in New York the chances are that Miss MacMahon can do it hek | for Hollywood. And the fact that she | is back on the screen again is some- thing for which all good movie fans should be grateful. * X ¥ X ONE of Washington's youngest ac- | tresses will appear in Max Gor- don'’s production of “Pride and Prej- udice.” Edwina Wise, who played at the National Theater last Summer in | “Petticoat Fever,” “The Bishop Mis- behaves,” “The Shanghai Gesture and “Declasse.” is one of the players Max Gordon has assembled for Helen Jerome's dramatization of the Jane Austen novel. Besides playing a part of her own,- Miss Wise will under- | study Helen Chandler. Incidentally Miss Chandler, will appear as Jane Bennett. who | made | her stage debut at 8 in Arthur Hop- | kins' production oi “Richard IIL” Miss Chandler was standing out- side the Plymouth Theater when Mr. Hopkins passed by and said hello. “What's your name?” he asked, as- | suming probably that she was one of the juvenile players engaged for the company. “Helen Chandler,” she yeplied. “What's yours?” Mr. Hop- kins was so delighted with the young lady's self-assurance that he there- upon engaged her to play the Duke of York in his show. x ok kx LLIOT S. FOREMAN, advance representative for Max Gordon, arrived in town recently to complete arrangements for the presentation of *“The Great Waltz” at the National Theater on Monday. November 11. There are numerous problems that must be overcome before & perform- ance can be given. His first job will be to inspect the | theater from back wall to box office end report to Mr. Gordons various back again—this time in high fettle at Metro-Goidwyn-Mayer. Al- though she is seen all too briefly in “I Live My Life,” it is a fact that when that picture was previewed in Hollywood she alone of all the players was Edwina Wise e National. of note, who went from better to worse so prosperous stay ai Warner Bros., is chiefs of staff as to what changes may have to be made. The fly floor of the stage will be checked for the necessary number of sets of lines, the floor will be examined as will the electric current,. an extraordinary amount of which is required for use in. the special switchboard carried by “The Great Waltz” company. They will also look after the auditorium of the theater to make sure of all the necessary connections and refinements that are needed by this massive pro- duction that filled the huge Center Theater, Radio City, in Rockefeller Center, New York. Mr. Foreman | served in a similar capacity for “Green ‘Pnstures during its long tours and | previous to that has been associated | with many of the leading theatrical | attractions. “The Great Waltz" can only play in | cities boasting of theaters the size of the National. Seven 70-foot balloon top baggage cars are required to transport the scenery and effects used in this production. * %k K ¥ 'HE screen has many advantages | over the stage in presenting Shakespeare. It brings Shakespeare to its audi- ences as the master dramatist in- | tended his plays to be presented— It can show every scene that \shnkespeare wrote— | It can give a Shakespearean scene | | great depth and scope, without adding | one word of spurious dialogue. These are the observations of Prof. William Strunk, jr. of Cornell Uni- | versity, who is in Hollywood working | on dramaturgic preliminaries of “Romeo and Juliet,” which Irving G. Thalberg is to produce at Metro-| Goldwyn-Mayer, starring Norma Shearer. “I am delighted,” said Prof. Strunk, | “with Mr. Thalberg’s uncompromising | |efforts to bring Shakespeare to the |screen in its purest version, with ut- most fidelity. Too, I am taken with the motion picture as a medium for giving the masterpiece in the full roundness of its beauty. “The stage of today faces a prob- lem in presenting Shakespeare. | Shakespeare wrote ‘Romeo and Juliet’ | in 24 scenes. In the theater of his day, scenery existed chiefly in the spectator's imagination. Where the | scene was laid was, for the most part, simply inferred from the dialogue. The later stage, finding it impossible to change the setting four and five | times during a single act, simply cuts‘ out many of the minor scenes that die | between the great dramatic moments, often at the cost of clearness. The screen version of the masterpiece can and will show every scene of the play.” On the other hand, Katharine Cor- | nell wasn't so bad! Local Players. 1 ENRICK IBSEN'S, “The Wild Duck” will open the Fall season of the Pierce Hall players on Wed- nesday and Thursday evenings of this week, at Pierce Hall. not been done locally since Blanche Yurka appeared in it at the Belasco some six or seven years ago. Bette Davis also had a part in the produc- tion at that time. The cast of the Pierce Hall version includes Romaine Stevens, Neota Silvers, Charles A. Bell, Francis Koonce, Frank Jamieton, | Lucille Dickson, Howard Wentworth, James Rawls, Ralph Paddock. Chester | Ring and George Farrington, who | also is directing. Orris Holland will direct the Co- Jumbia Players' opening production, *“Candlelight.” which will be presented at Pierce Hall, November 6 gnd 7. Mr. Holland, unable to work with the players last year because of business demands, has been responsible for many of the Columbia group’s past | Holland will also direct at | Euccesses. least one more of the six plays on the Columbia schedule this season. group will produce, in addition to “Cardlelight” Susan Glaspell's “In- heritors,” Chekhov's “Sailors of Cattaro,” Wolf; “Nellie, Model” and Keith Winter's Bhining Hour.” The Little Theater of Takoma Park opens its third season with the pro- duction of Austin Strong's ‘“Three Wise Fools,” on November 7, 8 and 9, et the Presbyterian Hall, Tulip and Maple avenues, Takoma Park. The cast includes Hugh M. Smythe, Dr. E. Clyde Shade, Will Carleton, Janet Coon, Agnes Carleton, Ralph Fowler, Frederick B. Linton, Harry Morning- star, Willlam McA. Green, Charles Knott, Ted Barker and Jack H. Vogel. The Drama Guild of Washington opens its season October 29 and 30 with the production of Bernard Shaw's “You Never Can Tell.” The play is under the direction of Dennis E. Con- nell, well-known local actor and di- rector. The cast will include Maude by Friedrich “The The play has | The | “Uncle Vanya,” | the Beautiful Cloak | Nurse Is Chosen. EDNA MAY OLIVER has been se- lected by Irving G. Thalberg for | the important role of Jullet's nurse in his production of “Romeo and Juliet” at Metro-Goldwyn-Mayer. This gives | | Miss Oliver the honor of being the ! | first to be given a part in the pictur- |ization of Shakespeare’s famous ro- | | mance, since the announcement that | ‘Norma Shearer would be starred as | Juliet. George Cukor, who directed “David | Copperfield,” in which Miss Oliver | | registered a smashing hit as Aunt! Betsey, is to direct “Romeo and Ju- | liet.” Talbot Jennings is making the | Iscreen adaptation. Prof. William Strunk, jr., of Cornell University, and Prof. John Tucker Murray of Harvard University, noteed Shakespearean scholars, are serving as literary ad- | visers. - “’Children’s Hour."” MERLE OBERON, now vacationing in England after the completion of Samuel Goldwyn's “The Dark | Angel,” will return to Hollywood on | November 1 for her first starring vehicle, the original screen play, “The Children’s Hour.” Miss Hellman is now in Hollywood conferring with William Wyler, who is to direct the production. Important supporting players thus far signed by | Goldwyn are Alice Brady and Joel McCrea. The picture will be released | through United Artists. ————————————————— Howell Smith, Lansing Hall, Jane Duenner, Irving Day, Thomas Cahill, ‘Maurice Jarvis, Eugene Kressin and Robert Warfield. Frances Hand is designing the sets. Other plays on the guild’s schedule for the season are “The High Road,” by Frederic Lonsdale; “Street Scene,” by Elmer Rjce, and “Tobias and the Angel,” a fantasy by James Bridie. itution G_SERIES, 8:30 5 artet (J¢ Bai Benetll): " B ineft. Lucresia Bori, Nine Martimi. ) 1st SUND, 4 -—Th- § s VENIN( (five_ cencerts), X 3. Ml’.l.-"lll. h‘h';.l"‘” J 'Henry ‘Wadsworth, Bing Croshy, Amos | aiitin THE SUNDAY STAR, WASHINGTON, D. C, OCTOBER 20, 1935—PART FOUR. MAX GORDON PRODUCTION COMES TO THE NATIONAL AMUSEMENTS, F-1 Erlde and Pre JUdlCC to Have Openmg Here on Tuesday Gershwin Turns “Porgy” e ; e Into Splendid Operetta Next Week's Films. OAN CRAWFORD has a brand-new leading man. Brian Ahearne, in “1 Live My Life,” next screen feature at Loew's Fox. The comedy-romance is based on the prize-winning short story, “Claustrophobia,” by Carter Goodloe. and was directed by W. S. Van Dyke. Yorke and King, vaude- ville perennials, headline the stage show, which has also three other acts. There's a Lampkin overture. | “The Big Broadcast of 1936." bright | musical with perhaps the biggest ag- gregation of stars ever assembled for one picture, comes to the Palace ml-’ | lowing “Broadway Melody of 1936.” The cast has Jack Oakie, Burns and | Allen, Lyda Roberti, Wendy Barrie, " n' Andy, Ethel Merman, Ray Noble | and his Orchestra, Ina Ray Hutton | and her Melodears, Mary Boland and Charles Ruggles, Bill Robinson and a score of others. | most Filmdom’s imperturbable | sleuth, Charlie Chan, has new mys- | | teries to solve, this time pen!tralmg* | the Orient, where he should be right at home, in “Charlie Chan in Shanghai,” which comes to the Columbia next Friday. Warner Oland, of course, plays Charlie Chan, and there's a | capable supporting cast. Lionel Barrymore brings one of his finest characterizations to the screen | of R-K-O Keith's in “The Return of | Peter Grimm,” which follows “The | Last Days of Pompeii#’ In the char-| acter of Peter Grimm, tyrannical but kindly Dutch horticuiturist, who comes back from the beyond to rem- edy the mistakes he made in life, | Barrymore is playing g role made fa- | mous by David Warfleld on the stage. | Helen Mack plays Catharine, Peter's foster daughter. “Dr. Socrates” Warner Bros pro- duction based on the novel by W. R. | Burnett, starring Paul Muni in the role of a small-town physician who | proves to be cleverer than the Na- tion’s smartest bandits, comes to the Earle Theater next Friday. Ann| Dvorak appears opposite Muni. Bar-' ney Rapp and his New Englanders headline the stage bill and others are Bernice Claire, Dick and Edith Bar- stow and Bobby May. “Shipmates Forever,” semi-musical film with the Naval Academy at An- | napolis as a background, will open at | the Metropolitan next Friday for its| second week downtown, having just | finished a week at the Earle. The film presents an authentic picture of | the Academy and many of the scenes | = will be familiar, having been wit- nessed in the filming at Annapolis by & number of local people. Dick Pow- ell and Ruby Keeler are costarred and Ross Alexander, Lewis Stone and Dick | Foran have important roles. | “The Passing of the Third P'loor! Back,” starring Conrad Veidt, has its world premiere at the Belasco next Friday evening, the proceeds of the ticket sale going to the bed endow- | ment fund of the Women'’s Newspaper Guild, for the upkeep of their bed at the Children’s Hospital. The film, made by Gaumont-British, is based on the play of the same name by Jerome K. Jerome. Others in the cast are Anna Lee, Rene Ray and Frank Cel- lier. The picture was directed by Berthold Viertel, LIBRARY OF CONGRESS E. 8. Coolidge Foundation Wednesday, October 30 At 3:30 P.M. THE KROLL-BRITT SHERIDAN TRIO Tickets at T. Arthur Smith. 910° G 8N W.. u‘s' inning oi“"l‘. a7) TODAY—4 PM.] Constitution Hall NATIONAL sYMPHONY DR, HANS KINDLER. C Opening Concert of Season TsCHAIKOVSKY: “Pathetique” Sym- phony. Works of BEETHOVEN, Mo- 2ART, MOUSSORGSKI. Tickets, 50c to $1.50 On sale -m: 11 am at Constitution Hall, Me. C.C CAPPI.'L. Mahager. HILADELPHIA ORCHESTRA Stokowski Conducting Oct. 24, 8:45 CONSTITUTION HALL i R ol T T s750" 53 sk ;- ‘I’.‘“fl_..:‘lli‘.-l.mc: 910 G_St. Na. 3700. Lucille L4 Adrianne Allen (upper left), Colin Keith-Johnston (upper right) and Helen Chandler of cinema fame, are the principal players, together with ‘Watson, in Max Gordon's production of “Pride and Prejudice,” which will open Tuesday night at the National. Today's Film Schedule EARLE—“Goose and Gander,” at 3:05, 5:25, 7:40 and 10 p.m. Stage shows at 2:05, 4:20, 6:40 and 9 p.m. R-K-O KEITH'S—“The Last Days of Pompeii,” at 2, 3:58, 5:56, 7:54 and 9:52 p.m. LOEW'S FOX—"It's in the Air,” at 2, 4:31, 7:22 and 10:03 p.m. Stage shows at 3:28, 6:19 and 9 pm. BELASCO—“Java Head,” at 3:26, 5:28, 7:39 and 9:50 p.m. PALACE—"Broadway Melody of 1936, at 2:34, 4:54, T:14 and 9:34 pm. METROPOLITAN — “Special Agent,” at 2, 3:55, 5:50, 7:45 and 9:40 p.m. COLUMBIA — “Call of the Wwild,” at 2, 3:58, 5:56, 7:54 and 9:58 p.m. LITTLE—"Ann Vickers,” at 2, 3:53, 5:46, 7:39 and 9:32 p.m. KEITH'Sc l i A Washington Institution A.) A love story written 2,000 . P years ago for #his very day. . .\'lie LAST DAYS of POMPEII ‘ with thousonds m @ cost icluding A aeston resten BASIL RATHBONE \ @eming .. NONEL BARRYMORE ““The Return of Peter Grimm*® And the 7th lssve of “THE MARCH OF TIME™ ‘with UNA MERKEL- TED: uuu-uv PENDLETON W ot o St JOAN CRAWFORD o °I LIVE MY LIFE* $tage... YORKE aucl KIN| Wi AL sHAYNES " ‘ wlll EW@ ‘ Medal to Mickey. vTHE International Committee for the Diffusion of Artistic Literature by | Motion Pictures cables from Brussels | Belgium, that Walt Disney has been awarded its 1935 medal. The basis for the award is the world popularity | and the high artistic standards estab- | lished by the Mickey Mouse and Silly | Symphony productions. | "The award was made at the annual Alfredo de Castron, Uruguayan Min- ister to Belgium, as chairman. It followed the presentation of a number | of Mickey Mouse films at the theater ‘Bmsula under the auspices of the | royal family of Belgium. The event was attended by numerous representatives of the Government, the diplomatic corps and leaders in | the social and artistic life of Brussels. Marcel Prevost of the French Academy delivered the principal address. NATIONAL THEATRE Nov. 17 Seats $1.10, 81.65, $2.20, IZ 35, $3.30 Illo"Tm“ "cso‘x \ Rc l o BALLET RUSSE ____ALL NEW BALLETS GAYETY BURLESK| Starting This Sunday Matinee GEORGE BROADHURST BURLESK STARS Peggy Hill und I.B. H-mp BARTO &MANN == GYPSY NINA PR T] 264 PARL ASH einis /1 1:30 so— Entertainers— so ¢ Warner Bros METR POLITAN‘ 25¢ & 40¢ % 000 OPEN 1:30 OPP. THE WHITE HOUSE /v THE PASSING OF THE _THIRD FLOOR BACK * ™A e for“bes” endvwasens"nd of ‘The ONLY. mmnmuw | Stars in Gordon Play AX GORDON, producer of hits. That is Broadway's latest title for the manager who will inaugurate his Washington season with the pro- duction of “Pride and Prejudice” at the National Theater on Tuesday eve- ning, October 22. “Pride and Prejudice.” which will play one week in Washington prior to its New York premiere, has been adapted by Helen Jerome from the novel by Jane Austen. Adrianne Al- len, Lucile Watson, Colin Keith- Johnson and Helen Chandler head the cast that Mr. Gordon has as- sembled for the production. Max Gorden began producing full- length plays under his own name only five years ago, when he signed up Fred Allen, Libby Holman and Clif- ton Webb to appear in “Three's a Crowd,” a revue that introduced “Something to Remember You By” and “Body and Soul” and that was acclaimed by an enthusiastic public | as a new step in the musical theater. | It was succeeded the following year by “The Band Wagon,” with Fred and Adele Astaire, Frank Morgan and Helen Broderick. Other Gordon hits were “The Clt and the Fiddle,” “Her Master’s Voice, “Roberta,” “The Shining Hour.” in which Adrianne Allen was co-starred with Gladys Cooper and Raymond | Massey, and “Dodsworth.” Robert | Sinclair and Jo Mielziner, director and scenic designer, respectively, for “Dodsworth,” have been reunited for “Pride and Prejudice.” As an array of hits the preceding | list would be one of which any man- ‘ager might be proud, but Mr. Gordon | meeting of the committee, with Dr. | Proceeded to cap it last season with the production of “The Great Waltz,” | the romantic operetta that broke -lli | box office records at the Center Thea- | ter in Radio City, New York, and |of the International Exposition in | ¥hich Washington will see later this season with the original cast intact. l.!c ‘l 85 Sl(. .‘l.". 55‘! to $2.20 (Ine. Tax) |New Theater Guild Production One of the Hits of the Season—Otherwise Season “None Too Incandescent.” BY PERCY HAMMOND. NEW YORK, October 19. RAMA lovers who found “Porgy” a fine play about the Carolina Negro may wonder if it has been improved, as an entertainment, by Mr, Gershwin's operatic attentions. They recalled that it cast a dim ra- diance on the squalor of Catfish Row through methods direct and simple. There was a sense of integrity in it, a desire to convince the audience that its tale was true. Mr. Mamoulian, then taking hls first steps as a director, addressed his burgeoning genius to%— the furtherance of its authors’ purpose, and the result was a happy reunion of life and the theater. The insistent de- ceptions of the stage were either ab- Psent or well disguised, and as you wit- nessed the story’s scrupulous unfolding you experienced the rare pleasure of seeing a play, not a perjury. Its Kongo lusts and loves were set’ before you in all their rhythmic violences. The per- formance persuaded you that you wers peepholing on an unusual scene that was actually hapoening. Its characters behaved themselves as human beings who, however strange, were more on earth than on a platform. It was “like,” as Mr. Walkeley used to say about honest dramas, and you had | faith in it as an example of probity in the drama. The Heywards, its authors, were s0 anxious to have it done truth- fully or not at all that they demanded from Broadway a cast that contained no white actor with burnt cork on his face. IT WAS to be expected that so sti- diolis & composer as Mr. Gershwin would desire to augment the values of “Porgy” with music. In no tmwial Times Square mood did he set about to translate it in terms of song. It is said that he spent two years in Charleston close in contact with its Negro in- habitants in order to become permeat- ed with the atmosphere of Catfich Row. He lived with the characters he proposed to sing about, so that he could catch and convey to audiences in the North the secrets of their existence. The drama, he thought, had done something to disclose the joys and dis- tresses of Charleston's dark purlieus, but not enough. What was needed to perfect the revelation was an orchestra, baritones, sopranos and bassos. A folk opera, in short, combining the best features of two opposing Muses. Per- sons who suspect that Orpheus and his lute should not intrude upon the drama may well be discontented with what Mr. Gershwin has done to * k% x you will be fond of “Porgy and Bess* and that if you prefer your dramas undefilled by music you will not care for what Mr. Gershwin has done to “Porgy.” * ITH “Jubilee” cutting luxurious capers at the Imperial, the pre- vailing gloom is further lightened and symptoms of sunshine are to be de- tected breaking through the clouds. The season has been none too in- candescent, despite its efforts, and disappointment has darkened many & hopeful brow. There hasn't been & “must” play so far this year, although some of the output has been of & kind to be tolerated. Sidney How= ard’s brave and tender assault upone Moloch (“Paths of Glory"”) ended last night in defeat, and high above its deserted battleground this lonely bugle grieves, Maxwell Anderson's am- bitious “Winterset,” an endeavor to glorify a squalid American scene with delicious language, is not the smash that its partisans believe it should be, and Waltey Hampden's fuscous study of animal life (“Achilles Had a Heel”) drapes Longacre Square in mourning. Roland Young in “A Touch of Brimstone” makes timid passes at smooth entertainment, and “Blind Alley,” a clinic drama, indife ferently dissects with the instruments of psychiatry the soul and body of a Dillinger gunman. The Lunts, Lynn and Alfred. raise hell with Shake- speare in “The Taming of the Shrew” before devoted audiences. Their in- T | terpretation of the classic is exhil- “Porgy.” He has changed it from a; play into an opera. Those who believe opera to be a mongrel art form, spuri- ous and illegitimate, will despise its melodious falsities. But those whose ears are attuned to song will welcome Mr. Gershwin's bands and choirs as an aid proffered by music to the seri- | ous theater. % % I LIKE “Porgy and Bess" with Mr. Gershwin's pipe organ additions thereto, although it seems to be as much of a concert as a play. He keeps the crap game in it, with the | crippled Porgy witching the dice and | calling, “O little stars, roll me light; roll me the sun and the moon.” The | funeral of the murdered Robbins and the frightened Negro invocation to | the hurricane are amplified by Mr. | Gershwin’s clarinets and trombones, *ringing them closely to your eyes and ears. Mr. Heyward, in a preface | to “Porgy.” said that he was inspired to write it by the rhythm of Negro life. No matter how dissonant its barbaric cadences and colors, he dis- covered poetry in its dark motions. Mr. Gershwin has emphasized the author’s intention with a score which to the untutored ear is at once civ- | {lized and savage, mingling jazz, spir- ituals and the conventional arias. I| suspect that if you are fond of opera | TUESDAY AND Wed. Mat. MAX GORDON Producer of “Dodsworth™ and “Roberta® Offers Washington His Newest Production “PRIDE AND Dramatized by Helen Jerome PREJUDICE” from the Jane Austen Nevel — With — ADRIANNE ALLEN COLIN KEITH-JOHNSON Scenery and Costumes by Jo Mielziner Directed by Robert Sinc! LUCILE WATSON HELEN CHANDLER Rusrved Seate On Sale Tomerwow WARNIR BROS PRESENE Max Reinkardst’s Tupired Motiva Pioture Produssion o A MIDSUMMER NIGHT'S DREAM’ by William Shakespeare el Faneuey of Love, Magie aad MUSIC. BY MENDELSSOHN * Amanged by ERICH WOLIGANG KORNGOMW Spesacler Ballaw by NIINSKA A Notable All-Stor Can * London and New York Agree No Stage Production Could Equal Ir NANNEN SWAITER, Eng- “Nov, ot L, the pessasses Sdorgann oy o b imaginstion mas IIGI'A CRIvE Ne JAMES AGATL Lenden Tince Crivs sopm This sinemutie besuty hao #0id greater severence to Shakespaares i Americen arivie soye ] [ Rame sonjured it It omes t0. = = o comsiagly veought et in vhich ol do- @t of pogeler smtumnia- ont have boea Plossent boe * * PREMIERE PERFORMANCE Sumlay. October 27th at 8:30 pm NATIONAL THEATER T-.-M,fl—h.—xuuau,- PRICES (INELUDING €OV'T T4Z) Momnse—55c-75¢:31 10 % l-—'-u.fldl 10.51.66 MAIL ORDERS FILLED AS RECEIVED NO INCREASE IN PRICES FOR OPENING PERFORMANCE Diredion of 'SIDNEY LUST WARNER BROS. THEATF.RS arating, but it is not a necessity and life might be lived without it. Mr. Van Druten's “Most of the Game” is a sleek feuilleton about a British nov- elist’s adventures among the Yanks— an amusing and feathery unim- portance, not designed to alter the scheme of things, ACADEMY Of Perfect Seund Fhotevlay E. Lawrence Phillipy Th!llu Beautiful CAROLINA bt & 8 R __ANN SOTHERN in_"KID ! MXLUONS [{ NEW) CIRCLE rucr’« Sun, NORVKA SHEARER TEREDRIC MARCH and N! HOWARD in “SMILIN' THRU.” o DUMBARTO! 27 Wisconsin Ave KENT TAYLOR. “COLLEGE SCANDAL." FAIRLAWN TOM BROWN. “A! TANACOSTIA. D. C. “ANNAPOLIS FAREWELL." )th Between F and G Acousticon Equipped SINCLAIR LEWIS' “ANN \uKst with IRENE TER_H an and Kelly Comedy. PRINCESS ROBERT YOUNG in SECO m 200 P.M. “JANET 1d HENRY FONDA ‘n The Farmer Takes a Wife."” Comedy. _Cartoon. _Metro News STANTON 6th and C S Hnul snnfl Ei ) PM 1119 H St N.E. Double Feature “VAGABOND LADY * ORCHIDS TO_YOU." 8214 Georgia Ave. er Spring. Md. Con(mue\*lts Continuou: ETER “LORKE. NO LESLIE BANKE and FDNA BEGT It “THE MAN WHO KNEW TOO MUCH.” Charley_Chase Comedy. News TAKOMA 4th and Butternut No Parking_Troubl Continuous From 1:00 P TE ALLEN and SEORGE BURNS fn “HERE COMES COOKIE.” HIPPODROME _ faio® SHEARER and MARCH, “SMILIN’ THRU.” CAMED ™I manves o SHEARER and MARCH, “SMILIN’ THRU.” AR(‘ADE HYATTSVILLE. MD. GEORGE RAFT in “Every Night at Eight.” RICHMOND ALEXANBRIs va CLAUDETTE COLBERT, “She Married Her Boss. MILO o Fomorey, Gable, Harlow, Beery in ____“CHINA SEAS” AMB, R aas KAY FRANCIS and GEO) E AND ‘THE SiRbE I.LO rn;; 71.. 3373 MARION DAVIES “PAGE_MISS Kmmv 'Slils Symphons. "Robber AVALON Cann ve. ncucllnlcv W, KATHARINE HEPBURN in ~ALICE Cartoon ) 615 Pa. Ave, AVENUE GRAN (AF L1 4108 Mati JOEE. BROWN. RIGH’T LIGHTS.* _Bandree!, 426 MI l( N. '- CENTRAL n JAMES N in_“HOT TIP= JOHN BOLES in *1 HEA! _ PARADE Ben RED DS ON COLONY . HOME boo.cmme CLAUDETTE COLBFRT in “SHE MARRI’!D HER lOil " Billy 8ym- phony “Water Bab: . & Col. 621 H St i Fhst Fhrrs "_Comedy. !"'IAMBOAT ‘Crime Place Aw"w "ra":;il “CHINA SEAS.” JESSE THEATER "5 e “ALICE ADAMS - KATHARINE HEPBURN. Cartoon. V. st & BL Ave NW. I'HE 39 STEPS, T DONAT an \u\umm cc. rlfléli