Evening Star Newspaper, March 10, 1935, Page 55

"AMUSEMENTS. THE SUNDAY STAR, WASHINGTON, D. C., MARCH 10. 1935—PART FOUR. "AMUSEMENTS,” PS5 PLAYS AND PLAYERS OF THE STAGE AND SCREEN “Naughty Marietta” Film Academy Prize Winner and One of Her Leading Men Deflmte Musical Trend Discouraged by Screen May Top List of Musicals Pre-View Saturday Morning Develops Fact That Victor Herbert's Operetta Has Been Treated Remarkably Well by Producer. By E. de S. Melcher. O, M.-G.-M. isn't able to make a musical film! It isn’t, isn't, it! Well, then, what will you say when you hear that| “Naughty Marietta” is one of the best musical pictures that has ever been made; that the director of “The Thin Man” and “Forsaking All Others” made it; that it comes straight from M.-G.-M., and that Victor Herbert’s music rings out from the screen with that same clarity, that same warmth and vitality and that same sweep and breadth that made Grace Moore's *“One Night of Love” a landmark in the motion picture industry. All of this is fact. “Naughty \ each other so dearly that they cannot Marijetta” is a credit to M.-G.-M. | posslbly refrain from keeping such and a credit to every one concerned. | good things as “Naughty Marietta” a It proves that W. S. Van Dyke is onr“secret one from another (oh, yeah?). of Hollywood's wonder men—that he | can yank just as many rabbits out of | Victor Herbert's hat as he can out| of The Thin Man's or Joan Craw ford's. His uncanny knack, particu-| larly at the outset, of swelling every | inch of this picture with rich orches- | | trations and of disguising the small| plot with such music as will make‘ you jump out of your seat is a won- der and a delight—especially smce‘ Mr. Van Dyke has been an actor and | a Marine and not the leader of the| Philkarmonic Orchestrs, | | launch Nelson Eddy NE of the wisest things that M-G-M has done is to wait and in a full-sized role and one that might really amount to something. Although somebody had a brain storm and stuck him hastily into “Student Tour” when that seemed on the verge of founder- ing—a brain storm that unfortunately didn’t do anybody any good—Mr. Eddy | has for the most part been kept out | of the cinema racket, and now he | emerges as a new singer who should | | have something of the success that ATURDAY at 1 am. within (he‘ vast portals of Loew's Fox Theater, this was revealed to nn‘ especially invited audience. Not since | Mme. Jeritza dazed Washingtonians | by daring to appear as a bobbed- | haired-bandit-sort-of-Tosca has an audience been more astonished or sc dazed by novelty. For Victor Herbert, well done, is n‘ novelty on the screen, and the in clusion of two young American sing ers who have as yet not been vocifer= | cusly acclaimed as expert nightingales | in this medium made the event doubly exciting From now Jeanette MacDonald and Nelson Eddy will be referred to as “tops.” Local picture patrons will long re- member this evening—or rather, early morning. When at three minutes to three “Naughty Marietta” had run its | course, every one was running around congratulating everybody else—except Director Van Dyke. who, true to some of kind of a tradition, had beat it before the end. (Rumor has it that he has never sat through one of his kind of a tradition, had beat it So even if Mr. Van Dyke couldn't be found, there was Nelson Eddy in person, here for the occasion, being lionized by females as he stood tall and dapper in a white tie and tails by | the upstairs drinking fountain, smil- ing gently as ladies told him that they had never heard anything like it. And there was Mrs. Mabel Walker Wille- brandt, very handsome in her black and white evening wrap. running around in a paroxysm of joy. she hav- ing been responsible for this Eastern | premiere. And there was the happy producer, Hunt Stromberg, less spec- tacular in his black tie and dinner | Jacket, saying that he had enjoyed seeing his picture (he produces all| Van Dyke's pictures) just as much | the third time as he had the nrst—' and beside him stood Mrs. Hunt| Stromberg, here from Hollywood, wearing the largest orchid of the| season on her elegant mink coat. Mr. and Mrs. Martin Johnson were | there, too. and a great many diplo- mats, and what was even more as- tonishing, who should be sitting way over in a far corner as though such a thing shouldn’t be (which it should) but a whole delegation from the local was Lawrence Tibbett's a few years back. His singing is strong and manly and of excellent pitch, and his acting, | while yet not of Theater Guild caliber, nevertheless does not interfere with his voice, his personality being pleas- | antly and informally adapted to the lady with whom he plays. If Mr. Eddy will tear the hearts out of whole fleets of ladies with his sing- | ing, Miss MacDonald will find her- elf a new public, too. She has never been in finer voice, never better look- | | ing, and when she rips out that “Sweet Mystery of Life” all gentlemen of | taste and refinement will immediately | want to meet her. Then again, wonder of wonders! | She does not wake up in an ark-sized bed, yawning and stretching, doesn’t throw her hands towards the sun and suddenly explode into an aria before her rolls and coffee. Oh, brother Van Dyke, how nicely you have been to our Nell—what notes you have put in her throat—and with what restraint you have surrounded her! In the words of somebody, she is yours—all yours—you have decked her out anew and hashed her over so that even her bitterest enemy will like her! More and more and more could be said about this picture—about Frank Morgan who runs around again like a chicken without its head—about Elsa Lancaster (Charles Laughton’s wife) who plays a New Orleans’ ugly duckling with magnificent results Only two complaints have we—please, Mr. Motion Picture Projector, don't turn on the steam so loud—don't | blast out your audience’s ears with an overdose of music. Mr. Eddy and Miss MacDonald don't need that—just as Miss Moore didn't need it in “One Night of Love.” Keep down thy tone power which is at your command. And—we doubt the last scene. Some- how “Sweet Mystery of Life” doesn't exactly go on a horse. That, however, is a small matter. The rest is very important. “Naughty Marietta” is something of which M-G-M, Director Van Dyke and Victor Herbert should be proud. — “Bums" Become Actors. TWENTY-F’XVE “bums” paraded re- cently before the camera in the ‘Warner Bros. office—thus proving that all cinema companies are broth- ers under the skin and that they love Next Week's Films. OLD DIGGERS OF 1935, First National’s latest mammoth mu- sical spectacle, opens at the Earle| ‘Theater Friday. The picture is said to carry more unique and unusual numbers, greater song hits and more hilarious fun than any other musical produced by this company. Bushby Berkeley, musical comedy genius, not only created the numbers, but directed the entire picture. Dick Powell and As a matter of fact, they were a | Gloria Stuart have the romantic leads, | couple of men who wanted to try| with Frank McHugh and Dorothy | their hand at something more than | Dare in a semi-comic love affair and | writing and producing, Needless to | Glenda Farrell taking an eccentric | go further—they were Hecht and | Astoria studio where Ben Hecht and Charles MacArthur are filming their Paramount feature, “Miracle in 49th | Street.” Only 23 of the bums, however, are | of the bona fide Bowery variety. They were actually conscripted for free meals, smokes and $7.50 for the day’s professional loafing in a flop house sequence in the picture. The last two derelicts were just imitations of Bowery life. They had dirt smeared over their eyes and | around the ears and tufts of hair about nostrils and chin that looked | liked stubby hangovers. millionaire over the jumps. Alice Brady has the role of the rich widow. In addition to the regular cast, Ramon and Rosita, dancers, and 300 | beautiful girls appear in the dance | numbers. On the’stage, Georgie Tapps, | “the Gershwin of the Dance.” will appear with the 16 Vitaphone Girls in a modern dance revue. Anna Sten and Gary Cooper are | paired together for the first time as & romantic combination in “The Wed- | ding Night,” a dramatic romance, slated to appear at Loew's Palace ‘Theater following the current attrac- ;jfin' Claudette Colbert in “The Gilded | v “Power,” the Gaumont British film starring Conrad Veidt, will be followed | by the Amkino transcription of Dos- | toyevski's “Petersburg Nights.” This film, based on the famous Russian novelist's “White Nights,” is played by | the members of the world-famous Moscow Art Theater Troupe, and at the World's Exhibition of Cinema- tography held in Venice last August it was awarded a gold medal. Following “Roberta” R-K-O Keith's 4s announcing as its next attraction | the new all technicolor production of “Becky Sharp,” with Miriam Hopkins | in the leading role. Produced by | Pioneer Pictures, “Becky Sharp” util- 1zes the same color process that cre- | ated such interest in the first subject produced by this company, “La Cucaracha.” “While the Patient Slept,” First Na- tional’s latest murder mystery drama, the second to be produced under the | insigna of the Clue Club, opens at the Metropolitan Theater Friday. Aline MacMahon has the stellar role as the nurse in a rambling, ghostly, suburban mansion whose wealthy owner is supposed to be dying. | Guy Kibbee portrays a love-torn small- town detective who is trying to solve | the killing of the rich man’s eldest son. Shirley Temple and Lionel Barry- more are the stars of “The Little Colonel,” the engrossing comedy drama from Annie Fellows Johnson's popular novel, which is the major screen treat for Loew's Fox Theater patrons next week. Everett Marshall headlines the new stage shov:. Douglas Fairbanks is in “The Private Life of Don Juan,” a colorful romantic comedy that Loew’s Columbia Theater will feature the week of Friday, March 15. Merle Oberon, the exotic foreign star; Binnie Barnes, Benita Hume, | and | short-wave radio, as the nearest tele- | Blanca Vischer and many other prom- | supported by such versatile characters MacArthur, mustaches. finally behind the false | Pampas TOO Far. TRANSPORTATION costs prohibit | taking a large company of players technicians to the Argentine pampas for the filming of “Gaucho Lover,” Fox Film feature co-starring Warner Baxter and Ketti Gallian, so the entire company is now on “loca- tion” 25 miles west of Bakersfield, Calif. Rolling plains, closely approximating the famed pampas of Argentina, were discovered by studio scouts at the loca- tion, and a small village, which also will serve as background, was built on the spot. The company will live under canvas and keep in touch with the studio by phone is 25 miles distant. In addition to Baxter and Miss Gal- lian, the cast includes J. Carrol Naish, John Miljan, Jiminez Soledad, Armida, inent screen players. James Tinling is directing. New Burlesque Show. ’I’HE Gayety Theater, beginning to- day, will present “Mike Sachs’ Gems of Burlesque,” featuring one of burlesque's leading comics, Mike Sachs, as Al Hillier, Dutch comedian; Frank Smith, tangletalk comic; Earl Root, popular straight man; Alice Kennedy, | prima donna; Floyd Hallicy, straight man and vocalist; Maris Allely, sou- breite, and Bobby Gordon, comedian. dancers, are also in the cast. TODAY, Constitution Hall, 4 P.| NATIIIIIL SYMPHONY &\i KI\')I FR Comhlclor GAYETY BURLESK Starting This Sunday Matinee 2—Gems of Burlesk—2 MIKE SACHS Ann La Morriss and Peggy Hill, | Claudette Colbert, who won the the best acung of 1934 Il Happened One Night, Motion Picture Academy award for " is shown above with Ray Milland, one of her two leading men in “The Gilded Lily,” at the Palace. Fred MacMurray, Gus Kahn DCC‘ZI‘CS Every Picture chux'res Different Score and Numbers Dcpicted Must Fit Action of Story. By Mollie Merrick. Special Dispatch to The Star. OLLYWOOD, Calif,, March 9 (N.AAN.A).—Gus Kahn, lyric writer of the team of Donaldson and Kahn and author of “The Carioca,” says we may be sure there will never he a trend or cycle for musicals on the screen, as every type of drama requires a different musical setting and the numbers de- picted must fit the action of the story. his in itself prevents monutony so far as music is concerned. “Besides,” Kahn tells you, "good\ which home or locality she likes best. rhythm is what makes a tune really | She will probably never settle down popular, and rhythm never goes out until she buys a home . . . Genevieve of fashion.” Which probably accounts for the fact that some of our smartest dance newcomer, is the other leading man. orchestras make a feature of reviving old songs. WHAT'S in & star's name? The subject of actors changing their names never loses interest for the general public not in everyday touch with the stars. No matter how often it is written or told, you'll al- ways find some one surprised to learn that Cary Grant was christened Archi- | bald Leach; or that Gary Cooper’s | first name is Frank to those who | knew him years ago. Fredric March started life as | Freddie Bickel, and Richard Dix once answered to Dick Brimmer. Guada- lupe Villalobos was the title Lupe | Valez originally brought with her | from Mexico, and the glamorous Carol ‘mmbud was known as Jane Peters when she attended high Hollywood & few years ago. Even Garbo, who no longer needs |a first cinema name, was Greta | Gustafsson when she arrived from | Sweden. Bruce Cabot first worked in | Hollywood under his real name, Jacques de Bujac; and going 'way back, the one and only Mary Pickford | was really Gladys Smith. All this talk started when John Cromwell, well - known director, stated the other day that he con- | sidered a good name a very valuable asset to a book, a play or an actor. Oromwell, who changed his first | name from Elwood to John, believes ' | the public likes attractive names, and it was he who first suggested that Freddie Bickle do something about that rather difficult name. “Take Wilhelmina Osterman,” Cromwell says, “do you think motion picture audiences would like this ! name as well as the one she really goes by?” He refers to Raquel Torres, of course, and there’s no doubt that Miss Torres' charm was enhanced by her choice of such a provocative screen name. school 'HEN Laurel and Hardy start their Hindu pictyre, temporarily called “Laurel and Hardy in India,” they will have Col. W. E. Wynn, the dis- tinguished British army officer, serv- ing them as technical adviser. In this story Stan and Oliver are mem- bers of a Scotch regiment, and even | if it is comedy, things will be done shipshape, as Col. Wynn did the technical direction for “Lives of a Bengal Lancer.” 'ANS ask what has become of Pear] White, ex-serial queen and blond 5 | siren of some 15 years ago. According now playing ‘to latest reports, Miss White has been | quite ill. She has made her home on Le Gallienne Next \Veelfi TH‘E appearance of Eva Le Gallienne in Clemence Dane's version of “L'Aiglon (“The Eaglet”) at the Na- tional next week is of paramount in- terest to all theatergoers Heading a cast of distinguished players in “L'Aiglon.’ ‘Miss Le Gal- lienne will be seen as the Duke of Reichstadt, son of the great Napoleon “L’Aiglon” is dominated by the character of Napoleon’s son. That boy of 21, in whose veins ran the blood of the great Emperor and the royal blood of the Hapsburgs. This boy, christened in Paris as King of Rome, held in Austria as the Duke of | Reichstadt, stood at that time a chal- | lenge to Europe. All nations were conscious of his existefice. He was the son of the man whose shadow for | 19 years had hovered over Europe. He was the famous prisoner of Aus- tria. desired by one party in France, undesired by another, and feared by all Europe. A boy who, had fate willed that he should place his foot on the soil of France, might have | | changed the map of Europe. The world in 1830, when the Duke of Reichstadt was at the royal court in Austria, was a world full of conflict. of intrigues, of the rise and fall of political figures, A world, in fact strangely similar to the world today. Clemence Dane has brought to this great story the very essence of the Duke of Reichstadt's personality. Richard Addinsell has written a m sical score that will pervade the play, a score in which the high military notes of Tschaikowsky’s “1812 Over- ture” will be heard and in which the first clairvoyant notes of the “Mar- seille” are sounded. Aline Bernstein has designed the settings for “L’Aig- | lon.” The play will be acted with all | the pomp and splendor of the Haps- ‘ burg court, the battlefield of Wagram and the sumptuous bed chamber of | NATlONAL at ’l'ie Children’s Thulu wc;enu s-r-d--.mlmle‘D om TO'I"S__ Tlllllfi WHOLE 10WNS TALKING CAN ALSO BE SEEN TODAY TOMORROW § TUES AT AMBASSADOR The New Love Team BARBARA STANWYCK ..,..n °" ." GENE RAYMOND Al Slct ot Subjcts Joan Gardner and many others appear in support. and PEGGY HILL Beauty as a Handicap LL over the world young women fortunate enough to be en- dowed with a flawless face and a perfectly modeled figure dream of the day when they will make an invasion of Hollywood— and producers, rising from a swoon, will overwhelm them with fantastic contracts. It doesn't quite work out like that. The girls whose weakest claim is/ beauty, who are skilled at character and comedy parts, are the ladies who are handcuffed on sight. Una Merkel hasn't had 10 free days in Hollywood Louise Fazenda has amassed a very pleasant sum doing servant girls. Minna Gombell didn't have time to get her supper when she was rushed from the transcontinental train to her first picture part For a profound Hollywood prejudice | holds that an attractive face can't possibly have any brains behind it. Virginia Bruce found herself being given a succession of decorative but wholly unimportant roles before she was able to convince directors that she was a highly competent performer with brains. Mary Carlisle is considered the most expert ingenue in Hollywood this year. Last year she was offered six parts more than she could fill. Three years ago some studio attaches thought it {would be fun to have the blond put | on a fake test for them. A higher executive happened in. From that Mary Carlisle wen: to her initial hit as the little bride of “Grand Hotel.” She has been rising steadily ever since. Joan Crawford wasn't given much TOWN HALL March 10th A. A. BERLE, Jr. Prof. Constitutional Law at Columbia o Unitersity, % Is the Constitution in Danger? Shoreham Hotel Admission $1.00 Famous Spani; Cnnlllk-thn Hal l'd-l u:, SL10. $1.65, & . D Dre Opp. Whits House cont. from 2 P. M. 2nd Week! of anything when she first arrived in Hollywood, a beautiful New York show girl. Just another front-row beauty with a great figure, but no brains, was the immediate verdict without investiga- tion. It took Joan Crawford a couple of years to convince the doubters. Similarly with Jean Harlow. In a deliberately decorative role in “Hell's Angels” she was a prompt hit. But the wise boys said, “the girl can't act. Give her parts that put her on display.” Then she did “Blonde Bombshell,” which many called the finest comedy performance of the year. But she had to fight and fight to be given the chance to do it. If you have a snub nose, or a broken one . . . or a face so homely that people laugh at the first sight of . .. Success comes very quickly in vood. But if youre a raving beauty, you've an awful lot of con- vincing to do that you have an ounce of brain! Lucky Actress. ROSAUND CULLI, currently fea- tured in the El Capitan Theater (Hollywood) producnon of the play “Small Miracle,” has been signed by Pnramoum under optional contract the lead opposite George Ke; = & | "CASINO DE PAREE £’ L JMILTON BERLE SIIlllEYflMPlI~LIO||H BARRYMORE " THE LITTLE COLONEL® EVERETT MAMHALI. ’IOAI,"NID 50« NIGHT* ( cim""h T ) LILY" RAY MILLAND " “‘c‘&%’i&“-’v Tarth R OO’ER"A NA ST N YV‘I!DVING NIGHT® | the French Riviera for some time. in! | Tobin had exactly this trouble until she bought her present home in San- ta Barbara. Up to that time she couldn't decide whether she wanted to live in the South of France, in | England or on the West Coast of the } United States. Now that she's made up her mind, she’s very happy in Santa Barbara . . . Ruth Chatterton is another screen star who talked a lot about settling in the South of France, but was finally won over to California. (Copyright 1925 by Newspaper All North h Ameriean iance. Inc.) 3 RLES RRETT TAE SRR STREAK." RALPH BELLA REN G lllh CAROLINA “ANNE OF GREEN G'\ELZS __DENT T | PrANCIS LEDEEED | \ROMANCE IN MA News DUMBARTO LEROY in “IT'S A C FAIRLAWN PRlNCESS R 200 PMOJOAN CRAWFORD in “FORSAKING ALL OTHERS." JOSEPH scmLDKR«LT E_DANUBE. SECO CLARK SABEE" foAN CRAWFORD and ROBERT MONTGOMERY in, “Forsaking All Others.” Special—"DIONNE QUINTUPLETS. edy. News STANTON r.:il’. Soing Fatinmet Continuo; GER 25 HATTAN.” Comedy. 1343 Wisconsip Ave W c FIELDS. BABY TEAR :1\0 Swe 2 D Wisc. Ave. ORGAN CONCER' CLARK GABLE. JO. 3 ROBERT MONTGOMERY in "Forsakmf7 All Others. TAKOMA SHIRLEY TEMPLE in “BRIGHT EYES.” HIPPODROME 55" omior CLAUDETTE COLBERT, “IMITATION OF LIFE." Continuous EAME s T'\c.« vTa'rt\rm‘ CLAUDETTE COLBERT. “IMITATION OF LIFE.” 'A_R‘c‘AD nuns_}_ ILLE, A _‘n_m' et Today-Tomor.-Tue: . Bethesda. to 3:00 P M. Floor Sl’lO\V Announced. THE floor show for the Welfare As- sociation of the United States Veterans' Administration annual dance, to be given at Wardman Park | Hotel on Saturday, March 16, will include an unusual array of well- known talent from the stage and radio. Brook Johns of Ziegfeld Fol- lies fame, assisted ai the piano by Evelyn Tyner, well-known stage and radio performer; Talbot Easlet, bari- tone; Sylvia Kaplowitz, accordianist; Kitty Simons, blues singer; Lanelle | Avery, and Susan Hall, acrobatic dancer, will be featured. The dance is given each year for the welfare work of the Veterans' Administration em- ployes. | favorite who dropped a definite man- | Pew persons realize that all of Pearl White's pictures were made on the East Coast long before Hollywood was much more than a mark on the map. Even Mary Pickford's first films were made in the East, in the vs when she was known as the ‘Blograph girl."” Joan Bennett's birthday present to her husband, Gene Markey, is a new den for him to work in. Joan planned the room and its decoration herself | and kept Gene in suspense for weeks | while it was being decorated. | “KID MILLIONS." Tomorrow- Tnday-Tomor EDDIE CANTOR in 2:30 to 11:00 P.M. TO uvz ROCKVILLE, WILL ROGERS in _ | “The County Chairman Direction of SIDNEY LUST o = . Apouo 624 B St N ONSTANCE ~COLLIER, famous PR30hs " Gt cffi& British actress, finds more English accents loose in Hollywood than in England itself. But you must remem- ber that Miss Collier is an international AVENUE GRAN = Fs Totisad Eovins b e Sl \VHE\! Martin Johnson was 16 he wrote Jack London, begging the famed author to take him on one of his expeditions. London replied with an invitation to join the “Cruise of | the Snark” to the South Seas. A few | years later when Martin married Osa { Johnson, they spent their honeymoon | at the ranch of the author. Mr. and | Mrs. Johnson appear in person this | week with the showing of their newest ‘p&ct,ure, “Baboona,” at Loew’'s Colum- | bia Theater EET S e | e JEROME KERN'S Magical, Musical Romance “ROBERTA” FRIED ASTAIRE | ner of speech in favor of a charming, cultured voice that would be ac- cepted in any English-speaking country. Maureen O'Sullivan moves from | house to house in Hollywood because she finds it impossible to decide CONTINENTAL Auspioes A. F. 6. E. Siok Boneflt Assoclation 15 Star Acts 15 \ \ Dancing : y Mar. 16 7oz 50: vlnhilmn Auditorium ets at Droops ‘ Kitts ek Beginning Mondsy, March 18. 85e. Bal, Eva _ LE GALLIENNE in Rostands Famous Piay (Clemence Doneersion) “LAIGLON" WITH HER NEW YORK COMPANY POSTPONED—DATE TO BE ANNOUNCED LATER 20. $2.78 Z The Great CHALIAPIN. GREATEST OF ALL BASSO! Greatest 'm 1] J nstitution Hall N KUBELIK Mar. 19, 8:30 FIRST TIME AT POPULAR PRICES. 5. s3e. $1.10. $1.65. 82.20. 2 N \ T — . S'I'IMUIISKY & S. DUSHKI Ju-l Recital ser-Conductor-Pisnist Vielinist l!lll, $1.10, $1.65, $2.20, $2.35.—T. Arl Smith, In Kitt's—NA. 3700. Matinee, GARY, COOPER NGA! CER. SHIRLEY TEMPLE in “BRIGHT EYES el SAVQY st s Col. JOE, MORRISON 1n “ONE HOUR TE.” _Comedy. 'k Bd. NW T]vOLl 14th St & Matinee. 3:00 P.M MYRNA WARNER BROS. THEATERS LOY, ARY GRANT in WINGS IN BARK " Chase Comedy. YORK Ga. Ave. & Quebeo 8L N.W smau:v 'r E \{ p L E ’E “BRIGHT EY] .IEQSE THEATE i 4 Sts, NE “The Little Minister,” KATHARINE, HEPBURN. _Color_Classic. SYLVAN e “HERE IS MY HEART o BING CROSBY. Comedy._Novelty PAIM THEATER °F 1 omorrow—"BABES_IN chuun o = mn”;? A%R.Eli OLIVER ovelt T BERNHEIMER’S . L A Comedy. DANCING. EDW. F. MILLER STUDIO !ll l.ll St.—NA. 8093, :c e teach | | MRS_ACHER—34th Vv Studi Class and Dancing e 0 to 11:50 pom.. with Orchestra: Pmnz lessons by appointment. Met. 4180.% Leroy H. Thayer Studios SPECIAL SPRING CLASSES NOW FORMING Ballet. Tap. Acrobatic Dancing Corrective and Reducing Exercises Call for Appointment to Visit a Olass Studio Two 1223 Connecticut Ave. _ Met. 4121 Dance Smartly!! Don’t Be a Routine Pl-flfllr | zearn to dance smartly lmo?lh. lnteres: p.e'oh'l-'. g} é beginners. Clll for nlln %fl ey B, o Sy, obligation. Studios