Evening Star Newspaper, May 21, 1933, Page 75

102. Suburban traimn. 103. Pool of water. 104. Hair coats. 106. Wearies. 107. Egyptian father of the gods. 108. Resembling salt. 110. Blot out. 112. Gusto. 113. Excites. 115. View. 117. Subsidiary buldd- ing. 119. Goes ever again. 122. Sites. 124. Ruffie. 128. Medley. 129. Within. 130. Wets slightly. 132. Symbol for radon. 133. An ancestor. 134. Prepare hides. 135. Minute aecounts. 137. Act of placing a trust in any ene. 140. Resinous sub- stance. 141. Achieve. 143. Young of the herring. 4 144. Paper measure. 42. Soak. 145. Decline. 45. Daughter of Jupi- 147. Stocked to over- ter. ACROSS. 1. Photegraphic ap- 7. Inclined driveway. T i spssesey ¥ Ei>flz E ??g ;S | i . flowing. 46. Abandoned on an 148 Part of a play; island. French. 48. Linger. 149. Hebrew prophet. 50. Tibetan gazelle. 150. Eaglestones. 51. Safest. 151. Errors in printing. 52. A thrust. 15%. A prophet. 55. Consolation. 153. Horne.. animal. 57. Propositions as- 154. Urgency. sumed to be true. DOWN. 59. Biblical town. Fondle. 63. Apportion. Plant of the 65. Roman tyrant. rhodendron tribe. 66. Fleshy parts of Famous composer the jaws. of music. 67. Figurative word. Before. 68. Wandered. Reduce the size 70. Profligate person. of sail. 74. Public evening Zulu spears. 3 . Floating wooden Goodbye; Sp. Disfigu . Influence derived from success. ©® ao om @ ee which the Century of Progress exhibition of paintings and prints will be shown. As almost every one knows, the Century of Progress Exposition will be opened May 27. There will be no exhibition of paintings, sculp- ture or prints on the grounds of the World's Fair; this department of the exposition will be in the Art Institute solely, the trustees of the Art Institute having undertaken, by request, the responsibility ef collecting, arranging and financing this official exhibition as a most gen- erous civic gesture. The value of the exhibits to be included in the showing will approximate $75,000,000. T'wen- ty-five museums and 225 private collectors have made loans. The great masters of all time, from Holbein to the present day, will be represented. These works will be shown in historical sequence so that the visitor may study the art of the world from the thirteenth century to contem) time. The Louvre has lent Whistler's portrait of his mother, shown ear- lier this season at the Museum of Modern Art, New York. The Metropolitan Museum of Art, New York; the Museum of Fine Arts, Boston; the City Art Museum of St. Louis, Yale Uni- versity, the Fogg Museum, Harvard University, the Worcester Art Museum, the Albright Art Gallery, Buffalo, and many others have con- tributed of their best. So also have the Phil- lips Memorial Gallery and the Corcoran Gal- lery of Art in this city. It is said by those in charge that the visitor will be able to see more in three days in Chicago under these cir- cumstances than in a three weeks’ tour of European museums. In any event, a great feast is provided fer the art lover. Those attending the convention of the American Federation of Arts will be greatly privileged. HE work of installing the Gellatly collection of paintings and objects of art goes stead- ily forward in that section of the National Museum set aside for the National Gallery of Art, but it will be some weeks yet before it is completed, therefore, June 21 has been set as the date of the opening reception. EXT Thursday evening, May 25, the Arts Club of Washington, apropos of its exhibi- tion of measured drawings of the club build- ings, will have an evening devoted to “The House We Live In, 2017 I Street.” The prin- cipal speakers will be Dr. Truman Abbe, who lived in the house as a boy, and Miss Maud Burr Morris. Wiliam I. Deming and L. M. Leisenring will be hosts. The members’ Summer exhibition opens a weck from today. Miss Florence Bryant and Mrs. H. K. Bush-Brown will be hosts upon that occasion, CHARLB R. KNIGHT, well known as a "~ Painter of animals and birds and alse for his work in sculpture, was in Washington last THE SUNDAY STAR, WASHINGTON, D. C, MAY 21, . Pure Neuid of fat. . Having occupied a nest. A fabric. . Three-banded armadilios. . Gross. . Jutting rock. . French writer. Native Indian rulers. . Egg-shaped molding. . Start. . Perfume. . Spike of corn. . To urge on. . Pomp. . Small particle. . Poisonous weed. . Herdsman of South America. Sick. 88. Rogues; French. Mahometan Jjudge. 90. Musical instru- ment. 91. Accorded. 92 Scrap. 93. Those who take possession; Law. 94. Weight allowance. week for a few days en route from Florida to New York. He brought with him a number of small oil paintings of Filorida landscapes— views on the Tamoka River. These were shown informally at the Carnegie Institution. They were colorful and realistic—pictures typical of Southern foliage and verdure—tall palms anad jungle-like undergrowth, under calm blue skies, reflected in a slow-flowing river. As Mr. Knight has specialized in large mural paintings, it is interesting to observe how, in these outdoor sketches, he transcribes nature minutely and with the utmost faithfulness. While in Florida he also painted a portrait of Mary McLeod Ber- thune, president and founder of Berthune Cookman College at Daytona—a strong paint- ing and fine characterization. Mr. Knight has painted often here in our Zoo. He has recently completed a series of 2% large murals of prehistoric life for the Fiela Museum in Chicago—the gift of Ernest R. Gra- ham. Among his well known works are the mural decorations showing prehistoric animals and men in the American Museum of Natural History, New York, and a very large painting of a prehistoric subject—a local pit which was once a water hole where prehistoric mammeth animals went to drink, and apparently died, the skeletons having been found therein. Mr. Knight's home and studio are in New Yerk. 122, Variety of pyroxene. 123. Emission of air through the noee. 125. Weaken. . 126. Expunges. 119. Wheel-shaped. 120. The click-beetle. 121. A blender of color. He is a native of Brooklyn and a pupil of George De Forest Brush, TWO ‘Washingtonians, Ruth Osgood and Mary Riley, are exhibiting water colors, with other members of the Eliot O’Hara School eof Water Color Painting for 1932, in the Argent Gallery, New York. All of the other eight ex- hibitors are New Yorkers, with perhaps the ex- ception of Lloyd Berrall, who is an erstwhile Washingtonian—a Georgetown boy who is now living in New York and practicing architecture. The exhibition is entitled “The Goose Rocks Group,” taking its name from the location of the school. T}m National School of Fine and Applied Art of which Felix Mahoney is principal, will open an exhibition of students’ work from its various departments in the school building, ' 1747 Rhode Island avenue northwest, on May 26, to continue to May 29. The exhibition will be open on week days from 10 am. to 6 p.m. and from 7 to 9 pm. and on Sunday from 2 to 6 pm. Guests are also invited to visit the class rooms, where demonstrations of special subjects will be given. Tl!lmmllummolmknhowlngmh month an exhibition of modern glass, as- sembled and circulated by the College Art As- Incomplete Drug Labeling Is Hit MORI informative labeling om some types of patent and proprietary medicines s vital for the protection of the public, according to Dr. P. J. Cullen, chief of the drug contrel of the Pederal Food and Prug Administration. He points out that at least one powerful ano- dyne and sedative which he contends should never be taken without supervision of a phy- sician may be included in certain products without the presence of the anodyne being noted on the label. He reported that one famous clinic had found five deaths due to the preparation which contained the anodyne and other deaths were also attributed to its presence. One patient at the clinic thought he was suffering from juandice, but it was discovered ‘that he was in reality a victim of atrophy of the Mver caused by the anodyne. As late as October, 1932, the Annals of In- ternal Medicine reported six fatal cases of cin- C poisoning, four of which were caused fered frem progressive pnlnh- Jjaundice, asso- ciated with other distress, and with pyrosis and vomiting. One patient took 60 grains of the drug, another about 45 five-grain tablets over a peried of one month. ‘The administration has recently received reports of a number of other deaths which were directly attributed to poisoning from this drug. The Pederal food and drugs act, In its present form, requires a label declaration only for a few narcotics or other drugs. These are: Alcohol, morphine, opium, cocaine, heroine, alpha or beta e , chleroform, canabis indica, chloral hydrate, acetanilid, or any derivative or preparation of any such sub- stance. This requirement unquestionably, says Dr. Cullen, affords the public some protection. But there is a real need for additional safe- guards which could be achieved by amending the law 50 as to insist that additional habit- forming or otherwise dangerous drugs be de- clared upon the label of medicines in which they are present. Many preparations contain- ing cinchophen—which should never be used without medical supervision—are labeled so as w.metthemlnanemenholtbenm feod and drug law. - : 136. Arabian garmenta, 138. Persian poet. E 139. A Lithuanian. 131. To lMve frugally. 142. Wine vessel. 135. A deliberative 146. A fragrant gracee convention. ful tree. 127. Niche. 130. A queer of Thebes sociation, the work of master craftsmen in the United States, Prance, Germany, Sweden, Hol=- land and Austria; an exhibition of flower and still life painting, an exhibition of paintings by American Indians and photographs of ine teriors, the Jast arranged through the coure tesy of the Maryland Chapter of the American department a collection of colored prints of birds by Rex Brashear is on view. N exhibtion of paintings and a few pieces of sculpture in connection with a series of interiors entitled “Magic Rooms” was opened at the Hecht Co, last Priday. About half of the paintings (all of which were assembled Miss Ada Rainey) constitute an integral of the decorative scheme, while the hung on the long outer wall of the in the corridor running between the A colorful portrait of Father Ne dent of Georgetown University, by verka, occupies the place of honor, in ter of the outer wall. wfi.u-eolou.nottomenflonul,nkewiuocc“ this wall, carrying the visitor to the entrance of the suite. This begins appropriately with a child’s room, in which a group ef Vicken von Post Totten’s charming little ceramic sculptures of characters from “Mother Goose” make de= lightful decorations. As one examines the 14 rooms, ome discovers paintings of sculpture quite as harmonious to spective settings. Flower paintings, conserva- tive in type, by Marguerite Neuhauser and Jessie Baker, rn the eighteenth century live ing room; while'in contrast a living room the contemporary mode is decorated by paintings of modernist type and stylistic sculptures by Vincent Salino. under ome they are obviously not intended to form a sime gle decorative scheme; each room has appare ently been considered as a unit. The pictures, hence, are equally diverse in character. A boy's study is decidedly light and gay in mood, have ing cartooned sports figures in its