Evening Star Newspaper, May 21, 1933, Page 38

AMUSEMENTS. NATIONAL—“Another Language.” OR “the week tomor- S row night with ees on Wednesday and Saturday Nnfianll Theater Players Rose Franken’ mtul play, “Another Langu: ‘There 15 a iot of theatrical romance bt Language” pro- duccd at the Be- lasco Theater here about & year ago by ArthurJ. Beck- hard, a_newcomer to the theater and by an anthor that was practically un- known, the local press and public al- most ignored it as Jjust another try- out. It is & fact that when the play moved on to New York for the met- Topolitan premiere it's producer was penniless, The miracle, however, hap- pened and “Another Language” was an overnight sensation brin; Mr. Beck- hard wealth and prominence in the the- atrical world within the short space of 24 Thmu‘ A e story of “Another Language” is one that has a human honest appeal. It concerns & middle class family’s daily life. It deals with relatives—anybody’s Telatives. The cast includes all of the National Ona Munson. Players—Leona Powers, Donald W ©Ona Munson, Adelaide Hibbard, etc. EARLE—“The Little Giant.” 'I'HE current stage and screen program '% at Warner Bros’ Earle Theater features Edward G. Robinson in “The Little Giant” and a stage bill head- lined by Nancy Garner, musical com- edy and radio favorite. When an underworld big shot de- ‘cides to turn gentleman, gives up rum- Tunning for tea dances, exchanges machine gun for books on philosophy and futuristic paintings, trades his mmm lo:‘&o!o es,:; hm = “A" laps- of French now and is likely to be hilariously fi Astor and Helen Vinson have e e Iewd- ing feminine roles in this Robinson film ‘and _the cast includes Russell Hopton, Donald Dilloway, Kenneth Thomson, Berton Churchill and many others. The stage portion of the program, headlined by Nancy Garner, also in- cludes Walter (Mouse) Powell and his orchastra, assisted by Rudy Bundy, in a fun and melody offe rsythe, Seamon and Farrell in “For Heaven's Sake, Dance,” and the Twelve Aristo- ccrats, who recently scored emendous success, in & return engagement. Short_reels, the Graham MacNamee newsreel and the Earle Orchestral pre- lude will complete the program. mmromm—-n- ‘Working GEORGE Amsswi?“m :Z::kln‘ * is now pl 8 Te en- w& at Warner Bros. Metropoli- tan 'x'huwr where it moved following a record-breaking week at the Earle. Aruu plays the part of a shoe manu- cturer whose biggest joy is his busi- ness fight with his old rival, Hartland, After Hartland's death Arliss loses his will to fight and goes on a fishing trip incognito. and. daughter, a couple of wild kids on the loose. - Arliss upon these chil- dren as his own and proceeds to help them ealvage the Hartland business, that is being wilfully mismnmnd by ting to gain con- actor pl to display his talent for comedy. Arliss is capal m Davis, J.- Farrell d, Newton, Hardie Albright and m..ny others, The lementary of a new “ ibling with Jerry Wald, whu:h features Buddy. Rar,n the Three Keys, Harry Rose end Uncle Don; Lowell Thomas in lnknnn"mdsncwmueo(unl’ln- mount Sound News. RIALTO—“King of Jazz.” “KING OF JAZZ,” starring Paul Whiteman and his famous or- ‘chestra, is now &l.:{tn; at the Rialto Theater, brought by a genuine pop- ular demand. Thousands did not see the picture when it was produced sev- cnl yaan uo and since then White- artists associated wmz hun m g of Jazz” have as- cended in radio popularity. John Boles, the star of “Back Street,” is the fea- Murray Anderson proaumon and di- xected it for Universal. n the myriad scenes are Jeanette Lo!! Bisters G., the Rhythm Boys, the Brox Sisters, Grace Hayes, who is now an outstanding National Broadcasting Co. star; Billy Kent, Stanley Smith, the ‘Russell Markert dancers, Jacques Car- tier, the Voodoo dancer; Al Norman, Charles Irwin, Kathryn Crawford, Laura ’I‘Tfi'on, Merna Ken- nedy, Slim Summerville, George Chiles and Paul Howard, dancers; the Tommy Rouns mfi%o?a}:v" tina Atkins Sextet, Frank Leslle, Jeannie Lang and Wilbur Hall. Whiteman fel- tures George Gershwin's “Rhapsod: Blue.” Six other numbers, written es] for “King of Jazz,” are thmdtd mw im revue action. They are i in Monterey,” “Happy ‘ “The Bri- | dal Veil,” “The Me]flns Pot" “Raga- mum: Romeo” and “Song of the Melody, fantasy, beauty and dnnr_lng merge to make “King of Jazz” unequaled as & mm extravaganza. COLUMBIA—"TM Aboard.” TI‘RROR ABOARD” opens at the Loew's Columbia Theater tomor- row. The film features John Halliday, Charlie Ruggles, Neil Hamilton, Shirley Grey, Verras Teasdale and Jack La Rue. Financial difficultics and prison con- front Maximilian Kreig (John Halliday), American millionaire, who is on way to Sicney, Australia, aboard his yacht Celest with a boatload of friends. With him is Lili Kingston (Shirley Grey), his flancee, really in love, how- ever, with James Cowles (Neil Hamil- ton), an American aviator. Suddenly, one by one, the murders begin, each more mysterious and horrible than the one that preceded, until only Krelg, Cowles, Lili Kingston and “Blackie,” a steward, played by ch-rlle Ruggles, are Jeft alive on board. There is a thrilling fight! climax and the story ends| “Bappily.” Paramount News, selected short sub- Jects and comedies complete the bill. PALACE—"“Hell Below.” oods, | ¢¢J-JELL BELOW,” thriller of subma- rine warfare, with Robert Mont- gomery, Walter Huston, Madge Evan: Jimmie Durante, Eugene Pallette Ind Robert Young in the cast, is now play- ing at the Loew's Palace Theater. Based on Comdr. Edward Elisberg's book, “Pigboats,” the picture unfolds a romance set amid thrills under the sea, on the water and in the air. his | his closest friend, the death of the entire sub: 8 crew when, due to his flaunting of the eom- mander’s orders, the 'submarine forced to the bottom of the sea with Ih mrl.nu disabled. ‘The Hearst Metrotone News, short m{mu and comedies complete the LOEW’S FOX—*“Secrets.” SURROUNDED by a large and inter- esting cast, and directed by Frank Borzage, Mary Pickford may now be seen at Loew's Fox Theater in crets,” an adaptation of the oe]ebnud stage play by Rudolph Besier. “Becrets” gives Miss Pickford what she believes to be an ideal vehicle. The story is a simple one of love and ele- mental emotions; an elopement to foil her father, who wants her to mmy : titled lishman instead of A clerk; ttle of hardships in th:h' 11 ty, darkened by her husband’s affairs with another woman. The cast supporting Pickford is one that she picked herself and includes Leslie lerd C. Aubrey Smith, Blanche Frederici, Doris Lloyd, Herbert Evans and Ned Sparks. On the sug the Loew’s Pbx ‘Theater presents Smith Ballew and his popular nd!n and recording orchuln. Hn.rry d Frank Seaman, late stars of Ed Wynn'l “Laugh Parade,” in “Something Broadway dancers, and as an added attraction, Rex cher, m sur- prise star of “America.” ‘The Fox Movietone News and short subjects eomplete the bill. R-K-0 KEITH'S—“The Silver Cord.”} 'HE SILVER CORD,” R-K-Os Radio Picture version of the Sidney Howard play starring Irene Dunne, is the attraction at R-K-O M.Iu Dunne ‘enacts the clear-seeing ho resists here mother-in- lnws lnerdlnlu love Tor her son, A six- Fieips retury trom: thei honeymonn. to Mrs. Phelpl hnuuhold Instantly Chfll- discerns David’s mother’s under. mining of her m‘ ‘affection for their women. Masquerading as a paragon of mother love, Mrs. Phelps breaks her younger son'’s engagemen ing is then bent upon mua Christina. She offers love for and 'y to lure David from a pro- posed residence away from the maternal nest. Irene Dunne is the resourceful Chris~ tina, and excellent support is given her by Laura Hope Crews as mothzr. Joel McCrea as the son, David; c Linden, Frances Dee and others. Jahn Cromwell directed “The Bilver Cord” from Jane Murfin's adsptation of Sidney Howard’s xahy. GAYETY—“PEACHES” BROWNING. ‘**DEACHES” BROWNING will flp'n a week’s engagement at the Gay- ety Theater, starting with the re matinee today in & show znm.l “Beauty Revue." It is headed by ‘Wanda De Von, & favorite with Gayety Theater fans, and Conchita, a Spanish beauty also well known to burlesque lovers of Washington. Others in the cast are Joe Yule, Bimbo Davis, Charley La Vine, Bob Sandberg, Lee Hickman, rsigrsm:’(my, Evelyn Brooks and Joy A Play Becomes a Film BY JESSE L. LASKY. HERE is a temptation in the screening of successful plays to adhere too closely to tech- nique of the theater, Wi the result that the finished vmduct 15 neither play nor motion picture, but & poor imitation of each. This tendency to copy tends to in- crease m ratio to the importance of the stage production, evidently on the theory that it is best to leave alone & property that has proved its worth. However sound that iple may appear, its application more often disastrous than beneficial, s 50 many of our film mekers have discovered. ‘What producers have failed to realize in this almost slavish copying of and toadying to the stage is that the mo- tion picture is a medium dependent upon fluidity, changing tablesux and & minimum of dialogue. There has been so much speculation of late concerning the outcome of the John Balderston classic, “Berkeley Square,” which I am producing for Fox Films, that it seems appropriate now to reveal the process of transforming it into pure motion picture. It was decided upon first by myself, Frank Lioyd, the director, and Mr. Bal- derston, that we were making enter- tainment for mass consumption, using the broader canvas of screen technique for expression. This decision ruled out any detailed dupllcauun of the stage| play, successful as it was. In tpis changing of & play into & picture story our first lem was & uction in the number of speeches, versal language which we may loosely interpret as movement. Actually we added considerable pic- torial value to our story by reducing the spoken lines by half. Thus we added an inn scene, a club scene, a John Quincy Adams scene, & Bir Joshua Reynolds sequence and numer- ous_outdoor scenes that were referred to but not shown in the play. And 80, by severe elimination we built up, paradoxically enough, a sharp in- crease in both story and pictorial values. ‘The secret of transferring a play into & motion picture is simply this: Stick to the principles of movement, change as much dialogue as possible into ac- tion and forget that the play was once a huge stage success. ‘We have done all this with “Berkeley Bquare.” Lederer éoing West. | Ambassador =" % 9:| Ave. Grand ,_° fo Laugh Aboui’; Berncs and Emily, WEEK OF MAY 21 $xfiday Monday Tuesday Aadfln Jim E{Ifll& in ¢ m: and G uu. se. Yipm e eer? John, Batrymere in ““Topa: Jimmte Burante in “‘What! _No_Beer?" Carole_Lombard in “Virtue.” tty Compson, "Des- tination Unknown.” MUSEMENTS. Saturday Hollywood Players Now Bett: - ination akhown: Ron-Dotlar Beandal. Wallace Beery in e Hoxle in “Gun Jack -mm' Law." Serial. News. muuun 18th & Colambla Rd. % ""“‘ Edward G. Robinson n “The Little Giant.” Edward G. Robinson “The Little Giant.” A Mting musical 7o 280 Mine Ton‘:sl;; 4 A 10ting_musical To- mance, “Be Mine Tonight.” Travel talk. Souvenir. S E- Brown in Ruth tmn( comedy. l!ave!u reel. Clark Gable in “The White Bister.” Apollo 624 H 5t. NE. Walter Huston and Karen Morley in “Gabriel Over the and Glan in “The White Sister.” Pictorial. White House.” Cart'n. !eu.e Davis snd Gene Raymond in Walter Huston and Karen Morley “Gabriel Over the White House.” Cart’n. Musical tomedy. George O'Brien in #Bmoke Lightnin"” Tax! Bo: = BY MOLLIE MERRICK. Special Dispatch to The Star. HOLLYWOOD, Calif, May 20 Arcade Hyattsville, Md. Ashton Clarendon, Va. Dark. Jobn_Barrymore in “Bweepings.” Comedy. News. John_Barrymore in “Sweepings.” Comedy. News. Joe E. Brown Sarl Maritzs and i “Elmer_the Great.” Comedy. Alison Skipworth in “Lady's_Profession.” ‘Comedy. News. (NANA)~—There is a tendency in 33 comedy. c artoo; £ Mary rian, "Eun Missing.” present-day Hollywood to make the i “Elmer ! \n‘! Great.” Jul e n Bailor, Bally Eilers and Raiph Bellamy n “Second-Hand Wife." Bally Ellers and Ralph Bellamy in “Second-Hand Wife." Trene Dunie “No Olhlr Congtance Bennett 1a ‘Woman.” Betters.” n lemv m Blu c“'__ public pay for appearances. The star lies lnwpzmuuflnc the year, ap- pears but little in gay spots, saves cash 'rlm lcooy n “Man !%t‘/\mon eom Commeds. 5612 Conn. Ave. Afthur Traty_short. Helen Hayes and Clark Gable in “The White Sister.” “Chru!onher Strons.” Arthur Tracy short. Souve Kathering Hepburn Eflxrm‘o Hepburn Sally Eilers and Ralph Bellamy in “Christopher Strong.” *“Sec: ‘Souvenir. Joe E, Brown “Elmer the Grest-” 645 Pa, Ave, 8.E. “Sea Devils. “Bea Cameo Dark. Joe E._Brown Great.” and Sally Eilers in “Central Tt in “Elmer the Alrpo: Devils uuum oo chwr‘l Richerd Blnh:lmua Iun:gd !Anh-lme‘u and *‘Cen Musical com. Pictorl. “Woman Accused.” Phil Baker comedy. it | Aty L ond-H: Short sabiedr. Oadity. Nancy Carrcll and ary Gr: rflx and nerve wrack and then goes out on an official personal appearance tour ang‘ gets a few thousand a week by so Qulce beautiful, and not dumb at all! This is in distinct contx._st to the emanded e Tent and Eu-n Erwin in 0D G Jnhlnn in der the Tonto Rim. iner. Ohalle Ohase °l°mfl’ edy. rt Teel na wnnrd and Lewis Stone in “Men Must Pight.” “Broat Short sub. _Sport reel. Comedy." Souventr. day .h,,, a and smn idne Bk RS Comedy. Georse Raft and 8y M'x Sidney 1m meds " News. bfi:‘ e Brook snd 'y ard 8 avalcuge ‘Comedy. News. Clive Brook and Disns Wynyard in News. Mt. Rainfer, Md. Trene Dunne, " The Be Carolina Mme. Bla: cret of 11th&N.C.Ave.8.E, 8. Summerville, *“They Irlne Dunne, “"The Se- cret of Mme. Blanche.” “Ladies Talk Had to Get Married.” Barbara Stanwyck in B ey fbout.+ Leo Oyrrille About, in_“Obey the Law.” Stanwyck 1n They Talk Leo cn-nllo Law.” “Ladi James C ‘Hard to Handle.” in _“Obey the ey in il producer d feature players and stars be continually med to the eyelashes—dressed as 'amous beauties and cinema personali- ties should dress—and be seen every- where in all spots of gayety and chic. When this was at its height a campaign to e Mary Astor the “best Jimmy Durante In “What! Nao Beer?" Kay Francis in “The Keyhole.” _8Serial. Buck_Jones ,,:f“‘“j ight. myd o 7 ““Treas Our Gang_comedy. 8. Summerville, ‘“The; Central i To Get Married: 425 Oth 8t. N.W. Zane Grey's “Mysterious Rider.” ck Dempsey in orld’s Champ.” Zane Grey's “Mysterious Rider.” ack Dempsey in “World's Champ.” Joe E. Brown in “Elmer the Great.” Ruth Etting in “Along Came Ruth." Joe E. Brown In “Elmer 'the Great.” Ruth Etting in +_“Along Came Ruth." kfilbl d yes wrThe Wnite. Slster.” Cartoon. Richard Barthelmess Sally 0, “Central e PiiteTodd comeds. dressed woman” was in vogue. Mary Astor never appeared twice in the same Circle 2105 Pa. Ave. N.W. Carole Lombard and ack Oakie in “From Hell to Heaven.” Comedy. Colony Ga. Ave & Parragut _crne White Sister.” A lllmu m\u ical ro- B Mine ‘Tonisht.” W. C. Plelds comedy. Helen Hayes and Clark Gable in “The White Sister.” nq;r Wallace and Wray in, “Eing Kons." Helen Twelyetrees in “’A Bedtime Story.” Comeds Maurice Chavaller and _Maurice Chavalier an: costulme, and fleued everywh arches 'm Helen Twelvetrees In C e Story.” dy. fifimn Sei Tione] Bareymore in A luun:! mgnuu To- Noble, sm\u -hort ance, “Be_Mine Tonight." W. C. Fields comedy. Dickie Moore tuckzed out and her 'fik n rollered to live up to the title. n wwkpd .!orntawdlxvvelh. Her costumes d | ribl George Brent and Zita Johnson in “Lugiry Liner.” Dumbarton 1349 Wis. Ave. N.W. Sally Etlers and Ralph Bellamy in “Second-Hand Wife." “Jungle Mystery.” 2d. George Brent and Zita Johnson in “Luxury Liner.” Comedy. un wm ma George_Bi e Ray Francis in “The Keyhole.” Comedies. Fairlawn Anacostia, D. O. Paul Lukas and Loretta Young in “Grand_Slam.” Comedy. _Travelaugh. George_Brent and Kay Francis in “The Keyhole.” Comedies. Cary Grant and Carole Lombard Nancy Carroll in _ “No More reas “The “Woman Ac- medr. cused.” Com. Cart'n. Someor. “Qur Betters. Edgar Kenned. “Art in _the Com. Bruce oabot and ay Wray in Hippodrome lo! K 8t. NW. Bruce Cabot and Fay Wray in “King Kong." Comedy. _News. Richard _Barthelmess ““The Flight.” .__Qets Richard Barthelmess Tee Tracy in ~Clear st Flight © All | Wires.”_Carole Lily Dln\ln ln”onldlg mbard in "!mlom long." edy® DollarScandal.” Com. woiers o mlon~ Tee Tracy in fU Wirer filblm 1 ar Scan R ‘Warner Baxter and Ruby Keeler in “42nd Street.” c rtoon. News. Hollywood, everything moves s nmdly mt the buuty of the morn- ing is passe by night, a new favorite Richard Barthelmess iome d Ball mmn in Boys i8thor. RIAVENE. 14 Richard Barthelmess Maurice ¢ cmvauer and and Snl:‘y Eilers in Baby_Leroy ”in “Bedtime Story.” u-nnc: Cl vnu-r and George Brent and Baby Leroy Zita_ Johann in “Luxury Liner.” "Badtl.me Story.” Sennett_comedy. hnvl.n( displaced her at the luncheon ‘Constance mmn in table. o T Betters.” =y e mamy and ‘artoon. s Birell an, Mae West Is Fight Fan. iy. w-mer B-mx nd Bebe Daniels in Street.” irdy comedy. s Asther and Bar- 7Y nwyckl%‘f!n- n' Colman snd Pat O3rien '%nd cfi“;:‘-'»‘“ tor & i, Com. *Fepper Pot hase com rincéss 1110 H 8¢, N3 ot} Do Torieail Mato?pam. 3030 14th St. N.W. Seco Sliver Spring, M Stanton 6th & C Bts. NE. lu:el. John Barrymore Tom Mix in utin as uu *The_Terror Trail.’” "P-ruh ok Fields ¥ cnedy. Souvenir reel. nd mun'l Whel, John-mn..lo re in Melvyn Dodglas The prime favorites of today are "Hllwa.e';‘u g lul.everymetothu goes to you may find her a Seneon: Tom Keene Eeatiey River:s Our Gang comedy. Serial. short Subjec Yamer Baxter and am Jordan i1 Angerousy Yours.” Comedy. _Novelty. nd Teo Carrillo and Dickle Moore in “Obey the Law.” comdy. cnmn. jest Truex an dfl_n e Dunny .nirnu- Fiel in. - Whistiing 1ips Hoime the Dark."” Comedy. t o Cartoon.”_Serial. Becret Blgnche.” Com. News. Lord num?e'r'by. Bal ville headliner and micer Tracy an im Summerville_and “Face'in the BEY" & By Comedy. ' Serial. Joua Craniord and John Barrymore in “Grand Hotel.” Betty Compson an Pat O'Brien in “Destination Un- known. Sae West, Cary Grant Mse West, Cary Grant sad Nosh Bee id Nosh Bee! *8ne fin *?8ne-Done. i Dark. State Bethesds, Md. Sylvan nw‘:';’uum life; the rearing of & fam- | 104 R. I Ave. N.W. m::%&u comedy. _Charlie &\ue comedy. _Comedy. oE Al J 4m-mf°m I'ms Takoma Takoma Park, D C. pRamutin and | the ”R-lmuun and Empre " Com. in Barrymore 75 ews. fllo c:snor ln flenrllz “Arliss A Jolson "xuleluuh. I'ms The Barrymores n “Rasputin.”” ivoli 14th & Park R4 “Elmer the Grest.” Musical_comedy. i Joe t Bm'n Tionel Barrymore “Looking Forward “Emer the Great.” Phil Baker comed: Musical comedy. Johin, Lionel and Ethel Johny Lionel lndlgth_a! hv Liony “Wax Museu: News. The Barrymores in.” in.” Arthur Tracy short. New York star. She likes big, masculine and not- too-handsome men. She hasn't been Joan Blondel Cll‘ol Egle Linden ‘s eli%o Heay in, “From Hell to Hy o Tk’ nm&"m"xfz‘h Serial. ln lumm asu Piits Just H; Tled.” d “They Mar- meay lcrm n 7 ’-oo “Obey the L o Btnlrtlr'lnln"cflme of the Century.™ ‘Toomey in Fgtate Trooper ® P ’ho:we’ vi' ey e Pretense, Tives 'in fi:’:.,;q“““m o e secus e Which sha wears in peofamon . Now when Mae West takes a va- cation she will possib] York Ga. Ave. & Quebee, ~OPFIER it sl Tintype of Tracy. WIEN Fox started to make “The Power and the Glory,” Spencer Tracy didn’t' show up the first shoot- ing day , . . he forgot about the pic- ture . .. they found him at Santa Bar- bara . . . playing polo . . . he's rated as the no-goal man of Hollywood . oflgm-lhnbbymbowuu...but strain on middle finger too much . bwzhtmn‘o(ponlu...drymoku a pipe . . . which means he doesn't smoke & pipe . . . threw his hat away the day he came to Hollywood . . . wouldn't even look at one no' cee early ambition to become rted to dissect & worm nnfl ‘thought better of it . . . then joined a stock characterization “The Last Mile” . the m is fond of revolvers . . lection of Moorish arms whi hung over the walls of his v never fired a revolver in . in pictures . ll.nc Sm‘ for lfimuphere Tor "‘I‘he un e' 8 Wisconsin boy. . . Milwaukee. . but doesn’t care who knows i . once urel who knows it discovered he had remembered a line from Byron . . . gave it up along with desire to hoeom l% Married Loul ldwell lnd they have a son and da hm kid to refrain from Conrad best author beu 8 md doun‘t mlnd suvsnlon oxu bit, b n a :mm untfl his lmm' him away from the wln- dow . . . thinks superstition silly, but knocks wood ;‘Ifor m;on » lives ouf ife except W] : (e)nce ~ sailed the Gulf of Mexico as an ordinary seaman...almost faintes din the hot, sun...lay down on deck. . .first mate came up and accused him of nap- pln;anjoh . . . Bpencer threw pot of aint overboard out fa( spite. . .mate threw 8| paint “mmh food, wlnguhy:'}y 1rijoles word wm: ‘whi m; Teally means beans. ..cares about ta- 4 - or chile con carne crazy 1 doesn’t mind An occasi f rotlk. Stunt in “Face in the Sky” is barn painting . . . Spencer went around beck o{ barn and caricatured “Stu” Erwin as prize porker...had it phohl\‘lvhzd and unl close circle Erwin's ends 85 Chrl.nmls card...“Stu" in a Auvl about Favorite actress Igm-n Nlmn whn Llyed opposite him in last ure. gilnkl her gentlest girl in Hollywood Marian says she would like to be able to say as much for Bpencer. Tl-m long-awaited arrival of Francis Lederer, sensational young Czecho- slovakian stage star, in Hollywood is scheduled for June 1. “Autumn Crocus,” the play in which he has been starring, completed a long New Y Tun recently and the star plans to train to Hollywood after a vacation of several weeks. Pandro Berman, assoclate producer at the R-K-O studios, in anti clplunn of the st Hollywood trip, has abou %&d plans for “Troubadour,” an musical munu hy Clemence Dane, wlth music by Rich will probably be udner' fl.rlnl't (52 h 1:30P LAST 5 DAYS QEORSE ARLISS “WORKING MAN" G\“YC}‘I Gmup Rehelrui. Um the direction of Ernest N. Hudgins, the players of the All Souls’ Church Dramatic Soclety are re- hunlnx for their é\’anm&rgducum. T arkington's “Clar 1 B0‘?‘!\0 cast for this play, which vl\'l e Mired Cosi, Wayne ] ayne g‘or:.mn Commerford and others. The settings will be in charge of Richard F. Stiles. Wod 31 Thr. wnsmu-rox STH AND FLORIDA AVE. A RNUM cd-bmh. RINGLING flfll.lll Fl EE with lMA-Adlh‘.' Amu:'lan GIIIFFE IEGI WOMEN: ey nder 12 STAND s Toax m IIU 27 n SHOW GROUNDS Ko CIRCUS L BAILEY ASTOUNDING NEW u.n'u nfl:.:tu.-. MM!AT Er‘fi‘ oo A-n. Kathering | Hepburn Kathering y "chrhwwh-rmnn" ke -hrlel Over the Cartoon. use.” Bouvn'r. OMANCE, beauty, laughter,)Scra) charm and, above all, haunting music are the ts of Janet Gaynor’s and Henry Oa- rat’s new musical plcln;", princess. “Adorable” is filled with delight. ful mu!lul n bers, including “Adorable,” “My Heart's Desire” and “My First Love to Last,” all of which are sung by Miss Gaynor and Mr, Carat. The musical numbers are by Wemer Richard Heymann. Others in the cast include C. Aubrey Smith, Herbert Mundin and Blanche Friderici. TWO rival magicians—masters of fak- ing—form the plot for “Trick for ‘Trick,” which comes to Loew's Columbia Theater a week from Monday. Ralph Morgan, Victor Jory and Sally Blane hinlu are the principal characters. The story concerns the ex{:lolu of two magicians attempting to solve & cr!me which ends in & seance, when one of the magicians is mysteriously murdered. "COL!EOIATE HUMOR"” week, in which the combined forces of Laurel and Hn.rdy in their new feature le h comedy, “The Devil's Brother,” Herb Williams, the most laughabie comlc of the stage, and Aunt Jemima of radio fame, on the stage, are brought together, are in store for patrons of Loew’s Fox Theater for the week start- :m arranged a special collegiate over- ure. In “The Devil's Brother” Laurel and onal glass H;:? . mEuer ln?mflb’:s who contribute the roles. “The Devil's Brothu" from the famous comic Diavolo.” The picture is Hal Roach. Others in the cast anhldn James Finlayson, Henry Armetta, James C. Morton and others. TH.! week commencing Friday will bring to Warner Bros.’ Earle The ter “The Eagle and the Hawk,” fea- turing Prederic March, Cary Grant, Carole Lombard and Jack Oskie as the screen attraction and a populsr return engagement of Welcome Lewis, radio’s 5 feet of melody, as the stage headline offering. Miss Lewis will sent an entirely new act, “The uunpi:.l ENJOY THE MORE THAN FIFTY " ket FEATURES at PR FREE ADMISSION GLENECHO TODAY From Noon Till Midnite CRYSTAL POOL WITH ENLARGED SAND BEACH OPENS FOR SEASON NEXT ] SATURDAY, May 27 AT NOON ing Priday. In addition, Phil Lampkin | ] dapral White House.” Musical comedy. Coming Attractions " 'hlchshevmhu- “Tfll STORY OF TEMPLE DRAKE,” screen adaptation of the Mv'e“l! attorney she loves, she refuses to marry him, runs off on & lark with 8 member of the younger set, and a wild ride through the ht is climaxed by an automobile smash-up. They find them- selves prisoners of & city gang- in a desolate country hideaway have taken refuge. follow bring the film to a startling climax. Miriam Hopkins plays the title role and the cast includes Jack La Rue, Wil , Irving Pichel, William Colller, jr, and Sir Guy Standing. R-K-D Keith's next scheduled at- traction 15 to be a world premiere of the new R-K-O Radio picture “Mel- ody Cruise,” a musical comedy featur- ing Charles Ruggles and Phil Harris. i it D i Stokowski Praises Film. LK)POLD STOKOWSKI, conductor of the Philadelphia Symphony Or- the Ruul.l.n film “Alone,” w] he saw at a view in New York recently, and wi eh will be the Washington e Theater next Thursday and da pm. “I thought the music of Shos- takovitch o?ruud s wonderful paral- lel in sound of what the picture ex- pressed light,” he commenubd “There are nu passages the hotography that had great mun; and llmpuclty and what was to me a new expression !n the contrast of nuances in meh. although one of the youngest in the Soviet Union —he is now 24 years old—is one of the most_eminent. He has com) , including the played here by Stokowski and Toscanini; one opers, two ballets and has recently completed a musical score for Hamlet. Eisenstein, before he left for Europe, expected Shostakovitch to mh the musical score for his Mexican i ¥ous 1n_Bud: ‘Alexander Kirkland ry Brian snd and Boots Mallory 1 b in “Humanity. “ ing.” at 11:15 | Sym| Tas S Comedy. Chasile Chase camads. the four-a-day is pretty trying and most of the wr h Iuveuze mgemenwodounlvzr [ v Peaches : Most Amazing Qirl of the Agel Prices Reduced. SR Joat Mncene T}m concerts of the National Sym- phony Orchestra will cost even less next ynrnunth did lgst season and a larger block of seats in Constitu- mnfllllwfllbenuledwmmminl mum prices as well, Mr. C, C. Cappel.-| mnuer of the orchesirs, announced | eig] an average price of 37}, cents per con- | oert. | ‘This is stmply another Mr, Cap- w-ud.;onumw rurry'o"up D fl-unnu outlined by the founders lnd iphony, t: non-profit-making enter- | N ES BING CROSBY PAUL'}NHITEMAN of the orchestra—that the Buhurlpflonl for these seats can be made immediately at the National Symphony Orchestra’s offices, in the Woodward Building. orrow HNight end Wee WD LSAT w 8¢ S.E.Cochran 1 Clifford Brooke offer ke National Theatre Players in Dhe ?arofélu:fu.wn: Qramafic&mme& *'ANOTHER LANGUAGE' is not Robert Garland, New York World. S Play ta'be’ pamed over. lightly.® «ANOTHER . " Py iy o 0 of our brightest hita” Robert Cole- UAGE: ariiving uahersided la e spaecn itsel! as portraying the mm o -n«u—d- 15"‘“ U d.....m qum B * ‘ANOTHER LANGUAGE' the years 6”_“““‘.0 mehmu\hummd "Onntnuu-tmumm.' J. Brooks Atkinsen, N. Y. becomes something in the way of beneficence, Imcll&-m“fl’l te, snd faithfully theatrical.” r-q'l-muu N. Y. mwmm;mmnunn--h" John Mason Brown, N. Y. Post. N :::I{v;lthnmamebmnlmnlm.' = fl'-r.'." rgo | seldom glimpsed. uuwa-t,mwu .1 3 returns, Out Where the Movies Begin Avoid Public for Period Before Making Tours for Personal Appearances. take vacations of Iength when away from the scree: i e ;‘Ifl Are Pl'flhbk Ramon Novarro's personal appearance tour took the form of concerts. star gives the public whatever hh or her talents warrant on these tours. Ramon happens to have a fine tenor voice, which Paris, London, Biarrits, Spain and other localities is hearing and the tour could be prolonged with tremendous reclame for the singer far beyond what his motion-picture con- tract warrants. He must be back in the early Autumn for the “Cat and the that | Fiddle,” in which he will have Jeanette MacDonald 1 now—her lovely soprano voice baing something of lll asset even in addition to her beauty and her cinema fame. For the star who isn't altitudinous— f|and for some of those who are—the pmfl appearance tour is as profit- clean | able as the sound stages of Hollywood. Thm-tmneednmwotry-bcuzm Muc appearance in their xollywood— is getting to be a ter- responsibility and an increasing bore ‘They can go out on the stages of the world, after a restful season ul be~ ln‘ in thelr own drawing rooms, hair down, 0 to speak, and elpthh ue on the venture. (Copyright, 1933, by North American News- paper Alllance, Inc.) Blackfriars Close Season. Blackfriars Guild will close their g current season tonight at Wardman Park Theater at 8:30 o'clock when they . Fagan's sprightly Ambassador of Japan and Mme. De- ichi, Ambassador of Belgium and Mme. May, Minister of Irish Free State and Mrs. MacWhite, Senator David I NOW PLAYING “PEACHES” BROWNING (IN PERSON) The Most Talked of Woman in the World 2Summer Concession Conpons2 A $1 Orchestra Seat for 50c A 50c Orchestra Seat for 25¢ (Plug Government Tax) -.."“'.m?.‘ o hone” reservations e Fais s positive: = MOONLIGHT TRIP - DANCING Wonderful dance foor excollont music. Mam. moth searchight die- closes points of inter- ‘est along the Potomac. Nightly at .30 P. M. : A~ = WILSON LINE 7TH ST. WHARVES NA Boat leaves .ul"u p.m. daily 2140 Bound Phy Mflliu-" llr Iflaflhfl ACADEMY ©f Fericct, mmfl:a'dn 'Fn—n DUM TON : emed uunn\ %’!}? FAIRLAWN SR m e PRINCESS, Pouple Festure (Mat Sin; in_“THE 6th and C nd 10 WL NE P T A T PHONE GEORGIA W2 ‘HALLELUJAH. ' A BUM’ _[HEPODROWE " Xztwss = Q RROW—FAY E g | o8 cm“fli :“"m 8t ECL “ cowm o i g SR arms cnd Ginia, o HOME oo wxe— “CENTRAL AIRPORT- SAVOY na e e p “PAROLE GIRL" W. —(%%’fhm JOE -