Evening Star Newspaper, April 3, 1930, Page 37

COTEMPORARY COMMENT. —By BURTIS ! | *ONE THING WE COLLEGE MEN MUST DO IS PRESERVE OYR INDIVIDUALITY * . THE EVENING STAR, WASHINGTON, D. C, THURSDAY, APRIL 3, 1930. ORPHAN THINKS SHE AN MBKE ME LOOK SILLN, POES SHE T WUW! HERE [COMES \TCHY JONES-WHES THE ONUN GUN \N TOWN WHOLL GO WITH HER- i fLL BREAK THAT ue- CVLL SHOW WeR'! AUGUSTUS MUTT WANTS usTen, Mou! \ SEE NOu WALKIN WITH ANNE = WELL, PON'T DO \T ANy MORE OR Mou'LL MASH NOU HADN'T- (F SHE F\GGERS SWES TOO SWELLED UP YO WALK WITH ME SHE'LL DO WER WALKW ALONE=- SEE? NOU KEE?P AWRN FROM HER \F MOU DOW'T WANTY TO _GEY HURT- THAT'S ALL- D0G GONE | WHRT D\D 1 DO? WHAT'S WE SO MAD BT ME FOR? \ DONT WANT To F\GWT WITH WM - BuT, GEE WHIZ- WE CAN'Y TALK O ME LUIKE WY - AND AROUT EE HE PAYS NOBODY, HE OWES HIS BUTCHER, HIS TAILOR, THE GROCER, HIS LANDLADY § MOVIES AND MOVIE PEOPLE $100 or AL SR THER T e Ly st iy CTIONs | EFH AMD THE MILKMAN. HE HAS SPIDERS BY MOLLIE MERRICE. _ ~a) ABOUT | THe oNi Reasol e DIDNTJ | INHIS PockeTs AnD motHs on K STREET WAS BeCAUSE A HOLLYWOOD, April 2 (NANA).— The famous Clara Bow personality will be completely changed during the com ing fortnight. | Hollywxood's “red-hot” girl, the lass| who put ginger into silent pictures and | led a world of flappers in her sizzling wake. will become modern once more. Becoming modern today includes a lot_of changes for La Bow. | ‘That hair, for instance. | Flappers aren’t wearing theirs down about the shoulders any more. For| that matter, the word “flapper” is gone —the species has entirely disappeared. Girls arsn’t displaying their legs any more. (Perhaps, in view of the new movie rulings, one should say “limbs.” We may as well keep the columns de- corous as well as the silver screen.) ‘What, then, for Clara? Her hair cut tightly to the skull, even #s you and I and the rest of the fem- inine element. It's either that or a tiny knot at the nape of the neck, and Clara elects hair short. Clara’s siltouette has suffered a sea | an antique haircut and other signs of sterday made her something for the ung generation, which has been the | foundation of her popularity, to laugh at instead of emulate. Nino Martini speaks no English. A singer and actor from the Verona Opera Co., he finds a niche in Hollywood by reason of the demand for musical films. And his charming disposition makes him a popular member of his studio gnup. Harry Green, comedian, decided ask Martini to the fights with him the other night. He stood before the smiling Nino and enacted the following pantomime: * will go to my dressing room and change. Then I'll pick you up at your dressing room. We'll go to my house (wide ges- ture of arm) and have some dinner | (business of eating). Then we'll the fights” (elaborate business of feint- ing and shadow boxing). C,%une out of breath, he paused for a reply. Nino Martini grinned: “Hello!” he | replied cordially, and strolled off. One of the youngest producers in the BUD Fisuss Oh, What a Pal Was change, and there was room for that village has a modern office with all the PARDON MY NERVE, NEIGHBOR - CHINESE LAUNDRY WAS KeePING 1T FoR THANKS! TS TRIP 1S VERY BORING =] CONSCIENCE HE (S AS HONEST AS THE DAY s Lone-BUT- He neveR 1 NEVER MAKE FALSE 1S THAT s0 ¢ WELL, You CAN SRAVE YOURSELF THE TRIP ------ DEMPSEY WiLL NEVER FIGHT AT slso. Slim_again, she will face the| comforts of an operating room—done cameras with the old-time curves which | entirely in milk-white glass, walls and f{ei':d {l;lld;eh"o; e fl;:flf::lm‘;;ml: modern furniture, the sort of chairs mbs W encase chiffo that find you half-sprawled on the fashionable lergth when dresses are in | floor. ¥ > THe SPORTING PRGE demand. The lad himself—he is quite small— / IF YOU'RE NOT RERDING I am relying upon her producers {0 |has a normal-height chair. He has ! keep dresses ou’, of it as much as possi- | also a trick of rising and towering above - ble. Clara Bow will enter the ranks of 'his victims as they sprawl miserably in Y. musical comed7 and hoofing on the the modern furniture. = = Paramount lot. | He sent for a famous lady the other 7 I haven't heard her sing, so you'll day. The following conversation en- have to take the studio's word for it sued, with the producing lad standing that she has developed a voice “of in- above the lady, whom he had carefully teresting proportions.” Which may seated in one of the lowest chairs. mean much o little. | "“That salary you're asking 15 & She dances, it would seem, in & helluva lot of money.” highly satisfactory manner. | “T don't think it such a lot.” And with ths changed personality | «well, I do.” here’s an entire world, brand-new and | “Sorry. You sent for me and T came,| Now Who fresh, for the Bow to conquer all over | byt you can't waste my time this way.” A again. Its a good move on movie = And the lady ups from the moderne| I8 This men’s part. With changing standards | chair and outs of the office. Her first Gay? of dress and deportment, the famous| nhyshand was a producer—she's up to ay ! “It" girl's “red-Fot” personality became |al] the tricks. @ thing to laugh over. Short dresses,’ (Copyright. 1930.) l Daily Cross-Word Puzzle I WITHOUT SOMETHING TO DO =~ =-+e==- AND BESIDES I WANNR SEE WHAT \T SAYS ABOUT JRCK DEMPSEY'S COME BRCK ! I'M Now ON MY WAY To SIGN HIM FOR A FIGHT AT OUR ARENR BACK IN SCRAMSBURG ! WOULD YOU MIND LENDING ME PART OF YOUR PARPER ? STATEMENTS, MY FRIEND *= <) WELL, THIS 1S MY STRTION == You'lL PROBABLY = SEE ME FGAIN - - %gfl, ° e GooD DAY ! . 7 |B i YouR ARENRA &1 77 = / 2 F =, /[ WHo 1s THIS J GuY ? WE WiLL SOON SEE 1 WISH COLONEL. \/WHAT DIFFERENCE RARRINGTON'S YACKT T WAS A MOTOR CRAFT | HoE Ak INSTEAD OF STEAM / You ARE FouR DOWN, DOC. THOSE FOUR LITTLE PUTTS You MISSED COST You THAT'S TeN STRokes YOUVE HAD ON TH\S HOLE AND THE OTHED DAY JORNNY FARRELL MADE IT PLAYING GOLF WITH WM FOR ¢ 20% A HOLE I'M ] | PAYING FOR THE COAL A | HE BURNS ON HIS JoY l | Scow AND GASOLINE 1S CHEAPER THAN COAL / WHAT Do I CARE — 1 HAVEN'T GOT A BET WITH JORNNIE FREEMAN FARRELL /! Doc Craves Thrift. = THAT'S THRE BEST THING WELL GOSH! ANYBODY IS LABLE TO EVER MADE A\ MISTAKE THEY WOULDN’ RAFTA PUT 'L AR Greek goddess. ...--. RfiG RS MAKE A nRy SANEREREY Al ( = MISTAKE! 51. . Y A pe 7 . Plunge in. . Mixturs of ingredients used In| o5 mames frech o " cooking. . 'Soother. . Woman's name. . Ensnare again. . Foolish | Heightens. " Not seasoned. . Thin: coli. . Pigment. . Property held by a renter. . Heap. . Rented. Down. . Repese. . Kind of basket. . Nourished. . Italian river. 3. Head. . Hindmost. Ecclesiastic. . Chalice. . Reptile. . Place in lodgings. . Fling. . Bet beforehand. . Knowledge, . Let it stand. . Meal of several courses with a| . Held. fixed price. H . Vehicle. Serpent. . Aromatic plant. . Darken. . A fraction. . Chinese peasant. . Prong. Cutting tocl for trimming slate. . Bondsman. . Attempts. . Harvest. . Wax. R . Attacker. . Plateau. ' . Male swan. . Wing shaped. . Leading strap. . Light cakes . Notions. . Tandort. . Book. 5 . Entanglement. . American pioneer. % . Nails. . Hot, spicy dish. . Flows gradually. Bare. SAATED | SRNCEE . Myinical giant. ClBle) el Woiclo] | 36 sumee. \oie<s silio . Physician; abbr. . Oriental. . U. 8. Indian trike. ! . Young animal. = . Repair roadways. . Belonging to a Midwestern State. . Enlarge. . Is wrong. ANSWER TO YESTERDAY'S PUZZLE. K3 12 e 4 PARYLY 5 DR NEOD] o ( [Q[C [3(D[~ WINY (C[ 0w} RN PARIOILT O]~ /2] RN S l@]m] NIZID] 2, |7 Om[mip eS| a3 By GENE OYRNES No Mistake. PEENTS, NUH ALL HAVE BEEN BRUNG - W/ HERE TO JURY FER TH' COUNTY OF CACTUS IN TH' CASE OF TH AFORESAID COUNTY AGINL ONE BUCK PERKINS, TH PARTY OF TH' LAST PART=NOW,IF 1 MIGHT BE SO BRASH AS TO AST IT, HAVE ANN OF NUM VARMINTS ANY PREVIOUS KNOWLEGE THIS HERE CASES By SLHUNTLEY in Court. £ AN HAVE ANY OF YUH 71 [ EVER seEN TH' AFORESAID J BUCK PERKINS BEFORE IN A NOR LIFE OR ELSEWHER = OR TH' ET CETRY | RUBBERS ON | LEAD PENCILS: A AN How's TH' MISSUS AN’ EVERY- THING OVER TO NOR PLACE