Evening Star Newspaper, April 20, 1940, Page 34

AMU SEMENTS. Watching De Mille Direct Tops a De Mille Picture He Works Himself Into a Fine Frenzy Trying to Stage a Revolt for ‘North West Mounted’ By JAY CARMODY. It is one thing to come to Hollywood to acquire new knowledge, and quite another to pick up new ignorance. The latest ignorance is em- braced in the fact that hereafter we shall never know whether it is more fun to watch Cecil B. De Mille direct a picture, or to see the finished product. Right now, the impulse is to believe the greater pleasure lies in the former, for watching Mr. De Mille direct is one of the easiest ways we have found to spend an after-¢—m —M0mMm———————————— noon at Paramount. “North West Mounted,” not to be confused with “Northwest Pas- ¥ " “Susannah :a.!"t.he Mount- fes,” or North- west Washing- ton, is the proj- ect which Mr. De Mille is drenching with his genius. The moment is one in which the wilderness rab- ble makes up its mind that revolt is its only salva- tion, that the Jay Carmedy. time has come to throw the ruling rascals out and salvage what they can of a destiny that has heretofore been none too happy. That should be a highly dra- matic moment. Mr. De Mille knows it. But his motley mob, his rabble in arms and coonskin caps, does not. Its life of ease in Southern Cali- fornia has done something to unfit it for cepturing the feeling of men who were men enough to shoot away the shackles which bound them. Mr. De Mille, who has been in a pet for several days, according to the whispers around the studio, can take only so much of that. Out- numbered a couple of hundred to one, he starts telling the revolu- tionists just what he thinks of them., “Look, you white-livered panty- waists,” he begins in a highly un- paternal tone, “what I want is a revolution. Do I get a revolution, or don't I? Do I have to go out and get & bunch of new revolutionists?” Mr. De Mille says a lot more, but not for publication in a family newspaper. Then comes another rehearsal of the scene. From the layman’s viewpoint, it | looks all right, but that's the dif-| ference between a picture directed | by & layman and De Mille. The lat- ter picks out at least a dozen details | of the scene which are riddled with flaws. “Hey, you, you on the steps” (the steps being that of the cabin in | which the revolt has been decreed), | he begins another harangue, “We’ re‘ not piaying statue. You've just de-| cided to shoot your way to freedom. Don't stand there like a bunch of dummies. Act like men who might believe: in liberty enough to fight | for it. (Censored.)” It ought to be enough to goad the mob into shooting De Mille. That it does not arouses the curiosity of the stranger within the very closed gates of the big sound stage. “He's half-fooling,” says a husky- looking assistant. ‘“They know it,| too. Hell whip them around, though. If he doesn't, then he'll get really mad.” That would have been the true | De Mille spectacle, we thought, but | it never materialized. The maestro could not, or did not, sustain the mood to that point. At the height of his fury—just try handling a mob sometime if you don’t think it was justified—a funny line would intrude upon his withering dialogue. Mr. De Mille would laugh, too.| Choose from an un- limited stock of sizes and styles, Phone NA. 2045 for FREE DELIVERY! E. Morrison Paper Co. .} 000 PA_AVE NW -‘ " THEATER PARKING 6PM.TO o 5 . 12 P.M. CAPITAL GARAGE J320 N. Y. Ave., Bet. 13th & 14th GONTINENTAL REVUES Tuloo Nightty—inel. Sundays NO COVER K RIIII or 8" oANCINg To wn counz:flr.uf AVE. I Res. Phone NAL. 4181 MONTMARTRE NOCTAMBULE Open only a few more Baturdays. Pronch atmomhere., unususl enter: nt. Pelian Garzis, Concert ‘W. (The Evergreen) 2, ME. 5804 AUVILLE FOOD SHOP, 1629 Conn. Ave. oellont AiNRers: luncheons, faniy drinks: aloods our spécialty. Served 'in home stmosphere. _ Open 7 o can you get reai ed charcoal brotled TON HO Thom Clnle 4 squares trom ‘White chu ickens Room Cocktails, 5 to 6 p. 25e. Inner 6 to R p.m., 65¢, 75¢ lnd L ancing, fo fe turin mnfl T80 atter ariton H Mart ’i"n""? Sotes Fiin 810 'p. 2.00. FLAGSHIP, 3135 K N. s) to Sl 50. No cover. 80. "No min. for dinner guests. ulnmmL by Brooke .vohng Resy. N, TLLON RESTAURANT, wnnuh- ;ufllln O tn B and New York ‘Aver n.ll! place to dine, the popular Dllu ROOM at WESLEY HALL. 176 tertain here. Best {00ds; unique like s most fastidious nome. 'nvinA. l- | 2400 16 ncing o Pete Maclas orchestra; Teatuting AGe Van: 10 2 N5 o min, of cover except Sat. eve., $1.50 min. CO. 7: gnhl GARDENS on l(-mon ban Dinners, $1; Sat. Enter- 3th St .YLAND CLUB . Peaturing Nadine and her co d. "De luxe dinner. until’ 2 o'clock. _Phone 'Hil SHOREHAM Dining and 11:30. Dinner Saturdays. cover. Buper cover. $ south Dan to nilhtl’ Indndlnl Sun. !veet swing by Bi Downer's Orchestra. _Temple 4640. Y-ADAMS HOUSE-—Overisoking it lfll and H Sts. Dining in an re charm, dignity and_gen- Lllnl'.bcfln 85c; dinner (rom 1. fl\lflnl atm tility. music nlxh IMJ. 4t1 nd R AR S £ st e HOLLYWOOD. Then he would have to start all over again. L If De Mille does not mind, and perhaps he wdn't know, the thing we are going to look for most in- tently in “Northwest Mounted” is an old extra whose earnest co-op- eration was never to be questioned, regardless of what defects there may have been in his acting. He hung on the master's words with an intensity that was exhausting merely to watch. When the mob was supposed to shout its rebellious anger his voice came high and shrill above all the others. At the end of the scene, when “cut” had been called he held his pose until Mr. De Mille was forced to suggest re- laxation in the interest of reduced actor mortality. The very incarna- tion of the hammy revolutionist! When the picture comes to Wash- ington you will find him on the second step from the top leading from the cabin porch, a cadaver in coonskin. Better be on the look- out if you would see an actor trying hard and getting absolutely no- where. * ok kX The magic of the movies is no- where more apparent than on the set of “North West Mounted,” in the title of which you see Mr. De Mille is accurate even ta using the period spelling. It is De Mille’s first technicolor picture, and the gigantic back- ground—that was expansive coun- try—looks more like the outdoors than the outdoors ever did. No, that's overstatement. The. realism is complete. The shooting program requires virtualy no location work. But if any one who sees the picture can tell the difference between the indoor and outdoor scenes we shall eat a mountain and two trees out | of the enormous backdrop for the | revolution interlude. Unless, of course, Paramount wants to save it for another picture. | New March of Time |With Deanna’s Film The new “March of Time” release, subtitled “America’s Youth—1940,” has been added to the R-K-O Keith's bill for the second week of Deanna Durbin’s seventh spool of cinema _entertainment. “It’s a Date.” In this issue the pictorial analysts of the American scene | present a viéw of youth's problems, | their character and extent in the | United States today. The lives of the young person whose circumstances make for a | secure future without work, the boy or girl from a family of mod- erate means who goes to college, the non-college white-collar work- | er who ir seeking to better his posi- tion, the farm youth and the dis- couraged unemployed youngsters are examined briefly. The American Youth Congress, the Civilian Con- servation Corps, the National Youth Administration and the American Youth Commission also get a share of the editor’s attention. “It's a Date” is a film of superb balance as to pleasurable elements. There are songs by Deanna, of course, including “Love Is AlL" “ Maria” and “Loch Lomond.” There is also excellent acting by Miss Durbin as the aspiring and in- genious *daughter of a stage star. | Briskly paced and often clever verbiage enhances the enjoyment. The performances prove the ju- diciousness of the casting, for Kay | Francis as the mother who points toward the dramatic stage role, which unknown to her already has been assighed to her daughter, is effective; Walter Pidgon, playing a fellow who wants to do a good turn for appFently heartsick De- anna but ds himself in the clutches of a designing young lady, is more so, and worth-while efforts are contributed by Henry Stephen- son, Cecelia Loftus, Samuel S. Hinds and Eugene Pallette. C.A M Formerly an Actor, He Can’t Stop Now Hal Roach, who used to be an ‘wwr himself, can’t get away from t. The veteran film producer, now directing his current production, “Turnabout,” enacts every role, speaks every line while showing the players how he wants it done. One day, for instance, he . . . Submitted to manhandling by *a Jjiu-jitsu expert by way of illus- trating for the benefit of John Hub- bard, who has the romantic male role in “Turnabout.” Fluttered about the set to show Carole Landis, who plays opposite Hubbard, how he wished she would move through her apartment. Barked and snarled orders in emu- lation of gruff, dyspeptic Phil Man- ning, played by Adolphe Menjou. During this demonstration Roach shouted the lines in the script. One of them was “quiet!” There had been some undue noise among members of the company up to that point, but a deep hush settled over the set immediately. “Not a bad line,” commented Roach. = | Crosby Picture Stays ®.| For a Third Week The mad cinematic account of the flight of Bing Crosby and Bob X | Hope from civilization right into the waiting arms of Dorothy La- mour still continues to make the F street entertainment shoppers happy. The name of it is “Road to Singapore,” and it stays now at the Metropolitan for a second week, its third week downtown, should be all it is n to say. 0 2nd | Let it be added, however, for the 0700. | sake of those who have not been listening to the opinions of their il | friends who go to the movies that Mr. Crosby and Mr. Hope now have 'l'“ been joined together in one of the glibbest comedy teams you ever saw. And this is the slickest entertain- ment either of them has appeared in befors the cameras for ge& © d EVENING STAR, WASHINGTO “WHEREFORE ART THOU, ROMEO?”—Pictured here when they appeared in San Francisco in their production of the play are the most-talked-of Romeo and Laurence Olivier and Vivien Leigh. Juliet of many theater seasons, —Wide World Photo.* D. C, BATURDAY, APRIL 20, 1940. “Til We Meet Again’ Tells | Poignant Story of Love Merle Oberon and George Brent Starred in New Film at the Earle? Fred Sanborn on Stage By HARRY MacARTHUR. Back in 1933 AD. mmm-uawnnmmu-mmn motion picture entitled “One Way Passage,” which turned out to be one of those things many wanted to see again and again. Today it is remem- bered by an almost surprising number of moviegowers with far more clarity, with & warmer remembrance another film of its time. It was a of its dramatic impact, than many novel story with a vast power to affect one deeply, this tale of the¢— love which blossomed on shipboard between a lass doomed to certain death and & man face to face with the gallows. Now the story comes back to us, freshly imprinted on celluloid by & new set of characters at the ‘Warner Bros. studio, and it is our happy duty to report that “Til We Meet Again,” at the Earle, is as heart-warming and as heart-tortur- ing as the original. This interlude in two lives wherein joyous ecstasy must battle the tragedy of futility is something with a tremen- dous emotional effect, even though this retelling does make it a twice- told tale. ‘This production is more elaborate than the former one, and certain of the shenanigans involved in the attempts of the convicted man to escape do, to be sure, becloud the principal story of two lovers with no future to face bravely. Still “Till We Meet Again” is a poignant photodrama and is certain to cause many & tear to well in many a feminine eye before the week is over. ’ For that matter, the sight of Merle Oberon suffering from an *‘Two Girls on Broadway’ Has Some Bright Spots At Other Times, Lana Turner’s Film At the Capitol Is Just Routine; Horace Heidt on Stage By CHRIS MATHISEN. ‘There are some very amusing goings-on in “Two Girls on Broadway,” the motion picture being displayed this week at Loew’s Capitol Theater in conjunction with the stage presentation of Horace (Pot of Gold) Heidt's Orchestra. The funny business begins when Lana Tumner tells Kent Taylor she’ll marry him at once, which pleases Mr. Taylor, because | his role is that of “Chat” Chatsworth, who gets married whenever the | right girl comes along. every third girl is the right one for | “Chat.” To watch the old Chatsworth rou- | tine being run through again is to laugh heartily. The Oriental ser- vant gives the wedding story ‘“ex- clusive” to one paper after another; the roue climbs into uniform for | noon nuptials, and its “off to the courthouse,” where the newsreel boys have everything set up. The principal figures in this succession of absurdly hilarious happenings are portrayed with proper aplomb by Mr. Taylor and appropriate bewilder- | ment by Miss Turner. In the footage devoted to this bit of travesty, “Two Girls on Broad- | way” rises above itself in situations and dialogue, “itself” being just one | more film with singing and danc- ing. Essentially, the picture offers another try at that oft-repatched plot framework—big sister helps little sister into show business, with the upstart ending up with the for- mer's boy friend and all the glory after pausing briefly to mumble something about, “But I can't do! this to her; she taught me all I know!” “Do you still feel the way you felt tegically to delight those who enjoy whispering softly ahead of the beat, | but “Two Girls on Broadway" rates & passing mark as standard all- around screen work. Although it is not a full-fledged musical, its assets include George Murphy's| dancing, both tap and ballroom, in | the production numbers (and Lan ‘Turner proves an able partner), al & song. “My Wonderful One, Let’s Deance.” Joan Blondell plays her part of the several times heartbroken older sister well. George Murphy han- dles his comedy bits neatly in the early sequences when he takes com- mand of a radio oddity program, sings, dances and talks himself and then Miss Blondell and then Miss Turner into chances at Broadway. * X X X On the stage Horace Heidt is offering to slip a “C” note, and an usher to escort the winner and his $100 to the theater door, if his spin- nings of wheels add up to the tele- phone number of a person in the audience. If the party is not in the house $5 is sent him if he an- swers his telephone (the conversa- tion comes over the theater public | 1 address system) and $1 if no one answers. In addition, Mr. Heidt’s organiza- tion contributes many musical mo- ments. Notable among them are those featuring Pianist-Composer Frankie Carle and blind Whistler Fred Lowry. Mr. Carle wrote “Sun- rise Serenade” and “Lover’s Lull- aby,” and he plays these and several Where and When Current Theater Attractions and Time of Showing National—Dark. Earle—“'Til We Meet Again,” Merle Oberon and an ill-starred romance: 11 am., 1:40, 4:25, 7:10 and 9:55 pm. Stage shows: 12:50, 3:35, 6:20 and 9:05 p.m. Capitol—"Two Girls on Broad- way,” girls named Lana Turner and Joan Blondell: 10:30 a.m., 12:55, 3:20, 5:45, 8:10 and 10:40 pm. Stage shows: 12, 2:25, 4:50, 7:15 and 9:45 pm. Palace — ‘“Rebecca,” with Lau- rence Olivier and Joan Fontaine in the leading roles: 10:45 am, 1:25, 4:10, 6:50 and 9:35 p.m. Keith’s—“It’s a Date,” the new Deanna Durbin adventure: 11:55 am., 2:15, 4:40, 7:05 and 9:30 p.m. “March of Time”: 11:35 am., 1:55, 4:20, 6:45 and 9:10 pm. Metropolitan—“Road ‘to Singa- which | pore,” laughs with Bing Crosby and Bob Hope: 11:35 am, 1:40, 3:40, 5:40, 7:45 and 9:45 pm. Columbia—“Young Tom Edison,” imy 11:25 a.m,, 1:30, 3:35, 5:35, 7:40 and 9:45 pm. l.mle—"n Happened One Night,” return of the Capra prize-winner: 11 am, 1:15, !25. 5:30, 7:40 and 9:50 pm. Belaseo—"Ecstasy,” at 11 am, 13:30, 3, 3:30, 6:40, $:10 and 9:40 p.m. ?\ Virtually % | other popular tunes in a sparkling | keyboard style. Mn. Lowry demon- strates a spectacular whistling tal- ent in the overture to “William Tell.” Other entertaining members of the crew are Larry Cotton, tenor; Henry Russell, who accompanies | his ballad singing on the novachord; Carney, mimic. The maestro's stage mannerisms, however, have a regrettable smokehouse tang at times. ; Art Brown has connected a take- | your-choice-of-lines novelty for the | community sing. | |the four Le Ahn sisters; Bernie| | Mattinson, drummerman, and Art| ‘Canada at War’ At the Trans-Lux “Canada at War,” March of Time's investigation of the activities of our neighbor country in the crisis which is today, is the new Trans- Lux feature. An impressive sum- mary of Canada’s war strength— civilian, military and industrial— March' of Time has examined the activities of the army, navy, air force, mounted police, Red Cross and seen the endless flow of sup- plies from Canadian mines, mills, | fields and factories. | The news cameras have mmed\ their attention to the “war in earnest,” pointing at Belgian de- fenses, Holland’s mobilization, the Balkans on the alert, Britain send- ing troops to Norway, the blockade continuing. On the American scene the opening of the baseball season, of course, holds the spot- light, the Trans-Lux having shots of the Senators-Red Sox, Yankees- Athletics and Giants-Phillies con- tests. Other shorts on the program are | “The Greyhound and the Rabbit,” | a color rhapsody cartoon and an‘ item recommended for admirers of | popular classical music, which is in | this case the “William Tell” over- | ture. 1It's played by the National Philharmonic Orchestra, oonducted by Frederick Feher. HM | Ginger Rogers'’ mother, Mrs. Leila (McMath) Rogers had a bone to | A few weeks ago I wrote in this column that Ginger's | current acting was worth a million dollars, that her figure was beautiful. | skin ditto. Her enuncitation clear as a bell. last night—about me, I mean” and to see This part of the column was perfectly all right with Mrs. Rogers. | similar items have been placed stra- | No, the part objected to by Ginger's¢- pick with me. Her maternal parent was where, I said, | that her daughter had not always been 100 per cent perfection. I asked Mrs. | Rogers to visit me at my apart- ment,and we would thrash out (verbally) this | important mat- ter. A At first I thought it was Ginger herself, who was calling on me. Mother and daughter are as alike as any i two of the quin- Sheilak, Graham. tuplets. And I had to disagree with Mrs. Rogers right.away, when she told me that she was 50 years of age. But this part of disbelief did not cause any friction between us. As part of my contention that Ginger had not always been the 100 per cent attraction of today, I had asked Mrs. Rogers to see the movie “Queen High” in which Ginger played the ingenue role in 931, “You must admit that in those days Ginger had an atrocious lisp,” I began. “She did not,” replied Mrs. Rogers emphatically. “She spoke in that baby-ish way purposely. At that time Ginger modeled herself on the John Held, jr., girl.” We both agreed that I was not to know this, and after reiterating that Ginger speaks her lines beauti- fully today, we passed to the next of Ginger’s (apparently) erstwhile imperfection—her complexion. “Ginger's skin has always been lovely,” said Mrs. Rogers, “with the exception of three months when she had make-up poisoning through doing four pictures one after the other.” It must have so happened that I saw Ginger a lot during those days—as did many others in Holly- wood. Mrs. Rogers assured me that Ginger’s current healthy skin is not the result of a diet, but of fewer pictures. Now for the part where I said that Ginger's legs, although lovely looking today, at one time did not appear so. “Ginger’s legs have al- ways been beautiful,” said Mrs. Rogers, I was beginning to feel slightly weak, and I muttered: “Don’t you agree with me that Ginger is a better actress today than nine years 2go?” “Yes,” said Mrs. Rogers, giving me my first victory. I craftily pushed home my advantage—"I un- derstand she owes that to your training.” “Well, no,” said Mrs! Rogers. “If Ginger hadn't it in her all the train- ing in the world would have been useless.” “Well, so everything between us is now straightened out?” I asked with maybe a fraction too much eagerness. “Yes—except that part about me,” A¥ ‘ 'Ginger Rogers’ Mother 'Takes an Exception By SHEILAH GRAHAM. HOLLYWOOD. Her self-possession a joy | replied Mrs. Rogers—who stoutly denied that she was in any way to blame for the marriage break- | up between Ginper and Lew Ayres. | (Released by the North American Newspaper Alllance, Inc.) ‘Rebecca’ Remains At the Palace So much praise has already been | showered on “Rebecca” that it is hardly necessary to add more. And it should not be necessary to urge you to see this film version of Daphne du Maurier’s novel, now in its secand week at Loew's Palace, are hereby urged. For this is one of the major achievements of this cinema season, a film drama that is throbbing with life. It is, in fact, a picture you will live. Director Alfred Hitchcock has seen to that, bringing the story of the second Mrs. Max de Winter and her battle with the ghost of Rebecca to the screen in that same first-personal viewpoint from which the novel was told. It is one of those tricks which would be a good trick even if he couldn’t do it, but Mr. Hitchcock has done it, lnd it makes for some highly ef- fective drama. The “I” of “Rebecca” and her Maxim have been made intensely alive on the screen, too, by Joan Fontaine and Laurence Olivier. So sincere are tiey that one almost feels like an eavesdropper when they are in the midst of one of their intimate scenes, and beyond that !evlvt clne‘l‘nl mormlncel can go. ’s & fine in every respect, is “Rebecca.” Dorntmlu'{ty H. M. ‘Tom Edison’ Film Now at Columbia M-G-M’s biographically inspired “Young Tom Edison,” an inspired biography if ever there was one, has moved now to the Columbia to continue disproving those lines about “all sad words of tongue or pen.” For this is something that might have been, all right, but it is not sad at all. As a matter of fact, it is a thoroughly enjoyable yarn the boys have spun to give us a picture of the early character of our greatest inventor, even if its hero might just as vell have been nnnedI tH&nmthm” as Tom Edi- son. a thoroughly enjoyable Mickey Rooney who turns up here, too. He has forsaken his old bounce for dignity, and his por- trait of the young Edison is one which increases his stature as an actor. It should winehim plenty of new friends to make up for the loss of any of those old friends who are confused when he does not act like Andy Hardy. The various peo- ple who share the youthful trials of young Tom with varying emo- tions are Fay Bainter, Virginia but if it is urging you need, you| ™ allment of the heart, which is in- exorably due to end her life within & very few months, may even put s lump in the throqtl of strong men. ‘The Merle Oberons of this world are too few and are due a fate better than death. “'Til We Meet Again” also pro- vides opportunity for George Brent to create a thoroughly likable im- personation of a man suddenly in love and unable to do anything about it; for Geraldine Fitzgerald to turn up every now and then to remind us how nice it is to have her with us; for Pat O'Brien, Frank McHugh 5 Big Shows Today— Last Full Show Starts 9:45 P.M. 'I'om'M AMUSEMENTS. rangement of merciless logic for a futile ‘purpose.” L Stars of the Earle’s stage show are Fred Sanborn and s horse named Yo-Yo. We liked Fred Sanborn better, though those who know about such matters say Yo-Yo is s re- markably intelligent horse. To those excited or apalled by the spectacle of & horse keeping time to various dance rhythms we recommend Yo- Yo highly, for he is a capable dancer and & handsome horse. Mr. Sanforn is the fellow who makes us happy, though, and we will be glad to pop s vest button over his antics with a xylophone any day. He is a very funny citizen. Others who contribute to “Spring- time Frolic” are June Forest, a so- prano with commendable range and tone; DeVal, Merle and Lee, stand- ard comedy adagio dancers and the Roxyettes, in some nifty new rou- tines, one a tricky march affair which should get them all mixed up but doesn’t somehow. Today and tomorrow the Virginia Military Institute Glee Club will be on hand, too. AMUSEMENTS. KEITH'S™™ A WASHINGTON INSTITUTION . g7_~owum AT o i DEANNA / ._,Np DURBIN M1 %5 & Dot wn KAY FRANCIS - WALTER PIDGEON .. .WALT DISNEY'S “‘The RIVETER "'with DONALD DUCK . “Gud . ... the latest edition of The MARCH of TIME . .- GINGER ROGERS 'McCREA in The PRIMROSE PATH FAT 12th MICKEY ROONEY “Young TOM EDISON” BELASGO 11 A. M. Continuous Dli WEEK ONLY THIS IS THE LAST PUBLIC SHOWING B—— ANN CORIO TARTS TOMORROW Riverside Stadiom 1OPAY 2 & 8 P.M. 2.2 s »MAND SUNDAY CHILDREN'S HOSPITAL PRESENTS avs GIRGUS WIRTH'S Mightiest Array of Circus Sters Geaeral Admisgion, 50 Reserved Seats TICKETS TODAY AT A A A 17h ,‘5 PENNA, CLUB, A# WELL A8 AT STAD] THE NEW SENSATIONAL “FLYING SCOOTER” RIDE AND ALL OTHER FEA- TURES START AT 1 P.M. GLEN ECHO FREE ADMISSION AMUSEMENT PARK Open Daily 1 P.M. 'Til Midnite DANCING WEEK NITES, § TO 12 PAUL KAIN'S ORCHESTRA —'rL-—llt.. 9-13 1on Before m Dufie..- Special Rates to Counles and Groups Weidler and George Bancroft, nellis Dance Studios 324 11th St. N.W. _Distrist 1678 © Of Perfect Seund Photoplay 8th at G S.E. E. Lawrence Phillipe' Theatre Beautiful Conti From 1 P.M. OFF,” With cg;firmc: MOORE. 20 EDG, JOHNNY MACK BROWN in "DESPERATE TRAILS,” With BOB_BAKER and FUZZY KENIGHT. CAROLINA 1ith & N. C. Ave. “THE LEGION OF LOST FLYERS' WILLIAM GARGAN in " THREE N __POSTER. DREW in “GERONOMO."” News. Science. 2931 Nichols Ave. SE. Double Feature, mmnnrou 1343 Wiseansin Ave. [ARLES 'ARRETT ANAWS'I’IL D. C. FAIRLAWN VHER o2 GREENBEL ROG! ADlTLfl. 28e ARKING " “and ROY N, VEST ON A in “8I Last Complete_Show. 3927 M 8t N.W, New Beats Double Feat; ~ GAITHERSBURG, MD. Double Peature STRANGER FROM R¥ CARLISLE In "G 1119 W 8t. NE. LI 2600 DS s tn e, . Tk )P THE SEA.” Also on the Blme Pro- CONNOLLY ‘THOSE t. “OH, 5’(‘)’?1'}?}':5'{" “Ao% You CAN LOVE,” With TOM BROWN and P] Y MORAN. Also B BERNHEIMER’S Double Peature. ‘YOI’I‘NG AS YOU FEEL,’ e JONES FAMILY i “PAROLE FIXER,” WILLIAM HENRY. VIRGINIA VALE. ____Matinee 1 pm. S mb' no: wuu--l Ave. WL 2650 or Brad. m l‘u. Pl-l Double ™ Fea SQUAD.’ Tomor.—“GERONOMO.” “Gone With the Wind.” Starts May 5. Reserved Seats on Sal Box_Office. e HIPPODROME ,,05,{::';!:::..‘ Lyn'%mm in “MEXICAN nn.i? Peature. uble Peature. 3 mm in * l B._KARLOPP 1 TR LIORCE: HYATTSVILLE Bnttevitie. M Phenes: GR. ..7 ITTS. 400. _M"a, TP P R in “FLYING Direcfion of SlDNEY I.UST ia: |STATE 'I'RINI-I.U Yo LLAND, BELGIUM & BALKANS FREFARE PTHEARCn oF ‘TIMES ‘cAA'!MnAA'rrAI.'.m s SHORT SUBJECTS stucrio CALVERT un vm, Ave. N.W. Parking Space " vt b . LAUREL AR CHOMP Aub . 6, o Rlso Cartos B!HO’Ifi For Additional Inform Phone Theaters Dir WARNER BROS. THEATERS In Event of Busy Call Republ 'WITHERS Atl"B;flafl i "cnildren A% A idren 4 ”unmy Mt u ol | Be_Shown_Also_at Nis i ARLINGTON VA. 1720 Phene Ox. “OUR NEIGHBORS, THE CAR PAY B Do wm"m Glebe l‘. . Forsh. lt. ELEANOR POWELL. PRIJ __"BROADWAY MELODY OF 1ua. - e GONE Last Times Today. lenll.eaz Seats Available. Telephone nu.-. % perfest Sewnd. JAI'I AUTRY = HISER- BETHESDA_o%t &7 ‘“I—Inl, | e Ran” THREE STOOGE Com D iinee CarmarCR Comedy ot the FALLS CHURCH. VA. ¥ %5 FREE PARKING Hurry. Last Show st 8 P.M. NE WITH THE