Evening Star Newspaper, February 7, 1937, Page 53

AMUSEMENTS. CITY’S MOST VIVID GIFT TO STAGE TO PLAY AT NATIONAL Tallulah Bankhead Comes In Drama by George Kelly Colorful Actress Will Appear for First Time on Local Bo ards in “Reflected Glory,” Which Opens Tomorrow. By Jay Carmody. W eminence in this respect. ASHINGTON has made several notable contributions to the stage and the most colorful personality among them is that of Tallulah Bankhead. Not even the most eloquent admirers of Helen Hayes and Ina Clair will be disposed to challenge Miss Bankhead's pre- So, when Miss Bankhead comes back to town, it is not merely news, but something of an exciting adventure. Bhe invests the atmosphere with an electric quality which exists above and beyond the circumstance that she is to play here for the first time. “Re- flected Glory” is the play. George Kelly wrote it and it will be presented | at the National. A lot of people who probably do not care a rap for Mr. | Kelly or his art are going to drop around to the theater this week to see | what has happened to Miss Bankhead since she left Washington to become & sort of glamorous legend in a pretty prosaic world. It has taken a great deal of ink to keep the American people informed of Miss Bankhead since she first decided to storm the stage and succeeded in taking it almost overnight. The per- sonal element has dominated the serial story of her progress more definitely than has the professional. Because | she does everything in the Tallulah Bankhead manner, the commonplace becomes comparatively sensational | when she does it. If it actually isn't gensational, it has become so definitely the custom to expect it that observers Tefuse to believe their eyes. Expectancy Often Discolored. If Miss Bankhead really could be Tegarded as the “victim” of anything, her scads of friends say, it has been a too high order of expectancy super- seded by slightly discolored publicity. Sometimes, too, the discoloration has | been more the slight; not always in- tentionally, but because it is the tra- | dition to accent every new chapter in the Bankhead legend. That so often is the fate of individuals who are so extraordinarily gifted that they are not allowed to do any of the ommnr) things in this world. It is rather an unusual thing about the temperamental daughter of the Sreaker of the House that she has a larger artistic reputation in England than in this country. She might not have carved such a popular niche for herself in London had it not been for the obtuseness of Sir Gerald du Maurier. When he was casting “The Pancers,” Tallulah asked for a place in it. Sir Gerald said no. Miss Bank- head said yes. She went to London and said it so emphatically to Sir Gerald's face that he, too, said yes. In quick succession she played “Black- o with such impressive talent that the makers of S. R. O. signs enjoyed one of their greatest eras of prosperity. Then, at the height of her success, home began to be sick for Tallulah, or she became homesick (a diplomatic word for “bored”) and that was that. There was a final round of parties with cocktails and hearts breaking softly all over London and Tallulah came home to be beguiled by the talkies a la Paramount, make a num- ber of pictures in which she always was a gay lady and eventually gave that up to go back to the legitimate stage. Longest Run in Coming Play. Miss Bankhead has not always been the luckiest actress in the world. She has had some good plays, including “Forsaking All Others” and similar cogent dramas in the same category, but they were usually more glittering than enduring. More often than not, the playwright forgot to put into his work the ingredient that makes & play last forever. “Reflected Glory” this season gave her her longest Broadway run. Every one connected with the cur= rent production will take an oath (sol- emn or otherwise) that George Kelley did not write the play with Miss Bank- head and her career in mind. Every one not connected with it, however, insists the close resemblance between the play and its leading player could | not possibly be the product of an ac- | cident. Those Kelleys, though, are an awfully imaginative lot, George espe- cially. Whether he deliberately or ac- cidentally produced a shoe for Miss | Bankhead, it fit and she is wearing it. ’I‘!{EODORE TILLER, 2d, is & win- ning young man and Maud How- ell Smith is a gracious lady, as well as a talented one. Because they are, Mrs. Smith will play the lead in Til- ler’s new play, “Satan’s in the Pantry.” It is set for a week’s run at the King- Smith Playhouse, starting Sunday, February 14. Mrs. Smith agreed to play the part when Katheryn Raht was called back to New York to begin rehearsals for “Susan and God.” Tiller, local playwright who has Broadway producers talking (and not saying “No,” which is very important), has high hopes for “Satan’s in the Pantry.” They are the higher for his having found Mrs. Emith to take Miss Raht’s place in the cast. Holmes’ Final Talk. mail,” “They Knew What They ‘Wanted,” “The -een Hat"” and several other important dramas; played them BU'RTON HOLMES will present the final talk of his series of five this season Wednesday night at Roose- velt High School auditorium. His| sulject will be “New and Old Japan.” Holmes probably knows this country | better than any other, for he has made | 10 trips there since his first, in 1892. | His first travel talk, presented in Chi- | c©ago, was on the subject “Japan.” | Mr. Katsuo Okazaki, second secre- | tary of the Japanese Embassy, will in- | troduce Holmes. o Aunt Hattie’s Here. “The talk of burlesque” comes to the Gayety with the show begining | its week's tenure today. The current | topic of conversation on the Inde- | pendent Circuit, according to Col. Lake, is Aunt Hattie—at least, the most unusual and mystifying nom de theater yet to make its appearance in | e dispatch from the Ninth street house. The good aunt is listed as an *“extra added,” with Billy (cheese and crackers) Hagen in the headline posi- tion and Louise Stewart prominently cast. | Josephine With Muni. |JOSEPHINE HUTCHINSON, who | appeared with Paul Muni in the remarkable “The Story of Louis Pas- teur,” will again be his leading lady in “The Story of Emile Zola,” which goes into production early this month at the Warner Bros. Studios in Bur- | bank, Calif. Her role will be that of Emile Zola's wife. The picture is to be directed by William Dieterle. Today's Film Schedule WARNERS' EARLE — “Stolen Holiday,” at 2:55, 5:10, 7:35 and 9:55 p.m. Stage shows at 2:10, 4:30, 6:55 and 9:10 p.m. R-K-O KEITHS — “Great Guy,” at 2, 3:57, 5:54, 7:51 and 9:48 p.m. PALACE—"The Plainsman,” at 2:15, 4:40, 7:10 and 9:35 p.m. CAPITOL—"The Outcast,” at 2, 4:35, 7:25 and 10:05 p.m. Stage shows at 3:45, 6:35 and 9:15 pm. LITTLE—"“As You Like It,” at 1:50, 3:50, 5:50, 7:50 and 9:50 p.m. RIALTO—"“Monte Carlo,” at 2:30, 4:55, 7:25 and 9:55 p.m. METROPOLITAN — “Bulldog Drummond Escapes,” at 2, 3:15, 5:25, 7:35 and 9:45 pm. Ruggles Signed Again. ARAMOUNT has extended its con- | tract with Charlie Ruggles, next | to be featured in “Turn Off the Moon,” supported by Mary Carlisle, Eleanore | Whitney, Johnny Downs, Ben Blue and Cecil Cunningham. Lewis Seiler will direct. Ruggles has been one of Para- mount’s featured comedians since he | made his first picture for the company, | “Gentlemen of the Press,” in 1920. At the same time the studio ex- tended its Thompson, producer, who left for a two-week vacation trip in New York. DANCING. CATHERINE BALLE Swing, Lead. Follow Relax. Few pvt. les- sons. Class Tues. Orch. 1311 Conn. LEILA FOWLER Ballroom Dancing 110 Maryland Ave. N.E. Atlantic 6238 * A combined course of 6 private ($10.00), @ Class $(3.00), and 6 two-hour practice periods ($3.00) with real dancers in our | Artistic Ballroom has just started. ~The | W, combination for only It isn't too Jate to Join. Make reservations today or tomorrow. Canellis Dance Studios m2¢ 11th 8t. N.W. District 1673.* Good Dancers Are Popular A good dan- cer is always the leader— the most envied at any gather- ing. Don't sit on the sidelines of popularity because you are not sure of your dan-/8 cing. 4 The bestd way to learn—the quickest and least expensive is at Leroy H. ‘Thayer studios. Call today for s guest lesson and dance an- alysis—without charge. Studios open until 10 p. m. MEtropolitan 4121 Leroy #.Chayer 1215 Connecticut Ave. 'r.u.znrzn TEACHERS. PRI IR Praci VAI'NFII‘ Wit Oth actice Privileses NOTE Pupi : - The Edward F. Miller Studio | Bl! 17th ST. ATIONAL un It ¥t Is Danced, We Teach It MAE DAVISON Ball room classes. Tuesdays and Thurldl". pm., Teaching 8 to 9. Practice, 2,t0, 11 Tap, heaith. children's elnul. £3.00 mo. 13 Natl, 3341, Also_private | ““America’s Noted ing Instructor” (Over 40,000 lell. in U. S.) DON MARTINI Waltz - Fox Trot-Tango Rumbu Tap Dance Beantifully and Cor VAT!' LSSSDNS 1OW RATES! -11 o Extra 1811 H St. N. IONAL 3161 __Don_Martini Cond‘tll s This Branch “Canellis Dance Studios RHYTHM CLUB Meets every Saturday nznlnl. struction £:30 ¢ Club Dancing with Gam Singine. Fun_and lulhmenil but ND lNTOXICANTS. :30 to 1 'n to refined person: £ and ord, whe s to dance and ha n fun in an artistic atmosphere i nlnlrlnl Musie. OF epiemUershin “address i anellls. 724 11th S carrying_bottles was Tango In- Georgia person: PHIL HAYDEH STUDIOS OF DANCE DRAMA Beginners and Professional Classes (Illustrated Booklet on Request) 6 Dupont Circle North 8594 THE SUNDAY STAR, Glory Reflected in a Dressmg Room Mirror |Nathan Shows Curious the play, will be seen in Alden Chase and Tallulah Bankhead, pictured here in a theater dressing room scene from “Reflected Glory,” the New York success, which starts a week’s engage- ment at the Natwnal Theater tomorrow night. WASHINGTON, D. ~ C., FEBRUARY 7, 1937—PART FOUR. Feat With F—5 SMITHSONIAN INSTITUTION SIXTH ARTHUR LECTURE DISCOVERIES FROM ECLIPSE EXPEDITIONS By SAMUEL ALFRED MITCHELL, Shakespeare Mingling of Characters as Featured in His Work, “The Avon Flows,” Has Clever- ness—Social Theories in “Tide Rising.” By Richard Watts, Jr. N ADDITION to being America’s George Jean Nathan is a prankish tripping up his unfortunate colleagues and causing them to sprawl on their faces in undignified fashion. work as “The Avon Flows,” just published by Random House, and sends it forth as a debonair challenge to his fellow reviewers, we should be on our guard. The chances are that it is all3- a scheme to humble us again. Anyway, | “The Avon Flows” is described as “an orchestration of three of shlkexpelru own plays,” and in it the poet’s lines remain unchanged and intact. “There | is,” says an editor’s note, “no general change, save only in the cutting, the transposition of two short scenes, a stage direction or 50 and the reidenti- | fication of the characters.” The resulting play, it may be time to tell you, is “Romeo and Juliet” up to the time the lovers are married in Friar Laurence’s cell. Then Romeo becomes a jealous husband in whose ‘ credulous ear the poison of suspicion is poured by his evil ancient, Tybalt, and you realize that you are being plunged into the lines and the situa- tions of “Othello.” Here again, how= ever, the customary Elizabethan slaughter fails to take place. Romeo- | Othello, thanks to Mr. Nathan’s inter- | polated stage directions, overhears the | clumsy plotting of Tybalt-Iago, kicks that scheming gentleman resoundingly | in the rear and is being merely heavily | sarcastic when he addresses to Juliet- Desdemona the lines which, in the original, are preliminary to murder. It seems, though, that Juliet can't take | a joke as well as the next one, and she is so annoyed that she leaves Romeo | and becomes a shrew. So, in the last | | act, you have Romeo-Petruchio taming her and reminding us once again that “The Taming of the Shrew” is one of the worst plays ever written. That, in a fairly brief and not too sympathetic outline, is the Nathan orchestration of ttractions Hit Plays on Local Legitimate Scene. HE theater again takes over the Belasco tomorrow night. The first attraction under the new policy of operation of the | | play “Dead End” in Wuhingwn. | known New York artists are in the contract with Harlan | Coming A for Next Week. film production, which has | as its background, opens its local en- |legitimate attractions will be Bartlett newcomer to the screen and a lad for | of “Able’s Irish Rose” fame. tral role and the cast includes Freddie girls.” The cast includes a number prominent performers. | ences. Among those taking part are Stentn | Beichlf, popular | Altred White, William Kent, Florence | | week, starting Friday, to make a per- lard and O. Z. Whitehead. top honors on the vaudeville program | | Sidney Kingsley's “Dead End” will be | will be “Under Cover of Night” &|15" The play is now well in its' ‘the detective and Florence Rice, Dean | as one of the outstanding American direction of the author, Mr. Kingsley, | Gods,” comes to R-K-O Keith's “Dead End” takes place at the dead | | plenty of opportunity to display the | comedy and drama are gained by the Lawrence, Sebastian Shaw, Rex Har- | Terrace Apartment rears its imposing Pat O'Brien plays Policeman James | Mady Correll, Francis De Sales, | | ners’ Earle Theater Friday. Humphrey C‘uflllullu Hall, m. An-nm- at 4 PM. | the story of a hard-boiled policeman teacher humanize him. The stage bill cent French Casino show. Lela Moore Cinema Houses Book New Films 14 LOYDS OF LONDON,” Twen- | tieth Century-Fox's- stirring | the history of the beginnings | | of the famous British insurance house famed house again as a home for gagement at Loew's Palace Theater Cormack’s new play, “Hey Diddle Did- next Friday. Tyrone Power, jr, & d]e," to be presented by Anne Nichols | H whom the Twentieth Century people | | The play is a satiric comedy, drama- ' hold many high hopes, plays the cen- ! tizing the lives of Hollywood's “extra Bartholomew, Madeleine Carrol, Sir |of people familiar with Hollywood and ‘Guy Standing and a number of other weil known to motion picture audi- | % Conway Tearle, Martha Sleeper, Alice | screen | White, Lucille Ball, Adele Rowland, | | comedian known as “the world's laziest i | Auer, Don Beddoe, Franklyn Fox, Wil- | | » man,” comes to Loew's Capitol next‘ liam Faye, Keenan Wynn, Robert Kel- | sonal appearance as the headline at- | traction of the stage show. Sharing| Norman Bel Geddes' production of | | will be Clyde McCoy and his SUEAT | the next attraction at the National | | Blues Orchestra. ‘The feature film | Theater, opening Monday, February, | | mystery photoplay wh: h introduces & | second year in New York and it has | | new kind of sleuth. Edmund Lowe 1S | peen hailed by critics and public alike | | Jagger and Nat Pendleton are fea- gramas of the past decade. The set- | tured. | ting, by Norman Bel Geddes, and the Miriam Hopkins' first English film, | have come in for a high share of Alexander Korda's “Men Are Not praise. Theater Friday for & week's run. The end of a New York street where it | picture is reported to give Miriam!runs into the East River. Unusual | well-known Hopkins good humor and | juxtaposition of extremes in wealth | the supporting cast includes Gertrude | and poverty, where the towering River | rison and A. E. Matthews, height next door to dingy, crowded = tenements. Aloysius O'Malley in “The Great| WarTen Ashe, Eve Bailey, Millicent O'Malley,” scheduled to open at War- ?reen. May Buckley and Donald : Bogart, seen recently in “Black | Legion,” is teamed with O'Brien in who can't see beyond the rule book until a little crippled girl and a school will feature Cilly Feindt, the “horse conductor,” who was a star of the re- also is to be present, with her famous “Dance of the Lover: Washington Civic Theater “THE FRONT PAGE” Wardman Park Theater Feb. 17, |l 19, 20, 21. Eve. Prices: $1.50, Reserve tickets by B On sale Hotel Ralei BURTON HOLMES: In Fin-l"l'ufil Talk— .lfi" lfl' Inv_ Woinesdey, hb‘.!l.. NS P M ROOSEVELT HIGH SCHOOL 13%h and Allison Sts. N. W. Seats—$1, 75¢ and 50c Buress, Droey’ SrEs. Richard Dix, Dolores Del Rio and Chester Morris are starred in Colum- bia’s new “The Devil's Playground,” which comes to the Metropolitan Fri- day. It's all about 8 submarine rammed in a fog-ridden sea and the efforts to rescue the men inside. “Monte Carlo,” in which Jeanette MacDonald scored her first major screen success, comes back to the Rialto Theater today for a revival engagement. “The Raven,” with Boris Karloff and Bela Lugosi, will be the supplementary attraction. One week wasn't enough for the Elisabeth Bergner fans and 9he Shakespeare fans combined, 30 “As You Like It,” which recently played the Rialto for its Washington first run, comes back today to the Little to take up where it left off. 00 i ot e st =‘ A"A' Feaniin sokee) Bide. GAYETY BURLESK STARTING SUNDAY MATINEE Cheese and Crackers—He's Here Again BILLY (BANG ‘EM) HAGEN AND HIS ALL NEW SHO! With LOVELY LOUISE STEWART ADDED SPECIAL FEATURE AUNTHATTII N T Trioe Tar i SHA S BALLET PIOGW SPECIAL PRICES Bl ewer R es ~~Gaary- 71 years of buying, selling and lending ondiamonds, jewelry, etc. Liberal Leans at Lewest Possible Rates CASH FOR OLD GOLD (Government License) "“‘l"‘.‘fl" I‘ll“}‘ St. N.W. E. HEIDENHEIMER Established 1866 iumphantly HE Returns " JAMES CIGHIY #GREAT GuY”’ AND PATHE NEWS EXCLUSIVE “The DIONNE gunmmm- MIRIAM HOPKINS i “MEN ARE NOT GODS” ) stunt that Mr. Nathan has ar- Sharpe head the cast of 70 which will ranged, and the amalgamation of nar- | ratives works out smoothly enough. I suspect that the emergence of Mer- cutio in the character of Petruchio’s flip serving man, Grumio, is not alto- gether a happy one and goes to sup- ply evidence in support of the asser- tion that Shakespeare had to kill off Mercutio early in “Romeo and Juliet” because he had run out of witty things for him to say. Perhaps the gay blade of Verona eventually would have turned into a bore of the Gru- mio type, which is as melancholy a suggestion as Mr. that only death kept the great ro- mance of Romeo and Juliet frcm | “Tobacco Road” comes back to! town a week from tonight. The play, | which now is in its fourth year on Broadway, will play here for the third time within a year, this time at the Belasco. Taylor Holmes, well-known star of the stage and radio, will be seen as Jeeter Lester and other well- cast. —y: Helen Jepson’s Debut. E exclusive film services of Helen !'ers, it proclaims that the matter of { who is made the head of the vigilante three Shakespearian plays, “The Avon T IS unquestionably an amusing | Nathan's belief | MA, LLD, Director, Lmnuy McCormick bservatory Untversity of Viroinia Tuesday Evening, February 9, 1937 8:15 o'clock .D. Auditorium of the United States National Museum 10th Street and Constitution Avenue Washington, D. C. The public is cordially invited. most celebrated dramatic critic, Mr. fellow who is never so happy as when Doors Open 1:30 When, therefore, he arranges such a, VW As ONE accustomed to looking gift horses carefully in the mouth, this | observer, who had been asking for an earnest social drama and received it in “Tide Rising,” was by no means satisfied with the friendly offering. The new play, which is based on the cry by the already mentioned Mer- cutio of “a plague on both your houses,” comes with eonsldenble‘ force to the defense of the belabored middle class in the warfare between capital and labor. Denouncing with almost equal vehemence the iniqui- ties and arrogance of both the big industrialists and the organized work- KAY FllNClS In Warner Bros. Hit “STOLEN HOLIDAY® On Stage RACHEL CARLEY “Stoien Noldsy* Can Niso Be Seen —Today Tomorrow & Tows. at the Ambassador industrial crisis can be solved only | when the small storekeepers and | their like take things in hand and dictate terms. To illustrate the point, the author | tells of a long-suffering druggist, the unhappy middleman in the class war, oW g HTR Hllllllfl ANBH “BllllllIlG IlRllMHflNll THRILLS! Esc‘PEs" DRAMA! with SIR GUY STANDING 25¢ & 40¢ group and proceeds to put both the arrogant mill owner and the radical strike leader in their places. ONE WEEK ONLY, BEG, WATS: TOMORROW atoes. NIGHT 8:30 NIGHTS, THURS. AND SAT. MATS. $2.35, $2.20, $1.65, MAT. 0, S1. tax), For m: self-addressed stamped LEE SHUBERT U @ssociation with Momer Curram) mum ‘: %ACoudgbgfieorgeKeHyg wih CLAY CLEMENT - AN MIBREVS - PRILLIP REBD oad the ORIGINAL BROADWAY CAST Mail Ordor : FEB. I5th ™'yon*" Direct from _six months at the New York Morosco The- FLOOD RELIEF 3 3 85¢. § 5, $1.10, 56, Wed. 55c. $1.10 & Plesse en- close self-addressed stamped envelope. \.Norm_a_n Bel Geddes resents Jepson, Metropolitan Opera star, have been secured by Samuel Gold- | wyn. Miss Jepson’s first assignment under her new contract will be in “The Goldwyn Follies,” for which George and Ira Gershwin are writing the music and lyrics. An Akron, Ohio, girl, Miss Jepson began her career in a local church' choir, and, after winning % Curtis Institute scholarship, went on the road | through the South in “Mississippi Misses.” Her operatic debut was made in the Philadelphia Symphony concert production of “Das Rheingold,” and rewarded with an engagement with the Philadelphia Grand Opera Com- pany. Success on the radio followed, | culminating in the winning of a starring contract with the Metropoli- tan. There she replaced Grace Moore with the Metropolitan Opera Quartet. p— NATIONAL SYMPHONY HANS KINDLER Conductor CONSTITUTION HALL = Scriabin _ “Le Divin Poeme" Mahler “Kn totenlieder” MAJOR I.OUDON GREENLEES Noted Scottish Baritone Tickets: 50c to $2 on sale at bo: Julius Garfinckel & Co. Store. Na. C. C. Cappel. Manager NINTH STREET| ABOVE G ALSO SELA “Dracule™ KARLOFF 4, LUGOS! EDGAR ALLAN POE'S catE RAVEN BELASCO WEEK COM. | turning into the silly blustering of “The Taming of the Shrew.” I re- | peat that there is no denyipg the THE SENSATIONAL YORK SUCCESS cleverness of “The Avon Flows.” I| must take the liberty of doubting, | however, that the cynicism of this ;lenmed critical orchestration, logical 'as it certainly is, turns out to be much more than that. This, I have no doubt, is what is known in boxing ! circles as leading with your chin, ) EGOVIA The Sensational G ardman Fark Theater. Tl WARREN WIH.IAM KAIE;I MORLEY Sege lu P:usom RAY NOBLE WORLD FAMOUS ORCHESTRA OTHER ACTS HELD OVER. GARY cooP JEAN ARTHUR In Cecil B. De Mille's * 7% 25¢ and A CURB SERVICE AT LOEW’S Leave your ear with the “Red Cap” attendants—Poole’s Auto Service. MONDAY, FEB. 8th ANNE NICHOLS (Producer of “Abie’s Irish Rose”) Presents “HEY DIDDLE DIDDLE™ | A New Comedy by Bartlett Cormack (Author of “THE RACKET") Directed by Anne Nichols WITH A DISTI Conway Tearle — Russel Alice White — Lucille Ball m Kent — Alfred White — Keenan Wynn Wi NGUISHED CAST 'I'UDH‘:‘:di. — Martha Sleeper — Adele Rowland Don Beddoe — Florence Auer — Robert Kellard SEATS NOW—MAIL ORDERS NOW <VENINGS, 85¢c to $2.20—MATINEES, THURS. and SAT., 55¢ to $1.65 (I-tluln-( All Taxes) ONEWEEKONLY! COMMENCING SUNDAY NIGHT, FEB. 14 Matinees Thursday and Saturday TAYLOR HOLMES The Nation’s En;u'c of the Stage “TOBACGO ROAD™ BY JACK KIRKLAND, BASED Popular Prices Mats. Eves. $1—$1.50—$2 ON ERSKINE CALDWELL'S NOVEL Plus S0c to $1 Tax SEATS ON SALE MONDAY SEAT SALE OPENS THURS. . Curtains Eves. at 8 Sharp Of Perfeet Sound Phetoplay S noatrs Beautitul 00 P.M. DUNN and M. LAMY ln "WTLD BRIAN NT." ASHTO CLARENDON, VAO Motiday-—GRETA and ROBERT TA 3 YLOR_in_"CAMILLE." CAROLINA un;fil N. C. Ave. ROBERT TAYLOR in ELODY O] SE. POWELL a: “THE BROAD- P 3 cl 05 Penna. Ave. N W. Freo® Farkine, 2009 K GEORGE BRENT sad BEVERLY HOBERTS AN Techaoor )i:gn) ey DUMBARTON, ‘B s Tot e N!I'1 and ¢ comd |FAIRLAWN ~ “¥Acosma, “RAINBOW ON_THE UTTLE oo ltlun Ellfiw‘l "AS YOU LIKE IT.” PRINCESS 1110 B S&. N.E. kY CoorEr e e e prey GA ' "Lrém AUTRY in “THE urn’ “in 4 Georsia Ave. Silv lnrllu Ma. Matinee 2:00 “REUNION i NNE QUINTUPLETS, JEAN HERSHOLT Dlgm ST%R CAST. Our Gl-nl wmeflv 6th and Sts. N.E. Finest Sound Eeutpment. 8070 Wis. Bethesda, 3 ESDA STATVI"INI}ETH LTRSS MYRNA LOY in “LIBELED LADY.” Extraordinary Short, “GIVE ME LIBERTY.” &n T R A e el Belected Short Subjects. HIPPODROME %% Continuous 2 to 11 3 o JACK BENNY, BURNS and ALLEN in ‘BIG BROADCAST 1937 MARCH OF TIME. “BANJO ON MY KNEE.” ARCADE FIAfFviliz_un. ARCADE “RoZ3ore Fruee Continuous 2 to 3 ELEANOR POWELL in “BORN TO DANCE.” RICHMOND s wer “COLLEGE HOLIDAY.” MO SooRvEREE MILO Tpday-Tomy ontinuous 2 TAYLOR and GARBO in ! e DIRECTION OF SIDNEY LUST NEW CAST of SEVEN FALLS CHUR Opp. Colonial thn. Ariington, Tomorrow—BOBBY BREEN “RAIN- BOW THE RIVEI AMBASSADOR & ¥ai*sS5s KA m‘fié‘lfls"‘ &rorEN oLl v in - DAY, with CLAUDE RAINS and __TAN 'HUNTER. A BEVERLY ROBERTS. inth St. N.W, honer Met. 2811 00 BOB] “RAINBO! ON RREY R o o RA in “WAI " 4935 Ga. A Gen; A500 tinee. 2:00 F M '8 COUNTRY AND THE WOM- AN." with GFORGE BRENT. BEV- ERLY ROBERTS_and ~DEANNA URBIN _Short Subject. V3030 14th st N.WT_ Xt R._ANN_DVORAR ARE ABOUT TC WARNER BROS. 'I'HEATERS mfifl ng‘v.i!iof “BORN TO DAN| R JESSE THEATER 188 ¥ rgine “BORN TO DANCE ’ ELEANOR ELL wnd JAMES SYLVAN 'stsnd & TAve W S “LOVE ON THE R g e i