Evening Star Newspaper, April 7, 1935, Page 61

AMUSEMENTS. Are Surely Doomed to Fail *Let's Live Tonight," an Excellent Example of Playing Upon Reputation of “One Night of Love"—Where Producers Are Wrong. By E. de S. Melcher. HE practice of associating one picture with another is unfor- tunate. A recent example of this was the linking of some- I two films so utterly and hopelessly apart that if they ever met they wouldn’t recognize each other. They had about as much in common as Claudette Colbert’s “Cleopatra” had with the real Cleopatra. And, although hatched in the same studio, directed by the same director and given the same leading man, their claim to cousinship must have been an embarrassment to both—the Grace Moore film for even being mentioned in the same breath, the other thing called “Let’s Live Tonight” with “One Night of Love"— | for the knowledge of its inadequacy. Here Columbia Pictures, a young, | intelligent and hard-working firm with a thousand blue ribbons of past | season’s victories all over its chest, | made a mistake. They must have argued that a director who could turn out a “One Night of Love” in a jiffy could do it again in a jiffy. They must have decided that Tullio Car- minati, excellent actor that he is, nevertheless had climbed to the ranks of a Gable—something to which, un- fortunately, the box-office would not assent. They must have figured that the faint patter of familiarity in a title could cinch the public i swal- lowing its second cinema with the eagerness of the first. They figured wrong. And in that| figuring they not only damaged the picture, but also themselves. For, if they had simply said that Lillian Harvey and Mr. Carminati were ap- pearing in a new photoplay based on nothing in particular (which, as a matter of fact. was true!); if they had carefully refrained from comparing the gossamerlike Miss Harvey to the luminous Miss Moore; if they hadn't, in other words, dragged “One Night of Love" out of every conceivable corner— they might easily have gotten away with it much better than they did, and people woulan't have shook their heads and said. “Well, if that’s another ‘One Night of Love, then I'm a so-| and so!” In films. as in literature, it has al- ways been believed profitable to follow one success with a fleet of imitators ‘Thus “It Happened One Night” has | had its offsprings, and many another popular film has been swamped with its young. However, the wisest pro- ducers have come to understand that one hit doesn’t very often become two and three and four, and they have | frequently gone so far as to do an| about-face and turn to something new and fresh and totally different. After “Naughty Marietta” there will be a lot of little “Naughty Mariettas.” And after “Roberta” there will be scores of the same. And Grace Moore will, of course, try to outdo herself in her sequel to “One Night of Love.” That she may be able to do this is very possible. Just as it's possible that Fred Astaire will go on making bigger | and better “Robertas.” What we're | kicking about is the pictures that imi- | tate other pictures when they’re clam- ‘ oring only for a recognition which | they couldn’t get on their own two feet. KATHARINE CORNELL continues as a shining light on “the road.” Her premiere in Baltimore last Thurs- day was of the stuff that creates good feeling, and while the play may not have been so brilliant as some people had hoped, Miss Cor-| nell's share of the undertaking was, in that same good taste which has| made her the angel of the provinces as well as of Broadway. If other producers would only heed | the message given so unsparingly by this actress. That is, to give the road the same product that is given | Broadway. “Flowers of the Forest” at its first performances was as flaw- | less a bit of production as we have seen. It smacked hardly at all of a “first night.” Certainly, to shame certain first nights that | the National has had this Winter. | So far as the audience was con- cerned not a line (well, maybe one) went astray, no actor listened help- lessly for that off-stage drone which prompts him into forgotten syllables, | the scenery didn't fall apart and the curtain went up exactly as it was meant to go up. And, while it is said that Miss Cornell suffers the | tortures of the damned on an open- ing night, if she was nervous then she hid it so well that not even her left little finger was seen to quiver. It is enterprises such as this that will keep the theater alive. Wise producers have learned that “the road” is out of short pants and is | rapidly coming of age. is none too good for it—and if you| think no, then remember with what speed the trains now carry you to Broadway and how a plane will take you from your front door to the very | lobby of a Times Square theater. Hundreds and thousands have, there- fore, become acquainted with a the- | ater about which they formerly had | only read. Miss Cornell thus continues her restoration of the theater with hearty good will, and, thank goodness, hearty applause. ence’s reaction was to Mr. Van Druten’s new play, it held out its arms to the star and welcomed her as graciously as if she had been playing her brilliant “Juliet.” Every person in Baltimore must have felt the good that she was doing not only him but the theater. If there were just one or two more Katharine Cornells the theater would | have no worries. Next Week's Films. 'OLLOWING “Mississippi” at Loew’s Palace, Washington will have the first, opportunity of seeing Jean Har- | low, Neilsen to Di!‘ECt. OR the eleventh annual season of the National Theater Players, Gen- eral Manager Stephen E. Cochran William Powell and Franchot | ahnounces the appointment of Karl! . it put| The best | | No matter what the audi- | Tone in “Reckless.” Metro-Goldwyn- | Neilsen as director. Mayer has injected into this film three | Director Neilsen is no stranger to song hits by Oscar Hammerstein and | E_street or the National Players. Jerome Kern, which Miss Harlow | Previously he has served in an actigg | sings. The story revolves around a | C3pacity, and was stage manager three - cornered Powell as a sports promoter, Tone as | of the Cochran company a millionaire playboy and Miss Harlow. | At the present time Mr. Neilsen is | ,engaged in directing the new Mar- After completing two big weeks on garet Anglin play, “Fresh Fields,” F street at Loew's Palace Theater, | scheduled to open on Broadway with- | Will Rogers in “Life Begins at 40" |in two weeks. His other activities| will enter its third week at Loew's/this season include co-directing | Columbia, starting next Friday. | with Guthrie McClintic the current | Broadway hit, “The Old Maid,” in| T‘;" "d"ear" m"l'l?’“at“);,"‘ hB,I‘,; bf:" which Helen Menken and Judith An- combined for Loews Fox Thealer.| gerson are co-starred. Last season he starting Friday. On the screen will be presented S. S. Van Dine's “Casino ‘.{lcr;:id orm;ge(ilemenu Dane Ry, Murder Case,” starring Paul Lukas, | vi Allison Skipworth, Rosalind Russel] | 4€r50n Was sole star. and Ted Healy, while the stage show | Creorge Cuker, 84 prescat looe’ of will be “S; 1cesy ‘of 1035.” 8 Hollywood's ace directors, picked Karl | P | Neilsen to direct his Buffalo, N. Y., | “Evergreen” will be followed at the | Stock company in 1931 for an en- | Belasco by the strange and exciting | 8agement that included as guest stars | drama of Ru: wild children, “The | Florence Reed, Violet Heming, Wil- Road to Life.” This exciting story of | liam Faversham, Moffett Johnson | a social episode, the regeneration of | and Helen Vinson. the children derelicts of the World| Karl Neilsen was first affiliated with | War, is an epic that has thrilled | the National Players in 1928 as stage | artists, educators and movie-goers | manager. He left Washington to| alike. | direct the Erlanger Players of Bir- mingham, Ala, for a season of 32 Fred MacMurray, handsome Para- | weeks. In the Summer of 1929 he | mouni player who proved his m-,preslded over the destinies of the! mantic qualifications with Claudette | famous Summer company at South- Colbert in “The Gilded Lily,” emerges | ampton, Long Island. That engage- now in an adventurous role in Para- | ment privileged him to direct Walter mount’s “Car 99" which opens Fri- | Connolly, Frederick Worlock, Madge day at the Earle Theater. This story | courtship between | Of the most pretentious productions | in which Miss An-| | THE SUNDAY STAR, WASHINGTON, D. C., APRIL 7, 1935—PART FOUR. CAPITAL THEATER AND SCREEN NOTES OF WEEK Pictures That Imitate and| The Leading Lady of the National Theater Players | | NANCY SHERIDAN, Popular Broadway actress and well known to local audiences for her work Nina Leeds in a former production of “Strange Interlude, has been chosen to be this year's leading lady for the National Theater Playew. The season will begin here the week of April 29. | | | dramatic life. Boles With Paramount, J’OHN BOLES will play the lead op- | posite Gladys Swarthout, Metro- ‘politm Opera star, in Paramount’s “Rose of the Rancho,” under agree- ment reached between Fox Films and | Paramount. Alexander Hall is tenta- | tively set to direct the David Be- | lasco-Richard Walton Tully story, | which will include several dramatic and light operatic song numbers now being written by Richard Whiting, 'Ralph Rainger and Leo Robin of | Paramount’s musical staff. New Story for Robinson. ARRY SAUBER, author of First National's productions of *“Hape- Sweethearts,” on the adaptation of his original story, “Anthony the Third,” as a possible son after the star finishes “Money the head of a chain of beauty par- lors. “Money Man” is a melodrama, adapted by Brown Holmes from a story by Dashiell Hammett. It 1s to go into production within the next 10 days, after which “Anthony the, Third” will be prepared for the cam- eras. . Y Huge Classic Filmed. starring vehicle for Edward G. Robin- | Man.” “Anthony the Third” is a com- | | edy dealing with the operations of | Cat’s “Meow”’ Perfected BY CARLISLE JONES. OLLYWOOD, Calif.—A huge catalogue of noise, key to the oldest and probably the largest sound effects library | in the world, has just been completed by the recording experts at | the Warner Bros.’ Studios in Holly- wood. With this to help them. the sound effects men there can provide a cat's | “meow” or an earthquake's peculiar rumble, or any one of some two | thousand other noises, for a picture on five minutes’ notice. The cat’s cry and the earthquake’s is working at the studio | terrifying advance notice are men- tioned particularly because they rep- resent two of the most difficult re- cording jobs the sound experts have | had in the 71, years they have been 1 assembling this strange library. The very first sound effect ever | | recorded for pictures was the nolse of a traveling train. It was a syn- thetic noise made with a strange little one-cylinder machine fashioned hurriedly in the studio shops from a | piece of pipe and the works out of |an old clock. It was tuned by hand |and gave an acceptable imitation of a speeding train, rail clicks and all. It was made for a short subject called “The Pullman Porters” and Kennedy, Alison Skipworth, Grscel of the famous Michigan State police features MacMurray, Sir Guy Stand- ing, Ann Sheridan, William Frawle: George and Nedda Harriagan. New York productions in which he | served as the acting guide include | the effects were recorded in May, 1927. Although it hasn’t been in use for many years, having been dis- pRDDU(.'l‘ION of “Les Miserables” | has started at the studios of Twentieth Century Pictures, with Dean Jagger and Marina Schubert. On the stage Eddie Peabody, wizard | of the strings, will appear as headliner in a complete new program of popu- lar melodies. | the Mr. and Mrs. Charles Coburn productions, “Brain Sweat,” “Cross Ruff,” “The White Flame,” “The Little Black Book” and “Dr. X.” The | Majestic Theater revival of “The| Round-Up” also employed the Neil- Murder in a speeding transconti- | gen talents, nental plane provides the theme of “Death Flies East,” the Columbia pic- | ture which will open Friday at| Warner Bros’ Metropolitan Theater. | {Der Fuehrer Turns e Teacing rores in e s versen | Style Arbiter as of a story by Philip Wylie. In the | . supporting cast are Raymond Wal- burn, Irene Franklin, Purnell Pratt, Well as Dwt“tor Geneva Mitchell, Robert Allen and | Oscar Apfel, . s | Appearance in Gray Suit Today's Film Schedule|| Hailed as New Mode in Germany. EARLE—“Traveling Sales- lady,” at 3:05, 5:20, 7:45 and 9:55 p.m. Stage show with Hugh Herbert in per- son at 2:20, 4:30, 6:55 and 9:10 pm. PALACE—“Mississippi,” 2,4, 6 8 and 10 pm. METROPOLITAN—“Ruggles of Red Gap,” at 2, 3:50, 5:45, 7:40 and 9:35 p.m. COLUMBIA — “The Little Colonel,” at 2, 4, 6, 8 and 10 p.m. R-K-O KEITH'S—“Roberta.” at 1:45, 3:45, 5:45,7:45 and BERLIN (#).—The dictator of most German thoughts and virtually all actions is by way of becoming, quite unofficially, a style arbiter as well, Adolf Hitler established the brown shirt mode. His toothbrush mustache and on-the-brow forelock are favored by many. His choice of words, too, has done something to the German language Now “Der Fuehrer” is going in for gay suits. and so are many who com- bine what they consider the best fea- tu‘r;s of Beau Brummel and good Nazis. When' Hitler appeared in a salt- and-pepper sack coat and knickers | for a speech on the Saar plebiscite, 9:45 p.m. Germans were interested because they @ ” have been so accustomed to seeing BELASCO—“Evergreen,” at | | 3:18/800:a5, ¥7:3aandig-a0] | P mntonn S o pm. Streicher’s 50th mn.hbd.y anniversary LOEW'S FOX—“West Point | |party in a gray double-breasted suit of the Air,” and Cab Callo- | |having Pmm”dw;m“‘ ““P“'w way and his orchestra on | |there were Teady call it & new style. thelsiane” (iggg“;‘%‘gsg’g‘ Clothiers think it will be a good thing to get away from the somber garb which most German men favor. at | Frederic March and Charles Laughton co-starred, and Richard Boleslawski | cast includes Sir Cedric Hardwicke, Rochelle Hudson, Frances Drake, Florence Eldridge, Ferdinand Gott- schalk, Jessie Ralph and Florence Roberts. The screen play of the Hugo classic is by W. P, Lipscomb, co-outhor | of “Clive of India.” “Les Miserables” be released through United |m will Artists. DANCING. exist—if you dance well, enjoyable evening, incorrectly. understanding teachers. make you an plished lesson dan out obligation. |7 | carded a few months later, when replaced by train noises actually directing. The complete supporting |recorded on a train, it is kept in the library as a matter of sentiment. ‘The second sound effects recording ever made was of depot noises during — DANCING. PM". and MRS. Acl!l—‘ll. Yr. Studie, n;hag N, Clast and Dancing every m PEY’ Met, me: DANGERS Lonesome, Idle evenings never Why deny, yourself the pleasure of an juse you can not dance—or fear you dance Teroy Thayer's expert stafl of A few Leroy Thayer lessons will interesting, , accom= Studios _open unm 10 t;,a ;n. ‘Telephone Metro- Leroylt.Tha 1226 CONN!CTICUT AVENUI er | Leonard Kramer, the “Bright Eyes” the arrival of a train. This was made in a Los Angeles station with the first remote control system ever in- |stalled for such a purpose and was used for the same short subject, “The | Pullman Porters,” and subsequently ‘(or at least a hundred other pictures. The third effects recording was crowd noise at the Pasadena Rose | Bowl foot ball game on New Year | |day, 1928. The pandemonium that | resulted when Roy’ Riegels, California | | center, ran the wrong way to a touch- | |down that didn't count—for his team—against Alabama, is still one of the cherished possessions of the sound effects department at Warner Bros.” | With these three recordings as a | foundation, the sound effects library | | was started early in 1928. New noises | and sounds were added daily and, as | the equipment and methods of record- [ ing improved, the early records were | replaced by better ones. Each new pscture added new items for this | library of noise, until now there are | some two thousand varied sound ef- fects ready for immediate use when- ever needed. The recently completed card catalogue has them indexed ac- curately and expressively. There is listed, for instance, under the general heading of “Biffs and Bangs,” such interesting sounds as “A Fall Through a Door,” “A Kick | in the Pants,” “The Sound of a Gavel” and a “Boxing Glove to the Button.” - Victorian Styles Gain. London is threatened with a new era of Victorian fashions. i GAYETY BURLESK Starting This Sunday Matinee Lola “Gorgeous” Pierce Margie “Dreamy”’ Bartell Foster ll:“dd Kramer FRED ASTAIRE Ginger Rogers ® Irene Dunne Starting Friday WILLIANM POWELL in a breathless new adventure in screen excitement . . . o ’STAR OF MIDNIGHT* Aw’ S. Miles Bouton p_M Nmnnm Correspondent THE JIGSAWED MAP OF EUROPE Shoreham Hotel. Admission $1.00 “Bright Eyes™ at Gayety. EATURING the “King Pins of Burlesque,” Billy Foster and company. the latest edition of the | Independent Burlesque Assochuon‘s‘ traveling shows, will open a week's engagement at the Gayety Theater today. The supporting cast includes | Billie Diamond, Lola Pierce, Margie Bartell, Kay Johnson, James Francis, jr.; Eddie Innes, Lew White and | Harry Stratton. R- K O ngns Benedict. OWARD S. BENEDICT, for the past decade one of the best- | known theatrical press representatives | in New York, has joined the publicity | and advertising forces of R-K-O| Radio_Pictures, under the direction of S. Barret McCormick. Benedict has been general press | representative for all Max Gordon's | stage successes during the past five seasons, beginning with “Three’s a | Crowd.” Among the stage stars he , has handled have been Noel Coward, | | Alfred Lunt, Lynn Fontanne and Ger- | trude Lawrence. — . . Opera Star's Film. I SING OF LOVE” is set by Para: mount as the title for the first picture Jan Kiepura, European sing- | ing star, will make for the company in Hollywood. Kiepura will arrive for his first Paramount production the latter part of May. An original story is now being prepared by the studio NATIONALS; Seats Now: | 53¢, 8 Y | Bde, 81.10, | Wonderful Lam, | $1.65. $2.20 o iginal New York Rast BELASCO “Now! ]essne Matthews in “EVERGREEN" NARY BOLAND - CRARUE MOGGLES 1A80 MITTS AMUSEMENTS. F—§ Broadway Sees Three New Plays as Spring Offering A Single Author Exposes Two of His Pieces to the Critics, While John Golden Stages *The Bishop Misbehaves.” By Percy Hammond. F THE plight of the toiling classes can be eased by writing plays about it Clifford Odets would seem to be the man to Wwrite | them. Not only is he an ardent champion of the overworked and underpaid, but he has the ability to present them and their wrongs with dramatic eloquence. Though at heart an apostle with a cause to plead, he seldom lets the showman’s art be lost in that of the propagandist. It is his purpose to sugar-coat his bitter pills with smooth layers of excitement and thus to make his sermons both palatable and arousing. There is no doubt of the sincerity of Mr. Odets’ hot pity for his less fortunate fellow men; his efficiency as a dramatist cannot be questioned, In such an entertainment he might picture tearfully a forlorn and aged hero and heroine, bewildered in a garret because, in their innocent de- sire to insure themselves against life’s ‘Winter, they had bought the stocks | and bonds of a heinous national bank or public utility corporation. The vil- lains in the play should be vicious | statesmen of the Senate, the House | of Representatives and the Amer- | ican Federation of Labor, bent upon | depriving their victims of an honestly | earned income. With a handsome in- genue forced by circumstance to seek a livelihood upon the streets, and a penniles Astor, Woolworth or Van- derbile seeking her hand in wealock and divorce, Mr. Odets could easily make another revolutionary show of them. Last week Mr. Odets and the up- coming Theater Group, Inc, pre- sented two of his interesting objec- tions to things as they are. Ome of them, “Till the Day I Die,” exposes, with brutal sentimentality, the Nazi | oligarchy, with tortures, suicides and | murders galore. The other, “Waiting, | for Lefty,” was about the persecuted | taxi drivers who take you patiently from place to place for less than a living wage. Into their union of hysterical revolt comes a young sur- geon (Mr. Odets himself), an actor oyt of employment and others who have ,been abused by the “system.” The characters who have money are all evil; those who have not are fine. | Mr. Odets and his actors contrive to | make the contrasts not too black and | white; and his sense of vivid men and women and their picturesque lingo birng “Waiting for Lefty” to melo- The play so impressed me as a good show that I have asked the taxi men who transport me to, and fro if their situation is as desper- | ate as Mr. Odets pretends it is. With-| out exception these gallant chario-| teers have told me that when “Wait- ing for Lefty” describes them as desperately down-and-out, it is, in their happy language, the bunk. JOHN GOLDEN, producer of “The Bishop Misbehaves,” is famed in the drama business for an untroubled disposition that permits no care to cark him. Anxieties that gnaw the bodies and souls of other Broadway impresarios starve when they try to feed upon him, because his cupboard |1s always bare of woes. Mr. Lardner | once nicknamed him “Sunshine’s Pal.” He is the sire of all of George Jean Nathan's rosy days (Mr. Nathan goes to the theater only at night); and he is in general a lighthouse, a silver lining and a rainbow shedding cheer- fulness upon the stage’s clouded world. In my own long acquaintance with Mr. Golden I have known him but once to be blue. It was when, some years ago, I told him that my best friend was sick unto death and I asked him what to do. His advice was good, and there were understand- ing tears in his eyes as he gave it to me. 1t is Mr. Golden’s practice shrewdly to buy a drama, to cast its characters keenly and then to run away to Florida, there to forget about its first- night fate. When “The Bishop Mis- behaves” was presented in New York I hinted that it might have been a more esthetic frolic had its owner been on the stern Broadway job in-| stead of lapping himelf in the soft, Lydian airs of a dog track, chuck-luck, roulette, flowery, capitalist province. Mr. Golden, said| Clarence Budington Kelland, dent of the Dutch Treat Club, blames | his failures on his absence in the semi- | tropics and boasts of his successes for | | the same reason—thus catching the unwary drama-lover both coming and going. Mr. Golden now arises from a sand- trap on the Miami Beach golf course to telegraph me a protest against my | suggestion that “The Bishop Misbe- haves” might be a more cunning en- tertainment if he himself had been more active in its presentation. He day and Mon | GEORGE_ RART AND. JPAN PARKER in LIMEHOUSE BLUES ___Comedy—Newsreel—Short Subject. nudist and anti-| | could not, he wires, have told Walter | Connolly how better to act the role of a snoopy bishop of the Church of England engaged in investigations of a jewel robbery. He could not, he claims, have added by his counsel at rehearsals to the beauty and conduct of Miss Jane Wyatt, its criminally in- genuous ingenue, or of any .other artists in the prudently selected cast Because of or despite Mr. Golden" absence in the Florida zone of luxury and laziness, “The Bishop Misbe- haves” is a comfortably disturbin fable that will teach you nothing ex- cept that Mr. Golden, Mr. Connolly and their associates know all there is to know about the minor show traffic. “The Bishop Misbehaves,” Mr. Golden cables me from Miami, “is playing to large and happy audiences at the Cort Theater in New York.” It will not annoy his calm to know that while he is away the mice will play, and that “The Bishop Misbehaves” is per- formed at his own, the John Golden Theater, not at the Cort, where, ii seems, he believes it is being played It is a good, irresponsible revel, and Mr. Golden's distant influence upon it has done it no harm. Cast in page Mlsa Glory PATSY KELLY, popular stage and screen comedienne, has been signed for an important role in sup- port of Marion Davies in “Page Miss Glory.” “Page Miss Glory” will go into production in about a week, with Dick Powell, Pat O'Brien, Mary Astor, Frank McHugh and Willlam Gargan in the featured cast surrounding Miss Davies. As a comedienne, singer and dancer Patsy Kelly has been a fa- | vorite in Broadway musical shows for several years past, and she has just completed an important role with Al Jolson and Ruby Keeler in their new Warner Bros.’ starring ve- hicle, “Go Into Your Dance,” which will be released next month. | AC ADEMY ©f Pertset Smmd i»nmpl-y E_Lawrence Phillips Trnm ne.uum Continuous_From inee, 2:00 P.M. GIERPIE 3 \UGENT i JACK HOLT in_ BEST \XAV WINS" ASHTON CLARENDON. VA. Monday—BING CROSEY in __"HERE 1S MY _HEART.” _Chase_Com. \ CAROLINA .23 G.Am o= 11th_& MUSIC IN THE AIR’ and “STRAIGHT i THE_HEA RT (‘IRCLE b Showings 2157 %3 and 9:00 PM. AVID COPPERF(X:ELD ith ALL-ST. 1343 Wiscon DUMBRRTON LIONEL BARRY - MORE with ALL-STAR CAST in “DAVID S0 ana T P!\! | FAIRLAWN GEORGE RAFT in LIMEHO(‘ E ) PRINCESS JOA\' C R A;\ | 4 O.R ;;‘A CHAINED.” Comedy and News Events SECO 8211 Georgia Ave. e, AU nd SANE Silver Spring, Md. NivaTT 1 | “GREAT EXPECTATIONS." News._Comedy. _Cartoon._ _* STANTON 5.5tk 2nd C st Finest Sound Continuous From Matinee, 2 ! | EDDIE CANTOR in “KID MILLIONS." STATE 0“7 ““The Modern Thea 0 Wise. Ave.. Bethe: Open at 2:30 P.M R e MARY BRIAN and WAR LAND { ‘CHARLIE CHAN I!IR;I PARIS. ___Comedy and News Events KOMA TR "4th and Butternut Sts. No Parking Troubles | AUL MUNI in | “BORDE TOWN o ’ " [HIPPODROME mi? TR | | BING CROSB & | ‘uERE 18 MY HEART.” __Continuous 2:00_to n :00_P.M LITTLE PLAYHOUSE, /i, CAMEO 2 | 'LESLIE HOWARD in “The Scarlet Pimpernel.” _Continuous 3:00 to_11:00 P.M. ARCAD ~ HYATTSVILLE. MD. Today.Tomortow u Anna Mav Wong. hin_Chow." FATHER COUGHLIN “The Fighting Priest.” Constitation Hall, This Aft., Apr. 7, 4 PM. Tfllnl‘. Met, ‘r%'fio. g Ope Seats $1.10 to SZ.Z. .ln office opens WEST PO OF THE AIIR' with MAUREEN O'SULLIVAN ROBERT YOUNC E%:?M.LOWAY COTTON CLUB ORCHESTRA N 'gc,,«smo ¥ MURDER CASE .."SPICES OF 1035 Zies PALACE /" BING CROSBY prtecd RICHMOND—‘“‘AAHDT““VE Tomorrow-’ 'nlrs -Wed.-Thurs. Shirley Temple, “Little_Colon ARCADE "T‘Sfil‘y{'r'a'.;."m’n"'.’ Gary Cooper in “Lives of & Bengal AMBASSADOR o e S 5 JOAN, BLONDELL, H"UGH flmnm‘r __in “TRAVELING SALESLAD Apollo 624 H St. NE. Phone Li. 3335. DICK POWELL. GLORIA TUART in GOLD_DIGGERS OF 1 Direction of Sl DNE Matinee, :00 P RONALD "COLM FOUNG. “CLIVE OF mnu Y 425 0th_ St NW. Phone Me. 9100. ouble Feature RALPH BELLuw In " GIGOLETTE JAMES (BARTON in “CAPTAIN [ r-rnn Phone il mm ‘DAVID COPPERFIELD. SAVOY "l stag Phone Co. TIVOLI "% oo Ma D!CK POW!LL ln WARNER BROS. TH 14th Sllhrl M N' P.M. ‘GOLD DIGGERS LORIA STUART. W.CFIELDS - BENNETT |..770 'MISSISSIPPI' e as Nedd Attraction JEAN HARLOW-WM-POWELL m"RECKLE. guwm"EMpL “KID MILLIONS > DIE CANTOR. GHIRLEY ED Comedy. _Novelty l!ll-"l‘A[ Tomor—"THE NIGHT 18 YOUNG.” N _NOV, N