Evening Star Newspaper, April 26, 1931, Page 46

AMUSEMENTS, Flashes From the Screen News and Comment of the Photoplay By C. E. X Tm they are probably most appreciated of all the studio efforts, screen comedies are rather dif- ficiilt for ?mducers and public. Of co , the producer’s troubles start when he begins to make a funny picture, and they continue, out of all keeping with his sub- ject until final judgment is ren- deted. Comedy manufacture is about the most difficult ‘of all studio work, for the creators and players never know just how a icture will strike the public. his holds true with’ the multi- reel productions, and not with the short subjects, many of which are thrown together. and then thrown .at the cash customers. Real comedy is the life blood of the motion picture industry; it requires 1 preparation and skill in manufacture. From the standpoint of the publi¢, there is a comedy difficul- ty which probably never will be overcome. - This has to do with points” of a produc- Rogers, who is scream- in “The Connecticut ! oses a considerable portion of his dialogue by the audience laughs. That is, after he has launched one df his side- splitting quips there is, naturally, 1o pause in the dialogue. While the audience laughs, the show goes on, and the thread of the dialogue is lost for the“time be- ing or until another “laugh point:” d All this hardly can be reme- died, although it is one of the big difficulties of the screen comedy. And it is one place where the Nelson. is, I suppose, the most primitive stage of education; whereas the literature of any country is its crowning glory. And just as soon as you get talking pictures you automatically get literature. The great authors of the world will soon be turning their attention to writing for the screen; in fact, they are doing so now. The great mass of the movie public is quic to learn and to appreciate style in writing, as they have already learned to appreciate good music. My experience in the studios has taught me many things that have been useful to me in the theater. First and foremost, it has brought home to me the value of sincer- ity; I found that every flicker og an eyelash, every shade of thought, was registered on the screen, and so I reason that what is seen by the camera may be felt by an audience. The art of re- straint and suggestion may be studied by watching _Charlie Chaplin on the screen. He is, in my opinion, the ideal motion pic- ture’ actor.” * kK X You are never safe from the movies. Comes word from the Warner Brothers’ studio that it is now employing “scouts” who attend all sorts of amateur performances in their search Jor screen talent. So, if you have a part in the church fes- tival, or are playing the lead- ing role in your high school play, watch out! The scouts may get you! While this idea is new to the movies, it has been utilized for many years by the big league base ball stage has a distinct advantage over the screen. On the stage, for instance, the “laugh point” is marked by a pause in the dia- logue, the pause lengthening or shortening with the amount of applause or the number of laughs. In the manufacture of a picture the director has no idea where the public may laugh. If he filled his picture’ with pauses to accommo- date the laughs, he might make serious mistakes; the laughs might not arrive. at the sched- uled ts. Therefore, he can do nothing in the matter. The . Flu simply goes on and the dia- ogue ‘is lost. A picture filled with pauses for expected laughs which did not materialize would most certainly be an awkward production, to say the least. But what can we do about it? * % x % There was a day in Holly- wood when Rin-Tin-Tin, edu- cated dog, ranked with the screen’s leading stars. He was the pet of the film colony; his pictures caused lines at the box offices and his owner’s contract called for @ large cash figure each year. Now, because Rin- Tin-Tin did not like the talk- ing pictures, he is in eclipse, and his place has been tal by another . This time g: Illck‘zy ;l!ouca:oho. d;flng past few s, ine United Artists a: w{u be starred with such screen per- sonalities Pickford, Rin-Tin-Tin advantage and cut ali jor he can sorts of capers. * 5 E % . 'ETHER with the announce- '™ ment that the organization is celebrating its -twentieth birth- day, es word that Paramount its g _its three studios, in Holg-nod. New York. and Paris, in preparation of a remark- :‘!;la picture-making schedule for over , Theodo! Louis Bromfield, Rupert Hughes, John Colton, Phillip Barty, Charles Brackett, Robert E. Sherwood, Arthur Stringer, S8ax ‘Rohmer, Percy Crosby, Dashiell Hammett, Max Marcin and others. And' the star list includes Harold Lloyd, Marlene Deitrich, Maurice Chey: ', George Bancroft, Nancy Cartoll, Clara Bow, Ruth Chatter- ton,: Tallulah Bankhead, Jack Qakle, Marsh, Gary Cooper, Charles Rogers, Richard Arlen, Clive Brook, Claudette | Colbert, Charlie Ruggles, Phillips Holmes, Paul Lukas, Jackie Coo- ga! Carole Lombard, Miriam H , Kay Francis, Warner Oland, Norman Foster, Regis ‘Toomey, Green, Jackie Cooper and others. The company also’ announces that it is adding Anna May Wong, Dolores Del Rio, Eleanor Boardman, Lilyan Tash- magd and -Carman Barnes to the list Jor’ certain productions. The little Oriental actress has an im- r: int with Warner Oland “On the Spot.” Entire casts of children will be used in the production of “Huck!z- berzy Finn,” “Tom Sawyer, Detec- tive,” and “Sooky.” Harold Lloyd, it is announced, is working on a *new type” of talking picture. * * o x Motion pictures are coming Jresh from the press these days. i Inithe event of a gang murder, the studio writers get busy and fiz up a movie story on some of the facts, weaving in their ' heart interest’ If a giant diri- gible makes an unusual trip, you get a romantic story on the same idea on the screen. Now we are to have a picture called “She Wanted a Millionaire,” based on the recent killing of an American theater magnate by his wife. It is all current, bst very‘highly colored. It is said that the true story of the war aviator's widow who mar- ried the man who killed her jband in combat was turned cold by the studio offi- It was too improbable! * % % ¥ GmRGE ARLISS, who has scored a remarkable success in all of his pictures, is convinced that the films are a drama stimu- lus.: He says: “There has never opinion, such a stim- 1 the country can produce to be seen and heard in the most of the United States, doupt about the educational pos- sibilities to be derived from talk- teams. All Summer long base ball scouts are combing the bush leagues for talent. War- ner Brothers announce that they have two “scouts” in thc East, who use New York C.y as their headquarters. They devote especial attention to high school plays and collégiate dramatics, and already four youngsters have been sent to the Hollywood studio to be . trained. Naturally, it is pointed out, no promises of stardom are held out to the recruits. “The future that awaits them on the screen lies in their own hands.” . * x % % Short Flashes. Hm MORGAN, sometimes THE SUNDAY STAR, WASHINGTON, D. C, Mickey Mouse Signs Contracet. “MImY MOUSE” has jolned Artists. United ‘With a wag of his tall, the screen fans the world over “has signed & contract” by which be released by that organization. It is sald to be the first time a car- toon screen subject has gained sufficient importance to rate recognition along- side the screen’s bl stars. The growing popularity of the Disney crea- tion has necessitated world-wide releas- ing distribution. Hence the deal with United Artists, for exhibitors in every foreign country are said to be clamoring for_“Mickey.” Disney reccntly decided to make his comedies with music and sound, using only those verbal expressions common to all languages. The coniyact calls for the release of 18 “Mickey” comedies and 18 “Billy Symphonies,” the latter also being musical cartoons originated by Disney. Bobby Jones. BOBBY JONES, winner of 13 major 1f championships, 4 of them m g the only grand slam the world has ever known, was seen and heard in action on the screen for the first time when the first of his series of Vita- &hone short subjects entitled “The Put~ r” was sereened. It is now at War- ner’s Earle Theater. ‘The first of this entertalning education series is devoted to “put- ting.” Curious golf fans will find man; intricate points of the game illustrated, for Jones executes “chip shots” and all other fimcul shots known to golfers, and will b the series to a close with a complete round of golf. Patrons of the Earle Theater who do not play golf may find entertainment of a high quality in the human interest story that has been injected into each of the 12 Vitaphone short subjects, one of which will be shown at Warner's Earle every other week. Ph;losoph; and Fun. JOSEPH CAWTHORN has been a stage celebrity ever since the days of vaudeville, when he appeared as one of the “Cawthorn Children.” He has been & Broadway star for many years and is declared showdom’s premier ex- us the of G, and.from this we can understand the elements that go into comedy.” ys the old German tai- -Made Man,” adapted from the old play and now at the Palace. Had Made the Grade. DURING the “Bachelor Apartment” called “the gal who made the | had iano famous,” has been signed do a picture in the Brooklyn Vitaphone studio for Warner Brothers. Special songs have been written for the star. Others ‘who have signed to do short sub- jects are Earl Sande, the singing jockey; Jack Pearl, Primo Car- nera and Ruth Etting. As far as we can hear, Al Capone has not been approached with a contract to take leading gangster roles in the movies, ru- mors to the contrary. It is evi- dent that the producers are afraid to_approach him, or something. Lloyd Bacon has been loaned st National to direct the Bebe Daniels’ picture, “The Honor of the Family.” R takes Bacon’s place directing Winnie Lightner, Charles Butter- worth and Donald Cook in “Side Show.” Lila Lee is back in her home in Hollywood after a long illness in a Prescott, Ariz., sanitarium. She expects to resume screen work within a few weeks. Lew Ayres is starred in “Heaven on Earth.” Slim Summerville and Harry Beresford have important roles in the picture. Eddie Cantor’s new picture will be “Palmy Days,” and Charlotte Greenwood have a role. George Bancroft plays an ag- gressive figure in the financial world in “Rich Man’s Folly.” Paramount is also starring Nancy Carroll in “Personal Maid,” Mau- rice Chevalier in “The Smiling Lieutenant,” Marlene Dietrich in “Indiscretion,” Ruth Chatterton in “ ughters of War,” Phil- lips Imes in American Tragedy,” Clara Bow in “Man- handled,” Tallulah Bankhead in “China,” Jack Oakie in_“Mister Noodle,” the Four Marx Brothers in “Monkey Business,” Clive Brook and Lilyan Tashman in “Twenty- four Hours,” Carole Lombard in “No One Man,” Paul Lukas and Kay Francis in “Girls About Town,” Claudette Colbert in “Se- crets of a Becretary,” Eleanor Boardman and Gary Cooper in “A Farewell to Arms” Junior Durkin and Jackie Ceogan in “Huckleberry Fin,” Clive Brook and Mary. Brian in “Silence,” Gary Cooper in “Graft” and little Robert Coogan in “Sookie.” And another underworld film, with Lou Tellegen and Mary Nolan taking the leading rples, in “Enemies of the Law.” Notes from the press agents: Douglas Fairbanks, jr., has a book of poems coming out in a month or two....Loretta Young studied tap dancing with Ernest Belcher and Grecian dancing with Ruth St. Denis....Marilyn Miller was first billed as “Miss Sugarplum,” and because of her youth the Gerry Society would not permit her to appear on the stage in big' cities....Dorothy Mackaill made her first stage hit in America in the “Follies,” when she sang a funny song with an amazing York- shire dialect....Richard Barthel- mess was educated at Trinity Col- lege, where he was president of the Jesters, the dramatic club, director of the amateur events ....Although a success in musi- cal comedy, Irene Delroy prefers dramatic roles, and now she pre- fers the screen to the stage.... Joe E, Brown was playing a vaudeville engagement in San ncisco at the time of the earthquake and enjoyed it (the quake) very much....Robert Al- len does not like to see women smoke, does not like nolsy parties, dom happy when he is riding in the subway. Portugal Honors Zukor. nounced in its Gazetta Official a presidential decree awarding a speclal decoration to Adolph Zukor, president of Paramount Publix Corporation, and three members of his European staff in reciation of Paramount’s ta- tion of the first Portuguese tal pic- ictures. It is, in fact, dim- %’b.rnuu '&Fuitmm talking lc?o:': T: by mesns of pictures the {mmense stride | | ken | ture in that country. ‘This _known ot the Ofdar ok Paniianr THE Portuguese government has an- |the stage in “ Mrs. Fraser” and is now on tour with this play. She is cted to report on the coast within few weeks. ve:f‘t:‘ Elgar is !!‘mlktll u!’yd‘; ‘h‘A’.f young actress of ey, Aus- where she has in Del Ruth o MARION SHILLING, Who plays opposite Richard Dix in “Young Donovan's Kid.” This is the first picture for Dix since “Cimarron.” APRIL 26, 1931—PART FOUR. AMUSEMENTS. Comes Back to the Screen - 2 LILY DAMITA, ‘Who returns to the screen after several months on the stage. Her new picture is “The Woman Between.” “DEATH TAKES A HOLIDAY.” N all the history of Americanatheatri- cals there was never such a play as “Death Takes a Holiday,” which the National Theater Players will revive next week, beginning with a g‘ech'l Sunday night performance, “Be‘t.h ‘Takes & Holiday” is an Itallan fantasy from the pen of Alberta Casella, had “one grand idea.” As the with the goose honking high. In | this case death, the old master, decides to have a holiday, & vacation, and when he leaves his goer, it is just the opposite, a welcome world, for as it might be without such a thing as death. The old man is taking a holl- day—and how! As a rule the National Theater Play- ers open on Monday its. ‘This time, however, the opening will take place on Sunday, because the committee of the Greater Washington Campaign thought Sl et o hasee al - formance, which is for the beneflrol . | whose emotions are on the committee. Monday night subscrip- tion seats will be reserved as usual. “A MODERN VIRGIN.” UNDI:R the title of “A Modern Vir- gin,” & new offering by Elmer Harris will be presented at the Shubert Belasco Theater next week, commencinj Monday evening, May 4, prior, it is sai to_its Broad premiere, the verge being awakened and in whom the reck- lessness of her father and the warmth and beauty of her mother are combined. Kept in seclusion by the rigid discipline of a malden aunt and further re- strained by the tanical tendencies of her fiance, she an exciting but dangerous procedure of finding adventure. The outcome is sald to rmvlde a worthy climax to most tefreshing, smart and sophisti- cated comed. ‘The cast 15 headed by Herbert Raw- | linson. ~ Other roles are portrayed by Margaret Sullavan, Robert Strange, Nicholas Joy, Pauline Benton, Fred I. Lewis, Willlam David, Loretto Shea, Paddy Reynolds, Audrey B and Boris “QUEENS OF JAZZ.” Nt st Rayoor aui. Ha traction, Sam Raynor an “Queens of Jazz” will come to Gayety Theater on Ninth street. Fritzie White and Leonard Deaba are the principal stars, with other bright lights them, including Sam Raynor, & Shubert star, and the usual attractive chorus. s b First Screen Child-Star. MADO‘ EVANS, just in her twen- membens whot GolSBHItcs mow orgoten cel es now forgotten were in their heyday. For this new lady, recently engaged by Metro- with Ramon was with such well known actors as Tt w‘:lll-wlck. Holbrook Blynn and Henry Evans, who has reddish-yellow classical features, does not give the im n of bein, person. it were not for her poise calm self-assurance, one would take girl from Vassar or hair and She began her public career, however, at the age of 6 months, when she posed for commercial artists. ~ Almost every civilized person has seen the little girl in the famous soap advertisement which peftly inquires, little Fairy in your home?” Evans posed for the “little fairy.” At 4 she became a screen actress at the time when she and Anita Stewart, then at the mature age of 16, posed as the mother and child for a highly “artistic” calendar lmz out by the Anheuser-Busch Brew- ing Co. Also she remembers John Gil- bert when he was a script clerk, Joseph von Sternberg when he was a cuf employed in editing her pictures, Clar- ence Brown as an assistant director at the Fort Lee studios, Robert Warwick s the screen 1dol of the day, and when E‘vnlyn Brent was just plain Betty g8s. In those early days of picture making | Coney Island Goes West. dog artists, barkers, spinners o?'tho ou:au of the colorful, motley and often leading man and stage |land’ does not like crowds and is sel- | tom: without mlncbmelra! 3 ers are ene and persuasi men who sell all sorts of novel COMING! NATIONAL ELECTRICAL REFRIGERATION SH?W ey e A & case set on a tripod, hence the name. sardwiches. The is the lfl:un wxg: ;lund- in Ié‘oam. and shouf rade. Spinners are er- ators c‘(‘ppflu wheels, without whlc?no midway is complete. Yet Hollywood now has them all. It seems significant in the days of “dog eat dog.” scribed as an “original story for the screen,” will be Buster Keaton's new Metro-Goldwyn-Mayer picture. In it the comedian will have the role of a poor but honest youth who es. ent with the underworld perils of city. Jules White and Zion Myers, who directed the “talking dog” comedies, will direct . this photoplay, which i§ bastd on a story by Paul rard th and DANCING. _ N R e e ’EGARE STUDIO a theatrical | also me was | work and “Have you a | Madge Evans, who is now starting from scratch in the talking pictures, was & big drawing card. One of her starring pictures, “Helde of the Alps,” was con- sidered one of the most successful films of its particular year. ‘When she grew too old for children’s roles the producers by hlvi.ns her put up her hair at the age of 13 tried to make her a leading lady. In this capacity she appeared with John Barry- more in “Peter Ibbetson” when it was first made into a silent film. She was with Richard Barthelmess in “Classmates.” that Madge at 13 could not compete with Theda Bara and the other sirens and sweethearts of the time, her took her out of motion picture t her to school in Europe. During her vacations, however, this busy little girl found work to do. She posed for Charles Dana Gibson, played in ‘stock companies, and at the age of 17 went on the stage for her first Broadway _ performance in “Daisy Mame.” Since then she has played several ingenue parts. Her best per- formances were in “Bread,” “The Mas quis” and “The Conquering Male.” But recently she was seen on Broadway in m_ Kelly's latest play, “Philip Goes Since sound pictures changed the entire outlook of the motion picture in- dustry Madge Evans has only appeared once before the dread cembination of camera lense and microphone. That was & part with Walter Winchell in a short subject called “Bard of Broad- way.” Made Evans is really a veteran of the New “Roxy Gang." AmlPAPlRmmwhowuwuuu to wash dishes to enable him to take music lessons ‘Theater this week new “Roxy Gang” nounced. He 18 John Griffin, tenor. Others in the group include Adelaide De Loca, Dorothy Githens, Harold Clyde Wright and Helen Andrews, accompanist. Their offering is known as “Songs of Yester- day and Today.” ) Griffin was a Chicago newspaper man. He wanted to study in England. So, it is said, he booked on & large ocean liner as a dishwasher and worked at that eight hours a day while en route to England. There he remained, taking lessons under one of the foremost teach- ers, until his money ran out. Then he came back to Chicago, worked some more on newspapers, and when he had replenished his purse once more re- turned to England. When he finished this interrupted oourse he returned to the United States and before long got & job with Roxy. Now he is a featured member of the g:oup which under the familiar title doing radio work for and singing in the Roxy Theater. Still a Baby—But—- LL the honors that have come to Joan Bennett as a successful actress have not altered her standing in the Bennett family ong whit. She is still looked upon as its baby. The fact that she has led a very interesting and adventurous life, that she is financially independent, has a big home of her own and conducts it capably, all would seem to qualify the youthful Joan to make her own decisions. But not to her family. Blg Sister Constance still keeps a watchful eye on her. Even though Joan has been a contract player for United Artists and now has a long-term contract with the Fox Film Corpora- tion, Constance still “gives her advice.” “I often discuss our work on the screen with Constance,” Joan admitted while working in her latest picture, “Doctors’ Wives,” now at the Fox, “Just like any older sister, she takes pleasure in offering me well meant advice. And don't always follow it. Not that it mat- ters, mind you, but—well, you know, I have my own opinions on the art of acting.” In Leading Role resolves to_adopt | | GRETA NISSEN, | Playing the leading feminine role in the | Victor McLaghlen-Edmund Lowe pic- ture, “Women of All Nations.” Marriage and Movies. JMANY ‘times & wife, but never a bride, until now. Ruth Chatterton’s screen career, ited her as a married her forth as a ding day in*“Unfaith- ful,” the story of a husband the world calls “good’ wife whom the world condemns as “bad.” “Unfaithful” concerns an American girl who marries the catch of the sea- son, a handsome young aristocrat, war hero and clubman. The girl is ecstati- cally happy, madly in love with her hus- band until she discovers that the repu- tation he has built up is merely a mask for undercover love affairs. Unable to denounce her h ‘without involv- ing her brother’s wife, the girl lets go and throws herself madly into reckless pleasures. ‘Then she meets the man she can really love and is faced with the thought that th finger at her and say: With Chaplin Once. EZSO RETTER, the man who ‘wrestles himself in the Capitol Theater, New York, stage show, “Let’s Go Collegiate,” now at the Palace The- ater, once played in vaudeville with Charles Chaplin. Both were offered opportunities on the screen when the movies were in thelr infancy. Chaplin took the chance. Retter remained on the sta Retter says he has no regrets. c says the compensation of applause more than, makes ug the difference in salaries. e points out, Chaplin makes more money than he can spend. Retter performs droll capers that are like any other baby of the family, I| 5" Washington’s Players What Various Dramatic Organizations Are Doing and Propose to Do. JEWISH COMMUNITY CENTER, ‘Wednesda y. 'HE Dramatic Soclety of the Jewish Community Center will present its most.ambitious undertaking in years, at its fifth annual 8pring production, “The Solem,” Wednesday evening at 8:15 p.m. at the center. ‘The play, a translation from the criginal Hebrew, is recognized as & classic of Jewish drama, depicting an intricately woven theme of folk life, its prejudices and superstitions. n THe cast, under the direction of David N. Pinck of Baltimore and Mrs. Yvonne Kusher, is headed by D. Charles Gordan and Nathan FreeRoff. PIERCE HALL PLAYERS, Friday. 'HE Pierce Hall Players will presen! their third play this season, “The Romantic Young Lady,” by G. Martines and Saturday all of All Souls’ under the direction of Catherine Palmer ell. This whimsical three-act comedy is expected to be one of the treats of this year. Pupils of Mrs. Flora McGill Keefer will furnish the intre-act music, which will include Spanish songs. Miss Helen Smeltzer, soprano, and Harry 3 ritone, will sing dueis, and Miss Telma 8now, soprano, solos. After the play each evening there Title Making. ored the little mstter its enforced limitations, wmu'mu's noted male choral ition, the George Wi - ton v:r“mu Men's Glee Oluh..:lh!!lnga in concert the g o INDING titles for modern plays and pictures is & tough task unless the searcher is s bit reckless. The theatrical producer’s office during those trying hours when the entire staff is tleman, who of space and fessional Players, “Up Pops the Devil,” which did not uclwp. its period of titular storm and strife. was delivered HEe llows Love.’ % he implored. “Think of getting the word ‘love’ in a title twice!” Everybody tht of it: they pon- dered on_it mm uplifted to_the . Ih fact, they £ g ;E fars H better. derstood, however, tbat other names would be gratefully % Amo) the 200 titl :.llnltud es about %n time were “Girls of To- day,” “Smith the Preacher,” * - ber the Jane,” “Ho Hum" variety, “Helgh Ho Hum.” Studying Lines. SI‘UDY!NG lines, a matter of routine for those of the stage, is sald to complicate have ved its ' auenzmph wofldwmvhmm graduslly, each worked out & e for memorising most A A T b S ki o | Bocter Ko s | A WARNER BROS.- VITAPHONE screen version of Jane Hinton's play, “The Devil Was Sick,” now titled “God's Gift to Women,” with Fran Fay as “the gift,” will come to Warner's Metropolitan The- "g ‘Arliss’ eorge 3 modern comedy, = Eurie Theater sat: | met urday. It is said to be Mr. Arliss’ first venture into a new field and the lines that had suddenly to their work. GAYETY—BURLESK The Queen of Melody -nl"nu JERRI McCAULEY Charlotte in “Palmy Days." 'HARLOTTE GREENWOOD, the elongated comedian, has been en- gaged for one of the principal feminine roles in “Palmy Days,” Eddie Cantor’s amusement world in everything but years, for she is only 21 now. S.E.COCHRAN RS town.” “If you miss “It's & Wise oy NEXT WEEK BEG. SUN. SEATS NOW. NATIONAL NIGHTS—$1.00, 75c and 50c WED. and SAT. MATS.—50c and 35¢c bert Gabriel, New York A “‘It's & Wise Child" and Samuel Goldwyn's first 1931 pic- ture for United Artists’ release. MONDAY NIGHT AND WEEK & CLIFFORD BROOKEoffer e NATIONAL THEATIRE PLAYERS 2z David Belascos Z Tophisticated Comedy. e dimashing Success- & Wise Child’ is the heartiest laugh im -Robt. Garland, New York Telegram. Wise Child,' 1t's your seeing own fault."—Whitney Bolton, New York Telegram, Child’ went over—well over,”—G{l- imerican. highly recommended o any one in search of comedy that is actually comic.”— New York Evening P & wise child in the thedtre who can write so comic a play.”—J. Brooks Atkinson, New York Times. Dance Recital Wardman Park Theater, Friday evening, May at 8:18 o’clock. Tickets, $2, $1.50 and $1.00, now selling at No. 1731 Que Street. Phone North 80185, or at the theater on evéning of the performance. SHUBERY e IBELASCO = 50c to $2.50 uGMT. LEE and J. J. sSwUBEmT 80c to $1.50 THE PROFESSIONAL PLAYERS offer their Otk subscription attraetion. You'll Doff Your Hat to this riotous hit . . . acclaimed on Broadway for six months! “UP POPS the DEVIL” By Albert Hackett and Frances Goodrieh With ROGER PRYOR SALLY BATES 70, Tosx cass” Stased by WORTHINGTON MINER Mats. Thur. & Sat. come to Loew’s Columbia vr&t“uxe of the current Ruth Chatterton plcture. “The Secret Six,” featuring Wallace Beery, ‘3 announced for Loew's Palace ne: an Pop. Mats. Thursday & Tomorrow An Advroitly Written Play Of the Younger Generation!, MESSRS. SHUBERT Present ‘A MODERN VIRGIN By ELMER HARRIS (Astner of Superb Caill™ Directed by STANLEY LOGAN F MAIL ORDERS SEAT SALE WED. { oo we, v B, B3, B, 00