Evening Star Newspaper, January 22, 1928, Page 87

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29 4 BOYS and 'GIRLS PAGE BY “YOUNG HACKENSMITH"” THE SUNDAY STAR. \VASfiT?\’GTON, D. ¢, JA NUARY 1928—PART T. “Educating Patricia” BY CORNELIA H. MILLER A Difficult Day. | Patricia Hollineshead schon for & Eroum of sirls looked b to a1 Misa Stanhopes | O0UNCed Loulse a8 she Is. soon found he; 7 shower. in the leade efforts SR “hen et il e o ers, | No running, no shouting.” T e P Nre PR VYes, but you've got to make a rule h 1 tase and M Asirer ‘To | when we so hot and tired,” pro- h v Johtrici | tested Pegey of the fat Thus it was that the bulletin board “Well. there you have it, girls,” an- evacuated her “After this we move quietly, ngle file, from the gym to the show- he ' that the girls who are excused have to take their showers before gym is over. It isn't fair for them to keep us out in the assembly room was graced with et on a Satunday | an announcement to the effect that the g NS hapey. B ytmost degree of politeness and consid- eration known to fl\'silizzd young lnnifis CHAPTER XL was to be exercised in the use of the | THE HALF NELS AND FUR- shower baths after gymnasium ex- | P “Glide! Glide! Point! Pirouctte! | eroises. - | THER LEG HOLD. Glide! Glide! Point! Pirouette! The | ‘This is the worst day I have had since I came to school,” groaned Louise as she and Patricia went to their room to dress for dinner. “Everything has gone wrong since I got up this morning and put my left stocking on wrong side right arm takes the curve over the head. the left loose and graceful with fingers flexed. Bodies should bend alightly with each glide.” The rows of girls clad in bloomers and middy blouses assumed an abrupt i s, out. "I left it because I thought it was Tigidity as the “Glide, glide. point. good luck. but it certainly brought me fle.” was interrupted by the shrill nothing but grief.” blast of the nickel-plated whistle | “Poor Louise, what's wrong?” asked which was employed by the gymnasium teacher for the purpose of gaining at- tention under difficulties. “Louise Davis. your body is as stiff Patricia, throwing her arm affection- ately around her rocmmate’s shoulder. “To start with, I was late for break- fast and got a demerit for that. Then “VERY WELL, YOU MAY BE EXCUSED.” as a ramrod. Can't you remember that | I had my ‘L'Aigion’ translated all wrong m;n a marigold blowing in the 'in the French class. Some of the con- P versation is so obscure. In chemistry I Louise flushed a deep and painful | just missed starting a fire and I couldn’t crimson. “Please, Miss Pringle, may dance like a marigold and now Miss I be in the peasant group? I simply Stanhope makes me feel like a culprit cannot be a marigold.” | about the rampage for the showers. I Miss Pringle opened her mouth as 3 s, Prin | could go and hide my head gladly.” ‘o offer objection. but her lips framed . “Oh, we all have our off days. Don't l-h:nluk instead. Perhaps she realu:d feel so badly about it, dear.” udtaup:fi gni;guise o ‘Ecmg:} “You don't know how stupid I feel Mnx”::c“ Loty to {not to be able to dance. I suppose I care; s grace! Tbem" of mari- ihayl always be a wall flower. At least golds bl ic Was some- || should be if it weren't for Bob. He thing quite anti-marigold in the sWrdi- | ajways makes the others dance with me ness of laux\:s legs, which served her |at home ™ "‘“"M.u’;kw h‘:n" ball, “"mr"':um( Patricia regarded her quizzically. sirength and endurance, but lacked the | 'Y0U Will probably marry Bob and 1 never ve worry about sucl v Scherei) gealitis inacessary | 1pjthe | SRS SOV S0 TAVEY SIS istyial Weekly “esthet 5 Sy T g TS Gl e 1 and the blast of the whistie |Bether. If the dancing is what is trou- — "‘"‘_ Gillls, the viliage | bling you, I'll give you lessons. If you ““"«“" t M""vm - can learn to follow tnat is really all Joca) A;. y:ob nm: regularly n?} that s We'll put you mmm it e bliging] ’u“’“u!? ang | through & set of calisthenics to limber She ping ids Marigold dance nuyfuplh!hinhlml" mm",ond“”w vt g { 'Xmul::.mla think all the athletiss Louse ruefully joined | woul ve made me limber this where the & Avoindupols wab ooticeaty et oo crenswngito ""'h:, % % concentrated on - nig atricia assem u €liding ‘and. pirouettung o 1oy | Niners in her room during the nour sl more siender friends. Her clumsiness 10%Wed for friendly visits, for the pur- had been a source of keen mortification o her since her earliest dancing school days, when the little boys who were out W dance with her had Joined their hesitating steps with hers. Always it had ended in & competition to see whether she trod more frequently on their insteps or they on hers. She contemplated the little case with which Patricia and Mary, Eleanor and Peggy, maneuvered the more complicated steps It Jooked 50 easy when they aid it Even Eloise scampered along with agii- ity, somewhat like a percy little rabbit pose of giving Louise her first limbering. “First bend from the waist 12 times | in succession and touch the floor with- |out bending your knees” instructed Patricia. “Sliz, you play some sweet | music to encourage her” With Elizabeth playing it was impos- sible for the rest (o restfain themseives long from singing. Louise’s bending was 1o the accompaniment of almost close harmony. “Do it in time Lo the music, Louise,” suggested Elizabeth but with the correct glides and pie.. | “But I can't. 1 have absolutely no The clang of the gong announced | ‘Listen, now. Il play the ‘Spanish the close of the dancing hour and there | Town' and the girls an' sing. the WAS & scramble for the showers There WOrds ‘Then you bend on certain being but six, and every one wanting %ords. ‘IN a little Spanish TOWN one, there was & race W see who ar- 1Was on a night like THIS' Now rived first. “I'm sfwr you, louise” Pa- tricia. “Bave 1L for me won't you?” Louise, forgerting her depression, and sure of her running, wes already at the head of the stairs “Ob, here ute two of them taken by everybody emphasize the words where she is supposed 1w bend and she will soon get the idea. You don't need to bellow 50, though ™ After that it went better. With the vocal emplasis Loulse began to gain & faint glimmer of rhythm, and bent - somebody who was excusea from menfuliy on the right words dancing'” “Now lie on your back and touch “Heavens! Peggy It isn't a fire!” your tes on the floor over your head. Bix showers gave forth six rushing torrents and above the roar and splash- ing oould be heard shrill voices calling back and forth, viokent knocking and demands for haste piercing the din from without. The most turbulent st- mvaphere prevalied Mise Stanhope emerged Do that 12 Umes. Bee, like this” Patricia accomplished 1t with case “Dc that on the same word that you did the bending." Loutse tried it. “Oh, Patricia, have a heart! That is impossible. 1 can't make my feet touch ™ from “Keep on trying untll you can. Then Bhe puuscd room. oool and_compowd we csn o give you something else on the thresnold W decide what grest Eventually you can do it U another disaster might have overaken her tone muyhe schoul. Then she moved slowly and — “Goodness, T hope m. 1 1 ever see quietly In e Girection of the showers, | 1 pain hall never be able o grasp vhich seened U be Ui seething Cened | the beauties of the scenery for think- of ing of Loulse in her agony,” drawled Mary “Couldn't we employ an air A g that has not so much loeal color. 1 ooull say s Lte wnd uoply M gim w truvel some duy and 1 do want w enjoy i Lilly A" some one whispered But st has W Uain her car here war complen orly Wy G splash of een a waterful from buman ) follow Lie musie,” insisted Ellzabeth, ¢ on Indefinitely at the unfor- ote “Bpanish Town " There, now you're getting it That's fine They almost touched 1hat time " Lanitse. eneouraged by praise & splendid effort which not only su ceeded 0 bringing her tes U the tior behind her head, but carried her through & complete somerssult which far o air e president of the 1 Tobin's Wi one of the carne e, by u buth | LEOWEE g prone and gasping. Amid [yaie through spprehenston |y oute of laughter Ellzabeth once | more played ner suffering song from clusl o finksh nd ves interrupted by s knock wt the door The melancholy face of Miss Pem- verton uppesred. My | sk you i U you vy see Lhsb this wrn LOL Geeur sgein. 1 heve never ob- L e customary for young Arsnble over el beliing | U bw eapeeud of smell boys st ! tavorie swimmbng lue you know another ine, Elizabeth,” t (R 4 quite uprued, |she demanded wcidly Then her Mioe Btasiiope Lurind wid welked sway | €lance rested on the exhuusted fgure Yo her wewt Geliwrsie and serene | 01 Jouse. sUll stretched out on the Wisier fhon LA BT wie chiidien 1 hope 3 Whiat 15 the matter, Loulse? Are Bhil e mbia W oontiol Uswm ks she | you 117 Bhe timed to Patricla, "It Cowe " gy 6 Fivanor Biswe w- | the hns fainted elevate her feel so | 1k L e, L Uk wii of | Uhst the blood will flow o her hesd " & §rande uan i ] “Ob, no, Miss Pemberton, she has made | { _The half Nelson can be made still more effective, under certain conditions, lby combining it with a hold on the | outside or farther leg. | . Secure the half Nelson with your hand and simultaneously reach under your opponent’s stomach and grasp the half Nelson and pull his leg toward | you, at the same time pushing upward against his near side with your right shoulder and chest. Your opponent will turn over on his shoudlers if yov throw yvour weight {upon his chest as he is thrown from | his position. You may decrease the patency of the | leg hold, if you are on the defensive, by straightening out the leg that is held, but look out that the half Nelson | does not do deadly work. The half Nelson and further arm hold is much like the half Nelson and further leg hold. However, in the first- named grip che right hand reaches un- der the stomach and grasps the far arm. instead of the farther leg, as in the latter. In applying this combination hold, | first obtain the half Nelson with your left arm, and then with your right se- cure a firm purchase on the farther | arm of your opponent, between the el- bow and the shoylder. Now draw the defensive wrestler's right arm forcibly toward yourself, cramping it under his body if possible, command into the half Nelson. will thus turn him over on his neck, in which position your own weight can be used to force hic shoulders fiat or: the t. Ancther combination with the far- THE HALF Wrestling Tricks left | his | right leg- between the knee and the tually turning him over. thigh. Twist his head toward you With | gef with your left foot. and put all the remaining power at your | You | ELSON AND FURTHER ARM HOLD. Chicago World Champion Bantam * ther arm hdld 15 to use it in conjunc- Y. M. C. A and Feather Weight Wrestler For _tfia_ Clalss Cup BY W. BOYCE MORGAN. toin with a bar hold. ! " In this maneuver secure the hold on i.the far arm by stretching your arm | under a man’s chin from in front, not | under his chest. Get a strong bar hold and with it force upward his near shoulder and arm, simultaneously pull- ing his farthér arm sharply toward yourself. As your opponent is twisted off his | balance, press hcavily on his near | shoulder with your chest and crush him backward on the mat The offensive wrestler can obtain a petter purchase on the under man by bracing himself with one foot, as in the photograph. Secure a head lock by putting your |* left forearm (when working from the left side) on the defensive man’s head, extending the right arm under his chest from the same side and grlf‘pms your left wrist with your right hand. Press your right shoulder (when on the left side) firmly against your op- ponent’s left side, close up under his Force his head down on the | | arm pit. mat and push his body forward, even- | Brace your- | o | 7 Be sure to bring your weight to bear | YOUr right hand. Slip your arm well on your adversary as you get him on | up to the crotch, lift your opponent's his back. | legs from the floor and swing yourself THE BAR HOLD AND FURTHER ARM HOLD. When a man is resting on his hands around in back of him. Change your and knees, seize his near leg. say the | 8rlp to one with the left hand. as ‘eft (working on his left side) with | Shown in the fllustration, and clasp his left leg close to your body, his knee | bending over your left shoulder. | THE CROTCH HOLD. GcHNOOK § THE OLD TRAPPERS LANGUAGE \f By EL COMANCHO % that you agree with a speaker, or to show astonishment. To pronounce it, | sound A as in Fate, and the Y and E , a8 Ye. To express “Yes, that is so, I | with you,” hold the A and say | “A-a-a-yee." A-A-A-NAH.—This word is used to show disapproval, or to condemn any- | thing. Say the A as in Fate and draw | the sound out as indicated, then say | “nah” with the A as in Father. This means something like “No, I don't be- uevg 1t,” or “I don't agree with you at ALTA.—The first A is as in Hat, the second A as in Taught, with the accent on the first syllable. It means “NOW,” “Right at this time.” The two follot ‘l’l“n words belong to the time group, | " ALKI—8ound the A as in At, the 1 | a8 in Kick, and accent the first syllable, making the second syllable short. This means “In the future,” “Time yet to come,” “Bye and bye.” If you draw {he s~cond syllable out, it means a longer time to come. If you put "HYAS" be- fore it, saying HYAS ALKI, with both words drawn out, it means a still longer time in the future. If you use WAKE ALKI, it reverses the meaning, so that you say “Not long,” “Very soon,” or “As quick’ as ible. AH s sounded | | POss] AHNCUTTIE.—The like the English Ah, the N 15 nasal, the C has the sound of K, the U s sounded as in Up, and the TIE as though it were Ty. Accent the AH, hold the N, |and say AH-N-N-N-KUTTY. | word means time that has passed, and | the longer the N 15 held, the longer is | the time indicated. If the word DE- | LATE (dee-late) 18 used as a prefix and | you say Delate Ahncuttie, that at least | doubles the past tme. If HIYU (high- | you) 15 also used as a prefix and you Almeuttie, the time ix | say Hilyu Delate again increased. and draw them all out very long as | you say them, it means longer ago than | anybody can’ remember—clear back to the beginning of the world. Any length lof time can be indicated by these | words, . Tiny Bathrooms. That tiny, shit-like bathroom need not look so dinky and cramped if the walls ure properly painted. The walls can be pu out, 50 W speak, by doing them in what may be termed “reced- ing” colors, such s robin's egg blue | and light, watery green | Buch walls should be stmply done; | there should never be uny pattern Lo draw attention to the small compass of the room. Use blue tones In rugs but not In curtains, it any. unless in the trimming, for most biues lose - color value at the windows —White curtaing wre best trimmed with blue rick-rack or musiin braid, Another way W give little bathrooms an appearance of added space 1s to lay rugs 8o that their longest dimension is on the width of the room. Better yet, if the floor s not tle, use a blue or | ! | i | green linoleum. An entirely covered | foor_looks larger. e not fainted Bhe 15 Just learning to dance,” corrected Patricta politely Miss Pemberton withdrew, shaking | | ' bewlldered by her head plaintively, more than ever young the ways of AYE—This word is used to show The | If you use them all| 1 & | | THE HEAD LOCK. e four | that had dropped Bill seemed only an Ferriston o "porky | 8ccident, and Ripley was standing High School. at which ibers of 1 he Conqnerora ¢ Romorea. (o arantly “interestedt | Nearby, making a great show of being fo nterclis bas | sorry. ' But when Bob looked at him bl of ihe | he quickly averted his eyes, A few minutes later the doctor looked up from examining the ankle and “weedy Tor. | smiled cheerfully. ~ “Hurts a _little, but Porky. | doesn't 1t7” he sald sympathetically ¢ “Well, it might be worse. Your high the | shoe protected it a lot, but it must have - | been an awful blow th It developed of ward—and Red after_earning foot ball team. is t wnt’ the sophom: D Bob: mecting Bot “It was!” said Bob, bitterly. “It's not bhonse on S; telis | broken, is it e it Jook put for twa,nl| “No,” replied the doctor, “I think no Price—who are - | bones are fractured, but it is badly He won't be able to walk on | Fcmg Biyy arrives with o ot ened, He tells the boys th, | ceding _evening. wl ck- | bruised. re.| 1t for several days. era | at_on the hile taking Ruth S | home. he was forced into a fight Dy Frank | ©And how about basket ball?” n- iwley and some of his gan that he e 5 Sank Hinicy hadly. s gang. bu at he | quired Bill, breathlessly. Sy “Basket ball>” The physician shook INSTALLMENT II. his head. “You'll be lucky if you can play in two weeks.” The other boys echoed Bob's de-| Bill uttered a groan. nunciation of Ripley and his gang for|{ “Never mind, Bill,” Bob said con- attacking Bill when he was alone, and | solingly. “We'll win without you.” for several minutes they discussed the| But Bill's absence was too greatly | affair, congratulating Bill on his suc- | felt that night for the sophomores to | cesstul battle. win. Before a packed gymnasium they | “Yowll have to watch Ripley now,| met the undefeated junior team, and Simultancously, place your right hand | though,” said Bob soberly, “He'll have | went down before it. Red and Bob, not zfil“;fig: tgg#‘ro‘:df;;;fyf:('msf;%\:xlg;‘;;-;u in for you. And he'll be guarding{to speak of Ed Hixon and Jimmy il Yo force his hips down and for YOU in the game tonight. Well, ned | Favering. the other two regulars, fought ward with the crotch hold. | Notice how the under man in the Photo has grasped the left leg with his | right hand as a block, bracing himself with his left hand on the floor. Posers. These eight questions will test your knowledge in widely separated fields. | You probably can't answer them all, but try for a passing average. 1. In what cities are the following famous structures located: The Louvre, Westminster Abbey, the Peace Palace, th2 Vatican? 2. In which of Shakespeare’s plays does Shylock appear? 3. What is a stiletto? 4. Where is U. S. Grant buried? | 5. With what branch of learning | was Euclid assoclated? | 6. In what sport is a puck used? 7. Who was Hannibal? 1. | 8. On what nerve does sight de-| pend? Answers. H 1. Paris, London. The Hague. Rome. | 2. “The Merchant of Venice." 3. A/ small dagger with a thin, rounded and | - sharply pointed blade. 4. In New York | City. 5. Mathematics, particularly ge- | ometry. 6. Hockey. 7. Famous Car-| | thaginian general. 8. The optic nerve. Mowers for Pools. A SPECTALLY designed craft for use 3 in cutting down aquatic weeds has| “RIPLEY MADE A SAVAGE SWING WITH HIS HOCKEY CLUB™ been devised. It is driven by motor | and is intended for cutting down the | better not desperately. but the boy substituting for w that grow in small streams, |all be on Bill was weak on his short shots and |canals and ponds. maybe he got enough last inaccurate with his passing. When the This boat is flat-bottomed and is |night,” smiled Bill. “But darn it, I'm bell was rung announcing the end of made of iron Tt is 6 yards|sorry about this eye.” the close, bitterly contested game, the {In length and 4!: feet in width.| “Oh, Ruth won't mind” said Porky juniors were ahead, 23-19. {In the center of the boat is a motor ! . “She'll look on it as a _ As they started to leave the gym floor | which, by means of a belt, drives & padge of honor. But say, a few min- Bob. his body glistening with perspira- | paddie-wheel placed in the front of the [ ytes ago I suggested we go skating. | tion, ran up to Frank Ripley, caught anything raw, or well THE PUZZLE COLUMN. ‘The cross-word puzzle this week is| 8. Grain eaten on the cob. all about vegetables, which should re- | 10. Back of the neck. mind you to eat plenty of them. 11. Heavenly body. 13. An herb used as a garnish 15. A dark green lea: vegetable. | 17. Plant of the onion family. 18. The stalk of grain. 21. Brother (abb.) 22. A distress signa! 26. Vegetable which grows In pods (pl). 28. Part of a plant in the earth. | 30. Part of a plant which is sown. | 32. Girl's name. 34. Frozen desserts. 36. Matched group. 37. A playing card. | 30. Toward. 40. Higher. a. The word diamond below is easy ‘The :second line contains a word for dejected, and the fourth is a girl's nickname. % r In the Garden. A The definitions are FAYOR Horizontal. R 1. Polscnous reptiles. 5. Praise o 13 Aowhite. rooly vegetable (pl). | There are still more vegetables In ., this picture word square. . Uncooked 17 Lord Privy Seal (abb). CAN YOU GUESS THESE | 19. A watering place 20. North River (abb). 21. Red vegetables. | 23. Prefig meaning not, | 24. Pal | 25, A reddish-brown horse. 26 Place (abb.). 27, Vegetable often used in chicken soup (pl). 29. Like, 31 Even (poetic) 33, To plant. 34. Bolidified water 35. Affirmative declarations. 37. Pain. 38. Leafy vegetable used in salads. 41. A musical part, 42. A plague. Vertical. 2. Method of cooking vegetables. 3. A play on words. 4. Benlor (abh.) 5. Long Island (abh) 6. Appropriate, e 7. Employs Curtall & metal and get A meadow. THE ADVENTURES OF PETER PEN. RVTHING IS ALL HUSTLE. AND BUSTLE., FOR. THIS 1S THE DAY OF DAVS . THE MAGIC CARPET IS WE AWALT TH . WORD FROM DETER BERT [ TO SalL AWAY/ craft. The motor also operates two co-operation”” | hum by the shoulder, and spun him ‘:A‘-:r::k;. instruments that are mounted AT TS et ay o oot G S *T’ The boat is supplied with & smé:-,’”“e T el L emea T s & Dard s o B T e & cylinder eight horse-power motor. -} “The other boys agreed to the pro- Iy first chance to talk to you tonight. culated at 30 revolutions ,,‘,"{‘“‘,;""_',,:;“‘JM and & few minutes later they | And Im ielling you that youe & yellow B I S ot | T e e T e S e o S, e o, e | When Te it seemed > H been, made for time lost in PAssing un- |, \LGT {hat every one el fn Perris: |1ASt RIGAt. and you coulda take I like b oridges, e \uynhuh.dm:umetdunlhry.""}m',B“‘F"‘m" From now on | The river was & mass of colorful sweat- | 0U d:;;;_"d_ k mighty n:gh'- ;".,-”‘ curtall territory and get of the |ers and shining blades. Shouting greet- T STt . TS S Ve Verb. o be. Curiail Solid and get & | ings to their friends. the boys seon had DA TT Naxt I ight where DU IS | tree. Curtail price and get an animal. | their skates on. and were skimming s - . | The curtalled letters form & word for |over the glassy surface, which was just |, RiPleY. Bis face scowling. said noth- { s e e Ty, B ing. Then Bob. seeing that people J | For half an hour they sped up and DCT® eveing him euriously. turned and { B [ iy were atizacted | tTotted down to the locker room | In a word square the first word is |y 5" spot near one bank. where a e | & passage through a river. the second is | sroyg was watching a number of boys e e Ty | & smell, the third is “traveled on horse- | ) .. an - | back.” and the last is “made a picture.” | P French Rag Doll. | Can you guess it? Answers. 1. The words In the cross-word puz- zle are: Horwzontal, 1, asps: 5, laud, 9, OUISE was a very surprised liitie gir! when she discovered that the lovely French doll that her aunt had brought back from Paris was only a 'k “Nothing doing.” replied Bob. “We've got a hard game ahead of us tonight. | and we don't want to get played out™ | a2 o However, the four boys skated over g oll. N —t | turnips: 12, open; 14, test: 16, raw; ¥ glorified rag doll. And when her aun I e's e spa; 20, N. R 21,/and joined the crowd of bystanders. suggested that Louise make a copy o | beets: 23, ir; 24, sore; 35, roan; 26, They had been there ohly a few sec- | the Prench creation and told her how |21, s: 29, as: 31, een: 33, sow: ONds when Bob nudged Bill to do it Louise decided o make an at- 34, fce; 35, ayes; 37, ache; 38, lettuce: “There's your friend Ripley.” he'said | tempt. anyway. | 41, alto; 42, pest. Vertical, 2, stew: 3, in a low voice. She cut the cotton cloth her pun: 4, st 5, L. L. 6 apt: 7, uses: At almost the same instant Bill's| SaVe her into a piece 8 inches | 8 corn: 10, nape: 11, star; 13, parsley. | enemy, who was one of the hockey 30d 4 inches long and folded it length- 15, spinach: 17, leeks: 18, straw: 31| plavers, saw the members of the Con- | K¢ fOUF times o make the dolt hen she sewed the two side seams up tehes to Bro.; 22, § O. 8. 26, peas; 28. roof s querors Club. As his face turned t . seek: 32, Nell: 34, ices. 36, set. | ward them. a large cut over one eve tight with little overlapping s Fo et Sy~ T Bt i 9 bold all the folds = There was no | 72" The diamond is F. Sad, Faver, | ““on Bt That 'mami® chortied | SUMINE In that doll's bocy | Dot, R. | Porky. “Maybe you didnt give him L Next Louise cut two more pieces ot 3. The vegetables are radish. pota- | plenty, Bill™ = cloth for the arms. Each piece was 13, | toes, celery and cabbage. Bill's face was stern as he watched [Ches wide and $ inches long. She | 4. Lea-d. are-a, fir-m. rat-e. The|the other boy, but he sald nothing. and Toned them ud tghtly and tacked them curtalled leiters spell dame. & minute later he turned his back to- 1N¢ 103 wef® made in the same way | 5. The word square is ford. odor. | ward the game and watched Porky cut- Snd facked on each Jower corner of rode and drew n the body. tng figures on the ice. Porky, in spite o . | of his bulk, was & clever sxater _To make the N ‘ g ) | Suddenly’there was & shout of warn. SSuare of ¢ oy Readers Sent These In.|ing behind Bl Frank Ripley and PO . another player. fighting for the puck. Readers were good enough to send | were dashing toward the spectators im- in this bunch of riddles, and some of | mediately back of him. With club them are real stickers. | swinging viciously. Ripley bore down 1. What stands on one foot and has jand the other player was just behind its heart in its head?—James Worland. | him. 2. Black within and red without and | The crowd scattered. but Bill did not four corners roundabout. What is it>— | realize his danger until he felt the puck Dona 8. Dempsey 3. What kind of neckwear do hogs like? —Fred Levering 4. What is the difference between a milkmaid and a swallow?—Ida Guge. 8. When did fruit use strong lan- guage?—Viola Brent Answers, 1. A cabbage. 2 A chimney. 3. A plg's-tye. 4. One skims the milk, the other the water. 5. When the first ap- | ple cursed the firsy pear (pair). (. ‘Trees in California prune orchards frequently bear so heavily that the limbs must be supported with props. strike against his skate. At almost the |same instant Ripley made a savage ‘.wmg with his hockey club, there was | & thud as it struck Bills ankle. and | then he was down on the ice, his face | twisted with pain. Ntwven abst Immediately there was an uproar W ob, his face white with rage, bent over make a cake. & Fine Distinctions. 1 say, old Bill. makes one, 113 o0 |, “Your ankle®” he asked grimly. Bill | his teeth clenched, man: to nod R [ quvy right one” he groaned. “He LRV gave it an awful wallop™ Jane -1 want sume Hwect poveee “The cur!” fumed Bob. “Here, Red.| Clerk— Db vou want to take 1t wia | &ive me a hand. Let's take our skates you® | Off. We've got to get Bill 10 & doctor Jane -Of course, nol. T send the right away* > I To most of the spectators the dblow them By Nick Nichel W you and you can give 8 W S, " EVERVBOOV HOLDTIGAT QPEN THE WINDOW BO:! \WERE ALL SET THE \WINDOW S QPEN| PaTE LET OFF AT LAST / QuT over THE CiTY AND |PREONS AWAN TO T™E LAND O JLST SPOSKN WHERQER Many ADVENTLAES AwalT THEM

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