Evening Star Newspaper, January 22, 1928, Page 57

FLASHES == T HE case of Janet Gaynor is interesting to photoplay patrons, inasmuc] said to be one instance where movie star is receiving a smaller salary than her work calls for. Poor little Janet cannot ride around in big foreign cars, she cannot hire a footman, a chauf- feur and an English butler; in fact, she cannot live on high scale established by the other stars of Hollywood. The whole trouble lies in the fact that, when she was only a “prospect,” she signed a contract to become a featured player, and the cashier still pays her $400 a week, in spite of the fact that she has made an enormous hit with photoplay audiences during the past year. Her contract runs on up into the Summer of 1928. But Janet is going along with her work, appearing in new pictures for the Fox organization—and awaiting the day when her salary envelope will swell to the size of a balloon tire. it is said, to adjust the salary toward the hit made by the star, but this effort was coldly turned down by her employers. Thomas Meighan receives a salary of $4.000 a week. In con- sidering the drawing power and box office attraction of Meighan and Gaynor. the latter should, by comparison, be drawing a mil- lion dollars at the cashier's win- dow every Saturday night On the other hand. the pro- ducing company was ‘“shooting wide and fancy” when it took a chance and placed Miss Gaynor in featured roles. It was a gam- bler’s chance, and the dice were being thrown by F. W. Murnau, the gigantic blond director who came from the Ufa studios of Berlin. Murnau. by his individ- ual training of Miss Gaynor. turned her into a star. His com- pany took the chance and fur- nished the cash for the experi- ment. T length of the con- tract might be termed a proba- tionary period. or an apprentice- ship for the actress. and a salary of $400 a week is not so very bad for the voungster in training. ‘The big money will arrive at the end of the contract, and the pro- ducing company fcels that it has won a bet. for the present at least. During a recent visit in Wash- ington. irector Murnau. who had charge of “Scventh Heaven' and “Sunrise.” told how he had trained the young actress. She was totally “green” to the studio lights when it was decided to feature her. but she possessed the required spark of talent and the unusual disposition which caused her to accept thorouzh training. Murnan tauzht her all she knows about acting and the motion pic- ture—so the salary docs nct scem so0 small alter all. - % v % URING the past vear or two Charlie Chaplin. zccording to the public prints and various court orders. has written checks for large amounts. but there is hope that his bank account will get back to normal. New York reports that his new picture, “The Circus.” is the biggest thing. from a box office standpoint. to hit Broadway in many a moon. The theater is givinz early morning performances, then they are rushed all day lonz. with the S. R. O. sign prominently displayed —and the last performance is scheduled for midnizht. The New Yorkers are frantically eager to obtain a view of the sad comedian, the pantomimic star who is said to wear an exceed- ingly high brow in everything except his pictures. s sn 'HE Nationa! Board of Review has a principle of “selec- tion—not censorship,” and the members have picked what they term the 40 best photoplays of the past year. This list is cited for “all-around excellence, but some only for particular merit of acting, plot or setting.” The list- ing, which is alphabetical and does not indicate preference as to merit, is as follows: “The Boy Rider,” “The Cat and the Canary,” “Chang,” “Flesh and the Devil,” “The Forbidden Wom- an,” “The Gaucho,” “The King of Kings” “Les Miserables,” “Lon- don After Midnight,” “Love,” “The Love of Sunyz,” “The Loves of Carmen,” “Madame Wants No Children,” “The Magic Flame," “Man, Woman and Sin.” “Manon Lescaut,” “Metropolis,” “The Moon of Israel” “The Music Master,” “No Man's Law,” “The Patent Leather Kid,” “The Potters,” “The Private Life of Helen of Troy,” “Quality BStreet” “Resurrection,” “The Rough Riders.” “Service For eventh Heaven,” “Soft “Btark Love,” “Su Arabian Knights abin,” “Under- world,” “The Way of All Flesh” “White Goid wild Ge % “wings,” “The Woman on Trial” and “The Yankee i During t National Board of Review also viewed a number of foreign pictures of outstanding merit, which have not yet had a wide distribution in the United B8tates. They are Jisted as a supplement o the “forty best,” as follows “Carmen” (Eastern poration), “Chronic) Gray House” (Ufa) Punishment” M. J. Gourland), “The Power of Darkness” M. J Gourland) and “The Street” ‘M J. Gourland) » Film Cor- of the me and ONRAD NAGEL and Rence C Adoree are announced by Universa) as the featured players in “The Michigan Kid,” which Ir- win Willat will place in produc- tion next week Others who will have important roles are Lloyd Whitlock, Adolph Milar. Maurice Murphy and Virginia Grey “noun HE thrill of an old-timer rare- ly leaves the producer of thester entertainment the Belasco Theater Forty fourth street near Broadway the following to nned surl | aemmle. head of Universal Pic- v ravion tures Corpol o 'Q:p Mr, Lsemmie: Last|new picture, “The FROM THE as it is | Tom's Cabin. Effort was made, or ector who has had a part in Hm Lhe days gone by. As an Hllustration of this, David Belasco, a few eve- ninges Bg9, witnessed the screen version of “Uncle Tom's Cabin | end then back in his sanctum of |is contemplating a withdrawal he | will : Carl |the direction end of the SCREEN | evening a kind fate took me to see | Your picturization of ‘Uncle Having played Uncle Tom myself, as well as al- most all the other parts at one time or another when I was an ‘aspiring actor, I felt more than |casual interest in seeing Harriet | Beecher Stowe's wonderful story on the screen. The way you have handled_ it thrilled me to the |heart, Here is the greatest hu- | man story ever written presented | in a fashion worthy of the sub- {ject. We hear much of plays and ! pictures which should be avoided. Here is one we should hear much {of as being a desirable })h‘ture to see. Every teacher, minister, | | rabbi and priest should tell of it | to children and adults. It is in- spirational as well as educational; | full of pathos, humor and life— ‘a great and fascinating picture. —David Belasco.” | | This is, indeed, high praise from one who knows the theater. But,| perhaps. Mr. Belasco plans a stage revival of the ancient | cabin” for his Broadway au- | diences? | OSSR ’I'HE photoplay without titles | migit be one of the very best | ideas for the industry and the art. It, at least, would prevent the reading out loud of the typed cut-ins. ! ook ok HE National Indorsers of Pho- toplays, a worth-while or-| ganization with headquarters in the capital city of Indiana, speaks well for the following current re- | leases: “The Wreck of the Hes- | perus.” “Dress Parade,” “Tell It | to Sweeney.” “Two Arabian‘ | NELSON. Knights.” “Now We're in the Air" and “The Slingshot Kid.” In looking toward the future re- leases, their little magazine men- tions “My Best Girl," “The Cir- cus,” “West Point.” “That's My Daddy.” “Bringing Up Father” and “On Your Toes." Several short subjects are also recom- mended for both adults and chil- dren. 1 'EEE ASHINGTON'S downtown | movie houses have compe- | tition in the First Congregational Church, where photoplays are be- ing screened. However, the pal- aces and cathedral collect box- office fees, while at the church ! i there is a freewill offering. | At least, this is new in the en- | tertainment field, and it's not | | such a bad idea at that. If you | don't like the movie, you are not | forced to contribute toward the itreewill offering. There are some photoplays that would not receive the proverbial thin dime when' the collection plate is passed hither and yon. o | pHOTOPLAY producers and di- rectors of the future may be forced to locate all their stories | in mythical countries. Races ob- ject to being ridiculed upon the screen, professions refuse to be made light of, and Czar Will Hays has his hands full in smoothing the troubled waters. “The King of Kings,” rather an excellent picture of its kind, has | been changed around; “The Gar- den of Allah" raised a rumpus and other late efforts of the pro- ducers are being probed by va- rious societies and organizations. It is enough to make the director quake in his shoes, for his villains of the future must be of no par- ticular race or creed; they must | represent no profession; they must hold only to the villain type —tall, slick gentlemen wearing | black moustaches and carrying | ivory-headed canes. | v a o | RETA GARBO. whose newest | starring vehicle is “The Di- vine Woman,” was once a student in the school of the Royal Dra- matic Theater, in Stockholm. The limited number of students of the school results from the fact that there are competitive tests for entrance. The government of Sweden supports the institution. Josephine Dunn, Kathleen Wil- liams and Edwin Martindel have been cast for character roles in “We Americans.” now in its third week of production at Universal | City. George Sidney, Beryl Mer- cer, George Lewis, Patsy Ruth Miller and Albert Gran are in-| cluded in the cast. Many Philbin and Norman Kerry play the feature roles in “Love Me and the World Is Mine.” E. A. Dupont, known in this coun try for his work with “Variety, is directing. Laura La Plante is starred in | the Mary Roberts Rinehart story, “Finders Keepers.” The picture has been placed in the “selected class” by the Better Films Com- mittee of the National Board of | Review. Alexander Korda, director of “The Private Life of Helen of Troy,” has been assigned to direct | Billie Dove in “The Yellow Lily.” | ove of Liana” a story by | 1zola Forrester, has been selected | as a vehicle for Betty Compson. The star will play the part of a | Parisian dancer. | Warned by the death of Ru-| dolph Valentino, the producing | companles are taking out heavy | Insurance on their stars. A large | amount of money had been spent | in the preparations for "Cellini” | when Valentino, who was to have ! the leading role, died | ). Production has started on | !“Partpers In Crime” starring | Beery and Hatton. Mike Donlin, | ythe old base ball player, has a | part, in the pieture 1 Lloyd Hamilton, the comedian, i working in two pictures in his | Hollywood studio. They will be | released soon | Because she was busy with her | role in the Richard Dix picture, | The Traveling Balesman,” Myr- tie Sleadman hag been released from the cast of Esther Ralston's new picture, Hedda Hopper will | take her place “From Hell Comes a Lady” is the peculiar title of a screen play written by the hushand of Dolores Del Rio. The Behildkrauts, fa- | ther and son, will have the lead- ing roles It s reported that Milton Sills | from screen acting and that he devote s energles toward ame Director Murnau of Fox has picked an unknown girl, Nancy Drexel, a8 leading ludy for his ¥our Devils.” THE SUNDAY STAR, WASHINGTON,' THE: PDHOTOPLAY 29 D. C, JANUARY LLoYD HUGHES -and RAMON NOVARRO and MA NORMA SHEARER - Columbia e MoLwy /\é' DAy- /\Ae’rropolihn ( & &mfiml \ JheWizARD- | d?ef(e /@m‘ Ufie RY ASTOR- Earle sy, ESTHERRALSTO City Gone YiLD-* Rialto Paramount's Bright Hopes. 'HE Paramount stars of tomorrow | have just been announced by Jesse | L. Lasky. of the Paramount-Famous- | Lasky Corporation. Divulgence of : ! Paramount’s junior stars _occasions HEN David Butler arrived in New about as much comment in Hollywood | '' York recently to produce a plcture as does the annual selection of the |based on the adventures of a newsrcel Wampas buby stars cameraman, he found considerable ma- ‘This year there are 11 on the list— | terial in the laconic reports on file in n T | | ve young women and six young men. | the offices of Fox News ‘hese will be given the best motion | ‘The cameraman. as u rule, makes no picture parts of the coming year, Lasky | pretensions to writing and his reports says and they will be given every op- | Are less wordy than his expense ac- portunity to bulld thelr popularity up ' counts o the point of stardom itself Butler found the last report of a ple- They are: Ruth Taylor, Fay Wray, | turc-making adventure on a single Nancy Carroll, Mary Brian, Louaise | sheet which recorded merely that Carl Brooks, James Hall, Jack Luden, Rich- ard Arien, Gary Cooper, Charles Rogers and Lane Chandler These young players have all been developed 11 “*r Paramount’s policy of bringing new faces and new person- alities to the screen. Makes plc; for Music. | DWIN CAREWE, the Alm producer, | hes been quoted s stating that musie Ix 50 per cent of any stage or screen production “I feel,” says Carewe, "that any pic ture 1 make will be enhanced from 26 | 0 50 per cent with appropriate musical settings and score | “Bad music can ruin & production Just ws much as good music can help " ndds Carewe Larsen had returned from Albemarle N. C. after making shots of the bomb- ing of the Pee Dee River Bridge | Glsneing at the report, Butler asked When he came out he called for Larsen, who 1s known as “the flylng camera- man “When 1 talked to him,” said Butler, “I began to realize what a job it's go- g to be to get & cameraman down in a pleture.” Butler sifted Larsen's experience and learned some pieturesque facts ‘In order to get his plotures, Larsen worked In a Martin_bomber 6,000 feet over the Pee Dee Bridge, with 1,100 pounds of TNT dropping within 6 | Inches of his head. He had to pull his camera tripod oul of the way when a homb cut loose. A slip would have e " L him tnto eternity, along with the With his pieture, “Ramona. l,nnw,’"n ( . pllot, the bomber and a ‘fork’ man in has offered orcaestras and organists of | [0 8 IR SUEQ R the theaters a general “cue-sheet” with | ; ideas of selections to AL the action of | ;“.‘;"k‘u'.‘i"l“ to Dry, Bombe |'.:"|m-.:.]."| the pleture He also has offered “theme | JIFCE B hm‘: !.fm"‘.m e w‘um‘ ah idens.” which run throughout the length | halr’ propelisre 30 Tevolutions: be l.l.» of the flm play i) W . they follow him with their parachutes Lom MIx 18 contemplating a serle nd up aloft the TN'T responda to air of pichires 10 be made 10 the Argen- | pressure, After 20 revolutlons of ita tne after the termination of his Fox | propeller the bomb 18 ‘live’ and upft eontraet Recently he declined an | for human companionship offer from Bainum, Balley and l(llll'] “Thess homba are cut loose from the ling for clreus work, plans by & trigger In the forward cock« ‘Howa News F illll Was M;;i; to see the reel In n projection room | man s /DIt As they hit the air their propellers | begin to whirl and when they have | made 20 revolutions they are ready for | action. They hang in a case suspended | on two slim ' wires. Now and then one | | of the wires holds fast when the trigger snaps. It's up to the ‘fork’ man then. | | He has to pry her loose before that lit- tle fan spins 20 times In a gale. doesn’t, well, 1It's & TNT bomb “Larsen hunched back in the bomb | bay with his camera—the pilot and the trigger man up forward—the ‘fork’ man | | aft—and 6,000 feet of nothing between | them and the earth with 1,100 poun |of 'TNT as super cargo. 1 msk v | ald Butler, “if that sn't & pleture | But that wasn't sl For six hours a day on sIx consecutive davs, Larsen | pented hia experiences. They took off | | from Pope Field at Fort Bragg with | Capt. Duncan of the Army aviation bombing division in command. 1t was old atuff to Duncan, of course. and to the bomber, a sergeant and the “fork” | man, & mere corporal. They missed the bridge sometimes, but at 110 miles an | hour they flew over what resembled | | white shoestring. It was equivalent, by | | Army figures, (o shooting with a rifle | through a globe sight at & man one | mile distant on the runningboard of an | tomobile traveling 80 miles an hour I'ry to hit it The alr was 80 cold they wore fur- | 1ned clothes and, most unusual to ar- | | men, face maska' High as they were | they were below sevo by a good many | dowtees | “Hut_ Larson had to work with bave [ hands to grind his camera,”" sald Hut- ler. “Also, with TNT bombs slipping paat hia face while he followed their course with his camera, he had (o move fast If one of them got In his way. Gloves wouldn't do. The others ware face masks for protection from the bitter cold. He couldn't because he had to keep his eyes glued to the camers," 1928 -PART 4. | | Miliner, Viennese beauty | Wyndham Standing. | Charles | Concert Orchestra, offers for the ov | ture “Musical Gems.” ~ o Photoplays This Week SILENT DRAMA ATTRACTIONS RIALTO—"“The City Gone Wild.” This afternoon and evening. COLUMBIA—"The Student Prince.” This afternoon and eve- ning. EARLE—"No Place to Go.” This afternoon and evening. FOX—"“The Wizard.” This afternoon and evening. PALACE—"Love and Learn.” This afternoon and evening. METROPOLITAN—“The Patent Leather Kid.” - This afternoon and evening. LITTLE THEATER—“Peter the Great’- This after- noon and evening. ‘Moana.” RIALTO—"The City Gone Wild.” Thomas Meighan, in his latest Par: mount_picture, “The City Gone Wild is the feature at the Rialto Theater this week. | It is a story of the underworld, with many novel twi of machine gun bat- tles and gang war, of politics and in- trigue, of love and law and lust and duty. Meighan has the role of a power- ful ‘criminal lawyer, who brings about a ! truce between rival zangs. Love of a woman later makes him a prosecuting attorney and the climax comes when he learns that the girl's father is the hidden leader of the underworld forces, and thus faces the alternative of break- ing his trust to the State or ruining the girl's life by exposing her father. The outcome is said to present a smashing climax. ‘The supporting cast includes Marfetta Louise Brooks Fred Kohler. Nancy Phillips and “Gun- singing. comedy and dancing compos- g the entire entertainment, headed by the Le Maire and Van team. George Le Maire a versatile entertainer, E ing over song, dance s rated as one of face comedians on the stage today. Others who will contribute speciale ties are Mae Wynn, jazz singer; Kado- varez, dancers: the Picca- dilly Four: Milton Douglas, singer and dancer, and the Fox Ballet and Choral Ensemble, which will add their voices and nimble dancing. Gaston Leroux, is a tingling tale of an almost human ape who runs amuck in a great ¢ity. On his blood-cu 2 rampage he concentrates his hate on an innocent girl, and t! is thrown into a panic until the ry is finally solved by a young reporter. The overture is a vocal and i mental combination of operati cerpts. featuring Muriel La France and Taylor Mitchell as the soloists. A new Fox Movietone News an added at- raction. PALACE—“Love and Learn.” A comedy farce. “Love and Learn which Esther Ralston portrays the le of a comedienne, is the film fare e Loew's Palace Theater this week. Many amusing incidents and thrills occur when a young lady home from college decides 1o get herself in trouble in order to divert her parents from ses curing a di not only suc- ceeds, but captures Hill Mailes, Duke Martin, King Zany poat” Smith. The stage presentation is entitled “Parisian Whirl." described as a parade of dance manifestations, featuring Kouva and Leland. | Rox Rommell, conducting the Rialto by Tschaikowsky, and a Collegians comedy and Interna- +jonal news reel complete the bill COLUMBIA—“The Student Prince.” Metro-Goldwyn-Mayer’s super-produc- tion of the famous old romance of Hei- delberg. “The Student Prince” is the attraction at Loew's Columbia Theater Nand LANE CHANDLER- Palace. 2/ EMIL JANNINGS: Little Thester {Will Do “The Clown™ Next. AL JOLSON has signed a contract with Warner Bros. for his second screen appearance, in “The Clown," to be made with the Vitaphone supple- menting the action. This stc ispired by the opera “Pagllacel,” by Ruggiero Leoncovallo, is considered by the Warners to be an even greater vehicle for Jolson than “The Jaez Singer," and 1t also will afford Jolson an opportunity to sing several times during the story . Most Popular Screen Star. COLU‘.:N MOORE coutinues the most popular feminine star of the screen, according to a survey by the theater owners themselves. The news comes from Mirst National headquar- ters When selecting the b names for 1926, these men wWho base their judgments by the volume ot nickels and dimes and quarters and dollars that a star can lure ito the DOX office, voted Colleen the same lofty rank and this latest poll, like the pre- ceding one, was launched by a flm Journal, the Exhibitors' Herald. Only two woman stars received more than 100 votes, proclalming them the Dest box office attractions of 1931 And Mias Moore, ane of the two, ve- cetved 234 votes—or 47 mare than the votes cast for her neareat rival, among est screen [ all the feminine flm stars of the day Miss Moore, acearding to Mest Na- | tonal, Is agaln stavting ot at a clip which promises to keep her far i the lead of all rivals “Her Wild Oat* was releassd on Chriatmas day — Her next ploture 1s to be & spectal, divected by Cearge Fitamaurice. from Jane Cowl's noted play. Lilae Time whieh F'lvn|‘ Natlonal Is preparing to wake one of 1ta greatest productions for the year with " Bably Oh Kay" W follow, . . v’ and + On' the stage is Richard Herndons “Merry-Go-Round Revue,” which had a successful run e Klaw and Har- theaters in $4.40 prices. was for six months one of Broadway's principal attractions. It s md Washington just as 3 : today and all this week. Ramon N; |varro and Norma Shearer have the |leads in this production. which was directed by Ernst Lubitsch. Karl Heinrich, heir apparent, is brought up under the stern charge of King Karl VI. He grows to manhood without sympathy of thosz who under- stand him, except old Dr. Juttner, his tutor. When he is sent to Heidelberg University for a vear the great change in his life occurs. The reaction from his former suppressed existence makes him take keenest delight in the simplest i nocent pleasures of the student body He falls desperately in love with Katie the niece of the innkeeper in whose {he has lodgings. Dr. Juttner. un: to deny his charge some of the joy of | youth. aliows the heir apparent’s life to | run its natural course without interfer- jence. His pleasure is shortlived when he finds he must accept the responsi- bilities of the crown and a bride chosen | for_him by King K | The end of this glorious romance is better depicted on the screen than in print. The cast include |olt, Gustav von Seyflertit: N e: Libby Holman, Howell and Harger, hn Griffon. Tom ia Palace Concert Orch ection of Harry Borjes. METROPOLIT Leather Kid” begins at the Metropo! tan Theater todar. Local critics have e praise bestowed upon the confreres. declaring that has one of best s of and that pre Molly O'Day. recently proclaimed a Wampas baby star. can rightfully claim a high place in filmdom. Not the least potent factor in the ~iccess of “The Patent Leather Kid™ is the gripping story supplied by Rupert Hughes ~Utilizing the Tank Corps in the World War end the prize ring as backgrounds. the author has woven & romangce of universal appeal. The char- acters of the swaggering young East P " the appealing little dancer the rich rival, the prize the trainer. and the well drawn and capably tn- Edouard has provided a euit- score for the symphony orchestra nducted by Alexander Podnos, tn which oid and familiar themes have been effectively used. " Pa rounded out with se- Colun jer the direc The program lected short sub. Concert Orchest! | of Claude Burr EARLE—"Neo Place to Go.” Mary Astor and Lloyd Hughes in No Place to Go.” a First National comedy romance. is the film feature at the Earle Theater this week, with “Pestival of Syncopation.” the fourth !of Edward L. Hyman's Broadway pro- tions on the stage No Place to Go.” which was directed n_Leroy, was adopted from of Romance,” and who, tired of sazz and Lea: for the ed States Tank Corps, ed such an important pa Mihie] dr':re nd in the Are m gan. he program also Breeskin's conceft orche: “Fra Diavolo” (Auber) for the over- ture. with Madame Elsa Stralia, | Australian soprano. singing the ana from “Ernant Verd:): “Southern Rose ballet divertissement with or- chestra, and the Topical Review. Festival of Syncopation™ is in eight nurabers. headed by Russ Morgan and his orchestra, the Morgan Melody Mas- ters. Four W played by the or- chestra, is pening number, others are 2 a thrilling back- the picture. LITTLE THEATER—"Peter the Great,” “Meana.” “Peter the Gre: on. and “Moan: and love in Rickety, Racket ““Just Stralia:* Pre ley s and Russ A Serova Dancing gan and his orches Mor- res of ot! eat pi ter the Grea FOX—"The Wisard." “Pe Sixty dancers, singers, soloists i said comedians, headed by George Le Maire and Rex Van. known as the ~Two | B od L be found in a war- at the Fox e while on the screen alded as jubiles o A Studio Panorama. | AUTOMOBILES jarked for blacks outfit around ea entrance What i ;l bower of lilac dushes and Colleen Moore mak A doren handsome Frances Hamilton wealthy Pasadena ¢ | been advanced from the | to stock player for | mighty pretty | Klass-eved dog in | tramer. A group ball players touring | ers and Nash, all-Ame party All roads lead to Mallvwood Jacobs, the distinguished nalist, who has consist play banker roles i p newspaper man at heart ham, the title writ tall, descends from front of the te who has Wk of ational the with star with S| ican ends, i ¢ . Aviators’ Hall of Fame. a TWENT pletures, his | scoft £ So ades wha nd A dee s N tngs May ade ‘a0 arige dance hall girl of the 905, wearing & e fhigh. blonde pompadour and & spangled dress. Gustav von 8 Civil War-vintage suis around his sho AL the side of S the eamie hoa shawl % A sun bath Chester Qw sad Rk, talking over the seript of “The Headimer " with Allan Dwan. Alice White, W & iy leopard’s skin coat. gets & hearty laugh fom Gene Towne, the gag man Alive Knows the ether name for & heast laugh I movie-ese, too. Lowell Shers | WA, Wearing cotton on the bridge of Iis glasses 10 save Dis make-up The lttle Chinese givl on Stage § s [ NOL an wolvss She is Priveess Der Ling. fram & distinguishad Manchu family, former lady-ur-watting W the Chinese Dowager Empress, visiting ihe SUEED s the guest of Watiersan R Ro hacker Richand Barthelmess, wiapped M blankets By the side of & studio Lasky thought v He commisstoned | o make & ahed i a M ¢ huig W the by af the Criterin Theater, where “Wings 1S belg juwsed W Charles A Linddergh. Qoanr Richard § Ryedt and Clarence D Cham- » N COIM e EDE PORCY LIMe OF oo Al celodritios W this Boved hatl of W The athers are all A Who rode with death I the ohusds over e western frant Fram all nations they have deen hosan the braveat of the brave The eahitutiun has jeovoked sue PUBIC Dnterest that Riis was asked W heater™ after gotting & SOARIAE o0 | Gunlicats the sothes OINSE Olttes W The Little Shopherd of KIUEAWN | which " Wings" & beig evhidited 1hat Came” set 11 & IOVIe Talnstorm. MA- | ihass Wha care may siudy (e cvunies WML LIVINGSIOn, stuming W & malds | nances of the human eagles. -