Evening Star Newspaper, September 27, 1925, Page 53

By Helen Fetter. S the plans are progressing to make the Spring Musical Festival an event worthy of the Capital of the United States of America, ed to the realization that a festival in this city cannot be built on the comparatively simple community lines of festivals held elsewhere in country The very nature of the briliant, interlocking circles of the distinguished population of Washington makes a different and broader plan than any evolved in other communitics not only possible but practicable. g The basic plan of this festival is to demonstrate the musical wortHi- ness of \Washington. This does not mean that merely musicians and wngers who are “clitf dwellers” here should be allowed to fill the programs 1o be given. As a matter of fact, talented Americans from nearly every State in the Union have come to Washington, hecome absorbed in the Umusical circles here and hold many important musical positions in the city. Surely. this is as it should be in a country’s capital There 15, however, even a broader scale, on which the plans for this event might be built to give it international distinction and value. T. Arthur Smith, a leader here for many years in promoting the introduc- tion and recognition of young artists who have later become world- famous, ‘'remarked the other day K e bringing of the Bethlehem Bach Choir to Washington last Spring in conjunction with the meetings of the World Fellowship Through Music League brought the international note into local music circles for the first time. The success of this initial attempt along this line, which won favorable comments from thousands of Washingtonians and did not require financial assistance from the long list of patrons that were inter- ested in it, proves that Washington is a logical place for the w dest This does not mean that the efforts of lotal musicians a but rather that they bhe dignificd with the pro- by giving local people competition w e and thus prove Washington's musical talent by contrast. My ith's comment on this subject offers a new angle for consider- | ation this connection it is easy to turn to Franklin Adams’ efforts the programs @i Latin American music to interest local music lovers sad musicians in »dies of Central and South America. Thursday of this week the fiest of a scries of such programs the new will be broadeast from the beautiful patio of the Van-American Union Building. Leading singers and instrumentalists of Washington will give the program, which includes selections by com- posers of 11 other American countries. High professional qualifications are desired of al people participating in these programs, for they must compete later in the season with such artists as Marguerite T’Alvarez, Guiomar Novaes, Jose Mojica and others from the southern half of the American Hemisphere. Even on this first program Jose de Huarte, Spanish violinist, offers a challenge with his Latin art to art as developed in this country. All of which is excellent for maintaining Tiigh standards for musical achievement such as Washington can well uphold with pride. one is for interests in musi ould be fessional rating world can ofic subor ain no reason why the music festival should not build upon a so broad that it will be an event of international impor- initial plans, is the time to establish this first festival 1i Washington provides a program of music that is on this pl it will not be necessary for other organizations to bring wvorld music here. Instead. musicians of other communities and countries will request the privilege of performing in Washington's annual festival. The American countries alone could offer a_brilliant program. From Canada might come the famous Mendelssohn Choir; Mexico could con- tribute some of the fantastic novel melodies of Senor Carillo and folk songs; Peru could offer alluring Inca melodies, such as have been excel- Jently interpreted by the United States Army Band; Guatemala could send one of her famous marimba bands; Argentina has dance numbers more unusual than the tango that would be unique on such a program, | and Brazil could supply an opera with famous South American stars from| the Metropolitan Opera House or Latin American companics with the Washington Opera Co. Such are a few of the general American con- tributions, not to mention those that could be representative of every section of the United States. 5 California could send Mrs. Carter of the Hollywood Bowl fame, Charles Wakefield Cadman and his Indian princess soloist to give a fascinating American Indian program. and Carrie Jacobs Bond to end one program with her “Perfect Day.” Cincinnati could send representatives from the biennial festival there. What wonderful musical organizations and individuals Chicago, Philadelphia and Boston could contribute to the | festival here! 5 Then, too, through the obliging medium of the diplomatic corps in | Washington it should be possible to quite outdo Patrick Gilmore with | his forcign bands in the Boston Jubilee days and bring to this city the cream of foreign artists who are on tours in this country at that time. | Yach country should be glad to send its musical best to Washington for such an international music festival. After all, what are embassies and legations for except to help each country to know each other so well that eventually wars will not only be unnecessary but absurd? This fes- tival should lielp the United States to know its fellow countries all over the world better musically.” From Sibelius’ music of Finland tothe | voluptuous melodies of,Hawaii, from Henry Eichheim’s Americanization | of the melodies of China and Japan to the songs of the forty-niners of early | California days, the festival here should be representative of the charac- teristics of music all over the world. i What the Bach Choir so ably started last year in the way of locating | an international headquarters for musical friendship and development in Washington the big Spring festival should be able to carry on with buoyant co-operation and success this year. HERE foundatio tance. Now, in on such a footing USIC is becoming more and more of a recognized necessity in all phases of human existence. Two striking examples of the way in | which it is being used to emphasize emotional ottlet in dramatic charac- berizations have recently been seen in Washington. The first of these Joel Coward’s striking use of ultra-modern French themes by ad touches of jazz in Gershwin's “Rhapsody in Blue” in the {)Ya\‘ ‘The Vortex,” which is ly in the sophisticated social Poulanc climax at the end of the second act of his now creating a furore in New York, especial artistic circles. The second example also was shown at the National Theater here when, during the past week, Molnar's play. Americanized as “The Tale | the Wolf." was shown, In this the uneven. hectic tempos of modern | music indicated the exaggerated neurotic actions on the part of the| heroine in her nightmarish dream in the second act. A delicious satire on a concert sing usual artistry of droll impersona- tion by Wallace Eddinger in the same fantastic comedy. Tt is true that “music hath charms to soothe the savage beast,” ac- cording to William Congreve of the seventeenth century. but then, in | the seventcenth ces s they didn’t have such music as M. Poulanc and | Mr. Gershwin are writing for the people who scramble through these glib-heeled twentieth century days. ?n both the plays mentioned, reflect- ing different phases of present-day life, the music is peculiarly adapted to the strengthening of clever characterizations. ¢ was given with his ITHIN the coming month the coucert season gets well under way in Washington Washingtonian, 'the new Auditorium October 7 tinguished blind organist of England. gives Hinshaw's excellent little opera company will pre: I"Amore” in finc nglish translation October 13, anore LaMance, who hecame quite a favorite with Washington audiences in her work with the Washington Opera Co.'s Summer opera series, will have a leading role n this production. Francis Tyler, also prominent in the Summer forces of Mr, Albion nother member of Mr. Hinshaw's company. The Pavley Oukrainsky Ballet will give a performance on October 22, 4 the Philadelphia Symphony Orchestra will give its first concert of e season October Reinald Werrenrath, a popu'ar singer with local audiences. will give a recital October 19. Altogether, the musical aspects for October look very bright. a concert. Wil'iam Wade \;111 Rog’ers and Quartet Replace Pavlowa Here E. ANNA PAVLOWA, scheduled ! to appear at the Washington| Auditorium January 28, has suddenly | canceled her entire American tour | &nd will not appear this country during 19 to an an| nouncement made v by Mrs.| Wilson-Greene, following the receipt | of advices from Mme. Pavlowa's man- ager in New York A complete rearrangement of concert schedules throughout the country is made necessary by the change. Mrs. Wilson-Greene has secured for | this change on the Auditorium pro- &ram a concert novelty. It is a joint appearance on the evening of Novem- ber 28 of Will Rogers, internationally known as a prime humorist, and the De Reszke Singers. famous American male quartet. which achieved an out- standing success here last season. Mr. Rogers has been, successively, cowpuncher, stage celebrity, movie tar, show-stopper, columnist, after- dinner speaker and now concert at- traction. When the Prince of Wales first arrived in America Will Rogers gald to have been the first man he expressed a desire to meet. Born on a ranch in Oklahoma, Mr. Rogers lived there the most impressionable vears of his life_and obtained the tugged, philosophical background which_eventually made him known around the world. In his concert ap- pearances he will continue his hilari- ods comments on men and affairs that have made him famous. The De Reszke Singers, who will in vesterd share honors with Mr. Rogers and supply the musical side of the pro- gram, are all native-born Americans who have taken the name of their quartet from the great singer and teacher, Jean De Reszke, who, with Oscar Seagle, gave them vocal train- ing. The quartet is composed of Hardesty Johnson of Minneapolis, Floyd Townsley of Holton, Kan.; How- ard Kellogg of Detroit, Mich.,, and Erwyn Mutch of New York. ith the best that the | It seems quite appropriate to have John Philip Sousa. | open the season with his famous band in a program at | Two evgnings later Alfred Hollins. dis- | nt Donizetti's “L'Elisir | | vise the tour of THE SUNDAY STAR. WASHINGTON, D Dr. Lovette Engaged for Wilkes-Barre Eisteddfod HOMAS S, LOVETTE, Welsh pian ist, teacher and composer sides in Washington, has bee; en- iged as musical adjudicator for the annual ~ Armistice day efsteddfod, which is held in Wilkes-Barre, Pa Dr. Lovette is well known as an adjudi- cator both in this count road, having served in this capacity on many occaslons. At the Wilkes-Barre eisteddfod, be- sides being the sole adjydicator for the entire musical program which will in- clude many prominent male and mix- ed choruses, as well as piano numbers, vocal solos, and quartets, three com. positions by Dr. Lovette will be used in_the contest. These will include “The Reaper.” a_tenor lished; “Tippity House, ¥ to be used for the children’s solo, and a “Nocturne,” the plano number to prizes to large amount will be rwarded the successful contestants. Dr. Lovette also has been recently program to be given in connection with the convention of the National Council of Congregational Churches which will be held at the Washington Auditorium October 26. He is now marshaling a_ choir of about 16 volces which he 1 n. There will also be several soloists on this program During the Summer taught a special class at the Catholic Universit. This seaso: hesides his private cl es at studios in New York and Washington, he has been re-en- gaged at the Sutor School of Musie in Philadelphia, where he has a class of teachers and artists, and also at Na- tional Park Seminary. e AT L, Hee HE name of Alfred Hollins. Eng- land’s famous blind organist, is known wherever the organ Is played Mr. Hollins is also a fine pianist and a composer whose works have won high praise and are much used. The late W. T. Best, England's great vir tuoso of the “king of instruments,” dubbed Alfred Hollins “Alfred the Great.” Washington will have an opportunity to hear Mr. Hollins at the new Washington Auditorium De- cember 9, where he will give a re- cital on the huge organ at 8:15 that evening. Mr. Hollins is making his American tour under the auspices of the Na- tional Assoclation of Organists and the supervision of the Wanamaker Auditorium concert direction, which also introduced Marcel Dupre, French organist, to America, and_will super- harles M. Courbin, Belgian-American, who will play here later in the season. Mr. Hollins' tour will open with a recital in New York, and will include 30 cities of the United States and Canada in his itinerary. Mr. Hollins has had thorough train- ing under the foremost teachers of g Dr. Lovette t | millions of people annually. {by a dancing granddaughter. England and Germany, and is noted for his creative gift of melody as well as the technical skill of his improvisa- tions, He has written successful works for the piano and for choruses, but his greatest medium, both in composi- tion and performance, seems to be the organ. He will play several of his own works on his program here. The Sousa Syncopawrs“ On Band's 32d Tour 31 consecutive seasons at the head of the band which bears his ame music lovers throughout Amer- have become well acquainted with jeut. Comdr. John Philip- Sousa and his 100 bandsmen. Nearly fifty mil- lions of people have heard the Sousa concerts since 1892, when he resigned s director of the United States Ma- rine Band to establish an organization of his own. and of late years the Sousa audience has grown to three This sea- n, for approximately thirty minutes in each program, the audiences wiil be introduced to the “Sousa Synco- pators." Sousa will make further acknowl- edgment that the present is a dancing age by offering a fox trot of his own tion, entitled “Peaches and d to have been inspired n: its synco- Sousa, a with Mr. The famous band. pators, all directed by | native Washingtonian, will give a pro- gram at_the Washington Auditorium October . Giannini Receives 27 Curtain Calls USOLINA GIANNINI, the dra- matic soprano, who has charmed Washington music lovers at several concerts here, and who is listed to sing at Poli's November 18, is having a triumphant operatic and concert tour through Germany this month, ac- cording to cablegrams received. Mme. Marcella Sembrich, Giannini's teacher and patroness, received word at Lake George, N. Y., last week that Giannini, making her operatic debut in Hamburg, Germany, in “Alda,” a few nights before, had received 27 curtain calls and that German critics ere hailing Giannini as the greatest ““Afda” since Destinn. who re- | FEATURED SOLOISTS .MR. | concerts of Latin-American music | York Mrs. CAPT W, J.STANNARD HrpLEN CorBIN HRINL C., SEPTEMBER 27 1925—PART 3 OF PAN-AMERICAN CONCERT HeNRI' SOKOLOV SGT. THEODORL BINGERT First Pan-American Concert This Year Tfhursilay Nig‘ht FRANKLIN ADAMS, counsel- or of the Pan-American Union, | inaugurate a series of brilliant | at the Pan-American Buflding Thursday night, beginning at 8 o'clock. The | program will be given in the patio| of the bullding and a limited number of those in local music circles has| been invited to attend the concert. The program will be broadcast via station WRC. Music which s rep- resentative of 11 different Central and South American countries will be played and sung. A large share of the instrumental music wi'l be Interpreted by the| United States Army Band, Capt.| Willlam J. Stannard, leader. Capt. | Stannard has given a great deal of | time and effort to the production of | Latin Amerfcan music and has pre senfed more than a score of programs featuring such works. Master Sergt. Theodore Bingert, also of the Army Band, was the nr-‘ ranger of the music for the double saxophone sextette, whose playing | will be a novelty of the evening. | Mrs. Helen = Corbin Heinl, well | known Washington pianist, was a| pupll of Theresa Carreno, famous | pianist of Venezuelan birth, some of | whose music Mrs. Heinl will Thursday night, as well @ group of “Impressions of New York” by| Enrique Soro. Mrs. Heinl was born | in the Indiana town of exceptionally musical name — New Harmony. In| will her musical studies she attended the |5 Cinctnnati College of Music, receiving | a diploma of distinction and the Springer gold medal. Her teacher there v Albina Gorno. In New Heinl was a pupil of Ed MacDowell, great American | In Kurope Mrs. Heinl, ward composer. | continued her studies with Mme. Car engaged to take charge of the musical | body Conservator | | | reno in Berlin and with Harold be played by adult contestants. Money | Bauer In Paris. Sokolov, Washington voilin nized the National String prize pupil of the Pe of Music of Bal timore. He has appeared in recitals ' in a number of leading cities, includ- | ing joint recitals with Mabel - rison, famous soprano. Henri ist who or; Quartet, is | play | “C studied with Cesar Thon; prize. | with . Other in detail of this the on, Belgian master, winning the first studied composition in the Septem! page, include: Grace Wash. burn, delightful coloratura soprano; Fred East, whose baritone volce is popular with Washington audlences; Sergt. John Bauman, clever Xylo- phone soloist of the Army Band, who has been heard to advantage on many programs, and Jose de Huarte, noted Spanish violinist, who is mak- inz his home in Washington, The program will be: 8 pm. to 8:13 pm. the United States Army’ Hand, Capt. "Raymond G. Sherman. commanding. and Capt, William J band leader. march, “Amor Patric > cos), Guatem: overture, “II Guarany” (Gormez), Braz 3o & Washburn, colo- 'soprano Renneth Watts, " Dranit. ler Tuticie: Witz fhutlsts - Thon ra. " from the opera “The Pearl (David) : aria from “Il Guarms" (Gomez). Brazil R:23 o R4 double saxophons - sex- Thjted, States Arm: r 13 issue Grace cmpanied the Montova ). Colombia. rbin Heiril. ‘planist, w York” (Sord). Chile ctaria’ {Conuetry). “Noitalgla" ceickness). “Deseo' | {Longink reéa Carreno) . Venezuela )5.ad Iresa by Gen James G Harboard. * Radio Corporation of Amer- rican Impreseions.” Fred East, baritone. accom- Wilson: b roup of Estreliita 0 0 9 president 61 t “Marcheta” (Love Song zinge P30 to John Baum: Band: hahane Fuentes, C est). arrar s xylophone solo by Sergt e United States Army inchez de *Que; (Dear- ok, Mexico. S ited States Army rint repuscalo en el Mar oii thé Sear. by Infanta. Chi . “Gemt From Bolivia." arranged Sclimobi, Bohvia 944 to 954 Henn de Huarte. i violin duets. accompanied by cr. pianist. “habanera, “La by White. Cuba: waltz, “Mo- ody." by Rafael Castillo. Guate- Sokolov and_Jose Mrs. Frit Bella ¢ 10, the United States Army “Pasaandu.’ by Costa, Uri- The Star Spangled Banner.” Plucky Americ an Baritone Will Sing‘ Here in Concerts THE above pictures of Lawrence Tibbett, the plucky young Ameri- can, who won shouts and cheers from audlences at the Metropolitan Opera House dast year in his appearances in “Falstaff,” might well be entitled “Be- fore and after taking”—the object taken being theatrical make-up. They show Mr. Tibbett in all the ingenuous vouthfulness ~of his unmistakable American nationality and also in the remarkable make-up which he wore so effectively in “Falstal” on those memorable oceasions when even firmly established Scotti was subor- dinated in the public’s favor by the excellent characterization by the American baritone, given in the role of Ford. Mr. Tibbett’s triumph on those occasions was quite the most thrilling ever achieved by an Ameri- can singer at the Metropolitan Opera House of New York. Since then he has been kept busy studying other operatic roles and programs for con- certs. Lawrence Tibbett will sing in Washington at least twice this year. He will appear in jolnt recital with Paul Kochanski in the opening con- cert of Mrs. Lawrence Townsend's series of morning musicals. Decem- ber 9, in the ballroom of the May flower Hotel. He will also be the solofst at the fourth of the New York Symphony concerts, March 16. After Mr. Tibbett proved by his unusual success at the Metropolitan that he undoubtedly possessed rare dramatic and vocal gifts, a small group of representative ~American music_patrons felt that they wanted to help this young American who had a wife and a pair of healthy twins to support as well as a career in which to “carry on” 8o this A the | group raised a substantial sum of money to assist Mr. Tibbett in hav- ing months of rest and relaxation |rrum financial worries during the past Summer, which he spent in his native California, preferring it to Eu- rope. There he studied foreign lan- | guages with excellent teachers and | continued his development of concert | programs and mastery of operatic | roles. Among roles for the coming | season are leading parts in “L'Heure | Espagnole” and In_Giordano's “La | Cena Della Beffe.” Those who made | this study and rest practicable in- cluded: Clarence H. Mackey, who did | much to help re-establish the New | York Philharmonic Orchestra; Mrs. | B. H. Harriman, head of the Orches. | tral Society of New York; Mrs. Wil- {llam M. Polk of New York, who helped Geraldine Farrar in her early | struggles for recognition and has | been @ particularly keen patron “of Mr. Stokowski of the Philadelphia Symphony; Rufus Patterson, a music patron of New York and South Hampton; Mrs. Willlam Crocker and Mrs. Charles B. Alexander, music pa- trons of California; "Mrs. Charles Mitchell, another New York music patron, and Willlam Sullivan. Mrs, Townsend's other programs will all include famous singers and musicians, the majority of whom will make thelr @ebut in the Capital City at these appearances. OWwIng to the increased capacity of the Mayflower ballroom over previous halls in which she has held these musicals in other seasons, Mrs. Townsend announces that it will be possible to give the concerts at lower prices, charging $4 per seat per concert, or $2 per artist, as there are two artists of equal merit on each program. The complete list of artists' for ®he five programs will be announced a little later. | | ralser of the season. | Only” Eleanore La Mance Here In Donizetti Opera LEANORE LA MANCE, contralto who worked in roles new to her and wc with her efforts with the Washington Opera_Co. in the light operas of the early Summer, will return to the city in a prominent role of Donizetti's charming comie opera, “The Elixir of Love,” to be presented by Willlam Wade Hinshaw company, which gave the young aliantly 1 laurels such a charming perfor: Mozart's “Impresario’” last yea Donizetti work full of humor joyous melody. It has been given an artistic translation into English by H. 0. Osgood. well known composer and music critic. The opera will be sung in English here Miss La Mance will have the role o Ganetta tn “The Blixir of Love. She came to Washingion late in the Spring_from the Capitol Theater ew York, where she sang contralt les In Gilbert and Sullfvan oper with Roxy’s “gang” durlng a season. She sang one season with the De Feo singing such roles Amneris” and “Mad " 'She sang light opera with De Wolf Hopper's company, and, among other things has done consid erable successful concert work This young singer, who is personal- Iy charming us well as vocally gifted, was born in Brunswick, Ga., and re. | ceived much of her education in Jack. | sonville, Fla. Among her voice teach ers was Jean De Reske, with whom she studied at Nice, Fiunce. “The El of Lovi wiil he the | first feature of the eleventh season of | the famous “Ten Star Series.” under the direction of T. Arthur Smith. subscription sale for the season close Thursday of this week. Washington Opera Plans Seven Productions THE 1925 seuson of the Washington | Opera Company will get definitely under way tomorrow when General Manager Edouard Albion holds voice trials from 4 p.m. until 8 p.m. in order | to select singers to fill several vacan-| cies in the company. Mr. Albion also plans on holding auditions on Tuesday between the same hours for any who are unable to appear tomorgow, Rehearsals for the first opera. which | is to be given November 16 will begin | shortly. If present plans mature, “La | Tosca™ wilt be used as the curtain| Because of the | success attained last vear, Mr. Albion | plans on practically doubling the | season this vear, glving a total of| seven grand operas, to be followed| later by an extended sewson of light opera. Inciuded in the seven operas to be given this year are a number not here tofore sung by the Washington Opera “ompany. ~Mr. Albion is planning on a repertoire of at least 15 operus for of The, e the company and this goal is belng| prob. | reached rapidly. It is highly able that with this repertoire attained and with the steady increase of patronage indicated by the past few years, Washington will soon have an extensive opera season in which the old favorites will be repeated from year to year, but In which a place for less familiar works will be found. It is also planned that the works of Aferican composers will be viewed in a highly friendly light and it may be that American operas will find in the [| Washington Opera Company a dium for introducticn to the nublic. me- The Latest Musical Gem A Collection of Beautiful Waltzes Moments of Melody By R. A. Castillo 50c at your dealer T__MUSICAL INSTRUCTION, BESSIE N. WILD Voice Culture. Plano and Harmony. Studio. 6824 5th st. Takoma P . C. Phone Adama 5540; - > O KATHLEEN ROSS VON UNSCHULD UNIVERSITY OF MUSIC, INC. Mme. Marie von Unschuld, Pres. Open_for Registration and Instruction i Evers Branch of Music. Faculty of Artists Preparatory School Afliliated. 1320 F St. N.W. Main 8194, Col. 2342 Appointments for Personal Interview: re- ferred. Office hours: 230 to .30, " " SOPHOCLES T. PAPAS nd| in | The | Daucing—] Wil prama | catalog Teacher of Mandolin, Guitar, Banjo, Tenor Banjo, Hawalian Guitar and Ukulele. Ensemble Practice with the Columbla Cluby N MUNIC STORE ROBINSON N.W. hone Main 2231 1306 G St. MUSIGRAPHS R. AND MRS. OTTO TORNEY SIMON of Washington music | circles have returned from an enjoy-| able Summer spent abroad, in Eng- land, France and Belgium. While in London they heard the concerts at Queen’'s Hall, directed by Sir Henry Wood. Later they heard the symphonic | concerts at Os tend and enjoyed several grand op era_ performances in Paris. Mr. Simon will resume his musi- cal activities for g | the season this 3 { week. He i3 plan- i ning several stu- dents’ recitals and choral presentation, in concert form and with radio. ing her piano and vc Clifton street, for the season. Mrs Hawthorne played the organ for sev- eral weeks in Richmond, Va., during her absence from Washington. studio at 1414 Charles F. Googins, plano teacher accompanist and coich, announces the reopening of his studio at 1518 K street morthwest, during the pas: | week. Mondays and Fridays he is at | Epiphany Chapel Parish House, 230 | Twelfth “street southwest | i | | The Capltal Music Assoclation, com { posed of musicians who have studled abroad, will not hold a meeting until me time next month, according to announcemet by the presider Parker. Alice Eversman began her classes In_the Belasco studios last week (Continued on I rteenth OTTO T. SIMON. = MUSICAL INSTRUCTION. Beatrice Koch Teacher of Piano Assistant Teacher | Lovette Studios, 1731 Conn. Ave. Formerly member of Warren Cons. Music faculty at Warren, Pa. Pupil 6f Le Poy B 1. New E and. Conn. 2k o Margaret Day, young cellist, who re- turned to her home in Washington last year after several years spent abroad in study, will open classes be ginning Thursday in the Washington Club studios. | Miss Day studled the cello with Hugo | Becker, master of that {nstrument, in | Berlin, Germany, and in Meran, Ttaly. | She was delegated by him to be his | \id, Cops o American representative to carry on | pumi of T. s e A ¥or ap North 7015, his particular methods in this country. | st Spring. Miss Day was one of | e = trio of local musicians to give an | teresting recital in Le Roy Lewls' wuhlng‘on.smdlos of Muslc studio. Available Full or Part Time Fifth Season, 1925-1926 Practice Periods Arranged for Students ¥or Information Apply at 1361 Street N.W. Telephone Franklin 6843 Alice Eversman Formerly Meiropolitan_and Chicazo Opera Vocal Studio and Operatic Training elasco Theater, Washington, D. C. Broadway Studio Bldg., __New York City | avallable for students | Master Schoal for Violin and Piano Telephones—Col. 2191 BELASH THELTRER "SI0 Col. 3720 - = | @ | t intments. nho Louise Hawthorne week from he veturned last nd is open AL INSTRUCTION. PIANO. PUPIL _OF IN yrih 663 | CLAUDE ROBESO Classes Reconvened Monday, September 14 Reelstration. 11-1 Daily | MARGARET DAY, 'CELLIST esda 87 { LOVETTE STUDIOS T. S. Lovette, Piano Eva Whitford Lovette, Voice Beatrice Koch, Asst. Piano Tchr. Louise Hawthorne PIANO AND VOICE R e sl LOIS SHIVELY Accompanist Piano and Harma servator. _Lin. 67K Ave. SE LELAND BOYD PARKER Teacher of Piano and Harmony. Studio 176 K st. nw. Phone Fr. 6R43. North &7 CASTILLO’S SCHOOL OF MUSIC 1336 Mass. Ave. N.W. Piano- Harmony Tel. Adams 3093 Buch GING a Border 1 formerls nssista exclad voios hul rates reduced. Studio 1764 K now. Fo Inointment or hacldet Ph. M S334. Apt 208 MISS AMY CLEMENT LEAVIST PIANO. VOICE AND HARMONY Couching wnd_Accompanying 706 Eleventh Street N.W. Apartment 53. Walter T. Holt Studios TENOR BANJO. MANDOLIN, GUITAR BANJO, HAWAIIAN GUITAR AND URULET mble Practice with the Nordica labe. Established 1801 OL. 946, 1801 COLUMBIA RD o fur 2 5 Classes Resumed Resident St 1731 Conn. Ave. Monday, September 21st North N.wW. oD TTALIAN Tex For PAUL BLEYDEN Many Years Operatic, _and Cancert ‘Tenor. ‘in’ Enrope and America TEACHER OF SINGING Announces the Re-opening of His Studio 1325 G St. N.W., Phone Main 1836 Pupils of Mr. Bievden's Studio, Sing Everswhere With the Greatest Suceess Appointments Phone 7015 - PHONE King-Smith Studios New Hampshire Ave. at S St. Violin—HELEN WARF PAUL TCHERNIKOFF ELIZABETH GARDINFR tie Art—CAROLINE MeKINLEY English, French. Spanish. ltalian Children’s Studio (Fletcher Method) —MRS. SMITH n i Dancing—ELIZABETH GARDINE str n FALL TERM BEGINS OCT. 1 Catalos requeat._Telephone North SAXOPHONE Piano. Tenor Banjo. Guitar, Drums, ete In 10 to 20 Lessons Raz. Jazz and Popular Music a specialts. Come in. write or phone for booklet. Fres lessons if you huy instrument from us. CHRISTENSEN 1322 G S N.W. 1837 Kalorama Rd. WASHINGTON CONSERVATORY OF MUSIC 1408 New Hampshire, at Dupont Circle. Phone Main 7858. Preparatory and advanced departments Faculty of Thirty. Including KURT HETZEL, Vircgtor of The Washington Symphony Orchestra Famous European Conductor and Pianist PIANO MUSIC RECIATION ERNST LADOVITCH, Violin, Fetrosmd Conservatorium M. KOCHALSKA, Piano-Voice, Fuwil: Buiolf Maria Breibhaupt, VALTER CROLL, Clarinet, "l Gustas CLAUDE ROBESON, Organ Tangenus E. CROLL, Fretted Instruments SIGFRID SHARBAU, Harmony, Theory, Composition GRADE CERTIFICATES TEACHERS' } 1o gmas ARTISTS’ | University of Maryland Instructor of Public School Music PIANO CLASSES elody Way) Classes Formine ORCHESTRA :n Genevieve Wagner Teacher of Teucher's Ce Peabods Conservatars 1511 15th StNW. Katharine Seelye Wallace Concert Pianist and Teacher dugte of the Tnstit f Musical Art Col. 6331 Musie KING- e Atiention 8 Sixteenth North 91 KATHERINE RIGGS Harpist Street N.W. Concerts Instruction Col. 4385 (The. PRACTICE ROOMS Twenty-Second Year Washington College of Music, Inc. 17th St. at Pa. Ave. Franklin 4491 PREPARATORY AND ADVANCED DEPARTMENTS DIPLOMAS, DEGREES C. E. CHRISTIANT, Mus. D.. Viol WELDON CARTER. Piano HUGH ROWLAND ROBERTS, Voice J HAW, 'Cello, W. G. OWST, Mus. D.. Composition OBERTS, MARGUERITE CARTER. Violin Pretied LOUIS C._ATWATER, Organ MARGARET R. ZAHLER. Ph. D Presence ments H. B. Kuages With assistant teachers in all departments, DEGREE COURSES FOR TEACHERS MUSIC EDUCATION DEPARTMENT Edwin N. C. Barnes, Mus. Ed. D., Dean BACHELOR OF FINE ARTS (in Music) GRADUATES OF ACCREDITED NORMAL SCHOOLS, with a cer- tain amount of preliminary musical training, may obtain the above degree by an additional two years' work at the College HISTORICAL APPRECIATION Class, Thursdays at 4:45 o'clock. This course profusely the AMPICO and VICTROLA. is the same ziven by Dr. Summer to advanced music class the UNIVERSITY OF UTAH, and credited toward the BACHELOR'S AND MASTER'S DEGREES. PIANO CLASS METHODS (the Melody way) Prepares for teaching this work in the public schools. Classes are on Mondays and Thursdays, late aft and eve- ning, beginning September 21st. Conference hours: to 430 Monday and Thursday, Sept. 28th and Oct. 1st. 1925-1926 Yeartook mailed Stage HUMPHREY illust noon 3:30