Evening Star Newspaper, May 10, 1925, Page 56

PrRINCIL MefroPolifa}L News andComrfient By W. H. Landvoigt. \ OTHER'S DAY” doesn’t mean much in the movies, at least locally, ‘this year. “Introduce Me,” “Kiss in the Dark,” “Confessions of a Queen” and “One Year to Live,” the pro- gram at the big houses, fail to suggest even remotely any- thing of the old-fashioned mother and the attributes invariably associated with her. This is the age of “Dancing Mothers,” whose daughters are the sages that guide the destiny of the race. Of course, there are hundreds— thousands—of the dear, old-fashioned mother still in our midst, but'the spotlight is not for her. She is not a good box office attraction. Neither is the daughter of the old-fashioned mother overpopular in our. present atmosphere of jazz. She sneaks in here and there in a picture once in a great while, but rather as a wallflower or comedy subject, than as an object of pre-eminent admiration. O tempora! O mores! * k% % HE drift of the producers now is toward comedy. And immediately their thoughts—perhaps it would be nearer correct to say. their ac- tivities—turn toward the best box office comedians. It's the way of the movies. Stories may be all right, but the comedian who is known to gorge the box office means more in the way of comedy to the producer than stories ever could mean. He couldn’t think for a moment of a ‘story brimming with humor wiffolded by a no-star cast ‘that knows how to:act without seeming to do so. The thought is preposterous. First the com- edy star whose achievements have been registered in dollars and cents., Then the director who has a score of knockouts to his credit. - Then the gag man. And that is what comedy means to the movie man. What:a splem}\d comedy he himself would make in—say a George Bernard Shaw story * %k ¥ X ILE hustling to get out their publicity for the new season weeks ahead of the customary time, the producers are also engaged in a merry rush to acquire theaters to show them in. Here is comedy itself. Much ecarning has made many of them mad, for theaters are not all that spell success in the movies. The more theaters the more people are needed to fill them and make them pay. Some day there will be many theaters to rent, many for sale, and then some bright genius of the pen w?‘ll find in their story material for a tragedy of the movies. * %k X % WHILE Germany is hurrahing over Hindenburg, news comes that France is ing with the Soviet. By way of opening the Russian market, Film Daily tells us, it is learned that the Phocea, a French com- pany, has made an offer to the Soviet to produce a propaganda film called “The Force and Grandeur of the Soviet,” the condition being that Phocea is to control the distribution in-all territories. Seems like a_com- edy story, but won't it be sad when American democracy is called upon to withstand the force of Soviet propaganda fostered and fortified by its French:ally. It will be a sad day for the movie when it begins to mothier political propaganda. On the other hand, the same authority states that Joseph M. Schenck, best identified for the movie fan as Mr. Norma Tal- madge, is going to make the United Artists’ work—a distinctly anti-Soviet doctrine. -“Incidentally,” states the news report, “Joe Schenck's influence with Doug and Mary is apparent, and for the first time since' United Artists began to function these stars-are willing-to produce more than o?fie p,écture a year; and that should mean-a lot—at the little old- box office.” 4 Xk kK 'ARRY LANGDON, one of Mack Sennett’s one best bets, is looming as a salary contender. Just a little while ago and Harry was scarcely known outside the neighborhood houses.- Now Harry is loftily.refusing $3,000 a week, with Metro-Goldwyn as a bidder for his services,.and he is demanding $5000. If Gloria can go in for comedy at.an uimentionable figure, why may not Harry aspire? Eventually, at this rate,”comedy will be the highest-priced entertainment on the market, for: somebody. will have to raise the money to pay these wonderful salaries. s * * UT don’t imagine the French and the German filmers -are to have all of what is left after the Americans get through.~-Our-English-cousins;, thoroughly wrought up over the beastly commercial spirit-of-the Ame: can movie in invading the English market and taking it over,-are going to retaliate. J. G. Wainwright and M. Balcon, we are told, have: sailed from dear old Lunnon with-a cargo of precious prints for the. American market, .and soon, perhaps, the English movie will be.as: familiar on' the silver sheet as the English actor is on the American stage..- “The Prude’s Fall” and “The Blackguard” are likely to be among ‘the’ earliest screen, offer- ings, if Messrs. Wainwright and Balcon can find a: purchaserfor' them.:. - * %k X % s St . FA—+and it is all one word—proposes to issue30'German-pictures: next: year, 10 of them “specials.”” The Ufa is said to be easily the ‘most important film-producing company in central Eusope. Nine Ufa pictures are reported as sold for Great Britain, where not so long ago German pictures were anathema, and this is cited as a_reason for-hope-in- the Mynerican market. “The Last Laugh,” featuring Emil Jannings, was'a' Get-. man picture, and those who-pretend to.know say that the. German. pro- ducer places dramatic art above spectacular display and meretriciaus sen- sation. “Passion” was the first German picture to attract unusual dtten- tion in this country. % 3 AT, * K k * T S TTHE PHANTOM OF THE QPERA,” the latest:Universal-masterpiece |t of Carl Laemmle, had ‘its premiere in. California April:26:> The San Francisco Bulletin, Call, Chronicle Examiner allpronounce-it;a mas- terpiece, and praise Lon Chaney and Mary Philbin, the fittle star, whp be- came famous through “Merry Go Round” The Bulletin says of the pic ture: “It is a masterpiece of the cinema art. There-is- romance, there is drama, there is tragedy and mystery * * * everything entering into the successful :‘modern photoplay.” The Chronicle . declares: - “The produc- tion is massive, magnificent and a sequence in color, the ‘bal de l'opeta wlnderfully beautiful. The reproduction of the:Paris Opera ‘is. wonder- fully well done.” The Examiner states that the picture carries the Leroux story in a magnificent manner, and the Call, the one dissenting" yoice, complains that “the story drags to the point of nausea up to the inter- mission, and after that too much celluloid has flowed under the: bridge to save the picture from the critics.” But even the Call- concedes-its splen- did sincerity and undoubted artistic values, while predicting for-it an un- kind fate. 3 &) * % kX = o TYOLA has returned, with outlaw booze and undeclared jewels, it'is true, but, nevertheless, she is once more in America. . Now watch-the next move. However temperamental, however umlr\ed‘tn be law “uriabiding, Pola is a great actress. Perhaps Hollywood will now give her a real story, a real director and a real chance to show.that the Pola of “Passion” was not a mege flash-in-the-pan: - Gloria’s desertion to-United Artists,"if that prove true, may also prove to be Pola’s one chance to-shine in-alt her lory. - g x ! -k %k ¥ %k : A PLEASANT incident of the week in movie circles was the: unexpected arrival in Washington of Adolphe Menjou, whose stetling work for the silver sheet has placed him ‘among its golden stars .of masculine tandency. Mr. Menjou, like all the rest, is on his T ', but he Ygered long enough to go out to the ball game Tuesdayand speing’: surprise on his old schoolmate of 20_years,ago—Roy doughty shortstop of the world champions. Mr. gentleman as well as a gifted artist, Will Film Another Barrie Play. ILLIS GOLDBECK, who wrote the adaptation for Herbert Brenon’s production of Barrie’s “Peter Pan,” has been engaged to prepare another of Sir James M. Bar- rie's plays for screen production by the same director. “A Kiss for Cinderella,” which nine years ago served as a vehicle for Maude Adams, will be put into pro- duotfon soon, with Herbert Brenon directing. Following the run of this play, in which she garnered fresh laurels as a Barrie heroine, Miss Adams retired from the footlights. Goldbeck returned recently from a visit with Barrie in London, Where they discussed the film version of the lay. P Gotdbeck 1s responsible also for the continuity of “Scaramouche,” which last Christmas won for its author, Rafael Sabatini, the $10,000 prize awdrd offered by Adolph Zukor through ‘the - Authors’ League of America. * Movies in Russia. MOTION pictures are gaining a huge clientele in Russia, according to reports received from Moscow by the Russtan Information Bureau in Wash- ington. Three large firms and sev- eral smaller ones™are busy producing pictures to meet the-demand. * Moskvin, the star of the Moscow Art Theater in its recent. American tour, has taken to the silver screen. and a Alm version of Pushkin’s “Sta- tion Master,” in which he has the principal role. will shortly be released. Plans are under way also to place on the screen the complex pleture of Eu- ropean life, “Menakhem Mendel,” by the late Sholem Aleichem, known in 'be 1m) ‘| ties and is also experting films, mostly stage business, the 3 comes’ such a matter - of New York’s East Side as the Jewish Mark Twain. Othier film plays in preparation in. clude - “The Empress’ Conspiracy,’ based upon a play by Tolstoy; Do- stoyevsky's “Eternal Husband” and a great mass picture based on the leg- lend of Stenka Razin, the peasant ‘outlaw hero of the seventeenth century. The Soviet film industry is said to 1 many European novel- comedies and pictures molded about gigantic industrial machinery and sci- entific inventions, to the principal Eu- ropean countries. . Some of the titles of the exports are “Unusual’ Adven- ures of Mr. West in thé Land of the Bolsheviks,” ‘“The Homemade Ciga- rette Case,” “The Steel Cranes” and “The Death Ray.” Table Technique. YOU must have technique to eat con- vincingly on the stage, and so ‘Tom Powers and Warburton Gamble, ‘who_indulge enthusiastically in food in ““The Wild Duck,” say it took care-} ful rehearsals of minute details until they had perfected a rhythm that pre- vents them from choking to death over Ibsen’s speeches and Blanche Yurka's food, or something equally disastrous. “It may seem. funny to talk of the technique of eating,” says Mr. Pow- ers, “but-on the stage it has to have PR o Nl - JACKIE COOGAN Trvoli Y MARMONT- Central photoplays\ This Week At the Photoplay Houses This Week RIALTO—"Introduce Me!” Shown this afternoon and evening. METROPOLITAN—"One Year to Live.” Shown this afternoon and evening. PALACE—"“Confessions of a Qucen.” evening. 3 COLUMBIA—*“Zander the Great.” evening. TIVOLI—“The Rag Man.” Shown this afternoon and evening. AMBASSADOR—One Year to Livey’ Shown this afternoon and evening. CENTRAL—"Soft Shoes.” Shown this afternoon and evening. LINCOLN. (colored)—"Isn’t Life Wonderiul?” Shown this afternoon and evening. : Shown this afternoon and Shown this afternoon and RIALTO—“Introduce Me.” Comedy ' will prevail ‘at the Rialto this week, where Douglas MacLean will.be seen in his latest picture, “In- troduce, Me,” which is said to be a successfon of thrills, fun and romance. The actor has introduced into this story of a would-be mountain climber some hair-raising - adventure, it is claimed, which leads up to an amaz- ing climax. Opposite MacLean {s seen Anne Cornwall, the Wampas baby star for 1925, who is but 4 feet 11 inches tall and described as a dazzling bit of fem- king of a small and decadent mon- archy who tears himself away from the charms of a favorite to contract a state marriage with the beautiful and proud Princess Fredericka, who meets his overtures with revulsion and ter- ror. Spurned by his wife, the king enters upon another debauch that precipi- tates .a revolt among the populace and a demand for his abdication which is prevented by the queen's demand that the throne be held for their little son. His heroism aroused, the~king single-handed holds back the revolu- a. sound, well planned, mechanical groundwork. Sheer inspiration will i not carry an actor -through if he has his mouth ¢ull_of food. Thus spoken, Mr. Tbsen’s classic lines would be as inteiligible as Choctaw. g ““To. eliminate any chance of sput- tering br.audibly choking down food every ur lunch scene:-in “The Wild Duck” has to be carefully timed. - 'We' transfer the food to our plates-on-cue; we cut it on cue; we put it In our mouths on cue, and we swal- | he Jow it on cue. The procedure never varies. Of course, as with all bits of timing soon. be- course “that ‘we are.net-conscious of -it. - -But -to vary evern slightly the eating scene in : nce would spell disast ininity. Others in the cast include Robert Ober, L. €. Shumway, E. J. Radcliffe and Wade Boteler. In keeping with the spirit of com- edy provided by the picture, the entire week has been designated by the man- agement as “Syncopation week.” The Rialto Concl Orchestra, - under Mischa Guterson, will offer a jazzy overture, and the stage offerings con- sist of syncopated novelties, singing and dancing. The International News and other shart films will complete the program, METROPOLITAN — “One Year fo Live.” 4 = At Crandall's Metropolitan Theater this week, beginning_this afternoon t 3, will be shown First National's ‘One Year to- Live,”-featuring Aileen Pringle, Dorothy Mackaill, Rosemary Theby, Antonfo Mdreno, Joseph Kil- gour, Sam De Grasse and Leo together with Lloyd Hamilton’s latest two-reel comedy, “King. Cotton,” and a new issue of the Metropolitan World Survey; a novelty, in the form of a tricky “third-dimension” movie, ‘Zow- ie,” released by Pathe, in which ob- jects appear to leave the screen and come right out into the.audience, and a_brief vacal interlude by Mary Lucia Fish, & delightful soprano, student of Jean De Reszke, who has just returned to America after- four years abroad, “One Year to Live’ a gorgeously mounted drama of the Parisian stage, concerning two sisters, one a sup incurable invalid, whose faith restores her to health, and the other, who has bécome a f: ‘mous dancer, but is told by her physi- cian that she has but one year to live. PALACE—“Confessions of & ‘Queen.” Alice Terry and Lewis Sténe are featured in Victor Seastrom’s latest Metro-Goldwyn production, *“Canfes- sions of @ Queen,” whjch opens its in- jtial Washington - engagement at Loew’s Palace this afternoon, where it will be seen-during the current week. “Confessions of a Queen” is written “the " lives" of ‘royalty and dis- closes ‘with frankness the foibles and aptation w‘;?n’-"gnniu# Jonne adaptation” 3 ohns- iphonse Daudet’s novel, ‘Kings in_.Exile,” and was. personally. | ‘White, | 5sat tionists while the queen and her.son escape from the castle, the king join- ing them later in Paris, where the two. exiles come to love. each other. The Prince Alexei, however, working to reinstate the king at home, incurs the monarch’s suspicion, but in the end the prince ascends the throne, while the queen, having saved her husband’s life, gladly accepts retire- ment in Paris with him. A new Ralph Graves comedy, “He ‘Who Gets Smacked”; the Pathe news reel, Topics of the Day and a_score and overture by the Palace Orchestra will be added attractio COLUMBIA—*Zander the Great.” Marion Davies, in the comedy-drama, “Zander the Great,” will continue as the attraction at Loew’s Columbia. this week, beginning this afternoon. This will be recalled as the play by Salisbury Field, which proved a suc- ul vehicle for Alice Brady a sea- son or so back. It has been adapted by Frances Marion, with settings by Joseph Urban, ‘while George . William Hill directed it for Cosmopolitan pro- g:xyctlnn. distributed ~ by - Metro-Gold- Among those appearing in supple- 1 1uental roles are Holbrook Blinn, Har- rison Ford, Hobart Besworth, Hatry Myers, Harry -Watson, ~jr.; Carle, H:hkwm H h nd 3 £ 5 owlan wnd Master John Huff. . - Miss Davies has the role of Mamie Adams, an orphanage inmate, who is intrusted to the: care of a friendly woman, at whose' death Mamie rigs up the family flivver-and starts west ‘with “Zande the little: boy of the family, to find the latter’s father, last heard of in Mexico. - Their experiences and trials.and the Tenteat scors: orl o e ory, full of romance, humor and . thrill ‘The latest Walter Hiers comedy, “Tenderfeet,” and the International News reel will be added’ features of the: program. G TIVOLI—"The Rag Man." DoucLas MeeLoay Rialto Mordkin's _School of Dance. IKHAIL MORDKIN, greatest of living Russian dancers and bal- let masters, has decided to cast in his lot with America and to open in New York the International School of the Dance, under the management of Simeon Gest. Classes will begin early in May. Patrons of the International School of the Dance have been announced as follows: Lady Diana Manners, her grace the Duchess of Rutland, Frank Crowninshield, Fannie Hurst, David Belasco, Julia Lydig Hoyt, Constantin Stanislavsky and Morris Gest. This new phase of Mordkin's activ- ity promises to develop into a fulfill- ment of the dream which his admirers had for him when he first came to this country, for it was he, in assoclation with Pavlowa 15 years ago, who gave to America its first glimpse of the art o‘( mft dance ‘as modern Russia prac- tices it. the Night,” supported by Malcelm Mac- Gregor and Dale Fuller; also Al St. John, in “Red Pepper”; a Grantland ice Sportlight and Bruce scenic: ‘Thursday and Friday, Lon Chaney, in “The Monster,” and Mack Sennett's “Giddap”; Saturday, Viola Dana, in “The Beauty Prize,” Metro-Goldwyn's adaptation of Nina Wilcox Putnam's story, with Pat O'Malley, Eddie Phil- lips, Edward Connelly and Edith Yorke, also Will Rogers in “Gee Whiz, Genevieve,” and at the matinee the eighth instaliment of “Idaho.” AMBASSADOR—"“One Year to Live.” Alleen Pringle, Dorothy Mackalll, Rosemary Theby, Antonio Moreno, Sam De Grasse, Leo White and Jo- seph Kilgour head the cast of First National’s production of “One Year to Live,” scheduled for the first three days of this week at Crandall's Am- bassador Theater; also Lloyd Hamil- ton’s comedy, “King Cotton,” news reels and pipe organ music will be added. Wedneaday and Thursday, David ‘Wark Grifith's “Isn’t Life Wonder- with Carol Dempster, and CIiff Bowes, in “Merrymakers’: Friday, “The Clean Heart,” featuring Percy Marmont, Otis Harlan-and Marguerite De.La Motte, and an Aesop Fable, “Permanent Waves"; Saturday,- Vir- ginia Valll and Norman Kerry, co- cett and T. Gang,” in “High Society,” and aj n}n.unu"onb' the tenth installment of ~CENTRAL—"Seft Shoes.” Harry Carey in a story suggested by himself, “Soft Shoes,” Will.be seen at Crandall’s Central Theater the first two days of this week. - Lillian Rich plays opposite the star. “Hello, Hollywood,” with Lige Conley, and a acenic, “Rome.” will be added. Tues- day and Wednesday, Mrs. Wallace Reid, in “Broken Laws,” and Harry Langdon, in “The Sea Squawk.” Thuré- day and Friday, “The Kid,” “with Charlie Chaplin and Jackie Coogan, also Jimmy Adams, in “Love Goofy.” Saturday, M Livingston, in “The Chorus Lady,” g film version of the play by James Forbes, in which Rose Stahl scored, also Mack Sen- nett’s “Honeymoon Hardships.” LINCOLN—“Isn’t Life Wonderfal!” “Isn't Life Wonderful!” David Wark Griffith's latest production, will be the feature at- the Lincoln Theater the first three days of this week, begin- ning this afternoon at 3, with Carpl Dempster. heading the cast. - The com- edy will be Earl Hurd’s cartoon, ‘Broadcasting,” and ‘a new issue Kinograms, and- & musical program by Louis N. Brown compietes (:’nfilbl‘l: Friday and Saturday Viofa Dana, in “The Beauty Prize’” a Métro release; Saturday’ clude the ninth: Today and {omorrow, May. in “The Mad . 2. McAvoy, 1% a Hamm: Liloyd Re “Jackie Coogan will ‘be the star the Bel first ) dalPs Tivoll Man,” a clally fo) Pinch”; Pathe 'Rev] two days of*this-week at Cras- AMUSEMENTS. Guessers and Facts. SEVERAL months ago Alice Terry appeared ‘with Conway Tearle in a production of “The Great Divide” for Metro-Goldwyn and the screen world began a rather elaborate guessing’ contest concerning _the future of the fair star of “The Four Horsemen,” “The Prisoner of Zenda.” “Scaramouche" and other Rex Ingram pictures. Miss Terry's appearance with Con- way Tearle in the Metro-Goldwyn pro- duction was almost immediately fol- lowed by the anpouncement of the Famous Players-Lasky Co. that she and Mr. Tearle would be featured in a Paramount production of “Sack- cloth and Scarlet.” The guessers then began to predict that Miss Terry and Mr. Tearle would join forces as leading man and woman in a number of forthcoming pictures, but when “Sackcloth and Scarlet” reached the screens Mr. Tearle was missing from the cast and, before that cir-| cumstance could be explained, Metro- Goldwyn came along with a new pro- duction of Alphonse Daudet’s “Kings in Exile,” called “Confessions of a Queen,” in which Miss Terry is featured with Lewis Stone, the actor who was her associate in a number of her biggest triumphs under Rex Ingram. This picture opens a Wash- ington engagement this afternoon. Paramount already has announced another Alice Terry picture on its “Second Famous Forty” list, entitled 1 Any Woman,” from an original story” by Arthur Somers Roche. Conway Tearle is supposed to be Miss Terr: leading man and co-featured associate in this production, though it is prob able that Tearle will be supplanted by some other male actor by the time the picture reaches the screen Incidentally, the revival of the as sociation of Miss Terry and Lewis Stone in “Confessions of a Queen recalls the fact that Rex Ingran Miss Terry's husband, did not make good his threat to quit screen work v and take up a residence in Algeria, which he loves. TInstead Ingram is now putting thie finishing touches to a magnificent screen production of “Mare Nostrum the famous story by V. author of “The Four Hor “Blood and Sand.” It seems of interest at this point also to mention that Ingram's famous young male star Ramon Novarro, Who has been missing from the screen ever since he and Mis Terry ap- peared in Ingram's “The Arab,” will shortly reappear in a new production called “The Virgin Flame,” which Monta Bell, the former Washington newspaper man, directed. Both this picture_and Ingram’s production of “Mare Nostrum" are scheduled on the forthcoming *“Perfect eries of Metro-Goldwyn pictures, which have been prepared for release during the first half of the 192 theatrical season. **Street of Forgotten Men." INE industry of New York City which you won't find listed in the census reports of 20 years ago was the making of “cripples.” In the early years of this century there were sev- eral so-called “cripple factories, known to the police, where day and night shifts of professional beggars were fitted with fake bandages, arti- ficial arms and legs, false high-heeled shoes and other trick paraphernalia for the luring of sympathetic coins into battered tin cups. Herbert Brenon will show onc of these “cripple factorles” in operation in “The Street of Forgotten Men,” which he is now filming. Every detail will be authentic. jt is said, for the set was built and furnished under thelb supervision of John D. Godfrey, who for over 20 years has been mendicant officer of the Brooklyn Bureau of Char- ity, and who is assisting Mr. Brénon in the technical and research work on the story. Here will be shown beggars being made up under the expert hand of Adolphe, a lttle Frenchman, who was famous in . his day for his artistic transformations. Piles of artificial limbs, canes and crutches give at- mosphere to the place, as do the “mugs,” or pictures, of famous bes- gars which adorn the dingy walls. ““Me kers; Thursday, Percy Marmont, in “The Clean Heart,” and Aesop Fable; Friday, Margaret. Liy-|ed. ingston, in “The Chorus Lady. Neal Burns, in “Why Hesitate”; Sat- urday, Hoot Gibson, in “Let ‘er Jimmie Adams, in “Love and “Idaho,” No. 9. and CHEVY CHASE. There are signs reading “I Am Blind"* and “Please Help a Cripple,” which agd a note of sardonic humor, esp cially when these “blind” and “eri ple” men are seen stowing away their street clothes in lockers while they their begging costumes. The nonakers” which are scrawled on these locker doors are intere themselves—RBridgeport White . Easy Money Charlie. London Tip, I the Flop, Chicago Stick and other even including Handsome Harry and Diamond Dic There is just as there ever was, Godfrey, who recently took Herbert, Brenon on a tour. of investigation through the haunts of the professional, ggars in Greater New York, but it i3 crude tc res, compared with the “artistry” of 20 years a There are no known cripple facto now in operation, the beggars wi ing nowadays on the “lone wolf” p ciple instead of in organized gangs they used to. However, thousands of dol much faking today :cording_to Mr. ars a day people by easier to reap rich pickings in this way than to earn an honest lving. It is nothing uncommon, says Mr. Godfrey, for a beggar to collect $500 or more in a single day. “Tourists De Luxe"; Thursday, Thomas Meighan in “Coming Through™; com “Prehistoric Man,” and Fox Ni Friday, Betty “Locked Doors,” and Eggs'; S HIPPODROME. of | “Sackeloth and Scarlet’ Today and tomorrow, Alice Terry and Conway Tearle, in “The Great Divide,” Aesop ~Fable and News Events; Tuesday, Lois Wilson, Ray- fond McKee and Noah Beery, in “Contraband”; Imperlal comedy, “Upon the Farm”; Wednesday and Thursday, Pola Negri, in “East of Suez,” Newspaper Fun and News Events; Friday, Charles (Buck) Jones, in “Arizona Romeo,” Charles Chaplin, in “The. Adventurer,” fifth chapter, “Idgho”; Saturday, Norma Shearer and Conrad Nagel, in “Excuse M Hysterical comedy, “Olympic. Games. ninth. chapter, “Galloping Hoofs.” Today and tomorrow, Pauline Starke and Wallace Beery, in “The Devil's Cargo,” comed:; : Ve day, Pola Negr! comedy; Thursd: Sennett's “Down on the Farm"; Friday, Ma Philbin, in “The Rose of Par comedy aturd: ichard Dix, “A Man Must Li in HOME. Today, Lewis Stone, Florenca Vidor and Lew Cody in “Husbands and Lovers” and Aesop Fable: tomor-* row, Constance Talmadge in *Her Night of Romance” and cartoon; Tues- day, Florence Vidor in ‘Welecome Stranger,” and Hal Ros “*Are Hus- bands Human?”; Wednesday, Patsy Ruth Miller, in’ “The Girl on the Stairs,” and Lige Conley in “Poor But- terfly”; Thursday, Corinne Grifith in “Flirting With *and Buddy Mes- senger in “Clear the Way"; Friday," Eva Novak and William Fairbanks “Racing for Life,” Sennett's “Galloj ing Bungalows” and “Hodge Podge Saturday, Tom Mix in “The Last of the Duanes” and Clff Bowes in “High Hopes.” CIRCLE. Today and tomorrow, Corinne Grif- fith, in “Love's Wilderriess”; Tuesday John Gilbert and Norma Shearer, “The Snob”; Wednesday, Richard Barthelmess, fn _“Classmates,” also “Brains and _Brawn'; Thursday, showings 7 and 9 p.m.. Alice Terry, Dorothy Sebastin, Orville Caldwell, in Friday, Con- stance Bennett, Myrile Stedman, George Irving, “The Goose Hangs High*; Saturday, Warner Baxter and Billie Dove, in *The Air Mail.” DUMBARTON. Today, Marguerite Dé La Mott, Con- rad Nagel and Lewis Stone, in “Cheaper to Marry"; tomorrow, Claire Bow, Lilian Rich and John Bowers, in “Empty Hearts”; Tuesday, Leatrice Joy, in ““The Dressmaker From Paris’; Wednesday, Lols Wilson, Jack Holt OLYMPIC. Today and tomorrow, Paramount’s “The Goose Hangs High”; Tuesday and Wednesday, Sydney Chaplin in “Charley’s _Aunt”; Thursday, Mary Astor in “Enticement”; Friday, Pri: cilla Dean in “The Siren of Seville"; Saturday, “It Is the Law." PARK. A Today and tomorrow, Leatrice Joy “Too Many Kisses' in “The Dres Nilsson, James Kirkwood and Ray-|maker From Paris,” Neal Burns, in mond Hatton, in “Top of the World”;| “Sea Legs,” and Pathe News Event Saturday, Rin-Tin-Tin, in “Lighthouse|{Tuesday, Conrad Nagle and Margue- - by. the Sea.” o Tt La Motte, in “Cheaper to : Lige Conley, ‘What i A hirlisies : Woanosday and T orrow, . | “Whirligigs"; Wednesday and Thu oo e o | aay, Rod La Rocque and Vera Rey rhy | nolds, in “The Golden Bed,” and CIift Bowes, in “Watch Your Pep”; Frida: the Freiburg Passion Play, Jimm Adams, in “Why Hurry,” and Graphic ws: Saturday, Mary Plckford, in Little Lord Fauntleroy,” Larry Semon comedy, chapter 9, “The Riddle Rider.” (Saturday, coutinuous from {2 p.m. and Sunday from 3 p.m.} PRINCESS. in “The|_ Today and tomorrow, Harold Lioyd, -comedy, |~ (Continued on Fourth Page) Today and-