Evening Star Newspaper, March 5, 1922, Page 51

«A@} PHOTOPLAY T is truly an ill wind that blows nobody good, and it is also almost be- lievable that every dog has his day. There are many good things in the world, right under our very noses, but-we never seem to see them. The world and the people, for the people are the world, seem to have but little time except for big things. It is a mistake,‘btcause often we come by chance upon a little thing that i3 a gem of pure delight buried in the bosom of mediocrity, and at other times, if we but carefully look about us, we will find real blessings clamoring for notice, but ignored day after day. Now, all this does not mean that the fellow who runs a little motion ¢ picture theater is overlooked by the onrushing throng, or that his theater es unnoticed, for it doesn’t. This big, broad land is covered with little neighborhood houses, as the trade calls them, which contribute more to the enlightenment, the entertainment and the happiness of the world at large than the big theaters and grand opera houses ever did. They are - the homes of peace, often of joy, for those who watch the change from a . dollar bill with as much solicitude as the millionaire watches his millions. * k ok % 'HE recent closing of the theaters and the general dearth of entertain- ment has directed attention more closely to the smaller moving pic- ture theaters. Has it ever occurred to you that in them you will find, a little belated, perhaps, but in all their glory, nevertheless, nearly, if not all, the big, handsome picture productions that are blazed forth in electric lights at the big theaters and eat up columns of space in the newspapers when they are shown at those theaters. Not only do you find them there, but you will also find that the cost of seeing them is very appreciably lower than when they first burst upon the attention of the.entertainment world. The manager of the little theater, also. has learned the value of slipping into his program a good comedy. sometimes a beautiful scenic picture, and often other features, though of less pretension, that make the big theater attractive. Some give time to “amateurs,” and nearly all of them pro'vldv: musical programs which, if not rendered by “symphony or- chestra: nevertheless help to soothe the ear and help along the psycho- logical effects of the story. Drop into one of these theaters once in a while and be convinced that they furnish entertainment of a higher class than some of the vaudeville shows, the cheaper “speaking stages” and the miserable musical shows that come far too irequently to the big theaters. You will find not only pleasure for yourself, but you will also be encouraging the effort of the man2gement to provide those who can- not afford higher-priced entertainment the best that can possibly be ‘drawn from the world of mimicry and the land of shadow: Entertain- ment worth while means much to everybody that has to bear his shar oi the cares and worries of life. W. H. L. 3 Photoplays This Weelk ' AT PHOTOPLAY HOUSES THIS WEEK. = RIAL.;l;g:cl'.nglel Barrymore, in “Boomerang Bill.” Shown this $ COL};?:P“I&:F:CC“ B. De Mille's "Fo‘Dl's Paradise.” Shown this PAL;\(&Em—‘;ol;l‘le Four Horsemen of th Shown this CKA;\;R?;I;’E—“C;meron of the Royal Mounted.” Shown this RIALTO—Lionel Barrymore, ini")"{hey're Off*; Saturday, “Cameron o1 | the Roy: o o “Bomerang Bill.” | ona' o oval Mounted™ and” “Down Lionel Barrymore will be the picture | star at Moore's Rialto Theater today | and throughout the week, in “Boom- | erang _Bill,’ production. A member of one of America’s fore- | most theatrical families, Mr. Barry more has won for himself a place high in the history of the drama. Boomerang _ Bill,” adapted from Jack Boyle's story, is a tale of a man Whom circumstances made a “crook,” but whose fine instincts, intelli ) and_sympathy keep him a | There is nothing of the craven about Bill. He has a spark of the old gal lantry that makes him defend a wo- man in danger, and the effect this has Avenue ;Grand. his latest Paramount | (“l'gr'i?:%(le.s?)"dflufl’t)?nl‘:rro“. Tuesday and Wi Ayres, 1 Turnin Wesley “School Days a Wednesday, ~Agn “The Lane That Had No 4nd Buster Keaton, in “The 7 ursday, “Fine Feather, and “Torchy Takes a Chance"; Fri- 85, “Cameron of the Royal Mount- &3 2nd “Down and Qut”: Saturday, Alice Brady, in “Hush Money,” and mmy Aubrey, in “The Applicant. Carolina. Toda)’.tfilnck Holt, in “The Call of upon his life of many ups and downs | 1he North"; tomorrow, Charles Ray, makes a story beautiful, at times| i, R, S, V. Tesday, Anita thrilling, and always interesting. |ww;:,a_"‘ “The Invisible Fear”; | Bert Lytell, in yfingers,” Pathe News and rary Digest Topics; Thurs, liam S. Hart, in “The Prim. and Fox Sunshine Comedy: Tom Moore, in “Beating the Game! aturday, William 8. Hart, in “Three Word Brand,” Aesop's Fables, [ >the¢ News and “The Rain-maker,” featuring Lloyd (Ham) Hamillton; a beautiful scenic, - “Unknown Switzerland.” and the Fox News will also be shown. The orchestral music will include exerpts from “Robin Hood.” COLUMBIA—Cecil B. DeMille’s ‘Fool’s Paradise.” Cecil B. De Mille’s screen version of #Fool's_Paradise.” a story by Beulah Marie Dix and Sada Cowan, suggested by Leonard Merrick's noted tale, “The Laurels and the Lady.” will be shown at Loew’s Columbia Theater until fur- baginning this afternoon. ! includes Dorothy " Dalton. | the N ed Harris, C Nagel. Theodore > off. John Davidson and Julia Faye. Cecil De Mille's distinguished produc- ! tion characteristic, a tendency to_opu- Jence of setting and beauty of back- ground, is said to be in evidence in ‘Fool's Paradise,” which is described &3 a conception of the universal mascu- “Alias Lity il Circle. Today and tom in “A’ Sallor Made M Harold Loy Made Man"; ' David Powell. in “Dangerous 5y Wednesday, “Tewel Carmen, In “The Silver Lining”; Thursday, “Godiess Men! ‘Fine Feathers,” and Holt, in “The Call of Dumbarton. Today, “The Lure of Y morrew, “The lMan of Lost F ay. Barbara Be ning With Wite'; Weanasdn iver” Win Wednesday, Wil- 1 Sy iR ik SUNDAY BT ROSEMARY THEBY and MAURICE FLYNN Rialto | in *“Jackie,” also amateur night:| Thursday, Pola Negri, in “Passion”; Friday, surprise night; Saturday, all- comedy night. ! Olympic. Today and tomorrow, Gloria Swan- son and Mahlon Hamilton, in “Under the Las! and “Saving Sister Susie” ‘Tuesday, David Powell, in “Danger ous Lies" Thomas Meighan and Mildred Harris, in “A Prince There Was”; Thursday, Jewel Carmen, in “The Silver Lining"; Fri- Constance Binney, in ‘First Lo : Tom Mix, in “The Rough Diamond.” Princess. Today and tomorrow, Jackie Coo. gan, in “My Roy"; Tuesday, Earle Wil liams, in cky Carson”; Wednes- day, Antonio Moreno, in “A Guilty Conscience”; Thursday, Jane Novak, in “The Barbarian”:' Friday, Jack Holt, in “The Call of the North,” and Saturday, Lila Lee and Jack Holt,"in “After the Show.” Regent. Today, Sir James M. Barrie's Minister”; tomorrow, Alice Joyce, in “Dollars and the Woman™ Earle Williams, in Wednesday, Ethel Clayton, in * of Society”; Thursday, Alice Brady 'he Divorce <Game” Dorothy Gish, in * Garret’ Snub Pollard comedy “Hurricane Hutch,” No. 12; Saturday. Harry Morey, in “The Gauntlet,” and ‘Stanley in Africa,” No. 2. Savoy. ‘Today and tomorrow, Wesley (“Freckles”) Barry, in “School Days”; Tuesday and Wednesday, Agnes Ayres, in “The Lane That Had No: DOROTHY ‘Turning, nd Buster Keaton, in “The DALTON Paleface”; Thursday, “Fine Feathers." and Lloyd Hamilton. in_ “Roliing | Stones”; ~ Friday, Alice 7 “Hush ‘Money,” 'and “Saving Slslgrl Columbia Saturday, Wili Rogers, in and Jimmy Au- brey, in “The Applicant.” Truxton. Today and tomorrow, Lois Weber's “What Do Men Want" ‘Tuesday, “Spinner O’ Dreams”; Wednesday, Miss DuPont, in “Shattered Dreams, Reld, noted- writer of melo- drama, and was born in St. Louis, “ §92. His first appearance on and Harold Lloyd, in “Over the|Mo., in 1 Fence": Thursday, Willlam Desmond, | the stage was at an early age, when in ‘“Dangerous Toys,” News, comedy |pe played the role of a little girl in and amateurs; Friday, Mr.and Mrs.|.qococoe Golg.” rter DeHaven, in “Marry the Poor = = | (G:Trl." and amateurs, flndy Saturday,| The Reid family moved to New York | { when Wallace was ten years old, and comedy bill and “Adventures of EAERED N0, there he attended _public schools, | § llater going to the New Jersey Mili- tary Academy, at Freehold, N. J. In 1909 his_famil moved again, this time to Wyoming, in the Big Basin district. There young Reid gained a broad experience, working on a ranch, running & hetel and later working 5. York. Alice Brady. in “Hush Money.” and Louise Fazenda, in “The Love Egg”; tomorrow, Clara Kimball Young, in “What No Man Knows,” and Harry Pollard, in “Down and Ou R T o R, - WASHINGTON, "D.” C;,'°‘MARCH "5, '1922—PART Wallace Reid—His Story. WALLACE REID is the son of Hal acter leads in anything that came his way. | Ve, tiring_of this, he accepted a | position on the editorial staff of the | Motor Life, and it was while acting in this capacity that he secured the | motion picture rights to “The Confes- a com both he ! and his father appear in the picture sion” and sold it outright to pany with the provision that production. For writing_the script, required. - leven months he continued with this company, playing leads op- | posite Florence Turner and others. Later he went west, where again he | Norv 1 acted as general all-round man with | Selznick _production, one of the smaller companies, direct- | ing, acting. setting up cameras or as the occasion 1l . “AMUSE ALLACE - REID'S -new ploture, “The Dictator,” founded on the ‘ play by Richard Harding Davis, has taken the star to the south to make the South American scenes. With him went two “armies” of more than 100 men to represent the rebel and gov- ornment forces. Theodore Kosloff, head of the imperial Russian ballet in Los Angeles, will take the part of Dr. Rivas, the notorious liberalist— what he belleves will be one of his best chances in pictures. ‘When M: Pickford films “Tess of the Storm gnyllnlry' she will play the most grown-up heroine of her career —not_counting “Dearest” in “Little Lord Fountleroy.” Douglas Fairbanks working on a play that harks back to “The Spirit of Chivalry,” the tem- porary title of the film. His role wi be that of a legendary hero of an cient England—which proves that it is not to be Don Quixote, a character he is reported to have considered. Perhaps it is that St. George who did things to the dragon? Dorothy Dalton has settled a per- plexing problem. Her hair is really bobbed. $Charlie Chaplin has named his new pleture “Pay Day." The title and its implied purse troubles seem to war- nr):z the suggestion that the star's re- cently acquired reputation for dignity MENTS.? FILMOGRAMS l GAsTON GLASS Crandails his newly invested *Charles,” have been retired to that world storage known as “the shelf.” llnd scholarly attainments, along with Jack Mulhall has valiantly outlived his fame as “the Gibson man,” thoug! handsome enough to gain increased honors as a model of manly charms. As a widower with a small son he Wwas 8o romantically picturesque that it must have been a relief to his le- gion of admirers when he married a short time ago. He is Irish and proud of it. « It seems that Paris resented Stacia Napierkowska's wearing =0 many millions of francs in jewels in “Miss- ing Husbands,” when the sale of them ‘would feed starving women and chil- dren. She explained that the jewels belonged to the merchants of Paris, who had loaned them for the picture, own million’s worth of jewels to re- lieve war sufferers. What Paris then said is not recorded. “The Prisoner of Zenda" is expect- ed it on to fame, via Broadwa Lewis producer, Rex Ingram, who has pass- ed on to fame, via Broadwa: Lewis Stone, a photoplay master imper- sonator of the “Mounted Northwest,” and Alice Terry will be supplement- ed by a large cast of character actors, it is claimed, who have reached dis- tinction both on stage and screen. IRENE CASTLE Strand | NEXT WEEK'S PHOTOPLAYS. Crandall’s. ! Norma Talmadge. in Mae Murray's new play, “Fascina- tion,” will be environed in an atmos. phere so Spanish that a leading Span- ish artist has constructed interiors! which are described as dyplicates of Poesy's castles in Spain. All the| a . gene O'Brien; Poli_Negri, in “Vendetta,” a | romance of Corsica and the Riviera, |and Sessue Hayakawa, in a Robert- son-Cole release, “Five Days to Live.” and that she had long ago donated her |’ scenes are lald in the land of the don. The star saw a buill fight when in Se- bastian and will record her emotions in a dance. Elinor Glyn, the British novelist, has just had her shoes polished at a bootblaék stand, and calls the experi- ence a thrill. It isn't done in Eng- land, where rich folik have servants to polish boots, and the poor do it themselves. In Hollywood, where she is helping_out with her story, “Be- yond the Rocks,” with Gloria Swan- son as the star, boot polishing at a stand is a daily delight. A visitor to Hollywood 1s sald to have been so struck with its quiet as to like it to Flatbush, N. Y. Alice Lake, who used to go to school in the Brooklyn suburb, objected to the comi- parison, declaring, “It is ten times quieter than Flatbush—without a dance hall or a cabaret, and with jusi one pociroom and bowiing alley, ‘anc the streets deserted by 11 o'clock at night. It is more like the deep coun- try than a festive metropolis like Fiatbush.” The fascination of the sea is so gen- erally recognized that a dozen new pictures are foaming over with breakers and bounding billows. “The Seventh Day,” recently completed by Richard Barthelmess, was filmed ou and off the coast of Maine, and it Katherine MacDonald’s “The Infide!” there is a terrifying storm at sea and a ship that plunges to destruction on a coral reef. Landlubbers are train- ing their sea legs at Hollywood these ! days. i A motion picture of the “History of Footwear” is showing a slipper be- lieved to have been worn by Queen Marie Antoinette to the guillotine This and other priceless shoes were borrowed from a famous Boston o lection. Helene Chadwick’s recipe for love and marriage. “Don’t wear blue serge. A lightsome gingham imparts fresh ness, and ethereal chiffons create a helpless daintiness that calls forth the masculine desire to love and pro- tect, but—who cares what happens to a girl in a plain blue serge? her take care of her own self! looks business enough to do it. “Admiral.” the prize-winning Ken- tucky thoroughbred. who is enacting the role of the famoas horse in “When Romance Rides,” has been off¢ $5.000 contract to go into vaudevil He refused—through Cullen Landis is ambitious for the day to come wherh he will look old enough to be the father of his child At present people mistake him for its big brother. Betty Compson. BETTY com: ON was born in Bea- ver City, Utah, and was educated in Salt’ Lake City public schools. Her professional stage career started in vaudeville, after which she shifted to the movies, playing first in Christie Comedies as a bathing girl and fea- tured comedienne. While in tomedies George Loane Tucker secured her as leading woman in “The Miracle Man,” in which she was featured with Thomas Meighan After this she made two pictures under her own company. She recently signed a five-year con- tract to star in Paramount pictures, her first picture being “At the End of the World,” directed by Penrhyn Stan- laws, the noted artist, who gave up painting to direct pictures. Her other Paramount pictures. made recently, are “The Law and the Woman,” “The Little h | Minister” and “The Green Temptation.” Miss Compson is five feet three inches tall, has light brown hair and blue eves. She plays the violin and rides, swims and motors for recreation. Her hobby is aviation. What Do Women Like to Read? \ HAT part of a newspaper do busy women read first? A Chidago newspaper sent a ques- tionnaire to screen stars. Priscilla Dean reads front pase headlines. continuing any story that interests her. Then she reads the dra- matic page, word for word. Miss Prevost starts with the ed torial page. She-is most interested i the departments devoted to women. News of national importance engages her and her answer to the question- naire stated her aversion to over-em- phasized crime stories Gladys Waiton. exponent of flapper stories, likes the “funny paper” on | Sundays and the comic strips daily. Five Los Angeles papers. one from New York and one from Chicago come to Miss Dean, while both Miss Pre- vost and Gladys Walton take one afternoon and ‘one_morning paper h and the same New York paper. Jine folly that sees only beauty and vir- 1ue in fine raiment and which frequently spurns horor and glorious femininity ~when those qualities are unbecomingly garbed. The musical embellishment will be unusual. PALACE—“The Four Horsemen of the Apocalypse.” “The Four Horsemen of the Apoca- Iypse,” Rex Ingram’s screen pro- duction for Metro of the novel of Nincente Blasco Ibanez, the cele- brated Spanish novelist, will continue at Loew's Palace Theater at popular photoplay prices four days longer, eginning this afternoon, because of liam S. Hart, in “Three Word Bran. ursday, Gareth Hughes, in "'l?ha Hutch™; Friday, Jewel Carmen, ‘Nobody,” and Saturday, Dustin num, in ‘“The Devil Withi on the government survey of the Shoshone dam. _After this he re- turned to New York and secured a job on the old Newark Star as a cub reporter. Next he appeared in vaudeville in “The Girl and the Ranger,” a sketch by his father. It was at the close of that season that he entered the mo- tion picture industry, in which he re- mained nine months, playing char-i Just before joining the Famo: Players-Lasky Company he was Wsth i D.'W, Griffith in “The Birth of Na- | 4 Cosmopglitan production, “Find Hie greatest hobby is music. There | th¢ Woman. 4 is scarcely a musical instrument he | P cannot play, from a Chinese fadle | alace. to a church ‘pipe organ. Wallace Reid, in P; 's - pic- ‘Wallace is six feet one-half inch | ture, 'he ‘gkl'orldn chmzw’t .bau-l:d tall, has blue eyes and weighs 185 on Glorge M. Cohan's play, “The pounds. Champion, Tuesday, Jewel Carmen, in “The Sil ver Lining,” and Jimmy Aubrey, in “The Appiicant”; Wednesday, ‘Con- - | stance Talmadge, in_“Scandai,” and Lioyd Hamilton, in “Rolling Stones”; | = Gareth, Hushes. in Thé Flite Bune omein “Beating the Camer n eatin, A Senoadi C::r;::‘:::v '5:-11‘1';“3‘3.,,',: o Maok Sennett's "By Heck”; Sai; Gordon. in “Shams of Society”; Tues. | Sra Vprigeg Atver niBtar Dust, ’ Wives—As One Man Sees Them S. Wednesday, Jack Holt, in *The Gai her willy-nilly to any fate. of the North”; Thursday, Corinne Let's hope, however, that she didn't Rialto. LOEW'S PALACE HELD OVER! -TODAY—TOMORROW—TUES.—WED- CoA | But atter tn | e scene was over Mrs. Too Realistic. | Ayres just woulin't have a thing to G 5 o with Burton. She left him flat— GNES AYRES' mother came on the| ;jiiough ordinarily she is a sweet | set of “The Ordeal” recently. just| elderly person who is kind and nice to as the star and Clarence Burton, as|every one. her- worthless husband, were going| That night she took Agnes one side. Griffith, 4n “Received Pa. ; Fri- day, Ered Stone, in “The Duike o te,” and Satur Williams, in “Lucky Carson”’ =2¢ Empire, BY DONALD H. CLARKE. g Some specialize as the unusual attendance that has IVES differ. go into the bootlegging business. e = %o ~ & ] >, Today and tomor: fes- | through a very, very rough’ scene. T .don’t think you ought to see packed the Palace to capacity at al- Tow, Louise Glaum the pianola at-|Like law and medicine, that profes. L=ver 5 e 2 most every performance the past|3d Mahlon Hamilton, in “Greater substitutea 52 % sion appears to-be overcrowded these |Burton wasni' treating the poor much of thal My Burion.’ she soll Although this remarkable production was origi- girl right at all. But, of course, that's his business. In real life he's happily married, ,raises ducks, has a dog who loves him 'n everything. ¢ Than_Love,” nally offered for one week only, an overwhelming public demand makes necessary its continuation for four days longer, beginning today! P week. It will be remembered that “The Four Horsemen” was first shown 4n Washington as a $2 attraction dur- ing a sensational run of three weeks and was discontinued only after prior bookings made such action im- Peritive. This picture was the first great dramatic achievement of Rudolph ‘Valentino, now a star, and it raised Rex Ingram, its producer, to the ranks of the screen immortals. Owing to the unusual length of the production, the usual program fea- tures will be eliminated, but there will be orchestral accompaniment. Thursday morning at 10:30 o’clock the Palace will present, for three days only, “Love’s Boomerang,” John 5. Robertson's Paramount screen con- ception of circus life, based on the novel, “Perpetua,” by Dion Clayton Calthrop, in which Ann Forrest and David Powell have the featured roles. The story deals with a young artist ‘who adopts a motherless girl and Jearns to love her. Short-length films and a musical score and over- yaze will be other attractions. CRARDALL'S—“Cameron of the Royal Mounted.” “Cameron of the Royal Mounted, lodkinson’s screen version of the story y Ralpa Connor, author of “The Sky Pilot,” will be shown the first three days of this week, beginning this after- noon, at Crandall's Theater. The story concerns a young Englishman who mi- grates to Canada to avoid imaginary disgrace threatened as a result of a night at the gaming table. His adven- tures in the new country are genuinely stirring and finally lead, under thrilling circumsgances, to romance. Gaston Glass, days. But whatever you-do, give the poor girl a chance. tachment. When the self-player gets T“”“-l.lz out of whack they can pinch hit for 2 In |44 until the repair man from the mu- ono: | slc store restores things to normaley. Fri- Somie are good clothes .hangers day. Miss D2 Font in “Shaitered|rixe Kathleen- Vaughn in “Grand t- Dreams,” also two-reel tored urday, Shirley Mason, in “Litiy ais |Larceny,” they can wear adifferent 'y, gown with each course of a dinner Smiles,” also “The Singer Midgets SioesboN-2 y & | S ithout ruining a suimpe With the 5 up or marring 2 fichu With the Hippodrome. gty French dressing. b Prigias, Allan Holubar and Dorothy | Others are rattling fine decorations g yan and Map- awing room. They Ty O e Wer, Within o manie A the floor lamps gersn; Wednesday" e o2 "the fifteenth century cabinet with and Lon Chaney, in * eclat, and so forth. Law”: Th Y M ahogutslde the | ““yiihleen Vaughn might impress Dont Ever Biyrry-rehal Neilan, In | e ‘spectator as he sees her weave i - hestully throug! erine McDonald, 1n “Passios’s Sion- |charmingly and clothestully through ground”; Saturday, Conway Tearle, |LhS StronEly dramatle be e ! - hotoplay as being a sym “isManioCitons 33:{":3"0? mount 3: the impractical Dod all the artistic attributes of, wife- Home. . Today and tomorrow, Anna TWhy hood. It is difficult to imagine her Nillson, in * G N, irls Leave Home terrible, brutal man I've ever seen.” And no amount of arguing hat comedy; v y Doris May, ! served to change her opinion. “Eden and Return”; als hawk Quartet,’ W-luhln:ton’r:“ lar harmony four, in song hit: WE PLAY LOEW'SVAUDEVILLE NINTH-AT -D D “ORIGINAL™ AND “DELIGHTFUL” Are the words which propefly deicribe the program of VAUDE- VILLE and PICTURE attractions presented at the STRAND THEA- + TER beginning today and continuing the week. The VAUDEVILLE portion of the DOUBLE BILL being featured by the presentation of Victer Hyde's elaborately staged and extrave- gently costumed “DANCE FOLLIES,” bringing to Washington a sex- tette of the most charming exponents of Grace and Agility seen here in weeks, and offering @ sevies of mew. and tevpsicherean ideas that CANNOT FAIL TO PLEASE. COWBOY WILLIAMS AND DAISY will open the festivities with their “SPECTACULAR WEST- ERN FROLICS,” te be followed in the order mamed by DOROTHY WAHL end ALAN FRANCIS, in “A DELIGHTFUL BREEZE FROM MUSICAL COMEDY ;" RENEE NOEL AND COMPANY, giving a splendid ome act comedy written by Cardell Hele entitled “A FRIEND IN NEED:” and, a3 an added steller attraction, JOE WESTON AND GRACE ELINE otherwise known:-as “THE UPPER Reminiscences. N years ago,” remarked -Theo- dore Roberts, veteran character actor, “I was stage director at the Davidson Theater, in Milwaukee. “I worked very hard, and every once in a while, needing relaxation and rest, I would go out for an hour or two and see a movie. Those were the days of the one, two and some- times three reelers. . 5 “Principally they consisted of wild chases, of leaps over cliffs and such thrilling scenes. The humorous re- mark, ‘That's the best picture I ever slept through,’ had a practical appli- in my. case. would® sleep peacefully while screen shadows— which were really flickering shad- ows, then—achieved wild deeds and followed harassed criminals or lov: ly heroines over mountains, down deep gorges and across endless plains. “But the crowning tragedy of all was when they put on Shakespearean drama, condensed, with a boy, who was intensely ignorant, actually en- ged to explain the scenes as they Were flashed on the screen! Imagine! They played ‘Othello,’ and the boy couldn’t even pronounce the names, such as Desdemona and lago. He would attempt to acquaint the audiences with what the actors were supposed to be saying—as, fer e ample: ‘Igo is sayin' to Desdemon:; Dean cosiding proudly over & nursery, Dleking dut the corned beef and cab- bage for dinner, or sewing a button > Montague Love and Bar-|on her husband’s smoking jacket.. Not bara , Castleton, in “Shams of So- | Kathleen as you see her. clety’: Wednesday, Herbert Rawlin-| But does the $20,000 (or is it $50.- 29n,In Cheated Hearts”; Thursday, |000) worth of moleskins and monkey Tols Watesotatoe Wotld: furs and duvetyns and silks and sat- Lol Weber's “The Blot”; Saturday,!ins and furbelows that Kathleen totes on Lackaye, in “God's Crucible. around with her from flowery boudoir g to ing country club conceal a Leader. fundamental and true womanliness? The mu ‘When she tosses a powder puff, a ench chiaEement today will give hipstick and maybe a georgette nightie Pier c'r free a fujl-sized “Eskimo [into her week end bag and walks out There W Meighan, in “A Prince | on her second husband at the end of ane Havis' l» the picture feature,|the picture without even giving him Wenternors aa9vd. in “An tern|a week's notice, what happens? sterner.” will also be shown; with | Maybe it was the germ of a dawn- OF THE APOCALYPSE s No. 4 of “The Adv " u! or, ‘Now Otelo i AND UNDERWORLD PAIR.” ; . a protege of Berniardt, has the title entures of Tarzan. 1f- t that caused her to}'l love yo! hd elo is askin’ REX INGMAN'S BASED ON THE ROVEL Tole. _ Trving Cummings, Vivienne Os- I e eercighteous first husband,|igo to leave him alone.” etc—yes, The PHOTODRAMATIC OFFERING will alse undoubtedly cemse oz By V. BLASSO IANEZ borne and Frank Lanning are in the whose misjudgment of her resulted|there were subtitles, but, you see, i P in as much as it marks the retara to the screen Lyrie. Today and tomorrow, Hobart Bos- worth, in ‘“White Hands”; Tuesday and Wednesday, Charles Dickens’ “Our Mutual Friend”; Thllr.flly. Corinne Griffith, in “Single Track”; Friday, Buck Jones, in_“Ridin’ With ,” and Saturday, Douglas Fair- ‘banks, in “Reggie Mixes Ipn.” cast. Mack Senne travesty, “The Duck Hunter,” also will be shown. ‘Wednesday and the remainder of the week the screen verrion of Gus Ed- wards' stage success, ‘“‘School Days,’ featuring Wesley “Freciles” Barry, will be shown. in & divorce fons and ‘mugging,’ the; second husband, whose misjudgment tnlllc‘nlltd - prossing y 2 her resulted in her high dive into | 8till feare e public wouldn't get 2 cold, cold world, that she would not | What was meant. “The pictures were then a novelty— be something to be hartered betweeR it was & case of .seeing something Anyhow, Albert Payson Terhune, |move—whether a kangaroo or a man. That was the thing—pictures that m:a ”t‘lfi\;;dfiyg w'.'-'fi.mc“::::l J"‘;fl fiz. [moved. The story was almost entirely tion, and Goldwyn e eserved on | lacking. New. the celluloid strip,a fascinating prob- lem. Tdday and tomorrow, Harry Clrey,l S WITH RUDOLPH VALENTINO AND ALICE TERRY THURSDAY—FRIDAY—SATURDAY, “LOVE'S BOOMERANG" wit] ANN FORREST AND DAVID POWELL of the and mest appropriate productions RENcH HEsis” - % hfla’vhfl%”}'lfl!d-n&cflflfi- are given matinee showings. L COME EXPECTING A GOOD SHOW! YOU WILL SEE ONE! A. T. SPARROW,,General Mansger. P. S—AND DON'T FORGET STRAND PRICES! THEY ARE TRIMMED TO FIT YOUR POCKET! Matinces, 10c to 3ic. Ese- aings 20c to S0c; except Seturdays, Sandays and Helidays. Apollo. 'oday and tomorrow. Agnes AyT 4n “The Lane That Hdd No Turnin and Buster Keaton, in “The Paleface’ T&esday and Wednesday, Wesl Freckles") Barry, in “School Days’ . “Miss Lulu “From_ Kitchen to Hope Hampton, in * —_— Blanche Ring, one of the stars in “The Broadway Whirl,” gave to Will Rogers, the celebrated movie star, his first line to speak on the stage. It was in “The Wall Street Girl.”” Vers non Castle, famed as a dancer and ,aviator, was in Miss far as figuring out the sequel— it's an open season. No other ammu- e nition is required than a look at the Playing With Fire, picture and a modicum of writing No. 4 of “Adventures of |materials. Thus armed, any one can ednesday, Shirley, Mason, take the lMiylike Kathbleen and lead in “The Fox"; Harold Lloyd comedy and vaudeville; Tuesday, Gladys Wal- ton, in episode and her ““‘“““““I"“ with these and the extravagant Tarzan”; 's_chorus, ,