Evening Star Newspaper, January 22, 1922, Page 55

> AMUSEMENTS. qusements PHOTOPLAY The _—— OW when the white dove of peace is trying desperately to hover over all things terrestrial comes a long-range shot from the gun of Arthur S. Kane, who sponsors the Charles Ray photoplay pro. ., ductions, and that shot lands squarely in the center of the uni verse—New York city. Perhaps New York is not the real center of the universe geographically, astronomically or otherwise, save in the con- serkation of a highly cultivated sense of esteem for itself, but, at any rate, Mr. Kane, if he is correctly quoted, intimates as much. Here is a part— onfi. a part—of what he, or some one writing in his name, sent to The Stars - ““Neither New York, nor any other large city is the criterion by which to’ measure the worth of a motion picture. It is advanced by a New Yorker, who has practical knowledge of the films from the angle of Kan- sa$*{where he once resided) and of Manhattan, whence he keeps in close touch on the pulse of the playgoing public. “There have been several notable artistic achievements among spe- cial-productions released during the last two years. On Broadway they wese hailed for the glorious achievements they were, and they made money. for their exhibitors in the metropolis. Outside of New York they failed miserably.” .So far this is only an indictment of a cruel world. But there is more, and it deserves to be segregated in a separate paragraph: * k X SATHIS may seem inexplicable until we realize that the population of g New York city, in a large degree, is the most provincial population in the country. Many of its residents have never been away from the greater city. Thousands more have come.from other lands and have never been west of their landing place. By environment and psychology, New York is apart from the rest of the country. It does not understand the customs, the habits, the temperament of the rest of the states. More- over, the theatergoing population of New York represents a vastly more sophisticated audience than any other section of the country. For these reasons, it is folly to make New York the standard whereby the motion picture program of the entire country is to be regulated.” &* * * X WITHO_LT assuming the slightest responsibility for the allegations attributed to Mr. Kane, it seems proper to say that they sound well and seem logical. Perhaps this is the very trouble with our stage and . screen entertainment of today. New York is all to blame and—New York runs them both. Years ago the great western metropolis of Chicago wrazenly asserted an independence of New York taste and opinion and set up standards of her own. The unpleasantness occasioned thereby has never, never ended. Probably encouraged by the impudence of Chicago, timid writers, even critics, of cities less great began to assert their opin- ions, and they were not all complimentary to New York. Now comes Mr. Kane, or some one for him, or at least in his name, and bawls the trouble out in public. Can it be possible that there is education, knowledge, cul- ture, taste, 1udglpeql worth while outside of the great ctiy long illuminated by the Statue of Liberty? And yet, we confess we find much pleasure in listening to the provincial New Yorker and in reading his daily and Sun- day contributions to the wisdom and the knowledge of the world. Maybe WILSON Rualto NEXT WEEK'S PHOTOPLAYS. } Palace. 7/ FRT LYTELL and VIRGINIA VALLL GASTONGLASS ~ Strand A Novelist-Critic’s Dream. e, HAROLD LLOYD Metropolitar_ Stage Humor. INCE Cecil Lean has entertained theatergoers for so many years, AMUSEMENTS. FILMOGRAMS | ) UDOLPH VALENTINO under his new contract will be the toreador in a screen version of Blasco Ibanez's ] 63th,” and was cited by Gen. Pershing. His ‘ambitlon—you'd never guess it— “to do some good in the world.” Margaret Marn is a delightfully hanest young person. She likes mo- . tion pictures because of the fun of spending the money! Since it is claimed that savages are always truthful until taught otherwise Ly i civilization, Miss Mann may get her virtue from the Kaffirs of sSouth Africa, where her childhood was spent. play, “Blood and Sand.” The screen adaptation of the novel will be made by June Mathis, who adapted “The Four Horsemen of the Apccalypse.” Bebe Danlels will be the Spanish vamp and May McAvoy the wife.” “Peter Man” a new play, was written by a life convict in a western state prision, who is reputed te have made over $50,000 in tae thirteen years he has” served. He devotes much of his earnings to prison welfare work. James Farley, professional bad man of the screen, owns up to 158 fights before the camera in which he was whipped by the hero. He Is nsw s0 used to wickedness that he likes rothing better than to kidnap an innocent girl—as in his preseat play, “Boy Crazy,” starring Doris May. “The Vermillion Pencil,” soon to be seen here, will show what art can do in the matter of earthquakes, tottering bulldings, devouring flames, hundreds rushing, to escape lava and a dramatic- ally “alive” volcano serve to provide a particularly big moment for the star, Sessue Hayakawa. Gertrude Atherton is said to have gone into literary hibernation to transfer a screen story from brains to scenario. She has isolated herself in California and shut off all connec- tion with the outer world until her !\:'ork is gomplete. It is a habit of ers. “The Sin Floo it is announced, will be pictured by one of the largest and most notable -cast of caaracter players now in-the films. The story is from a drama written by the Swedish novelist, Henning Berger. Lon Chaney, having completed his work in “The Octave of Claudius,” is making first acquaintance with New York—though he achieved his first great success in the role of a crook of that city. l Elliott Dexter and Claire Windsor {will share honors in “Grand Lar- ceny,” a drama of modern marriage. Mary Roberts Rinehart has written for the screen “The Glorious Fool.” a comedy with dramatic _situations. { Helene Chadwick and Richard Dix will play the leading roles. Children of the Indianapolis public schools will in future study astron- omy, biology, history and geography with the aid of motion pictures. Films in which the sun, moon, stars and planets are the chlef perform- ers are to be used weekly beginning February 1. “New faces are the most pressing need of the screen,” according to a producer who should know what he wants. Variety being the spice of life, this may help to explain why | some of the old favorites no longer draw box office *‘queu Samuel Yetter, aged ninety-eight, has just made his debut as a’motion plcture actor. He says he is willing to do anything for art except wear a one-piece bathing suit. He insists on the style of the old war times—which probably mean the civil war—unless it might be the war of 1812. Lewis Stone, with other well known screen players, has joined a new pro- ducing company in which the players will share in profits or losses. Mrs. Frances Hodgson Burnett's first big literary success, “That Lass o' Lowrie's” is to be Priscilla Dean's next photoplay. Winifred Westover, it ie said, was born November 9, 1900. She is of Swedish parentage on her mother's side. Her father is an Englishman. She has a very beautiful contralto voice and would oubtless have been a professional singer if D. W. Griffith had not discovered her firet. Rudolph Valentine, we are told, is twenty-eight vears old, five feet eleven inches in height, and is married to Jean Acker. Grantland Rice, of “Sportlight” fame, has given to the screen a film emonstration of how girls can keep In the Pink.” “The Truthful Liar,” a story of American business life, "avuwedl?: | written for masculine consumption. is being supervised by its author, Will Payne. A canine comedy, in which the char- acters will be impersonated by blue- ribbon winners and street curs, will include fifty “extras.” Which seems to supply at le: one proof that the motion play is going to the dogs! will be re- “The Two Orphans” “Orphans of leased under the title the Storm.” Nazimova is making for United Agnes Ayres, in her fir: production, e Lane T Turning,” based on the Gilbert Parker. starring | Had No ory by Sir [}/ Charlie Ray, having completed his trip to the east, has gone to wor for a rest. The strenuous entertain ments_and honors of his visit made him glad to get back to the pictures —though he admits he had the best time in the history of man. Lupino Lane, a family member of England’s foremost pantomimists, who has been trained from infancy by his father and uncles, has signed up for a_series of screen comedies. It is said that practically all Eng- land comes to London to attend the Lupino Lane Christmas pantomimes. New York, like a famous burlesque “artist,” in answer t iti im- »elf or his efiorts: can truthfully say: “I have the douogl':.“llfi)l:l‘;h(l"g h;ine‘- ~llldef even Mr. Kane vigorously asserts that his film star “has, perhaps, the ‘highest batting average’ of the producing star,” which shows that he L. boasts a bit, too. Pearl White, In “A Virgin Para- SiPle to just shoot full-fledged Photoplays This Week _ i tion. wireless-like method. Wouldn't there? AT PHOTOPLAY HOUSES ALL THIS WEEK Thisithought came to'the, writer th h ay h Vi by METROPOLITAN—Harold Lloyd, in “A Sailor Made Man” Shown Samyel Goldwyn “to' Rupert ‘Hughes this afternoon. > Mr. Hughes was giving an interest- RIALTO—Lois Wilson, in “Miss Lulu Bett.” Shown this afternoon. ducing, writing and acting magnifi- cent pictures. "I think that Tom Mix is an herolc figure. Cowboy exploits in which he rides a horse down the side of a mountain or dashes across the desert contain epic qualities as glorious as the adventures of Homer's heroes or the heroes of the picturesque novels that literary critics praise so high- ly. They alto contain landscapes of the noblest beauty. predict that in a few years there will be critics thinking themselves the most artistic of the artistic, who | will make fun of novels and plays, poems and essays and sculpture and paintings as cheap and clumsy de-| vices in comparison with the mag- nificent charms of the motion pic- ture. They will laugh at the sculptor who pounds away at a block of mar- ble trying to chop out a beautiful By Donald H. ‘Clarke. ORDS are somewhat like latch- keys. You slide a word Into an ear and it unlocks a thought. Some- Metropolitan. | times the same word unlocks differ- Wesley “Freckles” Barry, in the|ent thoughts in different heads. Warner Brothers' film version of Gus|That's principally because words are Edmiudar Soloel Dy clufnsy keys. There would be less of | Rialto. , | argument in the world tf it were pos- he ought to know something about the art of humor. “Ot course” says Mr. Lean, “not everybody can be expected to prove as charmingly agreeable as the Prin- cess Scheherazade, who on 1,001 suc- cessive orental nights told the 1,001 stories that beguiled the sultan from ! cutting off her head. “A single dull evening on the long home stretch. with headache or me- grims or a fit of indigestion to put a stop to her continuous flow of pic- turesque narrative would have in- vited the waiting eunuch to indulge in his favorite indoor sport and left posterity in ignorance of the won- Knickerbocker. chool Days,” the Warner Broth- s’ production, featuring Wesley Freckles’ arry; Clara Kimbalil ja Vhat No Man Kno with a great follo 3 Paget has received a for suggesting . the title of S ‘which_features Milton Sills ing ‘talk mostly about critics and out motion pictures. A novelist ing, he went into vd Hughes will play a leading heart and soul. His two latest pic- them and lighting them at his divine tures he has directed himself. The|pleasure, grouping them in friezes last . one, ‘“Remembrance,” he not{and giving them all the magic of only wrote and directed, but also ap- | lif peared in long enough to qualify as| an extra. Before he took to fiction Mr. Hughes was a critic of parts without a haircut in preparation the part. Milton Sills, who has impersonated many leading screen roles, was a college professor before entering mo- tion pictures. His reason for so ex- treme a change in his lifework is that there is more action in screen work than in teaching philosophy— to say nothing of the mone of a Maid,” starring and Constance likely to be put down as lacking in “The Way It Elaine Hammerstein, ‘Talmadge, in “Scandal —_— Age in the Movies., 'ONTRARY to the problem that often confronts musical comedy producers, how to make new things look old is one of the problems of the property and scenic artists around a film studio. An example of what gan be done £ CRANDALL’S—Douglas Fairbanks, in 7 Shown this afternoon. METROPOLITAN — Harold Lloyd, “A Sailoy-Made Man.” Harold Lloyd, one of the most orig- inal screen comedfans, will be pic- tured in “A Saflor-Made Man,” his first full feature-length production, at Crandall's Metropolitan Theater this ‘week, beginning this afternoon at 3 the solid qualities of good sense. may be true. = “It is, seemingly, the actor or actress alone who profits in every way by the possession of humor and a sense of humor, for the public has come to think that an actor dull off stage j§ a stupid one on the stage. It has been to the actor's advantage at all times even to pretend to a humorous virtue which he did . not possess. And many—oh, get by with the pretense. “Quinn, Foote and Garrick were so famous as wits and humorists that their sayings soon “The Three Musketeers.” here will be critics who will {laugh at the novelist who ransacks | his “thesaurus and his dictionary for himself. g unusual adjectivi which anybody Mr. Hughes said, in part: can find who will look for them, “Three centuries from now a certain | and pitifully trying to express with kind of critic will be roasting the life | stupid words the beauty of a youth- out of the moving picture producers ful face; the pity of a lip that trem- of- his time and referring to today | bles with grief; the ache of a heavy as the golden age of motion pictures. | heart; when the moving picture gen- when people devoted themselves to . juses can make all of these emotions high art of principles and wrote the | live and breathe with a vividness that great successes of the screen. { will bring forth real tears, real laugh- pudiates her and the d. bt}:ck tclu F:‘m\ce. B s ventually he learns the truth and races to Paris to find his wife, but learns she has gone to her home in Af\‘:,l;lsn::gy. “:hen he l:'u:hes there he one to buAld‘dWO. greet him and forgive led screen and musical - tions are announced. LS Tom Santschi, who plays the lead opposite Pauline Frederick in “Two Kinds of Women."” claims the record for continuousness in the screen field, having started in it fourteen years 0 many— found way into Artists her characterization of Nora in “A Doll's House.” The Ibsen play is being filmed under the direction of Charles Bryant, her Nazimova i stmply a zimova.” longer “Mme.” N: spoken drama. She is Nazimova of The films did it. “Rulfng Passion,’ taining character study, has trigued the art of George Arliss, plays a dissastisfied retired rich whose back to wor going into a secret enterprise. husband. _now being _publicized no the another enter- in- He man problem is the craving to go ‘This he solves by an_adaptation of by Earl Derr Biggers. impersonations have made him cf the most Charles (Chic) Sale, whose rural one popular of American PALACE— ich” - . Young, in * ve b ALACE—“The Idle Rich,” featuring Bert Lytell. Shown this after- | | ToUng: in sWhat No Man fenows”| 5o Sies by way of the Gouawyn | image. and they whl point to she ara. | 4os, adventure o of Ala Baba and his| Liovd JIushes Bl Foa%of Hate, 8 | comedians, has ~recently completed COLULléIA Mae M: 2 S:iudw & He]!hucke\i Sisbjacmt. rfig- tion picture director who can select| ™“It has been said that the posses-|drama of the Kentucky mouma‘:lm:i ;us fl‘r}:t mé:-uonuvlcl‘ur;;l tl-n: :\xg:.’ — in “ » & ed up his sleeves and began at the|from thousands of beautiful wom 6 v ;| which, of course, must be founded|for the Exceptional ctures r- b ae Murray, in “Peacock Alley.” Shown this after- Crandall’s. beginning. ~He has worked with|and reveal them in motion, Bosing fl.’.’{ ffie ",‘:,’:‘Z'nifeci‘mé“?é"f‘,"‘tfiiy on a feud. He has been six months ) poration, and in which he has trans- ferred no less than seven.of his rural characters to the screen. “Chu Chin.Cho the famous musi- cal comeady, is to be filmed shortly by an English producing company. scenes will be “shot” in Egypt. “Forever photoplay novel “Peter Ibbetson.” is the title used for based on the Du_Maurier However. The the original title has been used for the New York runs. really has two titles. Douglas MacLean's next picture be calied “Bell Boy 1 So the picture will o'clock. In this “laugh-maker the RIALTO0—“Miss Lulu Bett”. how: “I think that the motion picturester and real sob: d S '4 cC aini v) be d Floidi: penchant, s Storiss. clfocs u Bett”— | in this respect is said to bo shown | - thin ) | ter eal sobs and present them | jest books. ~Some of their successors |ago, and remaining with one company | Agnes Ayres Wil next be starre d 3 ¥ e ing rvelous things: ~that|to the public with a vividness that|are accused of having copies of these | over ten years. in a film version of “The Ordeal” by and -continual merriment is said to Creatore. in_ Agnes Ayres’ first star picture, | here are gre: eniuses at work pro- cannot be resiste books. Of course, ©one but their i W. Somerset Maugham, author of this reach {ts most amusing and most “The Lane That Had No Turning,” Earl Metcalf. who plays opposite rivals can prove the charge; and so season’s Broadway success, “The Cir- A William de Mille production, fea- turing Lois Wilson, Milton Sills, Theodore Roberts and Helen Fergu- son, with the continued appearance of Giluseppe Creatore as guest-con- impressive development. = Ths star first is seen as a rich young cad who loiters through life doing nothing ‘but satisfying the whim of the mo- ment. He wants to become the hus- band of a certain blonde young lady by Sir Gilbert Parker. A missing will is found by the star hidden behind a family portrait in the old manse, the Signeury of Pontiac. Moonlight playing on a projection in the frame attracts her whose father has a well-defined no- | ductor of the Rialto Orchestra, in|attention. She presses the buuon.l’rflE greatest single development in|exactly what the public wants—big, tion of what a son-in-law should be. | COncerts three times a da; the | releasing the canvas, which swings} h i Sl & y, are the the motion picture business in|special productions. So “the boy,” in a moment of inspired ! attractions announced for Mogre's|aside; revealing the hidden receptacie| ., h hesattitadel o ! prescience, joins the Navy! Hia ad- | Rialto Theater this weel. besiBor thee will and an ancient| 1921 was the change in the attitude| “For years the picture industry has Co0RS OPER y PRESENTING ventures aboarl one of Uncle Sam’s|today. silver pistol. of the public toward pictures, accord- | been feeling around, trying this pol- SUNDAY dmoies largest dreadnaughts are said to be| The photoplay, de Mille's . uanism of the frame andjing to Adolph Zukor, president of a|icy and that. We have passed through ; intensely amusing, but the real|adaptation of “Miss Lula Bett” by|Canvas is ingenious but simple. The{ ..ot fim corporation. This change, iod of capitalizi h ol gl thrills come when he accidentally|Zona Gale. is a story of small ‘town |Fe&l problem was to make every-|& P d . |a period of capitalizing the popu- s o meets the object of his affection and | life, familiar to theater patrons for | thing look old. hoads K du]s; ar Mr. Zukor declares, means that the lar“_y of thennknlr only to ‘tl\n‘d uu; BEGINNING THIS AFTERNOON IL s s achtin havin, been an equivalent therefor was plenti-! y 920 11 1 8t n un- | Ppublic more fickle in its choice of 5 B N oty o e € boen: awarded: the | Pulltser | p, PU0rthiklea over everything. AlLeor. ooy, sill probadly seo o favorites. We have all experiment- ] Orient and rescues the girl from the palace of a rajah. Katherine MacDonald, in “The Beautiful Liar,” will lend the bill the distinction of a genuine two-feature offering. In it Miss MacDonald is cast in a dual role. Pathe News and Literary Digest's Topics of the , Wwith Reissiger's “The Mill on the Cliff” overture by the Metropolitan Orches- tra, under H. Mirskey, will be added attractions. -PALACE—Bert Lytell, “The Idle Rich.” Bert Lytell, the Metro screen star, will be pictured at Loew’'s Palace Theater today and all week in “The Idle Rich,” his latest Metro starring production, based on Kennett Harris’ magazine story, “Junk.” The picture ‘was directed by Maxwell Karger and the cast includes Virginia Valil, John Davidson, Joseph Harrington and many others. The story concerns a young sclon of California aristocracy, heir to the money of two generations of rich men, who finds his money an obstacle in his effort to win a girl loved by another though less affluent man of his own set. The news that the young piece of old and faded parchment represents the will, heavily coated with dust. Cobwebs were affixed and the little pistol was powdered thick- ly with dust. As the door opens the accumulated dust pours out, and gin- gerly the heroine removes the will and the weapon. —_— Messrs. Albee and Murdock have planned a convention to be held in New York city, at which the local managers of Keith theaters in the various cities of the circuit will foregather with General Booking Manager, Hodgdon and his associates in the headquarters in the Palace Theater. To this sympo- sium will go the out-of-town mana- gers to exchange ldeas. It is said to be Mr. Albee's thought that his pro- posed system of awards coupled With this jubflee year convention of the Keith managers and the Keith book= ing officials will put new and even more ambitious energy and resource into the seasoned lieutenants and the younger managers of the circuit. prize. Lois Wilson has the role of Lulu Bett, and Milton Sills the rol Neil Cornish. 2 ot s The concert program will be differ- ent from that of last week and will include the pretentious overture to ‘Wagner's “Tannhauser,” Mascagni's “Cavalleria Rusticana,” and the spe- arrangement by Creatore of Boc- cherini's “Minuet.” The orchestra will be increased to forty pieces. A Mermaid comedy, starring Ham Hamilton, a scenic and the Fox News will be added film attractions. KNICKERBOCKER — Harold Lloyd, “A Sailor-Made Man.” Harold Lloyd, in his first full fea- ture-length production, “A Saflor- Made Man,” will be shown for the first times here,today and tomorrow at Crandall’'s Knickerbocker Theater, with Katherine MacDonald’s latest production for First National, “The Beautiful the Pathe News and ‘Topics of the Day” and .Suppe's “Poet and Peasant” overture by the orchestra; Tuesday and Wednesd: Gloria Swanson, Wallace Elliot Dexter, ‘in Cecil B. Dn;dgflll ey o ) As 8 business man, he not only prospers, but is well on the road| or ven Gurwood's story —“The Flower Rise of the Big Picture. precedented number of big produc- tions that will almost entirely sup- plant the smaller and more mediocre films of the past. “Up_to the middle of last summer,’ says Mr. Zukor, “the general publi 80 far as attendance at picture thea. ters was concerned, apparently had not conditions. Since that time, however, people have shown a growing dis- position to ‘shop fur pictures.’ “The result is that, while attend- ance at theaters showing really big pictures is just as flourishing as ever, the theaters exhibiting weak pictures are feeling the burden of the public's indifference. Big pictures are pros- pering, as always; weak pictures are falling by the wayside at a rate that is alarming to the observing. “If I were to choose from among the various developments in motion pictures durins the past twelve months—the pre-eminent, outstanding feature—I would state unhesitating- that it is the discovery by pro- ucers, distributors and exhibitors of | telt the pinch of general business ! —TODAY AND ALL WEEK— . ed with famous stories and famous plays, catering to the best literary and dramatic taste of the public. From time to time we have thrown the entire burden upon our directors only to find that, with very few ex- ceptions, their following is likely to vanish overnight. “That the big, special production combining all these elemental forces was what the public wanted the year 1921 has proved beyond ques- tion; that is the kind of production that has been the real, consistent suc- cess this year-—the production built around a big theme, produced by a great director, with the utmost care glven to technical detail and inter- preted by casts made up of people whose acknowledged ability insures nxgnlnn possibility of misinterpreta- tion. c———— Florence Reed, the well known lead- ing woman and star of many suc- cesses, is about to enter vaudeville in a sketch by Edgar Selwyn. the humor of the from annihilation.’ T der’s of Aladdin's lamp or the puu-l | tage is ever safe Doris May in “Eden and Return,” be- came a lieutenant in “the Fighting cle. ¥ William D. Taylor will direct. T T il T Always to the fore in its presentation here of the finest and most magnificent photoplay productions ob- tainable, Loew’s Columibia is pleased to announce Ll s millionaire has lost all his fortune | production of “Don' = NONTH'S 3 through the peculations of his trus- | thing>: “The Storke Mists st THE MATION'S ] ™ 7 tee reduces him to a condition of| lections from “Bambo,” Al Jolson's =t o ' penury and brings him to the point | current hit, by Conrad Thursday and AT et ‘ Where he must prove his own Worth. | Friday, the film version. of - Jamae THEATER l PICTURES of the North,” with Pauline St the chief role; “Flivver 'K‘ru:‘t:}s' "lx new release, and the prelude and in. termeszo from “Cavalleria Rusticana’ by the orchestra; and Saturday, Dorls Kenyon, in- George Randolph’ Ches- ter's “Get-Rich-Quick Wallingford”; short-reel features and orchestral se- lections from Vi i s Facer m Victor Herbert's “Angel CRANDALL'S — Douglas Fair- banks, “The Three Musketeers.” At Crandall's Theater all this week, beginning this afternoon at 3 o'clock, “The Three Musketeers,” t version of the Alexnndfi DII‘I":I; et:lnleln to financial affluence again, when his rival, by an underhand trick, con- vinces him the girl no longer loves him. The 1, however, hears of the episode and it makes a difference. The. Mack Sennett comedy, Heck!® Screen Snapshots, the Pathe news and the Literary Digest “Top- ics” will be shown also, and Director Gannon announces an orchestral ovérture. COLUMBIA—Mae Muray, “Pea- = cock Alley.” Mae Murray will be pictured for-the first time here this week, beginning this afternoon, in “Peacock Alley,’ her latest starring production, &t{gis of romantic adven That splendid screen favorite ¢m another d ture, will be Losw’s Col shown, with Douglass Fairban! : as .‘[fwfl:fiwx”m"; L] Wm' Emm m M“. D an, the picturesque swash- e fwsoy 9 3 buckler of medieval France. Ed Knobloch and Fred Niblo 'eu'm adapter and director, respectively. _The engagement of e Three Musketeers” is limited to one week. Apollo. Today and tomorrow, Willi Hart, in “Three-Word Bmd":‘:ln‘nafi day and Wednemlay, Gloria Swanson, Wallace Reid and Elliott Dexter, in 1l Everything,” and “Loose ursday and Friday, Barthelnwess, in “Tol'abie. Conseisnos’ snd” Lowise Fasenga gy onscier u! “Country Chickena’ 2 st Avenue Grand. Today and tomorrow, Richard Bar- thelmess, in “Tol'able David”; Tues- day and Wednesday, D. W. Griffith’s “Way Down East’ er, | Hawiey, In “The Love VoY, lzet:o. It is described as a gor- staged drama of the night life of and New York. The cast in- cludiss Monte Blue, Edmund Lowe, W. n and Anders Randolph. urray is first seen as Cleo, & dancer of the Paris boule- he. can home she b5 ;:&':'mulm calling. In despair to New York, wi to_satisfy his wife , the !y;?‘ng ‘husband wanders 2 o ime. 2 "girl breaks her promise never sgain and accepts a po‘-'tl:un PALACE A GREAT DOUBLE BILL! BERT - - LYTELL “THE IDLE RICH” A METRO PICTURN . + BXTRA ADDBD ATTRACTIONS MACK SENNETT COMED “BY HECK!” PATHE NEWS-—LITERARY DIGEST TOPICS8—SCREEN. SNAPSH (ONY ORCHESTRA Tor he Doy BV