Omaha Daily Bee Newspaper, October 1, 1916, Page 81

THE OMAHA SUNDAY BEE: OCTOBER 1, 1916. Téachers of Highest Repute and W{ ! Ik tn New York City when |of Hanover, where his work won for him an) constitutee & story which must be Inspir- ber and orchestral music for the Elk«' Me- | solofst at the dedication of the Centtal High' . . which Dr. J. A. Jenkins, formerly of B8t |strated last »; Usk otes Mary's Avenue Congregational church, | “Dic Walkure" in German, “Cavalleria Rus- | anviable reputation as a teacher of his in- | ing for Mr. Cox to contemplate morlal services, and the open programs of | school auditorlum and the frist Greater ‘ Omaha, Is pastor. ticana" and ‘“Pagllaccl” fn Ttallan, were |strument. In 1913 he resigned to become | Henry Cox has given more than 20.000 | the music section of the Woman's club. Mr. [Omaha commencement. Almost overwhelme (Continued from Page Two.) Sunday, September 3, Miss Schwartz be- | glven In the open air by the Metropolitan | director of the Conservatory of Music In | wducational and cultural perfods fn Omaha |Tox has been chosen for the second time | Ing demands have proven an Inspiring re- gan her‘third scason as soprano and di- | Grdnd Opera cast, composed of eIghtY | Gigenach. Following the outbreak of the | alone. He and his students have glven more | (0 select the musio for the general scssion | ward for a plan of “Music Culture for Hap- rector of the quartet of the First Congre- | voices. The casts Included Amato, Audisio. | guropean war In 1914, Mr. Brill left Europe | than 600 concerts and recitals in thirty- | of the raska State Teachors' assoclation | piness and Soclal Service.” Three great ing of 1914 she made her debut In New | gational church of this city. Borrggta, Botta, Braun, Curtls, Gadskl, Me: | ,nq returned to America. He became con- | five states. Mr. Cox has just comploted an | Mr. Cox was the first violinist to_appear | secrets of musical pedagogy have been st k. The dally press of the metropolls, Ssg— laine Kurt, Matzenauer, Sembrich a.d ~ > | o v ¢ H Cox' o v J ose | N€Cted with the Conservatory of Drury col- | Intensive and constant course in self traln- [as soloist at the Fontenelle. He was the | che foundation of Henry Cox's success. bably the most critical of any In the Walttar B, Grabam his been ideatitied | others. Mrs. Ryan has bean attsnding thees| | co® Meuo ot a0 08 Uioferor of | g Investigating and philosophy, covaring | 5 X w o musical life of Omaha for twenty= | se} o sals of t, is & blending of the warmth of the | Sults of over thirty-three years' study of | f:cluding the Epglish~version of the “Jew- | from which position he resigned in the fall | Laws Governing the Infallible Production of | sy outhern Rhineland’ with the epirit of | the singing voice as pupil, soloist and |els of the Madonna and has arranged for |of 1915, having been Induced to come to| Beauty in Instrumental Tone, Siagly and In | 15 merica. teacher. Fifteen of his pupils occupy | two of her puplls, Miss Bertha Coffey to|Omaha. Varlable Groups. Expectally Applied to the | Mme. Jansen-Wylle has reopened her | PFOMinent places in the churches of Omaha. | make her New York grand opera debut| Among the puplls of Mr. Brill in' Europe | Violin Family and the Plona."\In the insti- | & tudio at sultes 4 and 5 tn the Baldriga | M- Oraham is a firm bellever in the | early next spring as Margue ita in “Faust." | were Andre Nicolln, —grandson of = the | tution of which Mr. Cox {8 director are | building at Twentieth and Farnam stibets | recital (open to the public) for puplls, as | with the Aborn Grand Opera company, and ' famous tenor, Nicolint, the husband of [ found registered Instructors at the Smered Who o he Is SIVINg volos Instrention co |40 Infallable demonstration, not only of | Miiss Ruth Thompson, who will appear this | Adelina Puttl and George Lutter, a young | Heart Convent, seventh year, the Mount Lor. | ¢ training to a class of very promising stu. | *h¢ abllity of the pupll but teacher ad|season under the management of Andreas | concert violinist who has become favorably | etto Convent and Our Lady of Victory dents. L well. At the close of the last season he | Dippel, formerly director of the Metropol- | known In Germany. Academy, third year; Bellevue college, Fre- ¢ bm‘{sm out l?lrw ot hlnl puplls hlln fou- re- | itan Grand Ope-a c;zmn-]rlny. :nusdldd‘lnt;'?o Mr. Brill has established a violin achool | mont ‘mal school, Blair, Nebraska City, 2 citals—a record not equaled in this country. | more to the total of puplls already placed In | iy Omaha. alming to give violin students a | Council Bluffs, Missouri Valley, Avoca, Car- third " ymce, McKensle ls starting on her | 1y "aqaition to his teaching he has done [ such positions s church soloists, cholr dl- | training, equal in every respect o ihe | son. Atlantic, Washinkton. otc. High Aehool | yoice teaching. | considerable public work himselt and will | rectors teachers of voice culture, chau- | violintstic education obtainabls in the musi. | orchestra and music suporvisors — Concert | Psychologleal | * I TR LUELLA ANDERSON O A | B :i,f(: Thon e s Jaa sdyancement. | appear before the Woman's club at Lin- | tauqua Iyceum, musical comedy and opera | cal conters of Europe. | porformers and students ure registered trom | Pupil of Oskar Back, Brussels. Beons ‘recttu) last December at the Gosmo: | 200 \n November. Ms. Ryan contends that Omaha 1s one | Chicago, Oklahoma Clty, Cheyenne and | ’ 3 of the best locations In the world for a e R N e v | B Jolltan conservatory, assisted by Madame | Miss Lorette De Lone, formerly of ‘the | good teacher. Bolng geographically situ-| SIgmund Landsberg, a nmative of Berlin | pier Sstant, cifies, =UUEINE Gover Sears § Borglum, for which the c itics gave her tsburgh Symphony o way between New York and San | Germany, recelved his first musical training fimost_excellent plaise. ' She s planning an- | nesteas and vovontly of New Fork. has ra- | Francisco, and with the altitudo the flnest | at the Age of T. while Attending the Hoyaj | (1Yo tmen ay often as ull Ui Saandil | other In November of this year. She also | opened her harp studlo In the Lyric bulld- [in the world on the voice—nelther the ex- | seminary of Beriin, Al LBeTanIn 4 DeRn Ol RN b torepins I ) lsang three engagements In Chicago, at the | ing. When an entire harp program in | treme high nor the extreme low—and With | From 1596 (o 1899, he completed a regu-| Tuesday Morning Musical club. Mr. Cox has Oriental consistory, with much success, as | Omaha was spoken of by Miss De Lone, | hundreds of wonderfully §ood volces bo- | iar courss in planc, harmeny. counterpant | Bupplied all violin and cello solos, ali Cham well as singing before the Omaha Tuesday | some who do not know the capabillties of | Lween these two points, Omaha should one [ ana composition at' the famets Sterm o, Morning Musical club and other clubs and | the Instrument remarked that “an Omaha [day be one of the great musical centers.| o iaeory supplementing this work later socleties. Ore of ber best efforts for the | audience would surely want a singer or an-| Laure De Vilmer, the well known opera | wiop "ol t70riauate course at the mastor betterment of music in Omaha was an ad- | other instrumentalist to ass! The fact | singer and teacher, who came to this coun- | oy o % 5t h FEE B0 1t ¢ th dress before the Philosovhical soclety on | was that after Miss De Lone had given a | try on account of the Buropean war. and | Fhool for plang and composition of (he | “Musia and the Business Man.” Her first | varied program that lasted for an hour and | Who sings th® roles equally well In the | foyal high school of music, Professor Fried- Rt English, German, French and Itallan, has, | rich Gernshelm, Ludwig Bessler and other eason in Omaha she was the soprano for | forty minutes she was accorded an ova‘ion lh“r!m‘h Mrs Rya ‘offorts, been induced | famed authorities betng his advisefs. he Dundee Presbyterian church; her sec- |and was obliged to return and give another Kountze Memorial Lutheran ehurch, and this [ The climate of the middie west s so favor- | "§{ 7T 4 pag devoted & great portion | fassor Franz Grunicke. . oo oo © on she is director and soprano eoloist [ able to the Instrument that many have|,¢'jer time .this summer to enlarging the | Ay an instructor Mr. Landsberg br the Westminster Presbyterian choir. been ericouraged to take up the study of |second edition of her book, “What Every (,eneior s —— the hlryd ';‘lhon lWhlu t!;lnk that the C7n>‘s(n!er Should Know." Three more chap- Corinne Paulsen, succes cert gran arp s too large or expensive | ters and twenty-four lessons of her system Dlanate, 1o o be" locsten for ‘tae enrind | Wil Bave the opportunity (o learn the small | of tenening nave. been added The. book faculty In Berlin, At the end of the same suites 4 ana 5| Irish harp which furnishes a splendld ac- [ has been accepted by the well known mu- ear he established himself as an instructor building, companiment (o the voice and can be 6o |sic publisher, Car] Fisher, New York, and | of plano, harmony and composition in Teets. Mias Paulsen h: easily carried around. As Miss De Lone is | will be on sale at all the leading music | Omaha, where from the modest start of a years of serious study in rlin. and made engaged principally In concert work, she |atares and book sellers after October 15. class of eighteen private pupils during the her professional ‘debut thers as soloist with | G20 &ccept only a limited number of puplls first year, the list of his cllentele steadily Her lecture and program at the Woman's ey. the operatic tenor, who | Increased in numbers to tHe extent of nearl the Philharmonle orchestra. Her first ap- Walter Wheatley, the op & i y club on Octobery11 will be most Interesting | o oo ¢h'e ‘war began has had studios in| 300 private pupils, who have at one time rance, after h t The New Yors' Somprorurn, wes made with|and she will have one of the younger | Snce the war bvethn RS Bai WIC3 an | or other during this period bean under his Solo Violinist and Teacher [ .The principles of violin play- ing taught. Corinne Paulson his ce back to 1899, when he served as an assistant with the Stern conservatory Brownell Hall, Omaha. Downtown Studio, 518 McCague Building, 15th and Dodge Sts. Piano A 0 puplls of 12 years play several numbers on s les in|Dprivate guldance in either their plano or :?.":;"':L’ i e T oo alon | the large harp after only a few months of | Offer (0 SinE e Tob. - ssaton | ehebraticalistudite B 2 % | L Residence Phone, Har. 6718. tvals,” the “German ssengertast of Juiy | §iiey. | Mits De, Long cunceled ber coneer | St yix ‘montha Owing o s Tareeclass || A% 4 compouer of works covering « vast | Suite 4 and 5 Baldrige : amatets 1815, and the Swedish festival of last aum: | 8165 In lows for the latter part of this | 38 8% WOUTCE (0N e ngagements already, | variety, Mr. Landsbers has been extremely : TR T Block, 20th and Farnam mer at the Auditorium. Miss Paulsen has o he has found It necessary to decline this. |&ctive and successful. His compositions ap- been secu’ed to play for the Tuesday Morn- | Wasnivsron SR "'v',,'rkm}f;.ly'.fl'fipfimc‘.fii Mr. Wheatley's Omaha studlo is at 305 Lyric | Pear in the catalogs of the foremost publish- = QT T "!!‘I!JNH;HI A AT ing Musical club in January. Her first en- | other large citles before her return, about | building, sharing a suits with Miss DeLone's ing houses of the world. His instrumental g § e YourPianoShouldBe Tuned! JOHN W. EVANS and ED. EVANS Independent Piano Tuner and Player Experts OLDEST FIRM IN THE STATE IN OUR LINE Letters of recommendation frop the leading piano houses of New York, Chicago, Lincoln, Omaha and Denver. Phones Colfax 540-958. Omaha, Neb. L ”"NHM@_ W SRR (L JOSEPH F. WOOLERY Thorough Instructions . in Violin Playing RESIDENCE STUDIO 2421 Spaulding St. Omaha. Phone Web. 1993, O Bagement for the season will be together |y, Harp school. and vocal numbers have guined for him the with Christine Miller, contraito, In Focitall|| Doy EaEt: Hosing had wide sxperience in singing Bersonsl ommundatisniotsam of thationt at Parsons, Kan,, on October 6. - = tistied | opera in many countrfes abroad as well as in o ngers and {nstrumental solo. — untons she T srowing 1 musieal kpowl: | New York, Mr. Wheatiey hopes to develop | lsts. As a result of his vast teaching ex How often one hears the stat, edge, Edith L. Wagoner epent much of | some feasible operatic plans for the middle | lence his puplls number among the most Sometimes by people who are good musi-|her vacation time .in special study in New | west. “Omaha may eventually have efficlent and best equipped musiclans of clans that “The violin is a mystery. I can- | York City with Fugene Hetfley, and 1in |opera company Mr. Wheatley. Omaha and adjacent territary, not understand how even one note is made. Investigating teaching methods. She re-|abroad of lesser importance all have magni- 1 Mr. Landsberg's highest alm, not gnly Yet the beginning of the violin is easily [ turns with renewed enthusiasm for her | sjcant tem-les where the greatest operas this puplls along technical lines, but explained and children who are carefully | work and anticipates a very busy sea- |ove' performed in'a manner than would | 8180 to see to it that through his most com- taught are capable of playing simple pleces | Son. Beginning quite early in the season ) ord BVRCIAAE oy B PO lrP Ty he s i The | brehenstvely demonstrating lecture lessons, in good tune and rythm, while talented chil. | Mrs. Wagoner will present several ad- |GBCR A% V6P P 0 6 FE NS S ibtedly | the puplls’ conceptions of the greatest of all . dren acquire a ekill which {s incomprehen. | Vanced puplls In individual recitals, as well | ©.5 /o4 by ‘tho great war, when American | educational and "entertaining arts and the B I P S h l sible to those who do not understand the | 1 BIViNg @ number of programe on WHIEK | J\jos can boast of the same achlevement. interpratation of its’ masterploces be org um 1'1ano YCnoo . —_— 2661 Douglas Street. instrument. The only reoson usually given | oo 'Y Already there has been formed in a circult In such cases Is, that the child Is gifted | “Nrs. Wagoner's own annual recital will | of cities such as Cleveland, Detrolt, Pitts- Fith an exceptionally musical ear. Trus, the | be given under the ausnices of the Busi- [ burgh, etc. an Interestate opera company.| Henry Cox the violintst and conductor, || August M. Borglum, Madame Borglum first requisite towards mastery of any musi- | ness Women's club at the Young Women's | With the proper amount of local. intorest [ founder and director of the Omaha School FURS Puniia of Weger Swayne) cal Instrument fs a correct musical ear |Christian Assoclation auditortum on the | this enterprise can be extended to Omaha. | of Orchestra Instraments and the. Omana FPER bui violin students with excellent ears [evening of October 3, and will be accom-| «There are many beautiful volces in|Symphony Study orchestra, handed us what Also Residence. Ph. Har, 2785. A A Solfege-Schvartz Method, Paris often play badly .out of tune. Why? Be- |Panled by an informal talk on “Musicel omaha, and were an outlet for the talent | he tarmed a record of a few activities when Harmony—Public Performance* o e Sepiat ol ot enEREed bY | thus developed, these might become famous [ we asked for a “Story.” These activitles the dpplication of certain principles re- | the, music department of the ~Woman's| ,gors: quiring the trained co-operation of ‘the | sense of hearing. Faultily trained muscles | pothers of studen recelved his musical education at the Chi- fall to respond and the pupll's playing N el cago Muslcal college and at the Royal Con- out of tune in epite of his correct ear. On| Miss Nora Neal, teacher of plano and |servatory iIn Stuttgart. He continued his L the other hand certain natural and sclenti- | organ, s now at 613 McCague bullding. | training and preparation for a solo career in fic nlr|||c|ples u]f( t&lolln playing once under-. | Miss 1\]1:-1. 'Lho wen'ul'g l:ld rr:ed-ll for | years of study under the noted Belglan stood and worked out, give foundation | general excellence the American con- R < ey e ane, ‘hio, American con | pedagogue, A. J. Marchot, violin professor for -anid progress and artistic playing at the Royal Conservatory in Brussels, and whether the pupll be a beginner or ad- ffl'lfi;;o";;’:fl Methodist Shurch for the | wim the famons French violin master, vanged. e o L2 %" | Emille aSurst. With Mathis Lussy of Paris i Luolis Anderson, Violiniat, will be > he studied. interpretation. Having com- a ose Interested In the violin | pyunne the coming season of 1916-17 | pleted his studies he concertized with u:m explain further the principles of good | Aljce Vl'rflnll Davis ‘lnd Cecll va I;m- marked success In Europs, winning the ap- N yloiin: playing, Brownell \Hall. Downtown | man will glye a serles of monthly recitals, | proval of some of the severest critics. J kadiet Studlo, 518 McCague Building. consisting of concerts, solos and two pla: From 1908 to 1913 he was one of the prin- e S - numbers will be open to | cipal teachers of the municipal conservatory Anna_Glascow, teacher of volce and | punils and invited guesf 3 B'os l!(hnrb:}clpdhloek. wlélhra:nen her ’l'h|a pup s b ldv-nl-; AL or o rd year. e does not |pearing In mon! y recitals studlo " I lanit her work in either volce or plano to |and at regular intervals before the neral L L T T T R L T any ohe method, but uses what she/thiniks | public. ' Instruction includes not oniy the g | After October 1st, 516 McCague Building. H £ best uprlleu to the individual student. In |study of the plano, but practically theoreti- both voice and piano Miss Glascow will give | cal work as well. Classes will be held in . g l Olll se Res. Phone, Harney 1612. | ‘¥____—________;-——————~——__—_____~. & number of lecture recitals during the sea- | sight reading Solfegs, harmony, counter- A cause the playing of the violin depends on o of ap- | =t eeeem— studio, gon, which will be of value to the friends | Point and composition. Last season Miss Dav}& made a success- who study or attend, as well as to the pupl themselves. Bhe will be very glad to have | ful New York debut Berryman was anyone. who 18 interested in music attend | 2ccompanist for Mme. at her Or- these lecture recitals. Voices tested with- pheum engagement hers last spring. out charge. Aty Miss Ruth Ganson has reopened her studio Frank Mach, concert violinist and . in. | After an absence of a year and a half. which structor, has ah:ublllhed for élme]t .n‘.’:. she has spent in Sheridan, Wyo., teaching ThMe teputation. Through hix .honeaty | 300, sluwing snd o Chicage, whers she and perseverance he has produced oves | Worked with Mr. Allan Ray Carpenter. Miss eighty artistic students, who have surprised | Ganson was associated with the music de- the music lovers with thelr excellent play- | PATtment of the Omaha Woman's club for . Mr. Mach says: three years, two years as assistant leader, “Studying under an Incompetent teacher |2nd one as leader of the department. Miss _bound o be the downfali of a talented | GEnson (s primarily a pupil of Mrs, Mabelle | acholar. - Many parents misjudge their ohil. | Crawford Welpton. She has the vocal de. dren by assuming that they have no talent, | Partment at the. Belleveus college. and owing to the fadt that they have studied |1asses in Woodbine, where she has been Sorong principles, Good falent i3 ‘lways | te8Ching for several years She has di- ool B D it o ected the Choral club at Woodbine. One Beginners should commence thelr stud. |S8ason she was assoclated with Mr. and Sos with & competent teacher, as good prag- | hii% Henry Cox in recital work and has Tots can ‘only e made on e ‘propee fouads. | been contralto solotst in -all the large tion. and bad habits, once acquired, are |CRUFches of the city. | difficult to eradicate. For the fullest re- e . slization of success, every phase of the tiner [ Mrs. Millle Ryan, one of Omaha's most ints of violin playing must be considered | Successtul teachers of volce cuiture, will Praiviaually, and not 1n classess: return from New York City and reopen her Mr. Mach has over 200 flattering press | Omaha studio October 1. comrments on his wonderful abilities. Lea: | , M7S. Ryan says ths t singers “evi- Sora ‘Liebling, the editor-in-ohief of “che |dently belleve that a voice cannot be in- Stasioal Gourier, writes: “Franie Mach lg | Jured If used properly, which was demon- one of the most ambitious and serious- =<4] minded pedagogues we have met tn a long SNV AMANN R 8T RaT AL ‘while. e pald his own way through a caurse of study abroad, although his father, means, and with the same self-rellant epirit this Omaha violin instructor s bullding up a large following and asking |E favors of no one." E H E g E M g Sigmund Landsberg % PIANIST — COMPOSER H A T R Ll e TR nu:|lzrrlmnme!m:11nqu!mmnmmuummnu‘nmcu Millie Ryan ART OF SINGING Pupils prepared and placed in Concert, Chautauqua, Church and in Opera positions. Instructor of Piano and Theoretical Branches. Teacher of Singing Desirable hours for lessons should be reserved now, at 302 Lyric Bldg., 19th and Farnam Sts. Phone D. 5648, Res. H. 1875. Prospectus giving professional infor- mation will be mailed on request. i B O 0 G g E . f Suite 4 and 5 Baldrige H Block, 20th and Farnam o T e e GO 1 QT A Special Teachers’ Cours Miss Cora Schwartz has resumed teach- g in her studio In the Lyric building, r a busy summer spent in Mfln’;llh the well known authority on voice, nk 'B. Websts ‘While in Chi- cago Miss Schwartz appeared as soloist In several prominent churches, among them ¢ Warren Avenue Congregational church of STUDIO, 111 SOUTH 35TH ST. Telephone Harney 1633. Harpist Concert Ensemble ‘“WHAT EVERY SINGER SHOULD KNOW” Enlarged edition, including 24 lessons in voice culture, published by Carl Fisher, New York, will be on sale at all leading music dealers and book Stores. 3 J. H. SIMMS “Room 21, Baldridge Block Pupils Prepared for Teaching Organ Piano LORETTA DE LONE (I I 0 T H R TR AR T AT TR AT TR AT T armony International — — = - — — . . Harp School : I Director of Music P ime e T L | | All Saints’ Church 305 ' YiienDe Lone : ¥ Lyric Buildi With Irish Harp ° 4 ric bulldin Used as F Two. M;'"‘:l :5: ;’ of'"" for Miss De Lone With Goncert t g Accan::qnuimcnl tudents’ Practice J Grand Harp Doug. 8704 for Voice * X m i 1T 5 A B R Keep Dancing Academy 25th and Farnam Sts. FORMERLY CHAMBERS Assembly Evéry Wednesday Evenirg Dancing After the Parade Annie E. Glasgow Voice Culture--Piano Coaching in Public School Music Studio, 503 Karbach Block, Studio Phone Red 185. e e [ANO Davidge Block 1804 Farnam Street TEACHING FACULTY MR. AND MRS. WM. L. KEEP GENEVIEVE HAUFLATRE CLASS CLASS AND ASSEMBLY MONDAY EVENINGS TR A At L G I G [ CLASS AND ASSEMBLY TUESDAY AND SATURDAY WEDNESDAY EVENINGS AFTERNOONS ~ SPECIAL CLASSES Private Lessons by Appoinmtent. | for Ladies in Aesthetic and Modern Students may enroll AT ANY TIME Dancing. PHONE DOUGLAS 7850. RES. PHONE, WEBSTER 6336. FRANCES BAETENS Pupil of Wager Swayne's TEACHER OF PIANO Mondays, Wednesda: Saturd.ys. 20 Arlington Block, 15111, Dodge St. Te.ephone Dou, 3084. Florence Basler - Palmer VOICE CULTURE Pupil of Freytag-Frey—Berlin. Pupils prpeared for ;hm':{ and concert work. STUDIO, 1807 FARNAM ST. Phone Doug. 8634. [ “KEEP DANCING” Ball Room Available for Private Parties Y A R