Subscribers enjoy higher page view limit, downloads, and exclusive features.
AMUSEMENTS. ONLY AT ARBAUGH’S 2606 Conn. Ave. Can You Get Real BAR-B-Q SPARERIBS And_Aged Charcoal Broiled Steaks Mixed Drinks— Wines—Beer TIIEATER PAIIKIIIG 6PM.TO 9 5 2 12 P.M. CAPITAL GARAGE 1320 N. Y. Ave., Bet. 13th & 14th BRAKES RELINED Guaranteed 20,000 mi. Free od- justments for the life of the linings. Hydraulics "1 58.25 Oldsmobile T i -%10°° CLIFT’S BRAKE SERVICE 2002-4 K St. N.W. ME. 6232 qy €A SPECIAL Ford Chevrolet Plymouth Buick 40 etables, Home-made Try This 50c Boned Potomac Shad Dinner Choice of Clam or Tomato Juice, Boned 7 5 c Pie, Bread, Butter, Coffee, Tea, Milk or Beer. . % Luncheon Special * Luncheon Treat ES, BEER, "DRINKS “CY” ELLIS SEA FOOD RESTAURANT Potomac Shad, 2 Veg- SHAD ROE LUNCHEON 1011 E St. N.W. LUSCIOUS SHAD From our unlimited va- Tiety of sea f0od treats. we recommend our large lender fillet of shad ex- pertly boned and superb- Iy prepared Whole Fillet of Boned Shad Pater e $1.25 LUNCHEONS from 50c Dinner Entrees from 60c Unrestricted Parking Washington’s Largest Sea Food Restaurant OFERLOOKING % THE POTOMACw... Sth & Water Sts. SW IR THURSDAY DINNER 5-Course SWISS STEAK Smothered with Fresh Mushrooms 20° Homemade Soup or Cocktail Variety Crisp Salads Choice of 2 Fresh Garden Vegetables Hot Homemade Rolls Beverage Delicious Homemade Desserts RESS CRFETERIA NAT'L PRESS BLDG. 14th AND F N.W. MADRILLON RESTAURANT. Washington Building, 15th and New York Ave. The favorite place to dine, the popular place to dance. THE NIGHTINGALE, Richmond Hrwy., mi. south of Alex. Dancing. 9:30 to 1 pightly .including Sun, Sweet swing by Bill Downer's Orchestra. _Temple 4640. HAY-ADAMS HOUSE—Overlooking White House at 16th ard H Sts. Dining in an atmosphere of charm, diknily and gen- 1ility. Organ_music nightly during dinner. nAwnow ROOM. Hamilton Hotel, t K. Cocktail and®dinner dancing Ripper dancing {0 Milt Davis Orenestra; 10-1. Min., Saturday only. $1. DI S50, THE FI.AGSIIIP 3135 K N.W. Dinners, §1 lo'$150. No cover. Min. SI; 150 *No T for Ainder & ninment by Brooke Johns. METRONOME _ROOM, Dancing 9:0 to_1:30. THE TROIKA, 1011 A Dinner ‘or ‘supper, $1.50: $2. Danc- ng, & mSontinental Reviies twice Dihtly and Sundavs. No cover: Luncheon, 75c on Sat._oniy SHOREHAM BLUE ROOM. Connecticut at Calvert. Dining and dancing. T shows 9:30 and 11:30. cluding cover. -Supper cover. 50c. AD. MARYLAND CLUB_GARDENS on Marlbore Pike. Featuring Nadine &nd her co-ed band. "De luxe dinner, until’ 2 o'clock. Ph Connecllfln Sat.. VIERA, Hotel 2100 16th St. ning. dancing to Pete Macias’ ommtu featuring Adele Van, 10 “til 2 min. or sover except Sat. eve., ’1 50 min. CO 7200. 4 | | Stage shows: |.| Open-Air — Luncheon, 85c: dinner from $1.25. | 'To Dramas of Makes Its Local A On Little Theater picture, not a diatribe against the peting with the wonder of statement ox life’s abiding values, called corrupt until an indigna Board of Regents censors’ ruling. If “Harvest” ig im- | moral, the bud- | ding of the trees in spring is a lewed and ob- | scene perform- ance for which nature should bow her head in shame. And, with that out of the way, one may go on to the currently { more important | point that “Har- | vest” is a mas- terpiece, a sim- ple, direct argu- Jay Carmody. ment in support of the theory that man lost his way when he forgot his kinship with the earth which nourishes him. That, indeed, is all there is to this inspired, deeply moving story of a French peasant whose life is a shining example of the happiness to be found in the simple combina- tion of love for a woman and the soil. That is all there need be to it for, dramatic impact, the artifice of the is average picture is a wan and for- | lorn thing. A rhythm of life in which they believe with a passion is the con- cern of M. Pagnol, who directed and produced “Harvest,” based. There is nothing of heat in | the expression of their philosophy | that when man and woman and | nature cease to be one, man is the loser. On the contrary, their tale is told with a quiet, poetic beauty that gives it a far more positive accent than had its producers gone | in for sound and fury. “Harvest” is the love story of a imple ,man and woman in the! provencal village of Aubignane. | When it opens, Aubignane is a| ghost town. Its last inhabitant is| the farmer, Panturle, a giant of a | man who clings to his deserted | wasteland because he can wrest a | if not as | But Panturle is unhappy, | living from it as a hunter, a grower. 'a lost soul, until he meets Arsule, | a kind of beast of burden for an |itinerant scissors grinder. enveloping, touching tenderness | which springs naturally and simply from a faith in life. There is vitality, and a deep sensuousness which is | | never touched by ugliness in the | romance of Panturle and his shin- ing faced Arsule. Its inspiration transforms not only their lives. but gives life again to the | exhausted. deserted countryside of By JAY CARMODY. Al this late date and thus far removed from the jurisdiction of the New York censors who banned it, a review of “Haruest.” last night at the Little theater should be a rhapsody on the Marcel Pagnol's reverent, moral and eloquent nte— reversed the | as compared with the film's | and Jean Gione | who wrote the novel on which it is | ’I’heirsg is a case of love at first sight, an | THE EVENING ‘Harvest’ Adds New Riches Romance Sensational French Screen Story ppearance Screen which opened merits of the crassness of the censors. But, com- the stunning knowledge that it was Aubignane. For the love of his woman, who prefers food from the flelds to that of the forest, Panturle finds a plot of ground suitable for the growth of wheat, identifies him- self again with the soll he had de- serted. To it they give richness and from it they reap richly. “Harvest” is as simple as that, and as clean as the prize wheat which Panturle caresses with the same tenderness which he bestows upon Arsule, whom he calls “ma femme.” but whom the English subtitles call his “wife.” Superlative acting marks every foot of “Harvest,” another quality among the many which lift it above the conventional film. As the lovers whose relationship obviously is hal- lowed in heaven regardless of the attitude of the censors, Gabrielle | Gabrio and Orane Demazis attack | their roles with a lyric sensitivity, | with an absence of artifice that gives the romance a cleanliness beyond intelligent cavil. Imbued with Pagnol's enthusiasm for the earth | and earthiness, they produce a pair of performances that will be some- thing to marvel at long after a dozen Heloises and Abelards and an equal number of Romeos and Juliets have | been forgotten. Marvelous support for the prin-4 | cipals comes from the genius ol the incomparable comedian, Fer- | nandel, cast as the scissors grinder, a kind of crafty simpleton who makes wide areas of “Harvest” as| merry a lark as the screen has| achieved in years. | These three are outstanding, but | in their smaller ways all the others associated w;ll\ this happy enterprise contribute t0 it abundantly. The sincerity and honesty of “Harvest” carry over to such details as the photography which finds a majestic stage for the primitive drama in the French Alps. * kX X | _ Furthermore: “My Son, My Son,” Edward Small's adaptation of Howard Spring’s highly popular novel, destined as the next attraction at the Palace, was screened yester- day . . . Not screened, but eagerly awaited by those who have had ad- vance word of it (as we did almost | nothing else but in Hollywood) was | “The Primrose Path,” wkich opens today at Keith's . . . “February Hill” was its title when it was a successful | | novel some seasons ago . . . Proving that the actors’ benefit fund can expect a lot of help from Hollywood, that players always have a heart, was the appearance last night of Ed Sullivan's talented Capitol Theater | troupe on WRC . . . “Lights Out in Europe,” the most talked of docu- mentary film of the season, will open tomorrow at the Belasco. Where and When Current Theater Attractions and Time of Showing National—"The . Return of the Vagabond,” George M. Cohan in his sequel to “The Tavern™:- 2:30 and 8:30 p.m. ‘ Keith's—Primrose Path,” up to | the straight and narrow with Ginger | Rogers: 11:15 am., 1:20, 3:25, 5:30, 17:35 and 9:45 pm. Palace — “Strange Cargo,” with | Clark Gable and Joan Crawford. ll 15 a.m., 1:45, 4:25, 6:55 and 9:. | Earle—“The Doctor Takes a Wife,” | comedy d'mour: 11 am., 1:35, 4:20, | 7:10 and 10 p.m. Stage shows: 12:40, | 5, 6:15 and 9:05 p.m. Capitol — “Johnny Apollo,” T. | Power visits the ganglands: 10:45 Ham 1:40, 4:25, 7:10 and 10:05 p.m 12:45, 3:30, 6:15 and 19:10 p.m. screen translation of the Steinbeck novel: 11:15 am., 1:55, 4:25, 6:55 and 9:35 p.m. | Keith's—"It's a Date,” the new Deanna Durbin adventure: 11:15 m., 1:45, 4:20, 6:55 and 9:30 p.m. “March of Time”: 1:25, 4, 6:35 and | | Metropolitan — “Seventeen,” film | | version of the Booth ’I‘urkingmn‘ story: 11 a.m,, 1:10, 3:20, 5:20, 7:30 | and 9:40 pm. Little—"Harvest,” the No. 1 French film of 1939: 11 am. 12:45, 2:30,| 4:15, 6, 7:50 and 9:40 p.m. Belasco—“Ecstasy,” at 11 am,| | 12:30, 2, 3:30, 5, 6:40, 8:10 and 9!45 pm. Trans-Lux—News and shorts; con- tinuous from 10 a.m. irst Love,” with 8:10 and 10:30 p.m. | (zrace MacDonald Now in Filmdom Grace MacDonald, Broadway musical comedy sensation, whose services were vied for by four major studies, has arrived in Hollywood by plane to take up her role in Paramount’s “Dancing on a Dime.” The 20-year-old brunette beauty, | who sang and danced her way into |the Broadway spotlight in the | Jerome Kern-Oscar Hammerstein | musical, “Very Warm for May,” will | make her film debut in the top dancing role of producer Joseph Santley’s story of New York’s old | Deanna Durbi % | Garrick Theater. A veteran of show business, even at her age, Miss MacDonald rose from vaudeville and got her first | big break in “Babes in Arms.” | Picture Hats T:boo, Sound Expert Rules The picture hat, long regarded as the most fetching frame for feminine faces, has been declared taboo in Hollywood. Harry Mills, sound expert on Paramount’s “Des- tiny,” served notice on Director Tim Whelan that broad-brimmed hats such as those created for Ellen Drew to wear in the picture are out. The broad brim, it was ‘explained by the sound experts, so muffies the player's words that it is im- possible to get a proper recording of her dialogue. “Cut down the brims,” ulti- matumed Mills, “or we'll have to punch holes in the hats.” A | | Columbia — “Grapes of Wrath,” |Southeast to Have New Film Theater Added to the list of Washington's | neighborhood motion picture thea- | ters will be the Hi-Land, at Twenty- seventh street and Pennsylvania avenue S.E. Construction of the| new cinema house for an early fall | opening has just been announced by Llevd J. Wineland, president of the Fairlawn Amusement Co. The Hi-Land will be a de luxe 800-seat theater in the new “Stream- 'line” manner of modern neighbor- hood movie houses. It has been| | designed by John Eberson and will ‘be built by the Mohler Construc- | tion Co. The Hi-Land will be the third the- ater in the territory east of the | Anacostia River operated by the Fairlawn company. |Gary’s Spurs Throw |His Bucking Bike ‘ Gary Cooper, who plays a Texas | Ranger in Cecil B. DeMille’s Tech- | nicolored “Northwest Mounted Po- | lice,” is faced with the necessity | either of— Disposing of the bicycle on Whlchl he pedals his way about the Para- | mount lot, from set to set; Or— Disposing of the large, sharply- | roweled spurs he wears as part or his costume. The thing came to an issue when for the third time in the first week of filming, he came a-cropper with a punctured tire, | enthuses, Care . Jom - TREVOR * WAYNE WALTER PIDGEON * DARK COMMAND ™ TOMMY RIGGS win BETTY LOW HILDEGARDE | SAAW & LEE - THE ONEYS - MXYETTES STAR, WASHINGTO EUROPE, TWO MOODS.—Victim of war is the Polish peasant woman (left), watching her home become ashes in a scene from “Lights Out in Europe,” opening Thursday at the Belasco. FERNANDEL, the French comedian, is one of the important players in the prize-winning French film, “Harvest,” now at the Little Theater. When Just Love and Limes News Is Not Exciting Powell Concentrates on Diane, Myrna Loy on Her Orchard, While Jimmy Is Cautious By SHEILAH GRAHAM, HOLLYWOOD. William Powell scratches his wife’s back on the “I Love You Again” | set, then plunges into a love scene with screen wife Myrna Loy. But just to make sure his real wife will understand, every time that Bill embraces Myrna, he winks reassuringly at Dian can tear him away from both wives. Powell, “is fine—in fact, it's wonderfu! Bill rushes back to Diane. Watching the Powells and sighing sympathetically is Jimmy Stewart, | clad in a Nazi storm trooper | uniform. He has wandered from his own picture, “The Mortal Storm.” “Aren’t you getting married soon?” 1 ask F him, thinking G A | this is a good G time for the question. over spoiling it all by adding. . “I read that Sheilah Graham. too!” Jimmy suddenly remembers | he ought to be back on his own set. | That leaves me with Myrna Loy. | Now there is only one topic of con- } versation that brings a glow of ex- | citement to Myrna’s beautiful eyes— | her garden and orchard. She is carrying the former on her head— in the shape of a hat made entirely of roses. About the orchard, Myrna | “My limes are doing so well I'm marketing them.” (Writer’s | comment: Sorry not to be more ex. citing, but what with Powell bein, so much in love, Stewart’s cautiou cult here for the nosy reporter.) Let’s go to “boom town.” x X % X Things look better here. Hedy | Lamarr, clad in a flannel dressing gown, reclines on a settee in her dressing room. She seems bored and is glad of a visit. Right away she puts me in a good mood by telling me, “You have lost hundreds of pounds!” In actual fact, it is only | six pounds, but that's all right! I inquire after Hedy's role in the ! picture and discover that she is AMLQEMLVTS. tTnEATRE 'I'RINS-I.UX - NEW WAR FRONT PIX : TROJAN HORSE PLOT : ARGENTINA SPORTS : CARTOON. 3 SHORT SUBJECTS SEECTED Every Day 1 to 12 P.M. AT THE POPULAR 40-ACRE MORE THAN FIFTY FINE FEATURES & 9 THRILL RIDES* DANCING Music as Fine as Any One Desires by Paul Kain Orch. TODAY o "L?!?." says Bill, still looking at Mrs. " And like a boy let out of school, | playing her first “heavy™ part. “I | am what you call the menace.” u)s Hedy. “I am in and out all the| time. Mostly out. I love Gable, but he is married to Claudette Col- | It is all | bert. No one marries me. very queer”! ‘Happy?” I ask him when I | tickles him, and pats him cutely on the shoulder. This scene may not be in the finished film because every time the tailor gets to tickling Tracy, every one on the set, including Tracy, breaks down. * ok ok % A drive of 40 minutes brings me | to the Warner Studio—and the } “Episode” set for a chat with Olivia | De Haviland. “I look a little mum- | py,” comes from within Miss De AMUSEMENTS. e+ CAPITOL NOW Tyrone Power--Borathy Lamow “Joknny Apollo” | 10 PERSON... From Hollywood ED SULLIVAN presents Marjorie Woaver - Welon Parrish Arthor Traasher - Bolo Lugost FAT /9 1 | Meanwhile one of the funniest| scenes in_“Boom Town” is being | shot. . A French tailor, aided lnd abetted by Gable, is measuring | Spencer Tracy for a suit of clothes. | The tailor pinches Tracy's cheek, ke A FRENCH FILM OF THE SEASON conT evERy 7 30 FIRST LOVE LATEST NEWS SouTh 0F SEE M- i | = Powerful Stufl ... CLARK GABLE Joan CRAWFORD “Strange Cargo” G« (OLUMBIA . q Dr KILDARES | STRANGE CASE TNE NEWEST IIIT Ifl M-G-M'S SER, FRIDAY ... GAPITOL THAT FIRST KISS OF HERS is something to see . . . and remember .« . in this down-to-earth story a girl who knew nothing about men . . . and love . . . a mother who knew too much « . and a boy who found outa lot...! JOEL McC ‘PRIMROSE PATH' AN RXO RADIO PICTURE WITE MARJORIE RAMBEAU o HENRY TRAVERS » MILES MANDER Choducid and diractid by GREGORY LA CAVA C a new *INFORMATION PLEASE’ ard WALT DISNEY'S *TUG BOAT MICKEY® COMING . . . BING CROSBY @ GLORIA JEAN IN “IF | HAD MY WAY” AMUSEMENTS, Haviland's dressing room. “Can you take out the vein over my eye”? continues Olivia’s voice. At this point I enter and find Olivia criti- cizing some portraits of herself. “I hear,” says Olivia, “that ‘Sat- urday’s Children’ is & great success.” “Sorry now you didn’t make it”? asks this reporter. (Olivia Was sus- pended for her refusal to star in this picture with John Garfield). ‘No—I had a swell vacation,” giggles Olivis, “I did all the things I've always wanted to do, but didn’t have time for—like night clubs, dancing, traveling, playing golf, and learning to speak French. The time out gave me a different perspective on my career. I can look at i\ now objec- tively. It taught me that you can’t portray life for the screen without first living life.” The latter experi- ence cost Olivia $27,500—the salary she forfeited during the five and a half months of suspension. Released by the North American Newspaper Alliance, Ine. AMUSEMENTS. AMUSEMENTS. ACADEMY ot ru:'e:trlno-l-v | B Lawrence Philkips Theatre Beautiful Continwous Frem 5 P.M. “ISLE OF DESTINY,” With WILLIAM GARGAN and ALLACE FORD. A MARSHALL in JOBL D ESPIONAGE AGENT.” ‘ATLAS 1331 W St NE _ Ad. 8300 QtEmet £ BARBARA STANW\’CK and fmxn Mac- | LAY, “REMEMBER THE NIGHT " Allfi iEL, and JOHN KING in “HALF A SINNER.” And the Latest March of Time, “The Vatican of Pope {CAROLINA "> & = ERROL PLYNN in “THE AD! OF ROBI HOOD.” and AND IN LOVE e CIRCLE Penna. at 21st St | DAVID NIVEN. OLIVIA DE HAVILLAND i ‘RAFFLES" _Comedy Disney's c-noon ‘CONGRI-'SS 2931 Nichols AROM [DAKOTA » with WALLACE RY; JOHN HOWARD and DOLORES DUMBARTON 1343 Wisconsin Ave. BARBARA STANWYCK and FRED Mac MURRA THE NGHT News tnd Shops Bubjects. | FAIRLAWN | "MY_ LITTLE VENTURES “MARRIED ANACOSTIA, D. C. CHICKADEE _PIELDS. T WEST and W. ¢ ADULTS, 25¢ | g with MAE MELVYN DOUGLAS in “AMAZING m! AMS.” _and INVILLIAM _HOLDEN. GEORGE RAPT. VISIBLE STRIPES." Tast Complete Show & 30._ | LIDQ 3227 ™ st N.w. NEW sEATs ‘{A_llgfnni CSTERART In "SHOP AROUND LITTLE AlL Prencs “HARVEST'" GAITHERSBURG, MD. | LYRIC TodyTomorrow: WARNER BAXTER, ALICE ARRICADE.” T !PRINCESS l‘lll!l!l N! l.l'no' | CLARK GABLE. M\'RNA Tov Ta oo | HOT TO HANDLE™ Also on the Same Prul;!l‘lsn. SPENCER TRACY in “SKY [STANTON o, | Centinueus "From P, RLES TADGHRTON i < THE HUNCHBACK OF NOTRE DAME,” With SIR CEDRIC HARDWICKE. THOMAS MITCHELL, MAUREEN O'HARA. in “PRIVATE DETECTIVE" _with JANE WYMAN and DICK FORAN. WL 2650 er Brad. Free Double Peature, Tomorrow and Friday—Brought Back by Fopular Demand. ROBER ERT DONAT “GOODBYE, MR. Starting Sundsy. May “Gone With the Wind.” Reserved Seats Now on Sale. Mats. Daily. 10 am. and 2 pm. Unre- served Seats, 75c. HIPPODROME . st Dopble Peature BOB HOPE in THE gAlumY % cAlw Srant i S CA“EO a0 810, ELEANOR POWELL. FRED ASTAIRE in “BROADWAY MELODY or 1940.” HYAn's Balttmere Bivd. Phenes: GlYln.o. AEATTE™ doe- Now, Thru Friday Jo Am_-o Matinees served 75c. P.M. Unre- m:l” Show at rved, $1. Direction of SIDNEY LUST Now, '!‘hru Fridny “Gone With the Wind.” . 2 P.M. Unreserved. 75¢. 30 P.M. Al Seats MARLBORQ o=y i » Continuous 7-11. MY T BING merifia’% MI(DUR and “ROAD TO SINGAPORE.” Perfect Seund. RIS I'HSER-BE“BDA A At 8 and' 8 su P RICHARD DIX 1 e in 0. At"l and 9:30 P.M.-~WALLAX FROM DAKCVI‘A 3 “Gone With the Wind.” |¥? T DAY AT 2:30 NIGHT AT 3:30 George M. Cohan in “THE RETURN OF " THE VAGABOND”’ HIS SECOND VISIT TO THE TAVERN Di by Sam Forrest Eves., $1.10 1o $3.36; 3¢ o 92.20 R WK. bog. next Mon, Eve, *! COMEDT IRENE BORD AND A STELLAR CAST OF 100 , oxi Music and Lyries by BOOK BY MORRIE RYSKIND IRVING BEIL'” Eves. $1.10-63.30. Mats. $1.10-82.78 el OPENING TOM_?RRO Continuous Frem 11 A.M. Loek Magszine and Ameriaan Mu‘ ins. BELASCO NA: 0149 Theaters Having Matinees, b St. & Col. RETT. LORETTA vOohd i MILLAND Efi"l" e Aaiias MIRI O o VARGINIA CITY. M}nnx ‘E 25. Also_Cartoon cEm“_ €25 o ;«‘N W, Ope, JOBN G‘\RP[E"!:D .ANN smmlm PA’ IEN in “CASTLE LE ON TH KENNEDY‘"""' N Parking Soace "Avaronn cuvn DE ‘HAV‘ILLAND NIVEN FFLES ™ At 1, S 4 2 n(' T 4th N.W. M. AVID 2240, ’)l\ 9:45. 50 Pa. Avenue B.E. 2139 1 ERROL FLYRN. uleA"a"Honl\: in_“VIRGINIA CITY.” At 1130, 4115, 6:50, 9:25. Also_Shor SHERIDAN °~ " CHARLES LAUGHTO! A ind iviEN LEIGH n “SIDEWALKS oF At _1:25. 3 9:30.” Also Np--r--} Ga. Ave, ‘ C lh Pike §!,L.¥F'§.... P, CHARLES LAUGHTO! nd_ VIV ‘s{m:w.\umIs oF LON For Additional Information Phone Theaters Direct & Sheridan. in ._Also_Short. UI’OWN"‘ YPM M Farkine Smace T anatt: MtpL . SPENCER RACY. ROBERT YOUNG T NORTHWEST ‘FABEAGE U AL 1:30, _4:10, 6:50._ 9 o Newe Theaters_Maving Eve. Performances. APOLLO 624 B 3 Nl- LL 23 QUYIA, DE, HAVILLA ND 5 pavip IVEN 1 FFLES.™ At 6:15. 8:05, dey the Rough Rider.” AVALON ot c.n T Av‘m WARNER BROS. THEATERS N.Ww. in MY Lrfie CHICKAD yeahit e :50, 9:40. Short suhmcn g AVE. GRAND 615 r.. sz SE. CHARLES LA IGHTON. V’ EN LEioH ,in sgn R xfi"%y & hos W. C._FIELDS. MA] LITTLE CHICKAD! 10. __Also_Short HOME Bows momb il Fee - ROBINSON M At 8:15. SAVOY uao uu- n. W RURGESS Mlnzmm %604 LoN Y. in MICE AND s ¥ Alto Bhort r-u Ga. Ave.. Silver Sorins. 2540. Parking Snace. Full Lennh Feature c.:'oo:"um,_ nwms TRAVELS.” At 6:15, GE. 6500. WEST in .7 UAL 6118, T 1230 C St | K In the Event of Busy Sional Call REpublic 0800 YORK G;, Av . Deers OF- 8 |n BULLET. 40, 9:50 NEWTON “COURAGEOUS DR. CHRISTIAN,” JEAN HERSHOLT = and DOROTI T ULOVETT. CMat. '8 1P BT JESSE THEATER ' ryine Double P!lturz “He Marned His Wife,” . MCcCREA. NANCY KELLY. “PARO FIXER,” VIRGINIA DALE., WILLIAM HENRY. SYLVAN lll‘ll nl R. L “CONGO MAISIE o ANN SOTHERN. JOHN CARROLL PALM THEATER °=t fax.” “CONGO MAISIE,” ANN SOTHERN, JOHN CARROLL. ARLINGTON, VA, Jrioymatien ™ WILSON 55,20 i E illage. !P'NLIR 1RACY Roln'l' __"NORTHWEST | b 130, 7 PRESTON "-o‘nowmo."_ FALLS CHURCH VA. ; "o STATE Amvle Free Parking IG_CROSBY. LAMOI