Evening Star Newspaper, October 27, 1936, Page 36

AMUSEMENTS. Play About Poe’s Life Is Sad and Intelligent However, It Relies To o Much on History and Resorts Too Little to Devices to Win Audience Good Will. BY E. de S r . MELCHER. LUMES IN THE DUST,” Arthur Hopkins’ literary and worthy com- ments on the life of Edgar Allan Poe, is a sad and intelligent play. But, like “Mr. Whistler” (except for the fact that Sophie Treadwell has written a 100 per cent better play than “Mr. Whistler"), it relies %00 much on “history” and too little on the audience’s good will. The more fervent moments of this great poet’s career are mirrored with the impeachable taste that always characterizes an Arthur Hopkins production. But, after Mr. Poe's interesting, if bleak biography, has been pictured with accuracy, after his early life, his middle life and his all-too-early final life have been spoken in terms of the utmost in- tegrity (and distant members of the family are spid to have attended the performance and ciaimed that they were grateful), it still seemed as though something in last night's premiere at the National was lacking. This was not due to the play’s particularly excellent star, Henry Hull, who is probably the stage's most becoming Poe. Thanks to him the end of the second act was a dramatic landmark seldom equalled on this season’s stage. Unfor- tunately, however, the latter mo- ments of Poe’s life were dragged out not by the second but by what seemed like the hour,eand like a certain Broadway critic said about Napoleon tion of “St. Helena: in Max Gordon's interesting produc- “He took too Ion( ln dyin‘." N!V!:ETHELESS “Plumes in the Du.st" (a funereal title which we hope will be remedied before the play reaches Broadway) is a study of a literary giant will have its appeal. The time is ripe for Edgar Allan Poe. -His stories have been hot on the lips of admirers lo | these many years and there is nothing like the present to tell his biography | to those who earnestly await it. Miss Treadwell has created note- ‘worthy scenes. The question of the end of the second a¢t mentioned above is the most propitious. Also, certainly, there are indications of success in her portrait of the young wife and the devoted aunt. We believe, however, that the play starts too slowly. And that it dies too slowly, too. And that there are in- tervals between gayety, charm and bitterness which are too distantly which undoubtedly placed to warrant the play’s crashing into the headlines which it deserves. i * x % x FOR Mr. Hull's performance, there | can be no denying its absolute sincerity and warmth. He is youthful and, again, sinful, and he is everys thing that one might expect. Then, too, Mary Morris (lately divorced from the villainous role of *“Double | Door” fame) is splendid. ‘What the play lacks is pacing. Like “St. Helena” it suffers from lack of dramatic stuffing. Any great char- | acter can make a play. But not every play can create a great dramatic char- acter. Mr. Hull does his best. But unfortunately Miss Treadwell, and perhaps Mr. Poe, let him down. Marlene Dietrich to Sue For Divorce, Rumor Insists Douglas Fairbanks, Jr., Alleged Reason for Rift Between Glamorous Star and Less-Known Husband. BY SHEILAH GRAHAM. Hb-nksjr.. ‘watching bullfights in Mexico. OLLYWOOD, October 27 (N.A.N.A.).—The rumor has been revived that Marlene Dietrich is contemplating a divorce from her back- ground husband, Rudolph”Seiter, in order to marry Douglas Fair- Gentle Ruth Chatterton spends most week ends Writers in M-G-M’s scenario department are getting up a petition to stop Joan Crawford from pncucmgé for her operatic debut in the studio: | The scribes complain that Joan's vo- ealizing makes work impossible . . Miriam Hopkins holding with her ex-hus- band, Austin 7" g Parker, at Merle Oberon’s farewell . cocktajl party. : Merle Lerself ex- tremely bored with the post- ponement of her departure to New York and Eng- land, due to last- hands uv‘:;“h':nd?cfl:]; Sheilah Graham. to keep on screen acting, although her new husband, John Farrow, would like her to quit. “I'd be a fool to throw away such a good salary,” Maureen explained to the writer. Her mother and brother Jack—the latter good looking enough to be a screen actor—are house guests from Ireland « . . The studios are betting 7 to 1 on President Roosevelt . . . Jock Whit- ney has delayed his return to the coast until after the election and will therefore miss the preview of “The Garden of Allah,” in which he has | invested $2,000,000. Greta Garbo has come’ through with an explanation as to why she ‘was noticeably cold to Robert Taylor during the earlier sequences of “Camille.” “I can make much better love on the screen if I do not like my leading man,” she told Director George Cukor. Incidentally, Taylor still addresses the Swedish actress as “Miss Garbo,” even ‘“following the most tender love scenes. A local dressmaker charged the Maharanee of Indore $1,250 for one evening gown, and complained he lost money on the deal! . . . Shirley Tem- ple caught Alice Faye’s cold and is also confined to bed . . . William Powell sold his Beverly Hills home Where and When Current Theater Attractions and Time of Showing. National—“Plumes in the Dust,” at 8:30 pm. R-K-O Keith’'s—"“The Gay Despera- do,” at 11:43 am, 1:43, 3:43, 5:43, 7:43 and 9:43 pm. Capitol—"“The Devil Is a Sissy,” at 10:45 a.m., 1:35, 4:25, 7:15 and 10.05 pm. Stage shows at 12:35, 3:25, 6:15 and 9:05 p.m. Palace—“Big Broadcast of 1937,” at 12:10, 2:30, 4:50, 7:10 and 9:30 p.m. Earle—“Valiant Is the Word for Carrie,” at 10:45 am,, 1:30, 4:15, 7:05 and pm. Stage shows at 12:40, 3:30, 6:15 and 9:05 p.m. Metropolitan—“East Meets West,” at 1 ., 12:45, 2:35, 4:20 6:10, 7:55 and 9:45 pm. Columbia—"His Brother’s Wife,” at 11:18 am., 1:20, 3:25, 5:30, 7:40 and 9:45 pm. Rialto—"“Six of a Kind,” at 2, 3:57, 5:55, 8:02 and 10:09 pm. “Man of Arran,” at 3:13, 5:11, 7:18 and 9:35 ‘Spring Shower,” at 12:27, 2:20 and 4:32 pm. “Les Miserables,” for $250,000. If this keeps on, Bill threatens to give up screen acting for s Teal estate. Dick Powell brought back a bad cold from his New York honeymoon + + . The Marx Brothers have been : | unable to resume work on “A Day at the Races” because of the absence of their friend and guide, the late Irving Thalberg . . . The Douglas Fairbanks leave any minute now for Switzerland and will spend two | months in the bracing atmosphere of the St. Moritz gay night life. Noel Langley, youthful British novelist and playwright now under contract to M-G-M, is writing a dar- ing expose of the Hollywood scene, guaranteed to make several actors and executives here extremely sore. The story concerns the return of Christ to this world. His first port of call is Hollywood, where he finds His Twelve Disciples awaiting Him— three actors, three directors, three | writers and three producers. The 12 characters bear no resemblance to the original disciples of Christ, but are based on 12 men most disliked by Langley. Katharine Hepburn sees more of George Cukor than any other man here, but the rumor they are more than friends is just a rumor . . . Nel- son Eddy needs a haircut very badly . Mae West goes East with the world premiere of “Go West Young Man,” to make personal appearances. She will be in Chicago November 6, New York November 18. Robert Montgomery and George Murphy, sole Hollywood members of Pawling School ‘Alumni, shortly will hold a reunion between themselves . Jane Wyatt contemplating a trip to New York to see her mother. Now that Miss Wyatt has made a success in pictures she is back in the Social Register, from which her name was erased at the time she announced her advent into picture acting . Michael Whalen is rushing Fred l‘lc- Murray’s young and attractive aunt . . . Sonja Henie signs autographs with a pen given her by Queen Maude of Norway. pictures.” (Copyright, 1936, by the North American Newspaper Alliance, Inc.) PLAYS AT TAKOMA PARK TBE Little Theater of Takoma Park, next week, embarks upon its The Mount Vernon Ladies’ As- Sociation anmomnces following rubin of visiting hours, From Msrch 1st to N and SU; . te 4:30 P. u‘fi g lhcfin November 1st, 1936 h‘-m G STAR, WASHINGTON, D. Henry Krauss is pictured here in a f Hugo’s “Les Miserables” will be shown during its run at the Belasco twice daily, reserved. DRAMA OF PIONEERING GIVEN BY ARTS CLUB IFTY-FOUR years and a number of miles of American pioneering | (Wayne County, Ind., to Ajturas City, Idaho, 1875 to 1029) were reviewed last night as the Arts Club opened its | new dramatic season with Talbot Jen- nings’ “No More Frontier.” Mr. Jennings' play is not exactly the “American ‘Cavalcade’” it has been called, but it is an interesting de- tailing of the movement of the Na- tion’s frontier westward. On numerous occasions it boasts of considerable drama, for instance in the scene where a cattle rancher, driven from his land by the Government, which plans to use his ranch as a reservoir, yses prac- tically the same words as were used by the old Indian chief he drove from the same land 30 years before. “No More Frontier” probably is the most ambitious attempt yet made on the tiny stage of the Arts Club’s inti mate theater, and the stage crew, un- der the guidance of Lilla La Garde and George Herl, are the heroes of the occasion. They have to deal with a prologue and eight scenes in three acts, and they have kept intermission waits at a pleasant minimum, consid- ering the scenic problems. Wilma Wright Flood has some fine | moments and, more than any other member of the cast, seems to have a | feeling for what she is doing. Dorothy ‘Winchcole does a minor role skillfully, and major parts are created by Paul Alexander, Francis Crane, Maurice Jarvis, Willlam S. Hepner, Ralph Fbwler, Pauline Stanley and Denis Connell. Mr. Connell directed. “No More Frontier” is to be played again at the Arts Club tonight and tomorrow night. H M. e HOWARD PLAY CHOSEN “Yellow Jack” to Be Given by Georgetown Players. & W JACK,” by Sidney How- ard and Paul de Kruif, will be presented in Washington for the first time, December 10, at Gaston Hall of Georgetown University, by the Mask and Bauble Club of the school. The play is the story of Walter | Reed's long fight to isolate the yellow fever microbe and find a cure for the disease. The body of the play deals with the heroism of the four American soldiers who volunteered, in the inter- ests of humanity, to prove Reed’s | theory that yellow fever was carried from man to man by a mosquito. In writing “Yellow Jack,”.Howard brought to the stage a new technique of staging, using lighting effects only to denote change of scene, and thus doing away with intermisisons and | illusion-killing waits for scene shifts. At Arts Club WILMA WRIGHT. FLOOD Plays one of the leading roles in Talbot Jennings’ drama of three generations of American pioneers, “No More Frontier,” chn was sta; ed ut the Arts Club last nig nd will be repeated toa{ght and tomer- row night. rm-flwl Phato. RLANKBOOKQ Y-.tnmn-‘vdu our big stock. C, TUESDAY, OCTOBER 27, 1936. Sklarevski Brilliant In Recital Washington Musie Teachers’ Association Presents Pianist. LEXANDER SKLAREVSKI ‘gave a piano recital last eve- ning in Barker Hall of the Y. W. C. A, the concert being #f -| under the auspices of the Washing- amiuar scene from the French film version of Victor “Les Miserables,” which has its premiere at the Belasco Theater tonight at 8:30 o’clock. and all seats will be Kreisler’s Delay Gives Other Artists Big Chance the train preceding that bringing the artist, his accompanist and his man- ager was %recked near Philadelphia and Kreisler could not arrive before 10 o'clock, as no plane was available. asking for performers of a caliber to and had to wait to hear him. Pres- ently a modest young man slipped onto If}hopm He was Glenn Carow, a | Washington pianist who has been | heard often in concert but who prob- ably dreamed of a Constitution Hall |nppelunce before a select house as something still in the future for him. | Over at Barker Hall, his teacher, Al- | exander Sklarevski of the Peabody Conservatory in Baltimore, was giving a program for the Washington Music Teachers' Association. After the first number Mr. Carew fell into his stride and at the end of a Liszt rhapsody | was given a veritable ovation. In the N. B. C. offices Cecily Adams was busily typing when Ted Kimball of the station's staff hurriedly sum- moned her to Constitution Hall. With- out time to change from hers office attire, Miss Brown, a graduate of the with the N. B. C. Artists’ Service, | walked out upon the huge Constitution Hall stage and played a group of num- bers which were received with thun- derous applause. & Norman Frauenheim at Piano. | Pollowing Miss Brown came Norman Prauenheim, just back from his vaca- tion, and in several Chopin and De- bussy numbers demonstrated again the many artistic angles of his fine pian- istic gift which have become familiar to the patrons of his yearly recitals. The only vocalists which Mr. Kimball could find at liberty at the moment were the Dixie Harmonies, a quartet of colored singers who for the past ,uven years have been regular en- | tertainers every Saturday night on WMAL. This was their first appear- ance before any assembly except that of their own race and their softly tuned voices charmed the fashionable audience in such numbers as “Shorten’ Bread.” A final group by Mr. Carow, this time greeted with the kind of applause that signified he had “ar- rived,” and the word was given that Mr. Kreisler had arrived. Traveling at & high speed under police escort and with sirens blowing, the artist was brought from Union Station In four minutes. When he stepped out on, the stage at 10 min- utes past 10, he was welcomed with Best P«unt 1144 IltiS! Nw.= National 6234 Annouucms Exercise Cabinets Ladies and Gentlemen Excess Weight Reduction Guaranteed Demonstrations Pool Venetian Swimming 8 AM. to 10 P.M. The Adams 0700 Out in the office, hurried calls were | made to all the broadcasting stations satisfy & public who idolizes Kreisler | the piano seat and began to play ' Royal Academy of London and now | [Famous Violinist Arrives for Recital 1 Hour and 40 Minutes Late, But Audience Gladly Waits. BY ALICE EVERSMAN. TRAIN wreck which delayed Fritz Kreisler 1 hour and 40 minutes for his concert last evening at Constitution Hall turned into a golden opportunity for a group of Washington artists. At 8:30 o'clock a capacity audience was assembled. Only a few latecomers hurried to their seats, for a Kreisler public is on hand early so as not to miss one note of his always interesting programs. After 10 minutes a slight interrogatory applause began, and just as'a | restlessness became evident throughout% the hall announcement was made that | prolonged and wildly enthusiastic ap- plause. Without wasting a second, he began his program with Carl Lamson at the piano. Fantasy Lacks Substance. It was but natural that the artist should feel the strain of his experience | and for that reason it was not until | his third number, the “Konzaert-| stueck” by Paganini, which is the first | movement of his “Concerto No. 2 in D major” newly revised by Kreisler, that the familiar qualities of his play- ing came to the fore. The chief num- ber of interest on his program, his | arrangement of Schumann’s “Fan- tasy in C major, opus 131" dedicated to Joachim and never before played in this country proved to be of super- ficial content, the best portion of which was the original cadenza by Schumann. No doubt, heard under different circumstances, the Fantasy would reveal more of the character- istics which had caused Kreisler to revise it. His playing of this and the suc- ceeding number, the Bach ‘“Adaigo | and Pugue in G minor” for violin, alone was constrained and lacking in | the warmth of tone for which he is | famous. In the brilliant P:g-nlnl‘ number and in the group of his own | compositions which concluded the program, he was once again the Kreisler of exquisite finesse, beauty of tone and charm of phrase. Three encores followed, the popular “Lon- donderry Airs,” “Schoene Rosemarin” and “Liebesfreud,” each of which was received with cheers and the wildest enthusiasm. Probably the greatest praise that could be given Kreisler is that he alone could hold a Constitu- tion Hall audience for nearly two hours after the -scheduled concert time and have them loath to leave at the end of the program. ‘The concert was the first in the Dorothy Dorsey series for this season. AM. to Midnight Fyied oysters. shrimp, sallops, crab flllet of had- ton Music Teachers’ Association. Mr. Sklarevski, who has appeared in re- cital in Washington several - times, selected a varied and interesting pro- gram of much beauty. The audience was enthusiastic throughout the pro- gram and at its close recalled Mr. Sklarevski many times, and he gra- clously played several encores. Mr. Sklarevski’s playing is distin- guished by its brilliance, his fingers being exceptionally agile and the tempo of the more sparkling numbers almost breath-taking. His tone was for the most part rich and warm, and always ample. The delicate passages of the various compositions were ex- quisitely done, and the crispness of his work stood out in Scarlatti’s “Ca- priccio in E Major” and “La Poule,” of “Rameau,” which Mr. Sklarevski played in the first half of the program, was particularly beautiful. Also in the first part of the recital were Mozart's variations from the “Sonata in A Ma- jor” and Beethoven’s “Sonata, Opus 111, in C Minor.” Four of Chopin’s “Etudes” were played without interruption and Rach- maninoff’s “Prelude in D Major” fol- lowed, with the same composer’s ar- rangement of Moussorgsky's “Hopak.” The program closed with the taxing and brilliant Schultz-Evier arrange- ment of Strauss’ “Blue Danube Waltz.” —K. B. Divorce Becomes Final. LOS ANGELES, October 27 (£).—A final divorce decree formally ended yesterday the marriage of John Barry- more and Dolores Costello. Miss Costello applied for the decree and Superior Judge Charles Bogue signed it. Civic Group to Repeat *“Caesar and Cleopatra” GEORGE BERNARD SHAW'S “Caesar and Cleopatra,” with which the Washington Civic Theater opened its first sea- son last week, met with such audience response that it will be Tepeated Friday and Saturday nights at the Wardman Park Theater. Yvonne Kushner is Cleopatra, George Farrington plays Caesar and others in important roles are Harrold Weinberger, Mannix Walker, Elinor Cox Karsten and Rudolph Watson. Tickets for the extended run of the play will g0 on sale tomorrow at the Civic Theater office in the Raleigh Hotel. 0 Cf 'l‘:‘l'fl‘rl AMUSEMENTS. ERA % QUARTET raey, 1300 G (buu 's) NAT. 7151 GAYETY BURLESK NOW PLAYING DAILY DOUBLE WEEK SUNYA “SMILES” SLAYNE The Blonde Ann Corio V l LMA JOSZ V lent. Grace and Cla: IHE r.u»‘nw OBBLERS OF GLEE Benns S Wer Macte & Bates & Hant “Washington’s Finest” Sea Food Dinner WEDNESDAY ONLY ‘Wine-Beer 1207 E ANG O'T Beverages Street,NW. SEA FOOD to Save Your Eyes Don't make the mistakel| Btz e i 418 12th St. N.W. MICHELOB BEER ON DRAUGHT WEDNESDAY SPECIAL 50c 11:30 AM. UNTIL MIDNIGHT Bk THURSDAY’S SPECIAL Live Lebster, B R T f shrl-l Cocktail n glhnkt ol 'OYSTERS SERVED o e @ “Everything to Drink with Anything to Eat” 427 11th St. N.W.,| AMUSEMENTS. BEILLASCO BIG THREE and HALF HOUR SHOW Franco American Films in Ase'n With Pathe-Nathan Presents THE AMERICAN PREMIERE Victor Hugo's “LES MISERABLES” Photographed on the Original Locales Made Famous by the Book Starring the Fameus French Star, HARRY BAUR Because of the Length of This Production There Will Be Only TWO SHOWS DAILY —Matinee at 2:30. Evenings 8:30 ALL SEATS RESERVED FOR THIS ENGAGEMENT ONLY.. NO ADVANCE IN PRICES Seats Now on Sale at Box Office ® Complete English Dialogue Titles oking Permitted in t ; ARTHUR HOPKINS prorerts HENRY wu in a new pla Plumes ite 4y SOPHIE TREADWELL NEXT MONDAY—SEATS THURS. MAX GORDON Presents PAULINE LORD = “ETHAN FROME” ADAPTED TON'S NOVEL BY DONALD DAVIS wus EARLE LARIMORE Sissinfes,” 8 ACADEMY & ™z E. Lawrence Phillips’ n tre, Beautitul ; Continuous Prom 4:30 “THE GARDEN RDER ‘IDMUND LOW! and vuu) "NELL ANNA ASHTON CLAIINDON. VA? CLAIRE_TREVOR in —MAE F_ANGI CIRCLE _pe2'fft 5o T SCOTT. BINNIE BARNES E LAST OF THE Momcmsn itsy Kelly Com . DUMBARTON ¢ N MARY BOLAND. S giizasmgx;oom i ANACOSTIA. D. C. WILL ROGERS in “STATE PA!R" lfi'rw AT VALIANT IS THE WORD FOR CARRIE SLADYS GEORGE On Stage ¢ Redio's Famons DAN MARION DAVIES * GABLE In Warner Bros. Cormopolitan. “Cain & Mabel” COME EARLY 25c To 1 P.M. NO AIWIIGE IN PRICES wJMIDSUMMER' NIGHT'S | DREAM Sy Shakespeart - Nusic by Resdelsasha. with & cast of thousands, including JAMES CAGNEY JOE E. BROWN DICK POWELL Olivia de Havilland MAT. 25 EVE. 73 & 40¢ CAPITOL'.: s wg vean's SURPRISE NITI Freddie BARTHOLOMEW COOPER * ROONEY @ onstast s raeucsens FALL FROLIC TIIE BIG IROADCASl of 1931 GEORGE BURNS TARTHA RAVE eavasns STANWYCK 2 40¢ ER'S WIFE = nignts “THE GILDED. LILY » T 19 H ! !l York Air Conditioned Pestun P! SECO Continuous Pyom “MARY OF S UI‘LAND KATHARINE HEPBURN, FREDRIC MARCH, STANTON ok 4 C Bis. N.E. nest Sound Eauivment Continuous Prom 5:30 P.M. SHIRLEY TEMPLE in “THE POOR LITe TLE RICH GIRL. Ave. STATE-BETHESDA 8% di® KATHARINE HEPBURN in “MARY OF SCOTLAND.” Comedy and News. | T FALLS CHURCH, VA. _ - STATE ™%:5a%mec LEE e D [ “SWINGTIME.” STRETCH.” GEORGE RAPT unfl DOIDR!S COSTELLO, “Yours for the Askmg " [RLEY DEAN 1 “THE FIRST BABY.” HIPPODROME o ;.2 Double Feature Paul Cavan “Champagne Chara CO A “Barbary Hopki MT. RAINIER, MD. ‘Today Randolph Scott. “Last of Mohicans.® ARCADE ™™AT™=gas;e. Mo Margaret Lind: RICHMOND Kay Prancis. “Give Me Your Heart.® Today Eleanore Whitney, Love.” “Three Cheers for Ky AMBASSADOR 2" & %5508 GLADYS GIOROB \n VALIA)"I‘ l! THE WDR R CARRIE. APOLLO A W O ER T " boRGEE0E AVALON O e “ANTHONY ADVERSE,” With FREDRIC_MARCH and OLIVIA HAVILLAND, Peatire st 2450, 855 BoA0. NG ADVANCE IN PRICES. AVENUE GRAND 3 % Matinee, 2:00 P. M, JBERT MDN'POOM!RY. MADGE I’VAHS in “PICCADILLY JIM.™ CENTRAL rt-... Y "Ja “ANTHONY ADVERSE," ‘With PREDRIC MARCH and OLIVIA DE HAVILLAI Peature l! ll AM PIM'H) ‘10, NO ‘ADVANCE IN PRICES. cow GI. A'e .l‘ Farra “ANTHON&’ ADVERSE o With FREDRIC MARCH and OLIVIA DI HAVILLAND. Feature st 2. 4:30. 7. 9:38. NO ADVANCE IN PRICES. HOME rL'i! Cine. to%oe “ANTHONY Al With PREDRIC umcn and OLIVIA_DE HAVILLAND, DVANCE ol PRICES nn; ‘"I o aa h Sie L1179 “Public Enemy's \LEXANDRIA. VA, Today Direction of .Sidnei Lni! WARNER BROS. THEATERS LAST TWO DAYS W. C. ALLISON FIELDS SKIPWORTH Charlie Ruggles. Mary Boland, Burns & Allen in “Six of a Kind” With The Award Winner of 1934 “MAN OF ARAN” b ‘Saga of the Sea’ 30e—400 106 PARKING AFTER 630 o A WASHINGTON uuunu- .| TTiTKEITHS = “The Gay Desperado” «& LEO CARRILLO IDA LUPINO (o . KATHARINE HEPBURN Hilllll'_.llllllllll *“A WOMAN REBELS"® HILADELPHIA ORCHESTRA | oo EUGENE ORMANDY Condueting Soloist—JOSEF HOFMANN OCT. 27—8:45 gt Tickets, $1.00. 1.50, 2.00. 2.50. 3.00. 3.25 9. 86. 85 Season tickets, $15, $12, 8. T, Arthur Smith Bureas. G 8t WITT-HAMILL MUSIC, CO. ( L Tt JBSE THEATER "'s‘?.‘u.; = Carrier Alr Ceonditioned. “STATE FAIR,” WILL ROGERS and J’ANH‘ GAYNOR, uble Feature Dom ~REETER LORR ADELAINE cAm FATHER PALH THEATE ATER "H2A™ uble hltnr! AT WRAY. BERNHEIMER’S DANCING. MAE DAVISON Ball room classe: 8'to 9. ith. _children’s ¢l .00, }9 ?'flu& N‘W Natl. 3341, Aln pnuu GLORIA KAMP 607 15th 8¢, 1. T 12 Lovons. e mnere—Adganced. ~Aduits 454 Chlidren. '] ing mwa:..."ffl'm i moo Xn aflt 1111 e nwi "ulfl mm 15 Comn. A'.. 2% me Bat Baiiroom dn— every " al DoN lAIlTIlI W lfl-lfi TM-"II..—IH ( %