Evening Star Newspaper, July 5, 1936, Page 45

AMUSEMENTS. THE SUNDAY STAR, WASHINGTON, JULY 5, D. G, 1936—PART FOUR. AMUSEMENTS. F—$§ POPULAR M-G-M PLAYER TURNS FROM COMEDY TO SONG Cole Porter’s Musw Sung by Una Merkel Comedienne Goes Vocal in Eleanor Powell’s New Picture—James Stewart Climb- ing Ladder of Fame. By E. de S. Melcher. ERE are stories about two popular young play:rs—both of whom are making their way in the sun. They com: from Hollywood and we give them to you because they are new and because they are cinematically ‘We had planned to write about the Roadside Theater, or the show at the Fox, or Sidney Lust or Carter Barron. ably knowa good deal about them already, the urge to see Miss Merkel in print got the better of us. So here she is—followed by H educational. Mr. Stewart. Una Merkel, Hollywood's newest vocal “find,” has gone filmusical. “I'd rather play in musicals than any other type of picture,” she declares. Well, I'm doing it, and liking it, too. Of course, Il never be an opera star, but I do enjoy it and I'm glad the studio thinks enough of my re- cently discovered vocal chords to give them a chance, “Listen,” she said as her voice sketched the mel- ody of a sophisticated lyri written for Eleanor Pow- “Born to Dance,” by Cole Porter. How does it sound? As a matter of fact it sounded grand. Una's singing voice has the same intriguing quality one finds in her speaking voice. “And does Una like to practice!” her mother, who was sitting ir on the onversation, added: words and music as well as she does. “Sing? ell’s hearsing.” “Do you want me to let you in on a grand secret?” asked Una. have vocal ambitions, practice before: & mirror. That's just so you won't make funny faces. I learned this at my first singing lesson from Roger Edens, M.-G.-M.’s coach. When I sang for him he didn't say very much at first. Then he brought out a mirror. All I can say is that I'm glad the mirror wasn't a motion picture camera. “You know,” she went on, “music Just seems to do things to a cast. I've only been in one musical picture, but that was more fun than all of my other pictures put together. Every one seems 0 gay and happy. It doesn't make so very much difference whether you can | really sing or dance. You find your- zelf trying to keep pace with Eleanor Powell anyway. If I could be some one else rather than myself, my choice would be Eleanor. Imagine the thrill ©of being able to dance as she does!” JAMES STEWART started his career “on the wrong foot,” in the great- est series of flops known to theatrical history.” ‘They were, however, “artistic flops.” “Murder Man” was his first picture and “Rose Marie” the second. In *“Wife Versus Secretary” he played Jean Harlow's boyish beau. In “Small Town Girl” he was a futile small- town suitor for the hand of Janet Gaynor. Stewart, tall, slender, youthful, had no ambition to become an actor when he attended Princeton. He was study- ing to be an architect. But the Princeton Triangle, pre- vailed upon him to take & small part in its annual show. He was a sophomore then and en- Joyed the experience so that he re- turned again next year for a bigger part. In his senior year he was lead- ing man. Then came graduation, the depres- sion and joblessness. He looked around him and discovered that all the “men I admired most in school had some- how gravitated to the theater.” ‘They were all at Prince n's famed Falmouth Repertory Comp. .y at Cape Cod. “I needed a job,” Stewart says. “They offered me one and, presto, I became a professional actor.” He remained at Falmouth for “some of the happiest months” of his life. Occasionally the group would have guest stars for a week, and thus he played there with Jane Cowl in *Camille.” The star was so pleased with the young man's performance that she offered him the same part with her on Broadway, which he accepted. Thus began the first of the flops *“Camille” was highbrow and didn’t run long. “An artistic success,” the critics wrote of it. Hard times fol- lowed until he found a job as a stage manager for Blanche Yurka's “Spring and Autumn.” “This was the best stage experience T ever had,” he continued. “I found I could learn more about acting as a stage manager in overalls than as an actor. I liked the job and worked hard.” When this show failed, early in its run, he was back on Broadway, mak- ing the discouraging round of pro- ducers’ offices. He went into rehear- sal with “All Good Americans,” with Fred Keating and Hope Willlams. “But it was too sophisticated, the Jokes too incisive.” It failed. “Yellowjacket” came next. Hailed #s one of the most enlightened plays of its time, it was nevertheless a finan- ;l;l failure and Stewart was out of a job. His next failure was a personal suc- cess—“Divided By Three.” It didn't run long, but the role provided him with a characterization that inter- ested professional Broadway. The personal prestige he derived from this was such that Metro- Goldwyn-Mayer made a screen test of him on the strength of it. The day after “Divided By Three” closed he was tenaciously rehearsing a role in “Page Miss Glory.” This, too, closed in a few weeks and he began rehearsals in “Journeys by Night.” The day this theater went dark he received a telegram from the West Coast. Next day he was en route to Metro-Goldwyn-Mayer, a contract in his pocket. Stewart’s vast popularity in the screen, colony is due partly to his en- gaging manner and partly to his col- lege-born talent for playing an ac- cordion. ‘This latter he does, on the slightest provocation, for hours at a time, re- membering with something amounting to a clairvoyance any popular song and its lyrics that his rapt listeners can request. This skill went far in breaking the off-scene monotony of “Rose Marie's” long location at Lake Tahoe, Cali- fornia. Stewart has just completed an im- portant role in “Speed” for Metro- Goldwyn-Mayer. He then went into ofe of the leads opposite Joan Craw- in the “Gorgeous Hussy,” which almed to assist him on his ride to fame. Two for Menjou. PARAMOUNT has concluded nego- tiations for the services of Adolphe Menjou in two additional pictures fol- Jowing “Wives Never Know,” in which he will have a featured comedy role supporting Charlie Ruggles and Mary Boland, with Elliott Nugent directing. Claude Giilingwater has an important qharacter part, But since you prob- “That's it. “All of us at home know the She is almost constantly at her re- “If you Kay Francis ComingIn ‘WhiteAngel’ Film Next at Earl Other Bookings Announced. HE Earle has scheduled a double- | barelled stage-screen attrac- tion for next week, with Kay Francls in “The White Angel” taking over the screen next Friday and Harriet Hoctor, “the American Pavlowa,” appearing to headline the vaudeville program. “The White Angel” is the motion picture biogra- phy of Florence Nightingale. Ian Hunter and Donald Woods also are in the cast. Miss Hoctor will present two ballets—“Amour Coquette” and “The Raven"—in the top spot on the stage bill. “Early to Bed,” scheduled for this week at the Metropolitan, has been postponed until next Friday. The film marks the tenth time Charlie Ruggles and Mary Boland have ap- peared as man and wife on the screen and presents Charlie as a mild-man- nered bookkeeper, who gets along al- right in the world except for the fact that he walks in his sleep. Not only does he prowl about in his slumbers, but when he does, he becomes a veri- table “tiger man.” Bobby Breen, radio’s latest sensa- tion, definitely will be seen in Wash- ington in his first screen appearance, “Let's Sing Again” Keith’s having scheduled the fllm as its next attrac- tion. Radio Pictures officials were 8o pleased with the lad’s performance in the film that they have signed him for three more pictures. A high-speed story, with laughs, a breezy romance and a parcel of thrills at the bottom of the sea, are prom- ised in “High Tension,” which comes to the screen of Loew’s Columbia next Friday. Brian Donlevy, Glenda Par- rell, Norman Foster and Helen Wood are the featured players. “If 1 Had a Million,” novel film portraying the reactions of six peo- ple who suddenly are handed a mil- lion dollars, opens today for a one- week revival at the Little Theater. Charles Laughton, Gary Cooper, George Raft, W. C. Fields, Jack Oakie, May Robson, Charles Ruggles, Rich- ard Bennett and Alison Skipworth are in the cast. The Little also will show a condensed version of “Man of Aran.” . Gershwins on Film Score. EORGE and Ira Gershwin, inter- nationally known composers, have been signed by R-K-O Radio to write the music and lyrics of “Watch Your Step,” next co-starring vehicle for Fred Astaire and Ginger Rogers when their current filmusical, “Swing Time,” is completed. Signing of the noted pair gives to Astaire and Miss Rogers the distinc- tion of having had as musical authors the seven most outstanding names in modern music. Lyricd and music for their previous smash hits were contributed by Irving Berlin, Jerome Kern and Dorothy Fields, Cole Por- ter and Vincent Youmans. “Watch Your Step,” a Pandro S. Berman production, will be directed by Mark Sandrich, who last guided Miss Rogers and Astaire in “Follow the Fleet.” It is based on an original story by Lee Loeb and Harold Buch- man, the screen play now being writ- ten by Edmund North and James Gow. Abel’s New Film. ECOND WIFE,” recently acquired as a screen property by R-K-O Radio, has gone before cameras with Walter Abel and Gertrude Michael in the top spots. Also heavily fea- tured in the production will be Erik Rhodes, Lee Van Atta, Dunn, Ann Shoemaker and Maxine Jen- nings. Lee Marcus is producing, with Ed- ward Killy directing. The story, based on Fulton Oursler’s stage play, “All the King’s Men,” was adapted by Thomas Lennon. Benny in Two More. PA.RAMOUNT has exercised its op- tion on the services of Jack Benny for two additional pictures to follow “The Big Broadcast of 1937,” which is now in production. The second picture for Paramount will be “College Holiday,” which Harlan Thompson will produce and which will be adapted from an original story by the producer and Frederick Haz- lett Brennan. Francis Martin and Walter DeLeon will write the screen play after they complete their work on “The Big Broadcast of 1937.” Negotiations are now under way to bring Benny Goodman's orchestra, the leading “swing” band in the East, to Hollywood for this picture. 4 3 Hollywood’s Newest Favorite in His Latest Role {t"’v‘b—'lvf'flwmw»w,‘a’p.".vaWUérth"”mlm"%nfi'«VMXQ\‘"M‘W*'#.«».WH-_& i g O R —— ey Robert Taylor, who is in a fair way toward becoming the cinema’s outstanding matinee idol, is pictured in this new por- trait from Hollywood in costume for his latest role, opposite N ik Joan Crawford in “The Gorgeous Hussy.” The picture will be shown in the near future at one of the local Loew theaters. : S Swimming Now Taught At Seaside Children Learn Free. News of Other Resorts. Chesapeake Beach, Md, the nearest salt water playground to the District, has inaugurated a new feature—free swimming lessons for boys and girls. Classes began June 29, arranged in co-operation with the American Red Cross. Lessons are given every day from 10 am. until noon, under the direct supervision of a Red Cross examiner. Swimming at Seaside is in salt wa- ter, either directly in the bay or in the large pool. Other attractions at the resort, which is just an hour from ‘Washington, include fishing from the half-mile pier, dancing on the breeze- swept pavilion overlooking the water, and the carousel, miniature reflway, airplane swings, roller coasters, fun hall and other amusement park ries. Glen Echo Park boasts a list of 1-ee attractions. Admission to the park, of course, is always free, as is the use of picnic chairs and tables in the shady groves and the lawn swings and other alds to a good time. Latest addition to the free list is the swimming in- struction at the Crystal Pool. Lessons are given mornings and evenings to both children and adults. Glen Echo also has a long list of modern amusement park fun devices— the drive 'em yourself motor boats, the “Whip,” the “Dodgem,” the “Old Mill,” the coaster dips, the merry-go- round, the airplane swings and the “Midway of Fun.” There’s swimming in the Crystal Pool and dancing at the Spanish Gar- den Ball Room, with Dave McWil- liams’ music. SIS TR “Arizona” at Roadside A'JOUSTUB THOMAS' drama of the last frontier, “Arizona,” one of the greatest popular hits of the past generation, will be the next attraction presented at the Roadside Theater, out on the Rockville pike. The play will open a two-week run Monday, July 13. The Roadside’s cast will be headed by J. Edmond Veitch, Richard Kreuz- berg, Marvin Beerz, Charles Gilman, Lansing Hall and Virgicis True, e Discovered in Cafe. Wmhemppednnwthefloor of a Chicago cafe the other night, Carl Grayson stepped right into motion pictures. Harry Cohn, presi- dent of Columbia Pictures Corp., in town to attend the film company’s annual sales convention, was among those whom Grayson entertained, and 50 impressed was he by the youthful singer's ability and appearance that the Columbia executive immediately signed him to a long-term contract. An accomplished violinist as well as a singer, Grayson has been ap- pearing with Henry Busse’s Orchestra for the past year and a half. Prior to that he was featured over Station WLW, Cincinnati. Grayson, who is 6 feet 1 inch tall and has the shoulders of a foot ball hero, was born in Canton, Ohio, and received g‘n musical education there and SEASIDE AMUSEMENT PARK, at | eestfad k Lonsdale Play. RINGING together once again two | stars of “The Great Ziegfeld,” Metro-Goldwyn-Mayer today an- nounced plans for the making of Frederick Lonsdale’s play success, | “The Last of Mrs. Cheyney,” .as a vehicie for Myrna Loy and Willlam Powell. The story is to be directed by Jack Conway, whose most recent directorial hit was “A Tale of Two Cities.” Larry Weingarten, who will pro-| duce the Lonsdale comedy for Metro- Goldwyn-Mayer, has signed Samson | Raphaelson to handle the adaptation. | Raphaelson is the author of the New York play and recent film “Accent on Youth.” - The Maternal Touch. OTH boys and girls, from the age | of 1 to 4, cry on an average of 30 | minutes a day, it has been learned in | Hollywood. Records kept on Irving G. Thalberg’s “The Good Earth” show that the usual crying spell | ranges from 20 seconds to a minute and a half. A dozen or more Chinese babies work on the set daily, and little Betty Soo Hoo, 6 months old, holds the rec- ord of not having spolled a single scene. Luise Rainer, co-starred with Paul Muni in the Pearl Buck story, is the official sob-sister. She has not wet failed to stop a cry, merely by holding a child in her arms. “Horse” Starts. HE film version of “Three Men on a Horse,” starring Frank Mc- Hugh and directed by Mervyn Le- Roy, will go into production at the ‘Warner Bros.’ studios this week. The cast to support McHugh is now being selected and will be announced shortly. Laird Doyle has written the adaptation of the stage play by John Cecil Holm and George Abbott, which has been the hit of two continents. Frank McHugh will play the part of Erwin Trowbridge, writer of verses for greeting cards and infallible race track tipster—a role that has been sought by a majority of the leading comedians of stage and screen. Watergate Concerts “Symphonies on the Potomac” Commencing July 19th SUNDAYS, WEDNESDAYS, FRIDAYS ‘\WWILSON LINE A 24407 TREET WHARVES Today’s Film Schedule LOEW'S FOX—“Crime of Dr. Forbes,” at 2, 4:30, 7:15 and 9:35 p.m. Stage shows at 3:55, 6:35 and 9:20 p.m. PALACE—"Private Number.” at 2, 3:45, 5:45, 7:45 and 9:45 pm. COLUMBIA — “Fury,” at 3:05, 5:15,7:25 and 9:35 p.m. R-K-O KEITH'S — “The Bride Walks Out,” at 2:27, 4:15, 6:03, 7:51 and 9:39 p.m. WARNER'S EARLE—"The Prin- cess Comes Acros at 2:50, 5:15, 7:45 and 10:15 p.m. Stage shows at 2:05, 4:30, 7 and 9:30 p.m. METROPOLITAN — “Hearts Di- vided,” at 2, 3:50, 5:40, 7:40 and 9:40 pm. LITTLE—"If I Had a Million,” at 2,3:58, 5:56, 7:54 and 9:52 p.m. Added attraction, “Man of Aran.” New Recording ‘THE GARDEN OF ALLAH," Selz- | nick International’s technicolor production starring Marlene Dietrich | and Charles Boyer, will be the first full-length film whose sound is re- corded by the new ultra-violet system recently developed by R. C. A. en- gineers. The new system is said to achieve a fidelity in recording voice and music | never before attained in a motion pic- ture production. It captures over- tones of sound which have heretofore | escaped the movie microphones. . Wanted for Stage ED HARRIS, New York stage pro- ducer, is negotiating with R-K-O J Radio studios for the loan of Owen | Davis, jr., to appear in his forthcom- | ing production of the Philip Barry play “Spring Dance.” If the deal goes through, it is understood that Davis will be featured with Mary Rogers, daughter of the late Will Rogers. In view of young Davis' perform- ance in the recently previewed | “Bunker Bean,” it is considered un- likely that the studio will be willing |~ to spare the young actor from the screen for the return to Broadway. UNCLE SAM’S G-MEN FRENCH FARCE SYLVAN THEATER (Monument Grounds) TUESDAY, JULY 7th. 8:00 P.M. | l Dress Extras Busy. WI'A'H one picture, R-K-O Radio’s | “Swing Time,” scheduled to use | ! haH of .their total registered number, Hollywood's dress extras can look | forward to bu.sy days. | “Swing Tinie,” which co-stars Fred | | Astaire and Ginger Rogers, will use from each day during more than two weeks that scenes of the production are filmed in lavish night club settings. | In mapping the schedule for these | night club scenes, it was necessary to | consult other studio schedules in order to be assured against & dearth of | | class A dress talent. The two night club settings on | which the extra players are to be used | will be the backgrounds for the big- | gest dance numbers of the picture. ’ Abbey Player Arrives. | [)ENIS O'DEA, handsome young | stage favorite from the roster of the famous Abbey Theater Players, who recently was signed by R-K-O Radio for an important role in the forthcoming pmductlon of “Plough and the Stars,” co-starring Barbara Stanwyck and Spencer Tracy, arrived {iIn New York on the Berengaria last week. | The signing of O'Dea places five | of the noted Abbey group in the | new picture, Barry Pitzgerald, Eileen Crowe, Arthur Shields and F. J. Mc- | Cormick having already arrived in Hollywood. | O'Dea, in addition to his splendid work with the Irish stage players, | will be remembered for his role in “The Informer,” as & result of which he received numerous screen offers. Favorites Teamed. ICHARD DIX and Chester Morris | will be cast as & new screen team | | for Columbia in at least one im-| | portant production and maybe several,’ | the company announced this week. The two stars have appeared separately in the company's produc- | | tions during the past year. Dix was seen recently in “Devil's Squadron” and Chester Morris in *Counterfeit.” EITH'S ATG WASHINGTON twsrituTiON The BRIDE WALKS OUT IAGIIAM STANWYCK LOUIS-SCHMELING FIGHT PICTURES LYRIC TNEATEK Colonial Beach Every S -dny AS USUAL, ONE MAY ENJOY THE MORE THAN FIFTY WHOLESOME FINE RECRE- ATIONAL FACILITIES AT THE PREMIER RESORT OF THE NATION'S CAPITAL GRAND, GLORIOUS, GLIT- TERING EXPOSITION OF FUN [FREE ADMISSION ] 0 SWIMMING IN THE CRYSTAL POOL WITH SAND BEACH ADJOINING FROM 9 A. M. TO 11:30 P. M. FREE PICNIC GROVES OPEN 10 A. M. AND ALL RIDES AND FEATURES 1 P. M. TO MIDNIGHT. | was hired as an exotic limited type and | | to Norma Shearer, 75 to 200 dress extra players | Cinema Enigma Marks Quarter Century in Films Sam Goldwyn, Gambl er on Stars, Credited With Raising Artistic Level of Photoplay Entertainment. By Sheilah Graham. (Copyright. 1936. by the North American Newspaper Alliance. Ine.) H enigma No. 1. Some would work for nothing in OLLYWOOD, July 4—Samuel Goldwyn, ex-glove salesman and chair- man of the powerful United Artists Group, is now celebrating his twenty-fifth year in the motion picture industry. He is Hollywood's order to write or act in his pictures (although this would not be good policy, as Goldwyn believes in paying for what he wants). would not work for him for all the gold | in the United States Treasury. Some call him the most generous man in the film colony. Others are equally vehement in denouncing him as close- fisted. But enemies and friends are agreed | on one point. Mr. Goldwyn, born in Warsaw, Poland, . 52 years ago, of poor parentage, of insufficient educa- tion, has done more to raise the artistic level of film entertain- ment and dis- covered and de- veloped more movie stars than any other pro- ducer in the busi- ness. Goldwyn is a ;’:“‘;‘;"::m;‘:: Sheilah Graham. overwhelming the odds, he plays his hunches to a limit of his bank balance. Anna Sten cost him $1,000,000 before he abandoned his dream of turning the plump little European into the greatest| motion picture actress of all time. Portunately for Goldwyn’s belief in his own judgment, he is usually more right than wrong in the picking of potential star material. Out of several hundred extras lined up for the produc- tion of “The Winning of Barbara ‘Worth,” the producer unerringly chose Cowboy Gary Cooper for the role of | “Abe Lee.” Ronald Colman was a jobless young | British actor when Goldwyn spotted him in a New York theater lobby and gave him a contract. Ann Harding made her film debut in Goldwyn's “Condemned.” Vilma Banky had the | luck to be seen by the film Columbus | /ES<T in Budapest. Eddie Cantor was put under contract on the heels of his Paramount flop and transformed into & great box-office bet. Merle Oberon developed in two pictures into a rival OLDWYN'S enthusiasm for his| discoveries is part of his success | with them. At the completion of “Stella Dallas,” in which Belle Ben- nett received her big opportunity, | Goldwyn invited Ernst Lubitsch to| view the picture. Three-quarters of | the way through, he asked, “How do you like it?” “It's great,” Lubitsch assured him. Goldwyn laughed. “And that's not yet the climax!” he gloated. Goldwyn, responsible for the forma- tion of the two largest picture com- panies in Hollywood—Paramount and | Metro-Goldwyn-Mayer—makes two or | three pictures a year costing five mil- lion dollars of his own money. No detail is too insignificant to| escape his attention—as Howard | Dietz, ex-publicity adviser to Goldwyn, once discovered. Dietz's job, among | other things, was to write all the | public pronouncements purporting to | | come from Goldwyn. On one occasion, | owing to work pressure, Dietz rele- | gated this job to another. Goldl'yn sent for him. “That's not my style,” he cried indignantly, pointing to the | offending article. “What do you| mean by getting some one else to| write it!” A mixture of generosity and thrift, | Goldwyn recently gave Eddie Cantor a present of $20,000 to take his family | on an European vacation. He nu‘ also been known to spend an hcur‘ arguing over a stationery expenditure of a few dollars. ‘Writers are Goldwyn's special pets. During the days when no writer of re- pute could be lured to Hollywood, he succeeded in making contracts with Rupert Hughes and the great Maurice Maeterlinck. When the latter ex- pressed doubts, Goldwyn is said to have patted his back and told him, “Don’t worry, I guarantee you'll make good.” SIDNEY LUST DlREéfio ‘Warner Bros. Comfortably Cool Theatres EARLE ... NOw PLAVING CAROLE FRED LOMBARD ~ MxMURRAY s Paremecnts PRINCESS cou:s ACROSS LOUISE mssn & westennens Ak Or Acts WARNER BROS. THEATERS MARION DAVI!S n Comapelten-W “HEARTS DlVID!D" oicK PQ'CU—CU\IN RAINS ENJOY A GAY, COOL FOURTH LOEW'S FOR HOLIDAY SHOWS Dr. Forbes” WITH GLORIA STUART There are those who< Sound Pheteplay WG BE, ACADEMY ° ™rgt E. Lawrence thlbl The THI and JEAN PARKER |ASHTON o, EA%25P0% V4, “THINGS TO_COME." CA 11th and N. C. A".& York Aiz Cendith FRED ASTAIRE and GING “FOLLOW THE PLEET 06N R =T WARNER OLAND in ARLIE CHAN AT THE CIRCUS.” _New - ___Comed: 'nun n Ave. MI- DUMBARTON 2% Firss CHAEL, AKIN TAMIN TRAP.” "News nna ca%re’ o FA[RLAWN HENAY O DA 'm “TRAIL OF THE LONESOME PINE." LITTLE 8Beimem X it 8 CHARL!S LAU OH'I'OM GARY COOP!R AY GEORGE_RAFT. RY ROBSON. oL D, JACK R CHA RS, And ALISO! “IF T HAD ; A MILLION " Also_“MAN OF ARAN." eSS ’ge"m" wufzx.rfi snd Woo LEE ;:'x:':’su “CHARLIE CHAN AT mzocm‘fc I SECO 8244 Georeia Ave. Silver Spring, Md. Matinee = M “CAPTAIN JANUARY." SHIRLEY PLE. 'H_ OP TIME STANTON Finest Sound E nee. 2:00 P.M. Mati BERT WHEELER and ROBERT WOOLSE “SILLY BILLIES." % OF THE Juth CHARI PiCKrORD \(ARI‘}Z‘L! and FLORENCE STATE.| BETHESD Beivece Ma Matinee 2 P.M. Today 'I'hru F'nclay——Open at 1:45 P.M. MATTHEWS and ROBERT YOUNG “IT'S LOVE AGAIN.” HELD OVER—ird WEEK. Louis-Schmeling Fight. Shown _ 2. 4. 6 8 1012 e __ FALLS CHURCH, VA. STATE “%8ARRR® LEE Monday Monday 0!;?53.\1%5}3{ in EOBT u;mh%o.‘.‘- TAKOMA * Conti; 3 SYLVIA smn"""’.’r:' e “Trail of Lone:wmeY Plne " HiPPODRO] = m‘mME S'and GEORGE BRENT in ‘THE GOLDEN ARROW.’ ___Continuous 2:00 to0 11:00 P.M. _ CAME ) 3ith St & B L Awi MT. RAINTER. MD. ree: Straient“om weod 23 fi st Rhode laiand Ave. Twe Blocks r.n Dfllrle‘ Line. Today Through Saturday Cont. Daily 2 to 12 P.M. Schmeling-Louis Bout. Every Hour on the Hour. Last Show Starts 11 P.M. Admission, 30c. HYATTSVILLE, MD, ARCADE Prifisrmir JOHN BOLES in ‘MESSAGE TO GARCIA’ Continuous 2:00 to RI auxnnnf. w RICHMOND eXanpmis. JOE E. BROWN i m “SONS O’ GUNS.” MILO = FRANCIS LEDERER in “One Rainy Afternoon.” ___Continuous w;w PM i INGOMAR ~ AfExaymess, vx Starting Tomorrow 8 Shows Daily. SCHMELING-LOUIS FIGHT PICTURE. For One Entire Week. July 6 to July 11, Incl. Cont. 2 to 12 P.M. " |AMBASSADOR &2* &.%5% AR V\'II‘I’ION;D. CAROLF LOM!ARD And FRED Mac. MURRA RINCESS _ COMES Achols APOLLO ,&iiise L Line. 33 ow Starts 2:00 P.M. ROBERT TAYLOR d JANET - LI AW mLG'" 9th Between [' and 6th and K Neas |&A 173 0 = E w __TONE._“March of Time. AVENUE GRAND % A% Mati WILL Rorim‘"m’ “cSiEcTicur EX-M D iy 8ympho IE _J230C PENN len'r:-' mfi?:vfb ste. SAVOY 14th 8t & ook l"i'. LW, Show Starts 21 ul &)ml EDWARD | ARIO .GOLD. Deye. 'l'lvol-' l“l lt. & :fil R4 NW. .ul con CLAUDE ézn s s-mpham STHE k"i'N‘G"sr'i’Eps ouT, GRACE IIOORI- mmcr TONE.