Evening Star Newspaper, November 11, 1935, Page 32

AMUSEMENTS. THE EVENING STAR, WASHINGTON, D: C, MONDAY, NOVEMBER 11, 19 AMUSEMENTS. B—16 ** Town of Williamsburg Recalls Garbo’s Visit 0 AM}JS!—:_N!E S. AMUSEMENTS. el Popular Actress Said to Have Gone “Colo- nial” Last Spring—Old Theater to Be Rebuilt. BY E. de S. MELCHER. W!LLIAMSBURG. Va., November 11.—Here in this quaint and stim- Our hunch that “Rendezvous™ would delight the critics and public was right! . . . We con hold it but one week. 36 hurry! We must make way for "HANDS ACROSS THE TABLE" with Carole Lombard and Fred MacMurray, with Bob Hope and J. Harold Murray on the stage starting next Friday. “RENDEZVOUS’ BETTER THAN ‘THIN MAN ulating town the footsteps of Garbo are said to have sounded last Spring. The “natives” are still talking about it—and down at Jamestown, in the small gift shop that faces the water, within earshot of that early tower, all that is left of the church where Pocahontas married John Smith, and where, remember, her name was changed to Rebecca, they rushed Miss Garbo to sign thed o o Walle Winchell guest book and watched her breath- lessly scratch away with one of those quill pens which are said to have dated from the Revolution, and which certainly writes that way. ‘Whether or not the story is true, at any rate, during those late April days last season when “Anna Karenina” | was nowhere to B be found it is said that she graced this amaz- ing town and in- quired into the | famous Wythe House, George Wash- ington’s headquarters for many a day, will rise again—modeled on the original foundations, which are still preserved. And there, it is said, some of the foremost actors of our day will be asked to appear in comediesi and tragedies of. another day, while the ghosts of Thomas Jefferson, Patrick Herry and those Custis off- springs, Martha Washington's by her first marriage, who lie across the green in Burton's Parish Church, listen to modern voices speak Colonial “Team of Powell and Russell ster hit of Rendervour” ... 8 swell fim.” Eddie Melcher .. 1 cal it quality entertainment” . . . . It moves with & rare and esciting ahghly “Witty. debonair and altogether delg “Laughs enhance suspense . . . o comedy Stor e i W g . i Nelson 8. 8¢t . , . Post ning production.” Don Craig . . . News e PF... Heold WILLIAM POWELL ond ROSALIND RUSSELL in | words, watch white wigs, swords, bro- | cades and velvets come back into| | their own, and forget momentarily | | the less melodious voices of today’s| past as though her early an- WITH LOVE cestors had hailed from the Col- onies instead of perhaps from one of the flaxen- 4 | haired Kings of Sweden. As in the case of Mr. Rockefeller, she arrived without fan- | fare, walked about without fuss or,| uproar and fitted herself ideally into a community which eschews noise, confusion, radios, publicity and chew- | ing gum. Greta Garbo, e ‘A SURVEY yesterday of the James- | town records did not disclose Miss Garbo's signature—although the young lady in the shop swore that Garbo had been there, swore that the island had been visibly stirred by her presence, that she had viewed the tower and those two graves which for sentimental reasons were placed within eight inches of each other and which a giant tree has separated now by eight feet. absorbing some of the stone in its trunk on its shoot up- ward, with wonder and amazement. Swore that with her were William Powell and Jean Harlow This last statement, and the fact that the young lady went on to ask if Miss Garbo wasn't making a film at Annapolis at that time. make the veracity of the story somewhat doubt- | ful. For, try as we may, we do not seem to recall Miss Garbo either in *“Shipmates Forever” or “Annapolis, Farewell”—and if she appeared in the latter she must certainly have gone down with the ship. * ok ox % 'HERE is a small, wooden tablet here which marks the spot where was situated America’s first theater. ‘The public is apt to forget that even before that time—1751—the Hallam sisters appeared in plays—such as Farquhars epics—to the delight of the Colonial gentry, and that drama, music and culture flourished in Wil- liamsburg along with the sound of muskets, Indians and the unfortunate crackling of flames which reduced the town to those proud ashes out of which Mr. Rockefeller has now raised a miniature empire. The theater here lived early—and it will live again. For within the next few months a replica of Amer- ica’s first theater, across from the | * kK ok cinema queens who chirp out their | little existences in a blaze of Holly- wood glory. O FAR as the movies are concerned. sometimes an advantage “the provinces.” Here, | for instance, the Willlamsburg theater, run full steam ahead by Thomas McKaskey, night after night | plays to stuffed houses—allowing no more than some 500 customers in & | theater on which Mr. Rockefeller has spent a quarter of a million dollers. | Here films reach old age in two days’| | time—and this week you may see| \something like “Mutiny on the| | Bounty,” “The Dark Angel” and per- | haps a “Broadway Melody,” whereas in a larger town these choice enter- j tainments would probably take you at | least a month or two to see. | Mr. Rockefeller, R-K-O and Mr. | McKaskey have done a fine job with this little theater—which is one of the | choicest in the country. Its spic and span projection room is on a par with | that of Radio City, and if you think! you have sat in comfort at a motion | picture theater, wait till you have sat in one of these chairs—in which even Mr. Rockefeller now and then relaxes | and for which he pays his 35 cents| | to relax. And so, not so many months from | ncw, the cinema will join hands, so to speak. with the Colonies, and when | the old theater has been rebuilt, stu- | dents from William and Mary College, pouring out of that classic hall built | ‘by Sir Christopher Wren in an age | when Garbo was not even dreamed | of, may spend their evenings elther! | in the past or in the present—taking early eighteenth century theater along | | with the twentieth, passing from Mae { West to the classics—hearing the old and the new, in the flesh and on the screen. Even now the workmen are selecting the stones and the woodwork which will adorn this old-new theater hall. And in the grounds, it is said that sentimental citizens are browsing about in an effort to find some spot of Igrcasu paint which might have be~; | longed to somebody like the Hallam | sisters. | Everything will be like it used to | be—as in the rest of this haunting | !old town of Williamsburg. = abis to live in ANNIVERSARY EVENTS MARK LOEW PROGRESS Opening of Palace and Record of Manager Ratto to Be Featured. ,TWO memorable events in the his- tory of Loew’'s Washington thea- ters will be observed starting Friday. ! ‘These are the seventeenth anniversary of the opening of Loew's Palace and the twenty-first anniversary of the association of O. J. (Angie) Ratto with the local Loew organization. This anniversary is being marked with the presentation of “Mutiny on the Bounty,” Metro-Goldwyn-Mayer's classic, which stars Clark Gable, Charles Laughton and Franchot Tone. It was in November, 1918, that the Jate Marcus Loew, accompanied by Nicholas Schenck, now president of Loew’s, came to Washington to open officially the new entertainment house. There was a notable guest list at the opening, to witness Mary Pick- ford in “Johanna Enlists.” In those days, however, the Palace was running two, distinctive shows a week, one holding the screen for three | days and the other for the balance of the week. However, in Semember.l 1919, this policy was abolished and ! pictures were put in for a week or more, ‘Vaudeville came along in Septeraber, 1926, with Vincent Lopez and his or- chestra as the opening attraction. Such personalities as Rudy Vallee, Ben Bernie. Rubinoff, Nora Bayes, Francis White, Jean Harlow, Conrad Nagel and others have been featured on the Palace stage. Angie Ratto’s history with Loew’s | is a notable one. Mr. Ratto started his theatrical career at the Columbia | Theater in 1914, in the capacity of | bill poster, publicity man, ticket taker, | organist and had sundryether duties. | Then in April, 1920, Nicholas | Bchenck elevated Mr. Ratto to the ! position as manager of the Palace, | serving under Larry Beatus, then city ; manager. BURLESQUE -AT GAYETY Team of Carlos and Gale Carries Much of Burden. EASILY the most talented feature of the Gayety's new bill, “Pace Makers,” which opened last night, ‘was the team of Carlos and Gale. The rest of the show, decidedly not up to standard, was headed by Max Coleman, Harry Bentley and Al Hil- lier, whose efforts toward comicism never seemed to click, and by Jimmy Walters and Wen Miller, straight men. Sally O'Day heads the list of spe- cialty acts, but she might well be dis- placed by a competitor, Diane Johnson. Several of the singing numbers were colorful scenes that Gale did her best to make come alive with the aid of a lovely soprano voice, but her efforts were spoiled by the derisive laughs which her partner drew, even with his most serious efforts. It is to be hoped that the “Colonel” can get a younger and more lively chorus together next week, as well as some better acts throughout the show. R. Few Unemployed. Peru now has few unemployed and no labor disputes. P Where and When| | Current Theater Attractions | | and Time of Showing. i National—"The Great Waltz,” 8:30 pm. Palace—"Barbary Coast,” at 12:15. 2:35, 4:55, 7:15 and 9:35 p.m. | Earle—"Metropolitan,” at 11 am, at |1:30, 4:20, 7:05 and 9:50 p.m. Staje shows at 12:55, 3:40, 6:25 and 9:10 pm. Loew's Fox— “Rendezvous,” el 10:30 am., 1:20, 4:10, 7 and 9:50 p.m. Stage shows at 12:15, 3:05, 5:55 and 8:45 p.m. ! R-K-O Keith's—“Remember Last Night?” at 11:51 am,, 1:53, 3:55, 5:57, 7:59 and 10:01 p.m. | Metropolitan—“The Virginia Judge,” at 11 a.m., 12:45, 2:35, 4:25, 6:15, 8:05 ' and 9:55 p.m. Belasco—“The Strauss Waltz,” at 12:18, 2:18, 4:18, 6:18, 8:18 and 10:18 p.m. Columbia—“I Live My Life" 11:15 a.m,, 1:20, 3:30, 5:35, 7:40 at and | |9:50 p.m Tivoli—“Shipmates Forever,” 2:25, 4:40, 6:50 and 9:10 p.m. Ambassador — “Metropolitan,” at 6:15, 8 and 9:50 p.m. | Little—"“Dancing Lady,” at 10 and ! 11:44 am,, 1:28, 3:23, 5:26, 7:29 and 9:32 pm. i Gayety—"Pace Makers,” at 12 noon, 2:15 and 8:15 p.m. Howard—"Public Menace,” at 12:30, | 2:55, 5:20, 7:45 and 10:15 p.m. Stage shows at 1:40, 4:05, 6:30, 9 and 11:25 pm. i at BACH SONATA IS SUBJECT| Playing Is Analyzed Before Col-| lege of Music Class. AST Saturday afternoon's session | of the violin repertoire class at the Washington College of Music, con- | ducted by Emanuel Zetlin on alter- nate weeks, included a scholarly analysis and exposifion of the playing of the “Fourth Solo Sonata for Violin in D Minor,” by Johann Sebastian Bach. Mr. Zetlin prefaced his playing of this work with remarks of value in interpreting the music of Bach in general, particularly as to the neces- sity for intuitive feeling for tempi and the observance of steadiness of beat while allowing the flexibility of rubati within the beat. He illustrated the variation in in- terpretation of Enesco, Kreisler, Flesch, Auer and others of the diffi- cult chord formations of the great “Chaconne,” final movement of the fourth sonata. The “Allemande,” ‘“Courante,” “Sarabande” and “Gigue” movements were evaluated in their contribution to form and various melodic delinea- tions. Describing the “Chaconne,” Mr. Zetlin insisted that the music itself must speak, not the instrument, and he proceeded to demonstrate with his superior musicianship the resources of both the composition and the in- strument. Mr. Zetlin's grasp of the composer’s unity of idea and formal construc- tion is enhanced by his sensitiveness to the musical Wu. | well known to the audience. | picture, Gary Cooper (at left) and Ann Harding (at right) have the leading roles in “Peter Ibbetson.,” Paramount picturization of George DuMaurier's also is prominently cas immortal love story of the same name, which is the next attraction at Waltz Film Is Expertly Presented Strauss Story Gives Undramatic Effect at Belasco = HE STRAUSS WALTZ,” which opened Saturday at the Belasco, | is an expertly acted, intelligently di- rected and attractively mounted mo- tion picture. but, while it's passably interesting, it never becomes anything more than just an ordinary cinema. | 1t is difficult to make a biographical film of this sort into something that will hold attention when the incidents upon which it is based are rather | It per- haps is unfair to compare the motion “The Strauss Waltz,” with the stage extravaganza, “The Great Waltz,” but since both deal with the same sector of the career of young Johann Strauss, jr., who wrote better waltzes than his father, much to his father’s dismay. it is hard to speak of one without speaking of the other. You, of course, do not expect the colorful elegance of staging from the film there was in Mr. Gordon's oper- etta at the Center Theater in New York, but you might hope that the makers of the picture would doctor their biographical material enough, without straying from the facts of the case, so that some dramatic sus- pense would be created. This story was nothing better than a skeleton on which to hang some good music and some marvelous staging, on the stage, and there’s no reason for it suddenly to bloom into a knockout, just because it is put on celluloid. As it is, you probably will know be- forchand what happens next and will not become greatly concerned over Jo- hann. jr.’s, struggle for recognition. because you know “The Biue Danube” is a very tuneful ditty, the composer of which is bound to be honored. You will know that Papa Strauss will not think much of his son’s music, because he writes poor music and dis- regards form: that the Countess Something-or-other ~ will recognize “Schani’s” talent, seemingly Decaus2 he is a handsome fellow; that “Schani’s” lady-love will be very un- happy, because of the countess’ inter- est, and because the young fellow would rather write music than bake cakes, and that the countess will ma- neuver things so that “Schani” will { have an opportunity to conduct his|Giodano's “Andrea Chenier.” father’s band in his own “Blue Dan- ube.” You will not be wrong; these things will happen. i The cast does very well with these incidents in the life of the waltz king. Jessie Matthe®s is not as engaging as she was in_ the tonians saw her in last year, but she probably is a much better actress, Jo- hann, jr.’s sweetheart, Rosi, is a very unpleasant person at times, and Miss Matthews has really to act to be even slightly unpleasant. She makes Resi | real, though. You'll like Edmund Gwenn's por- trait of the senior Strauss, too. He has created the character intelli- | gently, sympathetically and with a wealth of understanding. Fay Comp- ton as the countess, Esmond Knight as the younger Strauss and Frank Vos- per as the prince are the others with major roles and they do them well. Alfred Hitchcock directed and some of the camera Work is exceller;tl. arking Worries —at Fla. Ave., 3rd and N Sts. N.E.. where NATION- AL CAPITAL PRESS is located. Out of the con- gested area. Drive out to one of the LARGEST print- ing plants in the East, or phone LIncoln 8060. SPECIAL!’ Tues. DRAWNFROM and CUSTOMERS Half Soles 59¢ 3V RESHAPED TOE | Lpdics’ FULL LENGH SOLE | Lifts SEWED,NO SKIMPING 1 5 TRADE MARKED OAK c Grand Central Valet 1342 New Yark Ave. musical Washing- , Tibbett’s Rare Talent Impresses Big Audience | Master of Interpretation Has Wide Range! in Musical Feast at Constitution ‘ Hall. BY ALICE EVERSMAN. AWRENCE TIBBETT is the only singer today who uses his voice as a means to an end. With him it is an instrument for interpretation of a highly analytical kind, by means of which he plays upon every slight variation of mood that the text of his songs convey. He won | his first fame by the beauty and power of his vocal equipment, but he has | endeared himself still more to his public with the richness of his dramatic | understanding. whether in sweetness.. of sentiment or in tragic utterance. Rarely has a singer been able to command the wide range of expres- sion which is Tibbett's natural talent. If a song calls for simplicity of decla- mation. tender sentiment, blood cur- dling drama or humorous nonsense. | Tibbett is able to immerse himself | instantly and completely in the re- fqmrtd mood. When he has finished a | number, he not only has carried his | listeners along with him, but has con- vinced them that nothing else remains to be extracted from the text or music. e | He is a great singer, but more than | this, he is a great actor and the com- | bination is unique in this day. D’ARRAST IS DIRECTOR ! HE | Pickford-Lasky Productions Are' | JF ONE would seek to analyze the to Be Launched. means by which he achieves his superb interpretations, his perfect dic- WITH the engagement of Harry | D'Arrast as director, the first | tion and his splendid vocal control, active step toward production is being | one would end up by facing the unex- plainable, for his dramatic power is | taken for Pickford-Lasky Productions, something inherent and impossible of | Inc., of which Jesse L. Lasky is presi- | dent and Mary Pickford, vice presi- | acquiring by simple study. One is dent. born that way. Tibbett deserves special credit for| The announcement of the engage- |recognlzing that there is more to vo- | ment of D'Arrast was made by Mr. | ! cal art than mere singing and for | Lasky from the new headquarters of using the full measure of his talent|the company at the United Artists Studio, where they are occupying to the greatest aim of art. He has |zaught his public a great deal about K quarters formerly used by Twentieth the art of singing, but still more about | Century Productions. the art of interpretation. And hls. The first story to go in work will be a screen version of the play, numerous public throughout the coun- | “Monsteur Martin,” purchased in try rejoices in his fine talent, which satisfies, moves and amuses them. Paris by Mr. Lasky on his recent Eu- Yesterday afternoon at Constitution | ropean trip. As yet no definite title has been selected for the phowplny,“ Hall extra seats were placed on the In addition to the director, Mr. stage to accommodate the large crowd that came to hear him. His program | Lasky announced the engagement of was unusually well planned, progress- | Charles Woolstenhulme as production | ing from mood to mood with rare|manager. Until recently he served in skill. For those who are interested | that capacity for Twentieth Century- | only in purely beautiful singing he | Fox, where he began 10 years ago as | gave them “Oh Whither Art Thou Roaming,” from Marcantonio Cesti's “Il1 Pome d'Ora; the delightful “I Am a Roamer Bold,” from Mendelssohn’s “Son and Stranger”; Schubert’s “By Ithe Sea,” in a poetical English transla- L in responding to the many recalls brought many delightful moments to the eager listeners. H Tibbett has proven that English is a very singable language and his ex- | pert diction allows every one to ente: | fully into the meaning of the song. | Stewart Wille, a rarely sympathetiz accompanist, was cordially received in . his solo numbers, Chopin’s “Impromptu i F Sharp Major” and Dohnanyi's “Rhapsody.’ a unit production manager. To prepare the script, Morrie Rys- kind, who, with George Kaufman, re- cently completed for M-G-M the newest Marx brothers' vehicle, “A Night at the Opera,” has been en- | tion, and “Gerard's Monologue,” from | gaged, Mr. Lasky stated. In these his amazing breath control, T e tefined phrasing and deep feeling weze | iiimiiirnimlnniluintntetututetet, SAVE YOUR | paramount. EYES Don't neglect eve * ok k¥ | [N 'MOUSSORGSKY'S “Death, the Commander,” he reached his great- est ‘dramatic height with a thrilling i declamation of the tragic work. The two groups of English songs which concluded the program ranged through a variety of ideas from the exquisite loveliness of Horseman's “The Dream"” to the modern sentiment of Keith Brown’s “The Through Freight.” Vaughn Williams’ “The Water Mill’ was perhaps the most noteworthy of the final group. Beyond this it is Tibbett's choice of encores for which his audiences wait. He has a gift for infusing humor into music, while never sacrificing his artistry, and yesterday his generosity SEE MORRISON'’S For Blank Books. Big va- riety « . « Popular prices. We have what you need. E. Morrison Paper Co. 1009, Pa. Ave. Phone NA. 2945 ate optometrists for a thorough eye mination. That is the way to learn the truth about your_eves. “Lease Glasses Cost No More Than the Ordinary Kind” §M. A.LEESE Optical Co.? : £ 'Qll 9"3 St. N.W. ittt el Warners' Earle Theater, opening this coming Friday. Dickie Moore (inset) , playing “Peter” as & boy. PROPHECY AT KEITH’S THREE American stage and screen | favorites, Walter Huston, Helen | Vinson and Madge Evans, joined three famous British artists, George Arliss, Basil Sydney and Leslie Banks, in the | cast of “Trans-Atlantic Tunnel.” Gau- mont-British production, which comes to R-K-O Keith's Theater Wednesday. The film is an imaginative venture | into the future, dealing with a story | of the construction of an undersea tube connecting New York and Great | Britain. Thrills are provided by the | perils which beset the workers on this task. “Romance, betrayal, _self-sacrifice, | atonement, the glories of love fulfilled and thwarted, are intermingled with the strenuous physical action of what is probably the most amazing feature ever flashed on the screen.” Those are the words of Mr. Hardie Meakin's | advance notice anent “Trans-Atlantic | Tunnel.” AMUSEMENTS. KEITH'S" A Washington Institution LAST 2 DAYS EDWARD ARNOLD with ROBERT YOUNG in “REMEMBER LAST NIGHT” . Starting WEDNESDAY A MASTERFUL PRODUCTION OF A FANTASTIC DREAM The NEXT WONDER of the WORLD ‘TRANSATLANTIC TUNNEL" witH HELEN VINSON RICHARD ‘DIX MADGE EVANS LESLIE BANKS AND GEORGE ARLISS WALTER HUSTON by the Marketers of BETHOLINE ano RICHFIELD SHERWOOD BROS., Inc. 1723 Connecticut Avenus, N. W. Phone DECATUR 4183 - Flat Work—Wearing Apparel Finished by Hand! One of the biggest laundry bargains ever HUFNAGEL COAL CO. Yard and Office South Wash., Va.. at 2.240 bs. to offered. IRONED, returned ready to use. Highlands tor to - completely finished family service. Every Pound Delivered in Your Bln—No‘ Extra Ch: T finished ot 7c EACH BUNDLE, $1.01. : Call Mrs. EXTRA. HIGHEST GRADES OF VIRGINIA HARD COALS: e Egs Slze. $10.35; Special $9.50; Stove, $10.75; Nut, s i Pea. $8.50. MARYLAND Bituminous Seo SMOKELESS — A Coal without _Smoke. Esx Size. $9.50; 80% right now, up Hunt explain features of thi POCAHONTAS sh, dry service. J or anytime tomorrow. *EVERYTHING WASHED AND Flat work and wearing apparel finished by hand. A . The only exception, Men’s shirts are hand MIN. Hunt Col. 7020 to 8 p.m. tonite Let Mrs. the outstanding s splendid laun= ust call Colum- bia 7020 or drop a postal. PA. STEAM COAL — Bi Hard Structure. Ligh $R.50. 5% b B DUPONT 2535 Sherman Ave. Lump and Fine Coal bagged sepa- rately, showing you get correct percentage of lump. ~All coals UN- CONDITIONALLY guaranteed. Dial WAlnut i878 (Day er Nisht) LAUNDRY Columbia 7020 Albert R. MacKenzle, president; Hugh MacKenzie, secretary-treasurer. with BINNIE BARNES LAST 4 DAYs ' BARBARY COAST' WITH M.RIAM HOPKINS EDW. G. ROBINSON | JOEL McCREA il EXTRA “‘i ' LAUREL & HARDY i COMEDY The story that has thrilled millions! ‘MUTINY ON THE BOUNTY. CLARK GABLE CHARLES LAUGHTON FRANCHOT TONE Mon. and Week NATIONAL Mats Wed. & Sat. Seats for All Performances MAX GORDON Presenis The Xk k& Musical Pley Production Conceived and Directed by HASSARD SHORT Radio C New York h r Center. Week Ber. t Sal Monass Nov. 18 LGS MILTON SHUBERT presents A rousing new ¢ SWING YOUR (DY & Chas. Robinson of 40 55¢-51.65 ‘ax ine.) mecy Kenyon Nichol 7 Cyclonic NATIONAL William A. Albaugh "OL. W. Ballet Ru: CASS-MACK- OWEN<TOPSY A\ Extra CARDINI- © 2 Acts *METROPOLITAN® CAN ALSO BE SEEN TODAY WALTER C. KELLY Y STEPIN FETCHIT Also Selected Shorts Constitution Hall The First of a Series of TWENTY LECTURES On Catholic Philosophy and Theology will begin Monday Evening, November 11 in the Blue Room, Hotel Hamilton at 8 o'clock Open to All Seekera of Truth, Culture and Love of God Metro-Goldwyn - Moyer Picture NOwW PLAYING CADE E. Lawrenc: Of Perfect Soi 8th at Phillips' Theat From 4 G! _ “HARMONY LAN _BORIS KARLOFF in_“BLACK ROOM.”_ ASHTON CLARENDON. VA CLARK GABLE. LORETTA __YOUNG in "CALL OF THE WILD. CAROLINA rititatio” ¢ L RICHARD __"LET 'EM HAVE IT' and Ave S.E ARLEN News. BER BRENT | _ Metro News. FAIRLAWN /% Between F and G . Acousticon Equipped Y FRED ASTAIRT. N CRAWFORD and St A uble Feature. CK ROOM." ZAZU ARK G. « WALLACE BEERY n ‘CHINA SEAS.” n. Metro News. th and C Sts. NF Finest ‘Sound Fanipment PM s Ave . Ret', 030 Wi e Ret:.esda, Md, Cont rom G P.M NINO = MARTINI MME. SCHUM . HEINK. ANITA LOUISE and GENEVIECE “HERE'S TO ROMANCE.” Also News Events. Comedy. TAKOMA 4th and Butternut No P; .vA-:xu:I C arking Tre COPER 16 TTouvle “ i firpl;aijmi!qfl_!w Deat) K Near 9th Wil Ro]égrbg,E‘.%dt’éz;‘rfigggi Round the Bend.” Continuous 2 to 11 P.M. Features Approx. 2:20, 4;'10. 6:00, 7:50, 9:40 P.M. CAMEQD Xt Estobe i s ARCADE AT5syiatr o, Will Rogers, “Steamboat Round the Bend.” Continuous, 6 to 11 P.M. Feature at 6:00, 7:45, 0 9:35 P.M. RICH'M’OND*ALEJ(A DRIA. VA . Today-Tues -Wed. -Thurs. Dick Powell, Ruby Keeler in “Shipmates Forever. MILQ ~——mocx Fredric March. Chas, “Les Miserables Direction of Sidney Lust Today Laughton 18 AMBASSADOR _ i LAWRENCE TIBEETT in M __POLITAN GINGER in_~TOP AVALON ¢ GINGER ROG: P_HAT " Cartoon AVENUE GRAND CLARK GABLE. RETTA in_“CALL_OF THE WILD. CENTRAL h WALLACE BEER' | Rorsns"é'fi‘i:n""asr IRE SERS. A HAT."__Oddity. 615 Pa. Ave E. Li 2104 = . Y _in “O'SHAUGH: Last_Wilderness.”. Ave. & Farragul AMBOAT Novelly. _ 4. NV ROUND SAVOY '**hRid o Hia EDMUND LOWE in “THUNDER IN THE NIGHT.' _Comedy. _____ 11th § TIVOLI“_ " Phone 00 P and RUB _FOREVE! UNROG'IEEES .B . SE THEATER ™3¢ ki J “Annapolis Farewell,” SIR GUYFSTANDING TOM BROWN. g | > =2 PALM THEATER °®2** “ANNA KARENINA,” b GRETA GARBQ. FREDRIC MARCH. Novelty’ ANN DVORAX, ovelty BERNHEIMER’S DANCING. " Pleasure or Profit —Learn to dance smartly at the new and enlarged Leroy H. Thaver Dance Studios. Expert instructors in TAP. BALLET. ACRO- BATIC and STAGE dancing. Call for a guest lesson and dance analysis without obligation Metropolitan 412 Studios_open_daily_10_a.m. until 19 p.m, EDWARD F. MILLER STUDIO 814 17th St. N.W. Na %0u3 If it t5 dasice we teach it. MAE DAVISON , Ball Room Classes, Tu teps, including i 3 month. _Phone i R it CATHERINE BALLE Ball Room Instruct: f 1341 Conn, Ave, North 7213 15*