Evening Star Newspaper, November 9, 1935, Page 34

THE EVENING STAR, WASHINGTON - . SATURDAY, NOVEMBER 9, 1935, AMUSEMENTS. B—16 AMUSEMENTS, NI NGTON, D. C. . . ; Team of Powell and Russell Star Hit in “Rendezvous” Loew’s Fox Presents One of the Comedy Suc- cesses of the Season—Mystery Comedy at R-K-O Keith’s. 6“ R e 1 et n e of s Eintl BY E. DE S. MELCHER. ENDEZVOUS" is an attractive and amusing photoplay. It combines Myrna Loy. The combination of Mr. Powell and Miss Russell is so good that the smooth, intelligent acting of Willlam Powell with the sly, sar- they make you forget that you do not always follow just what is going on in the film. Nevertheless, “Rendezvous” is & swell film—as vast audiences at Loews Fox have admitted already. The theater yesterday was stuffed to the doors with interested fans who went out into the night delighted With these stars ana wno also wished perhaps that they were slightly bet- ter acquainted with chriptology and some of the other literary games used in this story of warfare, submarines and subterfuge. Mr. Powell undertakes to make known the blankety-blank maneu- vers of spies and hoolagans in this chronicle of World War espionage. Seated in Washington and unhappily removed from Fragce where he would | have preferred to‘Shoulder a musket, | he unravels the mysteries of codes and | whatnots, while the salubrious Miss | Russell, niece of the Secretary of War, gits at nis elbow and pursues him with just about as much persistence as did Miss Loy in ‘The Thin Man.” While the picture makes no pre- tense to be a successor to the latter, | 4t has a vague resemblance due to the fact that both of the stars behave in | the same insane manner—and due to the fact that they are probably two out of four actors in Hollywood who could get away with acting in this fashion. A law should be made, in fact, stating that when Miss Loy is off on a vacation that Miss Russell from now on must appear with Mr. Powell. She's a swell trouper, and she comes from Waterbury, Conn., | and not from London as two inquirers this morning wish to know. It wouldn't be fair to acquaint you | with what goes in “Rendezvous” for the simple reason that we'll bite if we can tell you what does go on. It's all very entertaining, however, and somewhere in the middle of it ap-| pears Binnie (one of Henry VIII| “wives") Barnes as a queen-bee spy end also as a very handsome woman. ‘We are afraid, however, that her act- inz is as m]d as w:n-rd) s puddmg K3 THE stage show at the Fox this week is quite frankly no ball of fire, in | spite of a few drole moments pro- vided by Benny Rubin, the singing of Henry Nestor, some expert sl.rnnl-‘ man-and-woman stuff provided by the Harris Twins and Loretta Allen and a young lady who dances very much like Eleanor Powell. Somehow it doesn't quite “jell.” Even Mr. Lamp- | kin's music yesterday missed the “umph” it has when you listen to it | on his radio program. * % * % EMEMBER LAST NIGHT?" at R-K-O Keith's warns you quite | definitely not to take a drink the night that you plan a murder. Based on the highly popular “Hangover Mur- der” mystery novel, it combines hokum with high comedy. high comedy with low comedy and corpses with more drinks than you can shake a stick at. When it buckles down to its “de- noument” it is probably pretty good. But when it tries to be “The Thin Man"” it falls as flat as old mother pancake. The first part is devoted to as sordid a “party” as the screen so far has revealed. It shows a half a dozen would-be Long Island idlers revelling in champagne and behaving about as badly as any six pecple we have ever seen. This is done—on the “Forsak- ing All Others” pattern—to make the subsequent murder mystery all the more outrageous. And outrageous it is, what with people still screaming for drinks as “the stiffs” are uncorked |and the police wandering in and oul‘ in an effort to put some one of them in the “hoose-gow.” | For some reason, try as we might,w we couldn't quite swallow the busi-| ness. It would start to be good and then some one—even the attractive Miss Constance Cummings—would be- | gin on that cute business again. The“ only person who seemed entirely sat- isfactory was Arthur Treacher—and | even he hnd to try pretty hard. Jean Harlow is teamed with Spencer Tracy in “Riffraff.” Metro-Goldwyn-Mayer romance of life on an American water fmnt which will be sho“n in the near future at one nt the Loew theaters. Popular Role Of Judge Is| Well Played Virginia Tale Carries, Humor of Octavus Roy Cohen’s Pen. audience to the yesterday to see | Walter C. Kelly play the title role in “The Virginia Judge,” to see Stepin Fetchit attired in the splendid regalia | of “the gorgeous imperial potentate | of the Sons and Daughters of the Pearly Gates” Lodge, a title so long that the lackadaisical one nearly falls | asleep when reciting it—but the au- dience stays awake, and does so hap- pily, fo rin the Octavus Roy Cohen film is Miss Marsha Hunt, an ingenue | of whom Paramount will some day be mighty proud. So will her sisters and her cousins and her aunts, two of | whom reside in Washington, and who | doubtless are proud of her already, for | Miss Hunt glides across the screen with an armful of flowers, a dimity | dress with puffed sleeves, ease and two very nice looking juveniles indeed. 1 Not only because of these things, | but because the young lady in her | very first film has gaiety and poise | that indicate Paramount will be justi- fied in giving her bigger Toles, do we doff our respective bonnets and fedoras to Marsha Hunt. To Kelly goes praise for a very good characterization which is played with- out resorting to eyebrow twitchings or over-acted eccentricities. His s(‘ting‘ is accomplished with his voice only and he is the kind, unassuming per- son that judges in small Southern towns are reputed to be, but often aren’t. Th: scant tale of the judge's step- son whose sweetheart falls in love with | & youngster who possesses a slinky | roadster and a rich pater, is made slightly melodramatic, what with shootings and all. Nevertheless, the trials of these olescents evoke more than a few tears from the feminine portion of the audience. Universal's “Camera Thrills” is a | pictorial panegyric of the news-reel camera men who face peril at all times to get their “pix.” It is more or less & compilation of the best “action” shots of the past few years, even con- taining one scene whic. Laurence Stallings included in his gory volume of news pictures. Few in the audience, we think, will find thrills in watching men meet violert death with agony and terror in their eyes. However, if the most offensive scenes in this film are cut, we gladly recommend it as fare for all the family. The program this week also includes 2 bit of celluloid c:.titled “Wee Men"— which is not a burlesque on the De- partment of Justicc agents, but a tale built around to reveal the varied tal- ents of the famed Singer midgets. ‘The usual news reel completes the Metropolitan's offering. M. W. HELEN HAYES TO BRING VICTORIA TO NATIONAL HELEN HAYES will come to the National Theater for one week, beginning December 16, in Gilbert Miller'’s production of “Victoria Regina.” This will be Miss Hayes' first stage role since “Mary of Scotland.” in which she toured the country last year following a long New York run the preceding season. “Victoria Regina,” by Laurence Housman, covers the reign of Queen Victoria from her accession to her golden jubilee. This is Miss Hayes' third role as a reigning queen. The first was Cleo- patra in Shaw's famous comedy, and the second was the tragic Scottish Queen in Maxwell Anderson's poetic drama. “Victoria Regina” Miss Hayes' leading man will be Vincent Price, who will make his American debut in the role of the princc consort. He played the part in the successful Gate ‘Theater production of the play in Lon- don last season. AME a goodly Metropolitan - W | vastness; | plan to band together some 9 or 10 | Capital’s Drama Groups Community Theater Seen if Group y S Plan Is Successful. ASHINGTON'S amateurs may get their own theater yet. need it, what with school auditoriums, which are available, be- ing so large anything but a “Great Waltz" becomes practically lost in the church auditoriums, readily available, being sadly short of staging facilities, and the one fairly ideal place hiding behind a rental figure so high it would scare any one but Billy Rose, who probably would think he was leasing the Hippodrome and go ahead. This project of a Community Lit- | tle Theater, which is being sponsored | by the Junior Board of Commerce, is an outgrowth of the board’s “Recrea- tion week,” which was planned last month. There was supposed to be a day devoted to drama in this week, which, it seems, never came off. At the meeting to plan a program for this day, however, there was so much | discussion of local drama’s housing, problem that the board decided some- | thing should be done and machinery | was set in motion. ‘The group now is working on a of the organized local drama groups and sponsor the erection and main- tenance, by subscription, of this Com- munity Little Theater, which could be rented to the member groups at a nominal fee. If you are interested you can find out details from the Junior Board of Commerce. ‘Three more groups get started on their seasons next week. Monday and Tuesday the Harlequins of Catholic University will present the one-act play “Copy” at the school. The Wes- ley Heights Players open Thursday with two one-act plays, ‘“Neighbors” and “Ladyfingers,” and the junior group will do a one-act skit. The place is the Community Play House, Forty-fourth and Macomb streets, and the time is 8:15 p.m. Friday and Saturday a newly formed group at the National City Christian Church, the National City Players, will pro- duce three single-stanza dramas, un- der the direction of Wilda Kilbourn. John Mann, who plays “the poor nut” in “The Poor Nut,” to be pre- sented Tuesday, November 19, by the Players’ Club of Central Community Center, says it's a very dizzy play; says also that he even has to laugh himself at some of the goofy lines J. C. and Elliott Nugent wrote and he has to say. Lucy Ann Rogers s directing the A club for this, its first public appear- ance. “The Poor Nut” cast includes Katherine Kammerer, Alice Louise Hunter, Roy Bateman, Frederic Cole, Terry McPhearson and Harry Adams. Robert Reynolds is doing the settings. The Blackfriars guild will hold a business meeting next Tuesday, which also is the birthday of the Blackfriar tub-thumper, Elinor Sgueo. Leo Brady, Mnrguet Collins, Mary Catherine Connell, Richard Finnin, Arthur Harvey, Richard Harvey, Char- lotte Knott, Edward Long and Ste- phen Trodden are cast in “Adam and 13* & E St WIIEL Washington’s Popular DANCE BALLROOM Dancing every Saturday, Sunday and = Wed: ssdey nights, beginning at 9:30, te MEYER DAVIS MUSIO Phil O'Brien, Directing. Yadies, 55c. Gents, 150 * ! Eva, They all know they | also | November 18 and 19 by the St. Paul's Players in St Paul's auditorium, 1421 V street. Mrs. John C. Russell is directing the piece, which is by Guy Bolton and George Middleton and which has to do with a business man who can make plenty of money but can't make his family behave. to be done | — You would have had a terrible time | finding any of the Roadsiders at home Thursday night. Practically every one ir town who knows him tooled over to Baltimore that eventide to see Bill Phillips perform with Miss Eva | Le Gallienne at Ford's Theater. And | every one who went had a gay old time, according to reports. “The Family Upstairs” has been se- lected by the St. Stephen's Players as the second of the three plays they will present during the coming sea- son. The date hasn’'t been set yet, but it should be soon after the Christ- mas holidays. One of the gentlemen who report | on the current drama for Stage seems to be more than just mildly happy | over “Squaring of the Circle,” the Soviet farce by Valentine Katayev, and speaks of a “jolly subject treated with charm and warmth.” This, of course, is of interest because the Soviet's “Able’s Irish Rose "—it's been will be done here December 10 and 11 by the Studio of Theater Arts. Frank Baer's latest, “That Guy, | Winkler,” now is in rehearsal by the Pierce Hall Players and will be pre- sented some time early next month, Isham Keith is getting a touch of the Garbo reticence. He's up to some talk. Sundry scouts dispatched by | this department have found Mr. Keith | comfortably ensconced in a hotel that, have returned with the information that Mr. Keith will give out no in- formation. ‘The scouts from Broadway are of some use, however, one of them re- turning to announce that Dick Midg- ley now is in “Mulatto” and is con- cerned neither with Bertha nor her sewing machines at the Fifth Avenue Playhouse. H M. ADRIENNE TO APPEAR DRIENNE, psychic, will appear in person on the stage of Loew's Columbia the week starting Friday, together with the showing of the film “Music Is Magic,” it was announced today by Loew's divisional manager, Carter Barron. Adrienne is gifted with what the psychiatrists call a “supersensitive” mind, which enables her to predict coming events. She has appeared be- fore theater audiences throughout the United States and her predictions have been considered both startling and amazing. Hotel Continental Features Tonight Special 7-Course Broiled $ Live Lobster Dinner _ Reservations N 1-00 CALL J.EDW.CHAPMAN Boer and Wine Served at ‘Tables STNSt.NW NO. 3609 running for seven years over there— deviltry in New York, but he won't | no doubt, is too good for him, but| iOld Barbary ilEmerges as Ideal Film Hecht and MacArthur Skirt Perfection in Latest Work. “Barbary Coast” is nothing more | nor less than the answer to a cinema director’s prayer. The picture at the Palace this week was so well written by Ben Hecht and Charles MacAr- thur as to be practically actor-proof; so well cast that it could not be marred by overacting. The child of this happy combination is a handsome, intelligent and exceedingly well-per- formed playlet dealing with San Fran- cisco in the parlous times of the gold rush. Some of the die-hard realists will insist that Messrs. Hecht and Mac- Arthur sissified the notorious Bar- bary Coast of 'Frisco in their pretty celluloid tale. Perhaps they did not include every murder, every tavern brawl and poker shcoting that might have been recorded for posterity. In- stead they wove a rather enchanting story of a lady siren, the tough pro- prietor of a gambling hell, a besotted, | but idealistic, journalist and a young | man who had no business at all being in the gold fields. A picturelogue of violence, greed and lechery might have been more valuable to future | historians. It would not have been half so effective as drama, for after all, the pictures of a riot are twice as | interesting when one knows and cares | | about some of the rioters (said he in earnest platitude). It so happens that one learns and cares a lot about the people in “Bar- bary Coast.” That is due to Miss Miriam Hopkins, Edward G. Robin- | son, Frank Craven, Walter Brennan | and—this may astound you—Joel Mc- Crea, who create five lively. character- | izations with as much skill as we have seen concentrated in one film during the past year. True enough they had rich and luscious lodes of dialogue to mine, but each of them bore straight into the heart of the vein. There are two major surprises in “Old Atrocity,” an expert piece of other is Joel McCrea “Jim Car- man as & far more sensitive mime than one would have suspected hitherto. The highest lyrics of praise should be sung, however, for Miss Hopkins and Robinson. The former bites deep into the role of a greedy young lass who thinks she wants a million dol- lars more than anything, and Mr. Robinson certainly has a jolly time with his Chamalis, an equally greedy HAVE LAUNDRY ECONOMY FINI lvnytllll washed and Ilolo‘. n- turned use, 7! mh u‘rl fIE, AR DUPONT LAUNDRY 2535 Sherman Ave. Albert Tibbett Songs in Film Spontaneous Applause Gives Unusual Turn to “Metropolitan” at Opening Perform- ances Before Large Crowds. ELDOM do movie audiences feel the urge to give vent to their emotions in a spontaneous burst of applause. The huzzahs which greeted Grace Moore’s triumphant singing of that aria from “Madame Butterfly” and the sincere acclamation of Charles Laughton's delivery of Lincolns “oenysbur' Address” are two of the most notable instances of the phenomenon on record. Stir Audience at Earle the film. One is Walter Brennan's| pretending from a gentleman only | faintly known on the screen. The michael.” which reveals this young | R. Mackenzie, Pres. Hugh )nennm Bec.-Treas, screen is applauded some half dozen times. Rather his voice is applauded, and not only once, but at the conclu- sion of each song. This would seem to indicate that Mr. Tibbett's voice, when it is caught at its best, as the movies are able to catch it. and when it is recorded and reproduced in a rather excellent fashion, is not only fully entertaining but downright in- spiring. * x ox x TIBBEI‘T has ample opportunity to display one of the finest voices of the day in this film. He does arias from “Pagliacci,” “Carmen,” “Barber of Seville” and “Faust,” He drops into a léss classical vein to sing “Road to Mandalay” and “De Glory Road.” He even tosses off a few bars of a Tin | Pan Alley ditty, but he’s nipped in the bud in this attempt. He is en- gaging and impressive in every selec- tion, and should be awarded some honor for doing the prologue to “Pag- the oft-done aria from this opera. Mr. Tibbett, in fact, is in good | voice and sings often enough so that he makes of “Metropolitan” a very | entertaining hour and 15 minutes or | 50, and it is a very good thing he and | | his voice are present, too. For if Mr. | Tibbett were not on hand this motion {plclur! would be just another one of those things. | The story itself is neither new nor | good nor bad. It is about a young | opera singer who can't get a break | {with the Metropolitan, but | finally, after many trials and tribula- \unnt sings himself an opera and gets | much acclaim and wins the object of his afTections. X oo x "['HE framework upon which Mr. Tibbett'’s voice is exhibited 1is | performed, however, in a very en- | gaging manner by Luis Alberni, Vir- | ginia Bruce, Alice Brady, George | Marion, sr. and several others. Mr. | Marion is absolutely splendid as a temperamental conductor: Mr. Alberni is as volatile as ever and as valuable a contributor to the proceedings; Miss Brady is grand as an opera star with much temperament, and Miss Bruce is very lovely to look at, though she has little to do other than stand off in the wings and look upon Mr. Tib- beit with the light of love in her eyes. The camera work and Richard Boleslawski's direction are on a high plane, and some interesting stage effects have been devised for several of the opera s-enes The stage bl at the Earle is topped by Cardini, who pulls innumerable decks of cards from thin air, produces cigarette after cigarette from nowhere, d, in general, does some very cle: MUSEMENTS. 'zen!leman who has the million but thinks he wants love. If the sizcr- uppers want to carp and claim that no tough Chamalis would give up a girl just because she happened to b: in love with some one else, we will be glad to take them aside and relate a little story about a thug who not only did that, but impressed an un- willing young man into service as a bridegroom for his doting lamb pot- pie! an other words. these things happen, and we like the way ti | happen in “Barbary Coast.” On our extended credit list we must also | include Frank Craven's sentimental journalist, Howard Hawks' direction and a cameraman whose name we do not know. He did a beautiful job. The Palace program includes a puny Laurel and Hardy short and a color cartoon. R.P. B, jr. | COMING TO GAYETY “Pace Makers” flL\@@Q in Burlesque to Open Tomorrow. ACE MAKERS."” played by a cast | of burlesque favorites, will be the next Independent Burlesque Associa- tion attraction to play the Gayety | Theater, opening tomorrow at the matinee performance. Max Coleman heads the comedy di- vision, assisted by Harry Bentley, Dutch dialectician; Ray and Reilly, | acrobatic dance! Al Hillier, Jimmv‘ Walters and Wen Miller. Sally O'Day tops the distaff side ot the cast, which includes such well- | known burlesque stars as Billie| Hughes, Diane aJohnson and Viola Speath. Carlos and Gale will handle the singing assignments and there will be a chorus of “18 snappy Pace Mak- | | ers.” Music by Johann Straus, adapted for the Screen by Hubert Bath. | More Have Jobs. | Unemployment in Czechoslovakia is lower than a year ago. "SEE MORRISON’S For Blank Books.. Big va- riety . . . Popular prices. We have what you need. E. Morrison Paper Co. 1009 Pa. Avi Md)wpo-ldt_m CASS-MACK: Mmom i B\ Extra CARDINI- * 2 2945 | * METROPOLITAN® can ALSO BE SEEN™ TOMORROW, MON., & TUES. AT THE AMBASSADOR TAP ROOM Where the Smart Set Gathers from 12 Noon LUNCHEON 65¢ DINNER $1.25 SUNDAY DINNER From 1 PM. Supper Entertainment 1536 CONN. AVE. Corner at Q YOU A PROBLEM? . STEPIN FETCHIT Also Selected Shorts Mat. 25c-Eve i KEITH'S > A Washington Institution EDWARD ARNOLD IN THE SCREEN ADAPTION OF HOB- HOUSE'S "HANGOVER MURDERS ™ “REMEMBER LAST NIGHT” h ROBERT YOUNG THE YEAR'S SENSATION “TRANSATLARTIC TURNEL” 25¢ & 40c CALL MRS. HUNT C ol 7020 ieal and rt helped _ thousands hingten women eliminate ROLLER SKATING RINK Every Night, 8-11 Pl lxun Thurs.. 10 to 1 RMORY S e PECIAI *rECiMusic SHED SERVICE Ib. 12 GAYETY "BURLESK Stariing This I—ln Mstines MAX CO N FEMALE PACEMAKERS Sally O'Dav—Billie Hushes e Johnson—Viela Speath Col. 7020 who | In “Metropolitan,” which yesterday opened at the Earle Theater, however, Lawrence Tibbett's image upon theg: and very entertaining legerdemain. In fact, you probably won't believe {he does what he does even when you see it. Others on the vaudeville program BAND CONCERT. By the United States Sol Band Orchestra at snnllgle nfl-}{uan:: m o cloc;r.lohn 8. M. Zimmermann mas Anton Pol 2850Ci- ate leader. st g March, “On the Avenue”.. Overture, “Dramatique” Scene de ballet, “Auror; Von der Mehden Intermezzo, “Al Fresco”...___Herbert Irish potpourri, “The Emerald Isle,” Lange Characteristic, “Kinky Kids Plrldt,"y Donaldson Waltz suite, “Once Upon a Time” (Es War Einmal)._. --Knecht Finale, “Ole Virginny” Zamocnik e Star Spengled Banner.” Cocon Relief. Cocoa growers in Trinidad are ask- ing for government relief. AMUSEMENTS. are the Stuart Morgan dancers, who do some fine adagio work: Max and His Gang, the gang being several mighty clever dogs; and Owen and Topsy, who do whnt they have done here before, and who are all right if you like them. H. M. Helen Mlnd]m Acquitted. LOS ANGELES, November 9 (#).— Cass Mack, | LAST DAY Max Renhardt’s " MIDSUMMER © NIGHT'S DREAM" Twice Daily o 2:30 & 830 pm. Macase—55c-75e-31.10 L—," -b5e-] 7&41 LRI Helen Mindlin, writer, yesterday was| acquitted by a Supreme Court jury of | charges of stealing manuscripts be- longing to Leo Birinski, film scenarist. He valued the missing manuscripts at $45,000. ' | Where and When { liacci” insteady of “Vesti la Giubba,” | | Current Theater Attractions and Time of Showing. | - National — “A Midsummer Night's Dream,” at 2:30 and 8:30 p.m. Palace—"Barbary Coast,” 2:35, 4:55, 7:15 and 9:35 pm. le—"Metropolitan.” at 11 am. 1 1:30, 4:20, 7:05 and 9:50 p.m. Sta;e shows at 12:55, 3:40, 6:25 and 9:10 pm. | Loew's Fox— “Rendezvous."™ 10:30 am., 1:20, 4:10, 7 and p.m. Stage shows at 12:15, 3:05, and 8:45 pm. R-K-0 Keith’'s— "Remember Night?” at 11:51 am,, 1:53, 3:55, 7:59 and 10:01 p.m. Metropolitan—"The Virginia Judge.” at 11 am., 12:45, 2:35, 4:25, 6:15, 8:05 and 9:55 p.m. Belasco—"The Strauss Waltz,” 12:13, 2:14, 4:15, 6:16, 8:17 10:18 p.m. Columbia—"I Live My Life.” 12:10, 2:30, 4 7:10 and 9:30 p.m Tivoli—"Bonnie Scotland,” at 2, 4, 6:05. 7:50 and 9:35 p.m. Ambassador—"Freckles,” 4:40, 6:20, 8 and 9:45 p.m Little—“Night Flight.” at 11:42 am., 1:34, 3:35, 5:36, 9:38 pm. Gayety—"Wine, Women and Song.” at 12 noon, 2:15 and 8:15 pm Howard—"Public Menace.” at 12:30. 2:55, 5:20. 7:45 and 10:15 p.m. Stas shows at 1:40, 4:05, 6:30, 9 and 11:25 pm. 950 5:55 La\ at and at 2:35, 10 and 7:37 and AMUSEMENTS. OPPOSITE THe WHITE MovsE G.RO! HOPKINS *EOW- G5 e ited Artis?s lo“ MCCRER.. dnie: N WATER LAUREL & HARDY /%, NIC“I THA! oridel . MU'HNV uAS LA IA'IC" it MIRIAM STy with UGHION ui-c ot YO" \WFORE in \‘l\‘VEAMV L‘.F'EN“_ MORGAN "ith SRIAN ARERNE J—Clln Lectures—3 On the subject of “Miracle of the Ages” (The Great Pyramid) WORTH SMITH traveler, ber HOTEL WASHINGTON Parlors D and E Amazing ul!n‘n‘. ORCHESTRA it GEORGE DEWEY WASHINGTON NATIONAL' THEATRE BEG. MON. .t % Week Only Mats. Wed. & Sat. Seats for All Performances MAX GORDON Presents The *## % Musical Piay uction and D HASSARD SHORT at 12:15, ACADEMY o1 rum ELawrence Phillips 'nl. re, i;"e'.’unm ntinuous Prom 1:00 | Bom STEELE in 'KID COURAGEOUS." “THE CIRCLS OF DEATH ASHTON (‘LAIE\DOVA RALPH BELLAMY Yearry MORLEY. “THE CAROIJNA RN = (NEW) CIRC[E Pha ne wm 2053 GLE\DA PARRELL Jllh t'h C. Ave. SE. rD0uble Peature and “THE SP. Sat. B ARRELL sno-rT ARMs‘mo\r DUMBARTON 1313 Wisconsin GEORG HARD-ROCK HARRIGAN, Om‘;“: D pisod No. J0.“New Adventuan of Tarzan FAIRLAWN ZASU_PITTS i T ANACOSTIA. . €. SHE GETS_HER M. Akeustieon Eauipped. mg;;rxnmm Bt HELEN )g‘\!g; 1119 H St_N ER B KYNE'S “KID COURAGEOL‘S“O . ngw Siiver Soriie Ar ver Spring Contingons From: 1:00 FM: @ o) ZASU PITTS and HUGH. O/CONNEL “SHE GETS HER MAN " NANEY CARROLL and LLOYD NOLAN in Atlantic Adventure.” Comedy. Universal “CALL OF THE SAVAGE. Empm o rSTANTON Finest Continnous From 1:00 P. 0S8, MARY BRIAN in FLYING TRAPEZE" The Mad: a970 Wist™a ""53" Gontinuous P'rom PM C. FIELDS in |‘Man on the Flymg Trapeze.” Also_Comedy. Cartoon and News Events._ TAKOMA 4th and n-mrnn sn Parki ul Continuous Pri 00 GEORGE_O'BRIEN in x“N[P 3 “THUN DER MOUNTAIN 5 B 'THE QIRL FRIENDA" HIPPODROME ~ X ~ear ® ‘Today-Tomorrow-Monday Will Rogers, “Steamboat Round the Bend.” Continuous 2 to 11 P.M. Features Approx. 2:20, 4:10, 6:00, 7: 50, HYATTSV TLLE. MD. Double Feature AR&DE Ann Sothern, “Eight Belis James Dunn “Weicome Home.” Starting Tomorrow— 4 Big Days. Will Rogers, “Steamboat Round the Bend.” Continuous 2 to 11 P.M. Features at 2:15, 4:05, 5:55, 7:45, 9:35 P.M. RICHMOND "AL!:x'A v’nn Bing Crosbr. Joan nennm In “Two for Tonight M(K LLE MD. MILO Tim McCoy. “Riding Witd." "~ |AMBASSADOR _ #3®&8 TOM BROWN in FRECKLES, _ Cook_Comed. 7Clr|qon‘ = APOLLO Phone i AW8 Double Feature "h"HG‘I]lvh 1:00 PAL EDMUND LOWE. NDER IN THE NIGHT.” _“THE GIRL FRIEND.' AVAION Cormye & et TED, Llwxssm" rHEu coMEs THE AVENUE GRAND &7t Matinee. 1:00 P.M—Double Fea TASONTR CENTRAL WAY LACF BEERY in 'Y BOY." “LAS' Ross - pokis o1 ONY ROBERT DONAT in’ ddity. _Cartoon. 425 pth St N Phone Me. 281 ‘O’ SHAUGHN- T WILDER- WARNER Bnos. THEATERS ST = Q SYLVIA SIDNEY ‘Alibi_Rackef “BONNIE Matinee, 2:00 P. LAUREL and HARDY in SCOTLAND. rtoon. _Sportreel. “OLD HAN RHY‘I‘H‘M @ 'M! BUDDY ERS. “GUARD THAT GIRL " and FLORENCE T ALLEN p Serial Cartoon. “Matinee. PATM THEATFR ‘“‘Steamboat Round the Bend,” xith WILL ROGERS. med T ~ DANCING. CATHERINE BALLE Ball Room Instruction Any Time by Avo. 1341 CoanoAve: Nortn 318 1pe "To Become Popular —Learn to dance mnuy at the new and enlarged Leroy H. Studios. Exvert and Aympathetic mstructors tn all the smartest ball room steps. Call f¢ ruest lesson’ and dance nnslp-u ithout ligation. Metropolitan 4121. dios open llllr. 10 am, until 10 p.m, , %0