Evening Star Newspaper, October 27, 1935, Page 63

AMUSEMENTS. “A' MIDSUMMER NIGHT'S D Max Reinhardt’s First Film/ Followszz_lttern “Joint Work of All the in “Midsummer Night’s Dream,” Which Is an Event in This Week’s Theater. ByE.de S AX REINHARDT has been called a follower of Richard Wagner be- cause most of his stage productions have been what is known in | German as “Gesammtkunstwerk”—which means the joint work of all the arts. When as a young man he amazed Berlin by his mod- ernizing of the theater, when later he shone with his productions in his Little ‘Theater, and when again he took his sented them in giant halls, there wass always that magic interweaving of “all the arts” which has placed him in the front rank of theatric pro- ducers. No one of this generation or the past has done more to fuse literature with music, and bring action, light, music, dancing all at once into a sin- gle picture. While he has often been accused of being too ambitiously in- clined, of making too much out of too little, of producing on such a lavish scale that the main theme of his subject was obscured by the varnish cast over it, those who saw his pro- duction of “Sumurun” by the Rein- hardt company at the Casino Theater in New York, as Marsden Hartley tells | you in the book about Reinhardt, | which Oliver Sayler published back in | 1927, were amazed at the “simplicity” it held for them. As Mr. Hartley says: | “Until then we were ignorant of that kind of simplicity, that kind of direct- ness, that kind of theatrical rela- tivity.” The point we are trying to make is that Max Reinhardt, known best over here for his “Miracle” and pos- sibly “The Blue Bird.” ana other giant undertakings, is also vitally con- cerned with character and in spite of the fact that only yesterday somebody called him the Busy Berkeley or the Cecil B. De Mille of the European | stage, he is not 100 per cent “pag- eantry.” This we are sure you will see in “Midsummer Night's Dream,” which while it is being hollered to the skies as a great big, spectacular spectacle, is also as sensitive a crea- | tion of light and shadow and people and things as you will find. In it | as in his plays, there is therefore | *“Gesammtkunstwerk.” ROM now on it is likely that Mr. Reinhardt will be thought of pure- | ly as a Hollywood figure—his work in | “Midsummer Night's Dream"” reaching | probably a larger public than it did | when before he was merely the fore- most producer in Europe. | Few now recall that Emil Jannings " and Mady Christians (who, incident- ally, had an all too brief Hollywood | career) once appeared together in | “Antigone” under his management, | and that Ernst Lubitch once appeared as a humble extra in one of his com- ies. Few seem to remember that out of his theater sprang the illus- | trious Rudolph Schildkraut as well as | son Joseph, and that Alexander Moissi, Paul Wegener and Werner | Krauss were of his company. | If we dig deeper we discover that the very same Wilhelm Dieterle, who assisted Mr. Reinhardt in his first Hollywood flm, once appeared in | Goethe's “Stella,” playing opposite Lina Loseen and Helene Thimig. | come to Hollywood? THE SUND. of HisPlays Arts” May Be Noticed. | . Melcher. plays out into the open air, or pre- And if two and two are al- lowed to make four then it seems ob. vious that the Luis Rainer who the programs tell us once played Carlos in Geothe’s “Clavigo,” in which the title role was played by Moissi, must be the parent—nay even the father (of this we are not certain) of that same little Luise Rainer who now has most of Hollywood at her feet. MAX REINHARDT made his first great splash in the theater with | “Midsummer Night's Dream.” Now | he does the same thing many years later for the screen and again for himself. This is the history of the young man who went to Berlin at a “tender” | age—and “who dreaded to start from graceful Salzburg into ‘an uncertain | future,’” and who, when he did re- | turn to Salzburg, after Berlin had “given him all the opportunities re- quired by his talent * * * came back as the new master of Schloss Leo- poldskron, that ‘pearl of the Austrian baroque,’ built by Archbishop Leopold Firmian 200 years ago,” and where “the little country inn” where his farewell party had taken place some 30 years back, is one of the outlying | properties of the castle. Says Rudolph | Kommer, Austrian playwright and | critic: “How strange the fates arel Would Max Reinhardt have returned to Salzburg if he had not left it?” Y THE same token would Shake- | speare have prospered so on its | first real fling (this is not counting | the Pickford-Fairbanks “Taming of the Shrew”) ii Reinhardt had not For, in spite of | the fact that Director Dieterle did | more work than he is given credit for, | in spite of the fact that the names | of the cast and what they stand for | may not have been fully known to! Reinhardt, his name is still synony- mous with all that is fine, noble and grand in the theater. Thus it is that even if he had merely tied the pic- ture’s shoe string, that single deed would somehow have helped to im- mortalize it. JOE E. Y STAR, WASHINGTON, D. C.,. OCTOBER 27, - 1935—PART FOUR. Flute, a Bellows Mender, Takes a Ride in Reinhardt Film BROWN, One of the many popular players appearing in “Midsummer Night's Dream,” which will have a gala opening tonight at the National. AMUSEMENTS. F—7 REAM” OPENS AT NATIONAL Federal Theater Project Makes Auspicious Start Works Progress Administration Comes to the Aid of the Actor and the Producer. Hampden “Killed by the Critics.” BY PERCY HAMMOND. HE Federal theater project is now under way with a full purse and the determination to temper, worries of 10,000 unemployed the ‘These unfor- by soft-handed philanthropy, people of the stage. tunates having dedicated themselve. to the catise of public amusement, find no demand for their services, and were it not for a rich and kindly Government wouid be faced with deeper distress. Hamlet to Polonius, “see the playersi well bestow'd.” And he added, a little ungraciously for so sweet a prince, “the less they deserve the more merit in your bounty.” The Works Progress Administration in its desire to aid the actors has no thought of their “bad epitaphs” and “ill reports.” Wash- ington is less selfish than Elsinore. Simply as the abstracts and brief chronicles of the time are they taken in. It is the administration’s plan to operate most actively in New York, Chicago and Los Angeles, where the idleness is most acute. Playwrights’ theaters are to be established for test- ing new scripts; there will be Negro theaters in Harlem. A repertory of | plays important in American history | will be founded, and a bureau of re- | search for dramatic material. Funds | are to be appropriated for remodeling | the old theater in Charleston, S. C., | in order to revive, under appropriate surroundings, the dramas done im| America’s first theatrical season. As | & by-product, great recreation cenmml will be constructed where dance or-| chestras of unemployed musicians | will entertain unemployed youth | whether of the profession or not. | Thus will a bleak world be mude‘ warm for a deserving craft and its| dependents, and the debt we owe ui for our laughter and our tears be in| a measure discharged. The undertak- | ing will get its share of an appropria- tion of $27,000,000. * x * ¥ | J¥_A courteous letter from Hallie| Flanagan, director of the project, | drama critics have been invited to join the national committee which guides its functions. “It is natural,” | | the note says, “that in the formation | of so gigantic an enterprise I turn to| you as an unqualified authority in the | theater.” Membership “will include | no financial aid or attendance at meetings.” All that is desired from a critic is his approval of the move- | ment and his willingness at any ume‘ “to suggest improvements or report | deficiencies,” and in general to ad- vise. As one who has depended for For, say what you will, Reinhardt's years of inspiration in the theater, his training of young actors, his knowl- edge of music, of the ballet, and of human nature, could never fail him— even in a medium with which as yet he might not be completely- familiar. Such knowledge, such a life, such un- derstanding, and such feeling, are the | seeds from which sprang Wagner's music. Likewise, Reinhsrdt—his join- ing of all the arts could no more de- sert him in Hollywood than they did on the continent. That is one of the many reasons why you should see “Midsummer Night's Dream.” OPENING TONIGHT MAX REINHARDT'S production of Shakespeare’s comedy, “A Mid- summer Night's Dream,” opens one-week engagement at the National Theater this evening at 8:30. The film, which -has one of the largest |casts of Warner Bros, stars ever {assembled for a single picture, will | play twice daily, at 2:30 and 8:30, |for the remaindér of the week. Reinhardt, long acknowledged to be Next Week's Films. “QHE COULDN'T TAKE IT,” a fast- moving comedy drama starring George Raft and Joan Bennett, opens Friday at Warner's Earle Theater. ‘Walter Connelly and Billie Burke have major roles in the film, which is the | first Columbia production made by B. P. Schulberg. The Earle stage show | has the Three Sailors, Honeyboy and | Sassafras, Hal Menken and his Revue | and Ferry Corwey, the musical clown. | Al | “The Case of the Lucky Legs” a| Clue Club mystery based on a story by Earl Stanley Gardner, comes to the Metropolitan next Friday. War- ren William is again cast as Perry Mason and Patricia Ellis is the girl | with the “Lucky Legs.” Genevieve | ‘Tobin also has an important role. Guy Lombardo and his Royal Cana- dians, offering “the sweetest music this side of heaven,” and the latest film version of the great, old American melodrama, “Way Down East,” com- prise the entertainment program at Lowe's Fox starting next Friday. The | Fox stage show also will have Clifford and Marion, Carter and Holmes and the Andressens. Henry Fonda and Rochelle Hudson have the leading roles in “Way Down East” and the cast includes Slim Summerville, Ed- ward Trevor, Margeret Hamilton, Andy Devine, Astrid Allwyn, Sara Haden and many others. Henry King directed. Fredric March, Merle Oberon and Herbert Marshall form the starring triumvirate of “The Dark Angel,” love story based on the play by Guy Bolton, which comes to the Palace Friday. Lillian Hellman, writer of “The Children's Hour,” adapted the play for the movies. Janet Beecher, John Halliday and Henrietta Crosman | have supporting roles. “Broadway Melody of 1936, multi- | starred M-G-M musical, comes back to F street Priday for a week at the Columbia. The picture is notable for the dancing of Eleanor Powell and Vilma and Buddy Ebsen, the comedy of Jack Benny and Sid Silvers, the singing of Frances Langford and the presence of Una Merkel. Robert Tay- Jor, Nick Long, jr., and June Knight also have important roles. Miss Churchill Returns. MAMUERITE CHURCHILL, who left the screen after her marriage to George O'Brien, will return for ‘Warner Bros. in the principal fem- 1inine role of the screen play, “Invita- tion to a Murder,” based on Rufus King's stage play. Miss Churchill’'s last film work was with Charles Far- rell in “Girl Without a Room.” “In- vitation to a Murder” will enter pro- duction shortly. NATIONAL — NOV. 17, Evening Seats $1.10,_$1.65. $2.20, $2.35. $3.30 : Now Bellln:f at Kisses.” “Scheherazade,” 100 *Aurora's Wedding.” Tomorrow 8:30 P.M. Feres MO S e e NW. Milton Schwartz Betty Violini: ist Europe’s greatest stage producer, con- sented to present the spectacle in film !form after it met with tremendous Local Players. EORGE BERNARD SHAW'S “You Never Can Tell” will be pre- san Francisco. success at the Hollywood Bowl and in | sented by the Drama Guild of Wash- ington as its opening play Tuesday James Cagney heads the all-star cast, with Joe E. Brown, Hugh Her- and Wednesday nights of this week |pert, Frank McHugh, Otis Harlan, at the Wardman Park Theater. The Dewey Robinson and Arthur Treacher cast includes Eugene Kressin, Irving | playing with him as the artisan mum- Day., Anton Hardt, Maude Howell |mers who present the play before Smith, Thomas Cahill, Maurice Jar- the Duke of Athens on the occasion vis, Jane Duenner, Lansing Hall, of his wedding to the Queen of the Dorothy Howard and Robert Warfleld. | Amazons. The play is being directed by Dennis' Leading romantic roles are played E. Connell. | by Dick Powell, Jean Muir, Ross Al- A group of boys and girls between ' 10 and 13 years of age will under-| take an experiment in creative drama | Tuesddy, November 5, at Roosevelt | High School, presenting Shakespeare’s “Taming of the Shrew” in their own words. The original version of the play was developed under the direc- tion of Miss Helen I. Burton, as a project of the Children’s Community Theater. Following the play, Miss Mickey Rooney plays Puck and some of the others in the cast are Victor Jory, Verree Teasdale. Anita Louise Ian Hunter, Hobart Cavanaugh and Grant Mitchell. Quick Success. ]VJARGARET CALLAHAN, in being awarded her first featured fem- exander and Olivia De Havilland | Burton, with the aid of the children, will demonstrate the method used in | developing characterization. Two veteran members of the Co- lumbia Players and one newcomer to the ranks have the leading roles in the group’s first play, “Candle- light,” to be presented at Pierce Hall November 6 and 7. The members of the cast known for their work with the group are Robert M. Miller and Dorothea Lewis and the newcomer is Norman Rose. Others are Eileen | Fowler, Juliet Edes Alves Wade Rob- inson, Joe Bourne and Elwood God- sall. Tracy-Loy Teamed. SFENCER TRACY and Myrna Loy will be co-starred by Metro-Gold- win-Mayer in “The Whipsaw,” based on James E. Grant's Liberty Magazine short story. Sam Wodd, whose last picture was the Marx brothers’ “Night at the Opera,” will direct and Harry Rapf will be producer. Tracy is now appearing with Jean Harlow in “Riff- raff,” and Miss Loy is playing the character of Billle Burke in “The Great Ziegfeld.” Today—4 P.M. Constitution _Hall NATIONAL SYMPHONY DR. HANS KINDLER, Conductor Willem_van Hoogstraten. guest . or. "ololst - Grace " Gastseneiie; 2i8etn. Boncert BRAkiMS: CAca- T Fest ot O oparreng M8 Aca- Tiokets. 50¢ to $1.80. sale after e. On am - af Constitution Hall, 2661. C. C. CAPPEL. Mlnll:H - *THE PASSING OF THE THIRD FLOOR GAYETY BURLESK Starting This 8 EDNA “Hot B and Dee-lightful unday Matines Cha"” DEE Sonata Reci Baum st ni Tickets 83c. $1.10 at Mrs. Dor: urea 3! *Bee-ticiens DEE-DEE Domu Jehnny Barry I'I‘”..'Ml' Abhearn inine lead in “Seven Keys to Bald- pate,” now being produced at R-K-O Radio with Gene Raymond in the starring spot, chalks up the most rapid ascent among recent young new- comers to the screen. A The actress made her screen debut less than four months ago in the ingenue lead of the James Gleason- Zasu Pitts comedy, “Hot Tip.” ) KEITH’S!>"- A Washington Institution LIONEL BARRYMORE IN THE DAVID BELASCO PLAY Abbe Ernest Dimnet “From a Paris Balcony” Ballroom Willard Hotel TUESDAY November Sth, at 8:30 p. Tickets, $1.00 Ruer!_e(.l..“ $1.50 1315 8th N.W. Phone North 1434 TIB (Himself) in Person Full Length Recital CONSTITUTION HALL Sun. Aft., Nov. 10, 4 p.m. =c. $1.10, $1.63. $2. ¥ ot B A FIRST TIME AT POPULAR PRICES JREISLER Bt e ss 1] Nev, K i | Musical Coming. ‘NIANAGER STEVE COCHRAN of | | the National Theater has cap- | tured one of the season's theatrical | plums in the booking of the long-run musical comedy hit, “Anything Goes.” | | The merry mixture of fun and music concocted by Cole Porter, Guy Bol- ton, P. G. Wodehouse, Howard Lind- say and Russell Crouse will begin a | one-week stay at the National Mon- day, December®2. The entire New York cast, headed by William Gaxton, Victor Moore, Benay Vehuta and Irene Delroy, will come here with the musical. | Aviation Play. "CEILING ZERO,” which will star 'James Cagney and Pat O'Brien, has entered active production at Wa: ner Bros.’ West Coast studios. Isabel Jewell, the most recent addition to the cast of the picture, will enact the role of Lou Clarke. June Travis has the feminine lead and will appear | as an airplane hostess. Stuart Erwin | and Henry Wadsworth are the other | members of the cast, to date. “Ceiling | Zero” is an adaption of last season’s successful Broadway play by Lient. Comdr. Frank Wead. Howard Hawks | is directing. Vilner Troupe Here. THE original Vilner Troupe will present a three-act play, “The Outcast,” this evening at the Jewish Community Center. Bella Ballerina will play the leading role. The troupe | has just returned from a successful tour around the country with “The | Outcast.” i LEVE MY LIS SRIAN AHBRNE + FRANK MORGAR "Next Week’s Films LOEW'S FOX— Live My Life,” at 2, 4:25, 7 and 9:50 pm. Stage shows at 3:35, 6:10 and 8:45 p.m. PALACE—"Big Broadcast of 1936,” at 2:25, 4:55, 7:30 and 10 pm. COLUMBIA—"“Charlie Chan in Shanghai,” at 2:50, 4:40, 6:25, 8:15 and 10 p.m. WARNER'S EARLE — “Dr. Socrates” and stage shows, continuous afterncon and evening. METROPOLITAN — ‘“‘Ship- mates Forever,” at 2:25, 4:45, 7:10 and 9:35 pm. R-K-O KEITH'S—"The Return of Peter Grimm,” at 2:24, 4:48, 7:12 and 9:36 pm. BELASCO—"The Passing of the Third Floor Back,” at 3:25, 5:29, 7:33 and 9:37 pm. LITTLE—"Les Miserables,” at 2,3:54, 5:48, 7:42and 9:36 pm. Puppets on Tour. ‘Bunraku “puppet manipulato; Twice Daily Thereafter ‘A MIDSUMMER NIGHT'S DREAM’ MUSIC BY MENDELSSOHN Arrenged by ERICH WOLFGANG KORNGOLD Inna‘rnl Fantasy of Love, M‘-sic and Buffoonery Spectoculer Balleta by NIJINSKA +* JAMES CAGNEY ANITA LOVISE HUGH HERBERT VERREE TEAS MICKEY ROONEY Augmented by many hundreds of othere NATIONAL THEATRE PRICES (INCLUDING GOV'T TAX) Matinee—55¢-75¢-$1.10 4 Evening —55¢-75¢-$1.10-$1.65 A Limited Number of Seats at $1.65 ONE WEE! ONLY BEG. MON., NOV.11TH Conter Theatrs, Radie City in Roskefeller Cantor, N.Y. 203 .10 imel.) e R R e e . BT subsistence since childhood on the theater, this reviewer is disposed to| gratitudt It is his’ pleasure, there- ' fore, to reciprocate in an hour of need and to add himself to “the unqualified authorities” who commend the move- | ment. But as a consultant, free to offer suggestions as to ways and means, he fears he would be even less of value. | For prominent among the executives | of the Federal theater project are| f Color Coming. WITH!N three years—five at the | most—black-and-white motion | | pictures will be as antiquated as black | | hose on a well-dressed woman.” Such is the forecast of Robert Edmond Jones, leading New York | | stage designer, who arrived in Los Angeles last night from the East as a | color director for Pioneer Pictures. | Jones, acknowledged master craftsman | | of light, shadow and color, sees a' period in the not-so-distant future Elmer Rice and Mr. John Howard | Lawson, to both of whom drama critics | such determined dramatists as Mr.| ASHTO) “Good, my lord,” said Had a Heel” to change the nature of his traditionai medium. He imper- sonated a Negro elephant keeper in what the song in “Jubilee” would cail “& nice municipal park.” His play, however, was not understood by its audiences, and it took to oblivion's black dory after only a few perform- ances. In announcing its disappear- ence, Mr. Hampden's manager said: “Killed by the critics.” Unable to fathom its meanings and indifferent to the star's exercise in versatility, they were unkind to its dumb beasts and murdered it with sneers. One of them referred to it as “Smoked Hamp- den.” Which brings me to a problem in ethics. This particular assassin, in an attempt not to make the wounds too hurtful, poured oil on them. In- stead of gouging, he cut as leniently as he could. Whereupon Mr. Hampden, taking advantage of his benignity, | printed a sly advertisement in the newspapers. In this it was indicated that an unfavorable review was favor- able. Stooping from his lofty office as leader of his profession and president of the Players, he probably meant it as a joke. If 50, he is forgiven. Even Mr. Hampden is entitled to a little fun. . Jane's Anniversary. ONE year ago this month, the then unknown Jane Withers appeared in her first important screen role in “Bright Eyes,” and won a seven- year contract with what is now known as Twentieth Century-Fox. In the 12 months that have elapsed. | 9-year-old Miss Withers has made five pictures and attained stardom in her own right. In addition to “Bright Eyes” she has appeared in “The Farmer Takes A Wife,” a minor role: inger,” her first starring picture, “This Is the Life” and the forth- coming “Paddy O'Day.” To celebrate this important event, Jane will begin work on the adapta- tion of the Booth Tarkington story, “Gentle Julia,” which will come to the screen before the end of the year. ACADEMY °f rou_;l:; Seund Photoviay E Lawrence Fhillioy Theatre Beauritul “ATLANTIC ADVENTURE." Mo REAPON: Yinr JEAN HARL%‘}'EIHG WALLACE BEERY in “CHINA &I e 2t & N. C. Ave. §, | when the entire product of the film | industry will be produced in color. | “I am told,” Jones declares, “that |in addition t¢ more than 100 short subjects, 12 full-length features are scheduled to be produced in color during the coming season. I honestly OLINA "1t E. “MEN ‘WITHOUT NAMES" and “THE PR BANES 2 PRIVATE LIFE OF are anathema. They see red every! | time a reviewer differs in opinion from | them, declaring was against each dis- | senting comment. What, Mrs. Flana- | gan, would be their reaction, if I, for instance “reported a deficiency” in the | __HEADS ON PARA] scheme? They would, of coutse, expel | DUMBARTON Thurs.. . Sun. ETA GARBO and " have | “The Desert Song, been touring Manchuria this | Boles to stardom some seasons first actors, tried fimk in “Achilles | ) Tonigln at 8:30 p. m. S~ PREMIER PERFORMANCE * OPENING PERFORMANCE * . MAX GORDON zumsie meif * HASSARD SHORT wa oRDERS e Guaal Wolly'; | me from the committee, with resolu- | tions denouncing me as no good. So I shall content myself with being .n inactive yes-man, and approve Lhe; believe this is omly the beginning. ‘ Boles in Musical. ! T)ARRYL F. ZANUCK, production It will do good. but that it will fulfill | head of Twentieth Century-Fox, | the hopes of its sponsors, “achieve | will take the fan's advice and star | excellence” in an artistic way and be- }John Boles in a musical production, | come self-supporting I am reluctantly { which, rumor has it, will probably doubtful. be known as “Mediterranean Cruise,” | a musical novelty on the order of ok % R. WALTER HAMPDEN, gravest and most dignified of the o 2:30 & 830 p. m. * WARNER BROS. PRESENT Max Reinhardt’s Taspired Motion Picture Production of by William Shakespeare JOE E. BROWN DICK POWELL OLIVIA DE HAVILLAND JEAN MUIR FRANK McHUGH ROSS ALEXANDER LE JAN HUNTER VICTOR JORY HOBART CAVANAUGH GRANT MITCHELL Many Seats INCREASE NO PRICE o 3110 o _NOW— Twe Seasons’ Phenomenal Run at the plan at & comfortable distance * * * | L] FREDRIC MARCH, '}NN_‘A KARENIX, News._Comedy. _Show: Pt |FAIRLAWN S ASRT 4 Bionn in “ALICE ADAMS." 9th Between F and G Acousti FREDRIC MaRCH 4 ¢ caufi'"f&'{"»\'fign- Cartoon and aetro Newe o Als0 Color gllgmgr.ss 110 WS NE Also Geo: . Silver Soring_ Md. Continuous From 2:00 P.M MARION DAVIES and DICK POWELL in “PAGE MISS GLORY.” _Comedy. Metro News. STANTON ,2i2 % “CURLY TOP.” Also Comedy and News. “The Modern Theal TATE cor0Wie ave netionds. Double Feature—3:00° P.M., Continuous. = LEW AYRES. PAUL KELLY. MAE"CLARK K HAT KID. Also JAN KIEPURA. MARTA ‘oafi?a m “MY HEART IS CA! nd Butternut Sts. 'arking Troubles Continuous From :00 P.M RK GABLE and WALLACE BEERY in CHINA SEAS.” HIPPODROME _ * oo™ GARBO and MARCH in “ANNA KARENINA” _ MT. RAINIER, MD, Today-Tomorrow GARBO and MARCH in _“ANNA KARENINA.” ARCADE “RIEYinciow SIBYL JASON in “LITTLE BIG SHOT.” ICHMOND % John_Boles. "Redheads or ROCKVILLE, MD. MILO odar. Tomorrow LAUREL and HARDY “BONNIE SCOTLAND.” 18th St. & Col. R, Col, 8303 SOCRATES. CLA! Direction of SIDNEY LUST PAUL MUNI in_“DR. With ANN DVORA APOLLO JOE E. BROWN. Sportreel. AVALON Cl IND." _Novelty. n-s!::%':uu' WILL ROGERS in “STEAMBOAT COLONY <t s .G':;fiAr;‘ RITD KR Boa8 Bundreel C §t. NE. L i SAVOY g ROBERT DONAT i medy. WARNER BROS. THEATERS RINE 'r'??fin‘i&fi ADAMS.” _ Novelty. m L'" . JESSE THEATER 3. K" “Here Comes CO(:R‘IE,” OROR O ety Garison, ALLEN. 1st & R. L Ave. N.W. SYLXALICE ADAMS,” Col in BERNHEIMER’S