Evening Star Newspaper, March 17, 1935, Page 57

THE SUNDAY STAR, WASHINGTON, D. C, MARCH 17, 1935—PART FOUR. AMUSEMENTS,” - AMUSEMENTS. F-5§ “L’AIGLON” OPENS TOMORROW : NEWS OF SCREEN oIdea of National Theater Again Comes to the Front New York Group Discusses the Plan Which Has Been Proposed From Time to Time—Louis Bromfield Tries Stage With Two Plays. InCharacter Roles Few| Eva Le Gallienne Returns in Rostand Drama Reach Laughton’s Position English Actor, However, Probably Will Be| Forced Into Type Parts by the Hollywood Moguls—Colbert Not “Box Office." By E. de S. Melcher. - To BE a villain or not to be a villain—that is Charles | By Percy Hammond. E Drama Study Club, a distinguished seminary attended by many of New York's most cultured playgoers, decided at its yearly banquet last week that a national theater is essential to the rrogress of the American stage. After listening to instructive lecturers discussing the subject from all its angles it voted unanimously for an establishment which, subsi- dized by the Federal Treasury, would free the theater from the thralldom of the Philistines. Under such auspices, in the decision of the Study Club, it would be no longer necessary for the dramatists and actors to conciliate the masses, but to write and to play according to the dictates of their own artistic consciences. With a rich Government back of them they could atone for their pot boilers by putting their “deepest thought, their sternest logic, | their keenest eriticism of life” into works independent of the box office. To serve the starvinf and fastidious dozens, rather than the overfed and greedy millions, should be the “poirpose,” as Father Coughlin toothsomely tongues it, of a national theater, | dedicated to the extinction of mediocrity upon the stage. Laughton’s problem. If you remember him on the stage in “Payment Deferred,” or later at the Columbia in the | picture version of the same, you will recall him as the king of cads, a human demon who could cut somebody’s | throat and then bury him within a stone’s throw of his library | window. If you look back to “The Barretts of Wimpole Street,” | you will remember his beady eyes, his loose lower lip, his wrinkled | nose and the way he could strut into a room and instantly | obliterate any human kindness that had been present up until then. | Mr. Laughton has been a fiendishly | does on the stage is nothing com- | successful villain. He has also been pared to what he does in real life. | the screen’s best Henry VIII. In Lon- | He can lie as they say “supine” on a | don it is claimed that “Old Vic” couch and throw out amazing life | audiences have never seen a finer | lines of wisdom. No topic is too much Macbeth. | for him, except two years ago when | Now then, suddenly, he turns|“the movies” reduced him to a dead around and does one of the most| white silence. Since then he must | amusing characterizations of the year | in a film called “Ruggles of Red Cap.” You wouldn't expect to find Laughton there, just as you might not | expect to find Zasu Pitts. Yet, some- how. these two are ideally mated on the screen and the story fits them mJ Laughton’s future thus becomes a question. Most players in Hollywood sooner or later become “typed.” It is hard to get away from that. James Cagney is invariably linked to either an automobile, a battleship or an air- plane. Barbara Stanwyck must have at least one tear-fount scene, when| she either collapses, loses her temper | or loses the boy friend. Paul Muni ‘would never be put in a Noel Coward | comedy. You can't imagine Norma | Shearer doing a Jean Harlow “Bomb- | shell,” just as you couldn’t expect to | see the Bombshell doing a Norma Shearer. Freddie Bartholomew will | have to go on breaking his heart and | losing his mother and Lionel Barry- more must be a cranky old man who | eventually, in the last scene, recnp-i tures his good humor. Nor would you expect Bette Davis to be pleasant| again after exhibiting such magnifi- cent villainy in two thunderbolt dramas. | Once a villain, always a villain. Mr. Laughton’s case is the exception and a very welcome one at that. It is one, too, that we imagine is very much his own fault. In spite of his| 200 pounds, he has tremendous energy and if you have ever talked to him you must have been struck by the amazing vitality of his mind. The ranting and roaring that he | slinky as she is in “Naughty Marietta, have changed his mind, and in that | changing process he must have ad- | mitted to some one that he would | like to try his hand at being funny. | His success in this medium must be doing his heart good now as he salls for England with his also extremely talented wife, Elsa Lanchester. They are an odd pair—full of vim, full of sarcasm—full of volcanic ideas. But | so long as the gentleman can go on | doing things like *“Ruggles of Red Cap” and the lady can earn her bread | and butter by being as mean and you will have to admit that they are | one of Hollywood's most interesting couples. And as Laughton bobs up and down on the high seas we wonder what he is thinking, and whether or not he has as yet solved the problem of whether or not he shall continue to be a villain. 'CLAUDE'ITE COLBERT'S “Gilded Lily” was not the riot at the box office locally that the mother firm ex- pected. A good comedy, though far | from a great comedy, it amused those who saw it, but didn't do by half what “Roberta” is doing—something | which it seems surprised the Para- | mount boys no end. Why? After all, the announcement. that Miss Colbert was the winner of the Motion Picture Academy award for the past year means little or nothing to the average person. If she is seen and liked, well enough, but if she is more or less of a stranger, the blue ribbon that swings from her shoulder | cannot expet to draw audiences by | the fistfull. Nor could Miss Colbert's new leading man, as good as he was, be expected to snap up ladies from the | sidewalks. | ACADEMY ©f Ferfss! Souna Photovias | 8th at 6 S.E. E_Lawrence Phillips' Theatre Beautiful Continuous From Matinee. 3:00 PM. TOM BROWN and MARION NIXON in “SWEEPSTAKE ANNIE." BRUCE CABOT in "THE RED HEAD." ASHTON 10nq6rARETRRY; ' Awan SON and JOHN i N SON and JOHN BOLES in 1 MUSIC IN N. C. Ave. SE. | CAROLINA '':8.%; Gdtice “PECK'S BAD BOY" “K Y | ECK'S BAL ENTUCKY | 2105 CIRCLE 3% £ WALLACE BEERY. NUM."_8illy Sym.. 1343 Wisconsin A DUMBARTON 3313 ¥isionsts, GENE, RAYMOND in “BEHOLD MY FAIRLAWN eoA8587%: & S MILLIONS." _Comedy. PRINCESS pousie Rediufe SiStinee. 2:00 P.M.) — LAUREL and HARDY in “BABES IN TOYLAND.” 10 VTHE CROGRON TRATLL Ch JONES SECO 8234 Georgia Ave. Silver Spring. Md. “COUNTY CHAIRMAN.” Matinee. 2:00 P.M. Comedy. _News STANTON 0%, %m0 G gts. NE_© an ecinest Sound Eqioment ontinuous M 2:00 P.) £018 "WiLSON and PAUL RELLY 15 SCHOOL FOR GIRLS." BEN LYON and THELMA_TODD in “LIGHTNING STRIKES TWICE.” STATE 930 e Modern Theatre™ 1 ORGAN B Wise. Ave.. Bethesda. Ma NCERT_2:30 to 3:00 P.M. Open 2:30 P.M.—8how at 3:00 P.M. KATHARINE HEPBURN in SIR JAMES M. BARRIE'S “THE LITTLE MINISTER.” Also St. Patrick’s Day Special Film, “IRELAND."" TAKOMA 5 o, Pt S5 WALLACE BEERY in “MIGHTY BAR! HIPPODROME £..55%f.ne. JOE PENNER in “COLLEGE RHYTHM.” Continuous 2:00 to 11:00 P.M. _ CAMEO ™Fonmereon™ GRACE MOORE in “ONE NIGHT OF LOVE.”| ARCADE "Toitiriison™ ARTHUR BYRON in ‘The President Vanishes.’ Continuous 3:00 to 11:00 P.M. | RICHMOND AL%YANDRIA VA | Today-Tuesday Direction of SIDNEY LUST Margaret Sullavan. “The Good Fairy.” ARCADE -R3CFYIIE ¥b, SHIRLEY TEMPLE in “BRIGHT EYES.” Continuous 2:30 to 11:00 P.M. AMBASSADOR iP5 Gold Diggers of 1935.” = = Ple ¥ 2999 APOLLO 624 H St NE. Conn, AVAL?HM ugi’:“i):.':u;“}%. b3 ee. 3: GARY HO AVENUE GRANDy, & s: aames SAUREY 20T § “DEVIL DOGS OF THE AlR: " CENTRAL 2 ot st CAGNEY and O'BRIEN in _“Devil Dogs of the Air.” & | COLONY o~ Famaces GARY. COOMES® FRANGHOT TONE __"LIVES OF A’ BENGAL LANCER." HOME 1230 O 8t. Nl' OB A B OB 10, 51D MIL- SAVOQY 1458t 8 Col RZ N.W RAYGE NPYARR SYELEN. LTE -"vou 14ih §t. & Park BA. N.W 3:00 P.M. ONSTANCE _BEN- FTER OFFICE HOURS." & Quebec ‘o EDDIE CANT LIONS.” _Travelreel. JESSE THEATER "% ¥ “THE WHITE PARADE,” LORETTA YOUNG and JOHN BOLES. Comedy._Cartoon. SYLVAN ' “BRIGHT EYES,” SHIRLEY TEMPLE. JAMES DUNN. - Comedy. _Cartoon. PALM THEATER "®\f** Tomor —“BIOGRAPHY OF A BACH- ELOR GIRL" ANN HARDING and wl“’l‘ MONTGOMERY. comeuy.l ) BERNHEIMER’S What this particular star needs is a box-office leading man. For some strange reason, as well liked as she is, she can no more stand aione on her own two feet than you or I. She has looks, she has a pleasant kitten-like personality and she can wear clothes with the best of them. She is, too, & moderately talented actress. But, even if you think she has twice Janet Gaynor's ability, twice Ginger Rogers’ looks, twice Irene Dunne's | personality—it is gospel truth that she | | is not a drawing card in her own name. We don't know why, but she Neither is Clark Gable. Gable needs a “name” opposite him. Colbert needs a ‘“name” opposite | her own. We hope that hereafter the | Paramount Co. will see to it that she | is given the Cooper, or the Freddie | March or the something-or-other | that makes for better box office. Personally we thought Fred Mac- | Murray did a much better job than Cooper has done in most films. But, | alas, most people didn’t know about | this—so they walked by “The Gilded | Lily” with their noses in the air, see- ing only a little way down the street “Helen Hayes and Robert Montgomery in —" That got them; they didn’t have to read any further. . Revue Here Next Week. T HE New York Winter Garden Revue, | “Life Begins at 8:40,” will appear at the National Theater one week only, commencing next Monday eve- ning, March 25, with matinees | Wednesday and Saturday. The cast, numbering over 130 per- sons, is headed by Bert Lahr, one of Broadway's most popular comedians, who last appeared in “Flying Colors”; Ray Bolger, whose nimble feet and distinctive comedy are familiar and popular to theatergoers; Luella Gear, the comedienne of “Gay Divorcee,” who has a patent on her peculiar type of comedy, and Frances Williams, whose specialty is singing in a de- cidedly individual manner. | | isn’t. | When “L’Aiglon™ come Next Week's Films. “JROLIES BERGERE,” featuring Maurice Chevalier in his first dual role, comes to Loew’s Fox nex Friday as the screen feature. Merle Oberon, Ann Sothern, Halliwell Hobbes, Ferdinand Munder, Lumsden Hare, Ferdinand Gottschalk and a group of captivating beauties support Chevalier, Herb Williams, the inter- national comedy star, returns as the stage headliner. The long-awaited appearance of Charles Laughton in a full-length comedy role finally occurs in Para- mount’s “Ruggles of Red Gap,” which opens Friday at Warner Bros.’ Earle Theater. In sharp contrast to the many sinister characters he has por- trayed so perfectly, the brilliant Eng- lish actor is now the charming, lova- ble, rollicking Ruggles, just as Harry Leon Wilson, who wrote the famous story, must have imagined him. Supported by Mary Boland, Charlie Ruggles, Roland Young, ZaSu Pitts, | “L'Aiglon,” in which Eva Le Gal- | lienne will appear for one week at the National Theater beginning to- morrow night, has been pronounced by critics and public as onme of the finest achievements in this actress’ brilliant career. The role of the young son of Marie Louise .and Napoleon is one of the most appealing ever written and the background of the play, the Austrian court of the years 1830-1832, is col- | In addition to | orful and exciting. the “Eaglet” the drama contains such famous historic characters as the boy’s mother, Marie Louise; her father Franz, Emperor of Austria, | who, having had his kingdom over- run twice by his Corsican-born neighbor, decided to win safety for | his country by making the enemy a | member of the family; and Count Metternich, who first suggested to Napoleon the Austrian marriage, yet who, after the French Emperor's Among some of the others are Brian | Leila Hyams and Maude Eburne in | downfall, did all he could to prevent Donlevy, Dixie Dunbar, Earl Oxford, mento, Jack Starr, Esther Junger, James McColl, Walter Dare Wahl and | a group of Charles Weidman dancers. | The New York Winter Garden | Revue, “Life Begins at 8:40,” is a John Murray Anderson production. | Albert Johnson, the famous designer, | is responsible for the scenery and he has created a decoration entirely dif- ferent from anything yet attempted in a musical production. The lyrics come from the gifted pen of Ira Gershwin and E. Y. Harburg, another talented young writer, David Freedman, Cantor’s comedy vein, fur- nished the book and sketches. Today's Film Schedule LOEW’S FOX—Shirley Tem- ple in “The Little Colonel,” at 3:05, 5:20, 7:43 and 10:05 p.m. Stage show at 2:20, 4:35, 6:55 and 9:20 pm. EARLE—“Gold Diggers 1935.” at 2, 4:40, gvg:zs nl?lg 10:10 p.m. Stage show at 3:35, 6:20 and 9:10 p.m. R-K-O KEITH'S—“Roberta,” at 1:45, 3:45, 5:45, 7:45 and 9:45 pm. BELASCO — ‘‘Petersburg Nights,” at 2:58, 5:05, 7:14 and 9:22 p.m. PALACE—“Wedding Night,” at 2, 3:55, 7:43 and 10:05 p.m. METROPOLITAN — “While the Patient Slept,” at 2:45, 4:30, 6:15, 8 and 9:45 p.m. COLUMBIA — “The Private Life of Don Juan,” at 2, 4, 6, 8 and 10 pm. this character, a sophisticated Eng- lish butler in provincial Western so- ciety, a role full of laughter, surprise twists and delights. On the stage, starting Friday, the Earle will pre- sent the Eton Boys and the Do-Re-Mi Trio, broadcasting favorites. ‘Will Rogers enacts his most mirth- ful screen role as the shrewd small town editor who tries his hand at match-making in “Life Begins at 40,” which comes to Loew’s Palace Thea- ter next Friday. Rochelle Hudson, Richard Cromwell, Jane Darwell, George Barbier, Slim Sommerville, Sterling Holloway and many others are in the supporting cast. Edmund Lowe and Victor McLaglen | are screen partners once again in “Under Pressure,” a colorful drama | of “sand hogs,” tunnel builders under rivers and through mountains, which Loéw's Columbia will present as its | feature film starting next Friday. Thurs., March 21. 4:45 P.M., Constitution Hall NATIONAL SYMPHONY ‘s new concerto with Hi ter-pianist, as_soloist. Also Bach's Choral Lisst's “Les Preludes” snd Tachaikovsky's Fourth Symphony. Tickets 50c to Bex Office—Garfincks C. C. CAPPEL, DANCING. _ i EDW. F. MILLER STUDIO 814 17th 5t.—NA. 8093. If it's danced. we teach it PROF. and MR [ER—31th Yr. Studlo. 1127 i0th 8t. N.W. Class and Dancing every Friday, 8:30 to 11:30 p.m.. with Orchestra. Private lessons by appointment. Met. $180.% Dance Smartly!! Don’t Be a Routine Partner Learn to dance smartly become resting. (popular dancer) a few lessons, Special _attention to beginners. Call for guest lesson—without obligation Studios open until 1 .M. Leroy H. Thayer Studios 1326 Cenneotieut Ave. Metropolitan 4121, { 2 n | this bright and imaginative story of | Napoleon's son Josephine Huston, Ophelia and Pi- | America in 1908, Laughton makes of ;mfi‘;,vs e from escending his 5 These and many | other historic persons pass across the stage in a gripping drama of love and hate, of intrigue and counter-plot, of mental strength and human frailties. drama which Miss La Gallienne uses has been made by Clemence Dane, and Richard Addinsell, who wrote the music _(or the La Gallienne production of “Alice in Wonderland,” has done a special score which includes a march Under the Auspi f MRS, E. S, COOLIDGE CONCERT For Chamber Orchestra by Members of the National Symphony Orchestra Directed by Hans Kindler Soloist. Viola Mitchell. Violinist. Sunday Afternoon. March 17. 4 P.M. U.S. Chamber of Commerce Auditorium Admission Free ——TOWN HALL March 13th 8 PM. LOUIS K. ANSPACHER Lecturer and Author “The Modern Cultural Ideal.” Shoreham Hotel Admission $1.00 | FRAUENHEIM Recital Scheduled for March 20th POSTPONED To Tues. Eve. Aor. 2d, 8:45 Sulgrave Club. 1801 Mass. 'Ave. Mail Orders Now to Isabel Sauibb. H_St. N.W. Met. 4764 GAYETY BURLESK Starting This Sunday Matinee “Bozo Snyder” . And All New Show The English version of the Rostand | rell-known Rostand play. that is supposed to have been written by Napoleon. In addition to Miss La Gallienne the large company includes Averill | Harris, Merle Maddern, Robert Har- rison, Sayre Crawley, Donald Cam- eron, Marion Evensen, Richard War- ing, Helen Walpole, Leona Roberts, Walter Beck, William Whitehead, Florida Friebus, Lionél Hogarth, Theodore Tenley and Joseph Kramm. “Bozo" Snyaer at Gayety. 'HE Gayety Theater will present an- other outstanding production Blue Rhythm Girls,” featuring “Bozo” Snyder, starting today. Although “Bozo” does not speak a single word during the entire performance, his gestures are funnier than words and he never fails to get many laughs and a big “hand.” A good supporting cast includes Max Coleman, Harry Bentley, Bob Roberts, Don Trent, Gertie Hayes, Billie Hughes, Helen Greene and the sisters Margie and June White. el “Ivanhee"” to Be a Film. DARRYL ZANUCK, production chief of 20th Century Pictures, nounces the forthcoming production of the world-famous “Ivanhoe,” the | classic from the pen of Sir Walter| Scott. Zanuck plans to make it the most lavish film he has thus far pro- duced, with a cast of 16 performers of stellar ranking. “Ivanhoe” is to be released through United Artists. 16-VITAP : s A% wmROSCOE ATES Warner Bro MIGNON C. EBERHART'S "While the :2:2: to the National tomorrow night, Eva Le Gallienne will appear in the role once made famous by Sarah Bernhardt and Maude Adams, Clemence Dane has written new version to th: 2 Players Give ‘Royal Family. “THE ROYAL FAMILY,” George S. Kaufman and Edna Ferber's satire on one of the leading theatrical families in the country, will be played on Wednesday night of this week at 8:30 in Roosevelt High School Audi- torium. The play is being given under the auspices of the Community Cen- ter Department and the Parent- | Teacher Association of the Weight- {man School, with the co-operation of the Kiwanis Club and the Tuberculo- sis Association of the District of Co- lumbia. The performance will be a | benefit for equipment for crippled children at the Weightman School. The cast includes Maud Howell | Smith as Fanny Cavendish; Anne | Ives as Julia Cavendish; John Mann as Anthony Cavendish; Marie McIn- | tyre as Gwen; George Odell as Her- bert Dean; Ann Garrett as Kitty Le Moyne; Murray Sheehan as Oscar Wolfe; Theodore Tiller, 2d, as Perry | Stewart; James P. Walsh as Gilbert Marshall; Mable Swormstedt as Della; as Miss Peake. an- | - Famous Spanish Tiaist. Constitution Hall. 18th This Aft.. 5 10 T 00 s 4. Opens Today LIONEL BARRYMORE % Little Colon BiILL ROBINSON {Zu.{gx OLIES BERGERE® with MAURICE CHEVAUER tage..HERB WILLIAMS SPECIAL IN NEWS her uey Long 4 Gen. Johnson _WILL ROGERS [ n" LIFE BEGINS af 40" E with MERLE OBERON Ralph Paddock as Joe: Paul Walter | as the hallboy, and Nancy Ordway Superintending the debate as its master of ceremonies was Maj. Bowes, an affable, fatherly and prosperous magnate of vaudeville, radio and the cinema. He introduced, among other professors, Walter Connolly, star of “The Bishop Misbehaves,” who gently pooh-poohed the idea of a national theater and predicted that unesthetic politics would intervene in its admin- | istration as they did in the endowed Schauspielhaus and the Comedie Francaise. Herman Shumlin, pro- ducer of “The Children's Hour,” the | season’s masterpiece, frankly told the | Study Club that he was opposed to | making the drama a pauper, with a | | tin cup in its hand, living luxuriously | upon a dole. Burns Mantle, the drama critic, advocated not only one | national theater, but a number of | them, distributed like the conserva- | tion camps, throughout what has been called the length and breadth of | the land. Miss Chergl Crawford of the vigorous and up-and-coming | Theater Group, prospective mccmer\ to the waning Theater Guild, also suggested that some of the manna | from Washington should fall upon | the serious and radical, though un- | | popular, dramas, and feed them until | when and if they are strong enough | |to walk alone. | Taxpayers, I think, will agree with | the Drama Study Club that the the- | ater, while not perhaps so deserving | as agriculture, industry, finance or the American Federation of Labor, is | still entitled to the alms of a philan- thropic Government. Under the con- trol of congressional committees it might solve the puzzles that are now | furrowing the brows of patriotic legis- | lators. As a hopeful bystander, I| | trust that when the Nation takes over | | the theater it will put it in the hands | of administrators who know as much | | about the drama as Mr. Eccles knows | | about finance, Mr. Tugwell about! | crops, Mr. Dern and Mr. Swanson | about the Army and the Navy, and | General Farley about the mails. | | LOU'IB BROMFIELD, a penetrating and & best-selling novelist, has| tried twice within a fortnight to pre- | | sent a play that would be improving | | as well as salable. His “De Luxe,” at | | the Booth Theater, was as shallow an | Nights, Oreh.. Wed. and Sat. B e dev. Tand 7 | OPENS ORDERS L"o"0 NOW SEATS THURSDAY NEW YORK CAST DIXIE DUNBAR WALTER DARE WAHL WINIFRED HARRIS OFELIA & PIMENTO FRANCES COMSTOCK SALLY GIBBS BRIA JOHN JACK by IRA GERSHWIN & £Y. HARBURG D) .30, §2. PRODU Prices—Nights: $3.85, $2.75, $3.20, $1.65, S1.1 order and Composer-Conductor-Planist Seats, $1.10, CARLT “He is one of the greatest artists time be's n.' Tickets T. Arthur Homer L Kitt's NA. 3700. "AMERICA'S ST THEATRE"® $2.75; Bal, $2.20. $1.65 & $110; 224 Bal. Oreh., N DONLEVY McCAULEY (Tax inel.) Kindly self-addressed stamped envelope. Y GARDEN. gmith. 1330 G 8. exhibition of pretentious sincerity as ever bored and mystified a playgoer. It attempts to picture, as I may have reported, a group of dissipated, demi- aristocratic tourists from England and the States trying their best to be Parisian. Nothing comes of it save Mr. Bromfleld's futile efforts to be cynically urban in a drama that is half French, half Ohloan. But in “Times Have Changed,” an adaptation of a grim drama by Edouard Bourdet, author of “The Captive,” he certifies himself as a promising prospect of the theater. In it there are credibly exposed the so- called follles of wealth, with Miss Elena Miramova, as an acquisitive in- genue, marrying the epileptic heir of an Oklahoma gas and oil man for the riches he could give her. Mr. Brom- fleld'’s “Times Have Changed,” they | tell me, is not quite a hit, though there are hopes for it. WIS’MO 2 Inalilulion 2> Week..’ “ROBERTA” FRED ASTAIRE GINGER ROGERS IRENE DUNNE ow! Moscow Art Theaire Plavers. in DOSTOYEVSKI'S “PETERSBURG NIGHTS” Complete English dialogue titles Direct from 6 weeks N. Y. rum & bELAS(O MONDAY and Week 55e. $2.20; Bal, 3165 & $1.10; 2ad Bal. n Rostands Famous Py (Clenence Devellersion) “LALGLON” WITH HER NEW YORK COMPANY MAIL ONE WEEK ONLY 25 MAR. MATS., WED. & SAT. BIGGEST OF ALL SHOWS OF 125 INCLUDING JOSEPHINE HOUSTON STARR ETHEL THORSEN GLORIA PIERRE JANE MOXON CHARLES WEIDMAN DANCERS A JOHN MURRAY ANDERSON PRODUCTION usie by Sketches by LD ARLEN DAVID FREEDMAN WORLD FAMED BEAUTY BRIGADE CTION DESIGNED BY ALBERT ALB $1.65, $1.10. JOHNSON Wed. and Sat. Mats.: send check or money Constitution Hall é KUBELlK Mar. 19, 8:30 FIRST TIME AT POPULAR PRICES 55 s3c_siio sies s1% Natlonal Theater, March 24, 8:45 § STRAVINSKY & S. DUSHKIN = Vieiinist $1.65, 32.20, $2.75—7. Arthur Smith. in Kitt's—NA. 3700 ONLY U. 8. RECITAL THIS SEASON—APRIL 4th, NATIONAL LTON GAU have Is_to hear C: SIR HENRY WOOD.