Evening Star Newspaper, March 5, 1933, Page 37

THE SUNDAY STAR. WASHINGTON, - Lights in Spring Styles Lejt to right: Tuck trim the low bodice of a navy blue silk mousselin e evening dress worn with a tucked jacket. Gray satin, polka-dotted in white, makes an evening dress with a scarf caught at the neckline with gardenias. A gray crepe evening gown is worn with a matching coat that has its cape collar and s hort sleeves edged with silver fox. Well Dressed Woman Has Her Own Requirements EY M. GASTON. an is style con- conscious of P v, and of he style requirements as an in- dividual. She is likely to be aware of the current fashions of any season, but she does not give sufficient thought to choosing from those styles the colors and lines adaptable to herself. That, I believe, is one reason why 80 few women are really well dressed. It is not a question of expenditure at all. For only tco often the woman with a very limited allowance is much better dressed than another woman with a much greater one. The reason no doubt is that the former realizes she can't afford to make a mistake, so gives a great deal of thought to the costumes she finally chooses. For it does take thought to be well dressed— serious thought, in these days when such a host of models is presented, and 80 many trends and styles are acknowl- edged by the fashion world. I ean imagine the average' woman Wiewing the many models of any sea- son. She is intrigued by the color of one, by the line of another, by the nov- elty of another. She hears a friend remark that she is chocsing blue, or ved, or a dress of a certain inspira- tion. Then, instead of considering whether these same colors and lines are going to be becoming to her, she rushes | i out and buys the same things, often ‘with disastrous results. Now what should this impetuous lady @o if she is to be really well dressed” She should, of course, know what the mev modes are. She must learn the new colors, the new 1 For without this knowledge, she will not be abreast of current style. But this information s only the first step toward smartness. ‘The next step, and quite as necessary a one, is a study of her own individuality in relation to the mode, unbecoming hues than to limit yourself 1o the three or four possibilies which your mirror tells you are acceptable. But once you have become accustomed to your appearance when dressed in your most becoming coior, you will not | be satisfied to wear unbecoming hues. And, as a matter of fact, you are less limited than appears at first thought, for there is nat one yellow or one blue, but many, each with its own character |and interest. | The French woman bas a reputation Ithe world over for her smartness and | chic. This is due in part to the fact that the French woman takes the ques- | tion of clothes seriously. But it is partly because the French woman has her clothes made for her instcad of buying them ready made, as you do in America. She goes to the same cou- | turier for years and years. He learns | her_tastes; he is able to study her and |s0 learns her best colors and lines; he iundcrstands her temperament and the relation clothes must bear to that. But above all, there is friendly consultation between client and designer, so that every costume is the result of study and experimentation. * K K % 'HE American woman does not have the advice of a designer in choosing her clothes, but she does often have the expert advice of a saleswoman, and she can, if she will, develop a critical attitude toward styles. She can, if she | interested—and every woman is—| learn her most becoming colors and lines. She can learn to express her in- dividual taste through her clothes. Many American women, of course, do express their own personalities through their clothes. Many others, however, although well dressed, suggest soldiers in uniform. They are too much alike. If one is wearing navy blue, all are wearing navy blue. That is not indi- viduality. It is not even chic. For the truly smart woman will not only be well dressed and in faultless taste, but there will be something about her cos- | * % x * 'HE well dressed woman knows that | there are certain lines that are becoming to her figure. Perhaps her shoulders are unduly square and wide. She is likely therefore to avoid such details as leg-o’-mutton sleeves or tucks that extend cut over the shoul- ders. Smart though these features ight be, she perhaps realizes that in case they exaggorate a perscnal er best in clothes | . She will therelore e frilly rufiled sort of thing be fescinating on ancther and choose the or coat ems designed for hel martly costumed woman gives r than {o line, for sne realizes how m t can Co for her complexion, and o for her gensral ce, it czn ruin | effeci of ch: wrongly chosen. She knows that the: very few women wio ¢2n w and | 0st ct | s studied cclor her own coloring and hues are best swted to he: for instance, that gray or beige or some other neutral tone is smart. The que tion always arises, which gray or beige shall be checen? For there is not merely | one gray, but many grays, varying from | a cold gray to a warm yellowish gray. | ‘The woman who has found warm colors most beccming will choose the yeliowish gray. The woman who is best in cool | tcnes will prefer the blue-gray. Each will be in style, yet each will have se- | lected her own best color. ] * K kK A LITTLE experimentation with col- ors will usually convince you that there are two or threc colors best| suited to you. To these definite colors may always be added black and white, £0 that the actual gamut of colors per- mitted to you is widened. On AQought you may feel that such a choice 0 Nlulyi.l mynmlud. You half de- |C tume that sets it off from the mass. She will not look like hundreds of other well dressed women. Her clothes | will have a cachet, a distinction that cets them apart. There is only one way of acquiring such distinction and that is by study. But what more fascinating study is there than the study of oneself? (Copyright. 1933.) {Early Spr Show BY SIVESTRE DORIAN, Director of The Paris Fashion Service. The writers of the Paris Fashion Serv- ice. who rotate as contributors to this series of articles, are the following: Agnes-Drecoll, Brusere. Cheruit, Haim. Lanvin, Louiseboulanger. Hubert. Paule- Martial et Armand, dAhetze, lene. Patou, Molvneux, Le Monnjer, Rose Valois. Rose Descat, Schiaparelli, daggy Rouff, Marcel Rochas and Lucile M Paray. PARIS, Februafy 25. LTHOUGH a great many of the smart Parisians still linger on the Riviera, there is a sprink- ling of well dressed women to be seen 2ny day at distinguished hotels and tea rooms. Some of these are New Yorkers, on their way south; others are South Americans, members of the Parisian colony, just now re- turning from visits to Buenos Aires and Rio de Janiero and spending a few days in assembling new wardrobes before the approaching Grande Saison. The South Americans, incidentally, are among the A smartest women of Paris, some of them, like Mme. Martinez de Hoz, having es- tablished world-wide reputations, 'not only for their inimitable chic, but for their exquisite beauty. I have spent several days running about from hotel to hotel at tea time or dinner, trying to gather some interest- mgl data :g the newest t-x;’endn u‘;d styles, as they are beinj ofiwd y well dressed women. 'I{w collections were, of course, shown some weeks 8go, but it is always interesting to know just what details and features have been taken up by the smart group which more or less sets a stamp of approval on couturiers’ aflerlnu.‘ * x % AMONG daytime costumes I have hat noted several interesting points. Skirts, for instance, seem to me to be rather narrower and straighter than they were early in the Winter. The waistline is slightly lower and there is often a tendency to blousing. The neck- line continues high—indeed, there is often a standing collar. A new tendency, however, which I have observed is the increasing interest in the square neck- line. I have seen only one or two of these thus far, but these indicate a new departure, I feel. Sleeves, which have, as you 0w, been attracting more than their share of attention for many months past, are inclined to be less dra- matic. I still see the puffed and leg-o- Prints Are Prominent HIS is to be a season of diversity, and the greatest variety is seen in febrics. Everything secems to be in fashion, with the most liberal conception of Lexture‘ ccmbinations. It is a seazson where women may pick and choose for them- gelves with the result that she who y may be very individual. | ‘wills and curah silk ere revived. | Satin is high lighted, especially for the | evening. Dotted swisses and point | d'esprits are back again, st2unch sup- | porters of the resurrection of the styles | of the early years of the twentieth cen- | tury. Organdy and its bright and | shining sister, organza, are even now | in Winter evening dresses. Prints are of vast importance. This will be one of the greatest print seasons in the history of dress. , both smooth and rough of surface, chiffons, organdies, cottons, heavy twilled silks and woolens of many weaves. all are printed. * kK ok c IRED effects will give a very high| light to drefs that will be seen under Summer suns, and much satin will be featured for evening, with deli- cate colors leading, especially those | powder blue tones. Black and white combinations are strong in evening dress. White jackets are worn with black dresses, as in a new ensemble seen in good shops about that you would rather appear in town, consisting of a black taffeta dress In Diversity of Fabrics with white taffeta jacket. Hemp linen coats, cut on swagger lines, will be worn with dark dresses, showing a new alliance. There is almost as much latitude in the choice of the lines of dress as in fabric. Coats are long and fitted, short and boxy, of finger-tip length or knee- length and hugging the waistline, of the Eton jacket type, and many others. Shoulders are broad and sleeves are larger at the top; on this the best de- signers agree. * % % % NECKL!N!S of evening dresses are higher and are twisted and draped to give the most flattering outline pos- sible. Sometimes scarfs are used to still further cover the decolletage. Shirred ribbon is & new material for dresses. We see navy blue silk ribbon, shirred to give very much the a = ance of the new elastic fabrics, used to make an entire dress. A V-shaped in- gert at the waist is of navy blue satin ribben and continues into a draped sash, making the waistline adjustable, & very popular feature in many of the dresses of today. A collar and jabot, made of loops of the navy blue satin ribbon, trim the neckline. = 8. M. C. The drained land which once was the bed of the Zuider Zee, in the Nether- lands is still so soft that it can be plowed only by the aid of caterpillar tractorsy ing Selections Narrower SKkirts | mutton sleeves of the '90s, but many | of the best dressed women seem to be deserting them for a simpler sleeve. Not that sleeve interest has vanished. On the contrary, there is still a great deal of clever detail to be noted, but more attention is p2id to other features of the costume and, consequently, less to sleeves. I find that novelty fabrics of every kind are still in favor. Matelasse and cloque are important, and although there are hints that they will soon go out, I cee little evidence of it thus far. For instance, the other afternoon jotted down a description of a particu- larly good-looking gown, of putty-col- ored crepe, with yoke, inserts in the sleeve and wide belt of a matelasse in the same color. There was a small “pillbox” hat of the same fabric. The other accessories, gloves znd shoes, were in a rather dark shade of brown. * x x % NOTHER striking fashion detail is the continued acceptance of skirts and blouses for daytime wear. The same day I noticed several costumes built up in this way, with a crepe or satin blouse, and usually & wool skirt. One of these had a very severe bl of white satin, with a high rolled %“of lar, tied at the front to form two long ends, with fitted sleeves flaring at the wrist. This blouse, by the way, was a tuck-in, and was worn with a skirt of dull black woolen. Another outstand- ing costume was black and green. the crepe blouse with high neckline and diagonal closing was in black, the slim +| fitted skirt in brllh:“xlmn ‘woolen. The was & black turban with a jade ornament. Another distinguished costume, seen at tea, was of a rough crepe, crinkled lengthwise, in the new shade of dark blue. This was a suit with skirt and rather short jacket, worn with an or- gandy blouse in pale greyish blue. It was worn with small tilted hat of dark blue straw, with a rosette of blue cire flbboexdx at g:eb:tcwedwhnle hat de- signed so wed & large part of the hair at the back. Now to iehnee for just a moment at a few of the more interesting cocktail and dinner dresses that I have seen recently. White satin, I find, is still important, as also are the various nov- elty weaves of crepes in white and off- white shades. I saw a black and red cocktail frock the other evening. This dress is a most striking model with an ankle-length black lace skirt and short Jacket. The sleeves of the frock—which show the transparent jacket— are in a b it red. The frock, when I saw it, was worn by a somewhat exotic young person, with jet black hair and eyes and pale olive skin. The effect was startling l:ld‘ch‘h: in the extreme. * ANOTHER dress, which makes use of the same color scheme, should prove popular, although as yet I have seen it only in salons. This one is in the new tailored mode, which is so much favored right now for evening. The gown is a dull black silk, but '151 it i= worn a red lacquered satin jacket, which sets off the gown and gives it ruAln dm n. of the '90s is seen in the black lace and net gloves which a numbers of women are affecting since they were introduced at a recent o] g. They are quite in keeping with a silhouette which features back fullness slightly reminiscent of the bustle. I noticed a frock of crisp black lace the other night. This has a ruffie at the hem, striped with very narrow mauve ribbon, which curves upward at the back to the waistline. quaint and Victorian, particularly when worn witi lace gloves as this was. From these few descriptions you will understand the diversity of the present mode, not only in evening costumes but in daytime dresses and suits as well. There has seldom been a time when D. C, OBSCURE ANV CALLED A VERVERR Chicago Art Institute Gift| Jumps in Value From Noth- ing to $40,000. By the Asscclated Press. CHICAGO, March 4.—There’s 8| chance of turning a gift into a clezri profit of perhaps $40,000 here, and it's gelng begging. It has to do with a painting which, since 1911, has hung in an inconspicu- | ous place with hundreds of others in | the galleries of the Chicago Art Instl- | tute. | Until now the world has credited it | with being the work of the Dutch artist, Jacchb Octervelt, who lived from | 1635 to 1700. | ‘Then, L. Charles Wallach, the Eng- | iish eritic, happened along and de- | clared it was from the brush cf the| master, Jchannes Vermeer of Delt, | teacher of Octervelt. | Immediately the canvas. known as| “The Musicians,” began to rise in value, | for, while an Octervelt is not to be dis- | dained, a Vermeer is a positive treas- | ure. None is included in the insti- tute’s collection. But least excited of all is Dr. Robert B. Harshe, director of the institute. | He's accustomed to such things and | has turned down offers of $400,000 for | 000 canvas and $1,000,000 for & $53,000 “vork. “You see, we're interested in art for its sake and not as a financial invest- ment,” he said today, and as an after- thought added, “Perhaps the world would be better off if it had made money less of a goal.” For the present “The Musicians” will continue to carry its little brass tag identifying it as a Octervelt. The marker will not be changed to Ver- | meer until all doubt as to its authen- | ticity has been removed, and that is up to the critics, Dr. Harshe said. Y MARCH 5, 1933—PART -THREE. Conquering Contract By P. HAL SIMS IMr. Sims is universally ecclaimed the greaicst living contrcet and auction player, He was captain of the remowned “Four Horsemen” team and has won 24 mnational championships since 1924. Encouraging a Slam Over a Jump Raise. ESTERDAY I explained the two th> opening bidder may make a choice when responding to & Jjump-raise. Any other response than these is an encouragement cof a slam-try. Therefore, when you make any non- minimum response you may be jeopard- izing a certain geme. True, your partner can always sign off by rebid- ding your suit— but he may have | good reason to ex- pect a slam if your encouraging Tesponse scems to fit his hand. Be sure not to de- ceive him or cause him to build a skyscraper on_ & quicksand. member the nega- tive information you possess about his hand. 1. He did not make a takeout, minimum cr forcing, in another suit. Do not expsct him to P. Hal Sims. | show up with an off-sult to give you discards. 2. He did not bid two or three no trumps; his hand presumably has at least one weak spot. Attributing to him only four trumps and one and one-half to two tricks, try to visualize probable holdings in his hand. Then try to count the losers in the two hands approximately. Your computation cannot be exact at this a time; the off-suft o suits must fit for a | puc ¢ T held five spades to the A4 X | slam, and there will still be time to | sign off if the next round of bidding develops unfavorably. At this stage, your main concern is not to encourage a slam—that is, make a response is not a minimum—without a sound basis for it, teking into consideratior the negative information you possess about your partner’s hand. ‘minimum respenses from which | There Are Three Kinds of E: of Encouraging 1. If you now name a eccond suit, it must be neariy rolid at the your opening bid—otherwise you will be bidding them twice over. To scme ex- tent, weakness in the second suit may be compensated by additional primery tricks outside your two main suits; tut | T advize you to make it a rule not to bid a second suit in this situation unlsss it is headed by A K, AQor K QJ Unless your hand contains at least two aces, I would not consider anything but a minimum response. A void suit would form the only exception to this con- dition. Let us take some instanccs of hands on which you have made an opening bid of one spade, to which the response was three spades: |80 AKX xx DI x |Hts. K QJx CLAJIxx I would provisionally read my part- | ner's high cards as a red ace and the | king of clubs. Four hearts would be | my bid. If he now bids four spades, | I pass; if he bids five diamonds, I will show my club holding with five no (trumps. I do not want to rebid the | spades. My bidding so far has shown | one trick over the minimum. It is up | to my partner to pass five no trumps | or bid six spades. With two aces and the king of clubs, he would bid six spades. With only the queen of clubs, | he would probably pass five no trump | unless his spades were headed by the | queen. I assume of course, from his | diamond bid that he held A Q x x or | A K x x in that suit. With Sp. Q x x x ‘H'.!.AXXD\.AQXXCI.KXXhe should bid six no trumps over my four hearts—he wants to be declarer and have the lead come up to his hand. This bid would announce two aces, a high spade, and some additional sec- | ondary value, presumably in clubs. With | the opening bidder’s hand as given \bove I would pass the six no trumps— and one less club, I would bid seven spades, as then the risk of losing a spade trick through freakish adverse | distribution in that suit would be | remote. | (Copyright. 1933.) Mr. 8ims will answer all inquiries on con- } tract that are addresse | with self-addressed stamped envelope. MISS PERKINS USES DRAMA TO EXPEDITE HER CAUSES Gra&uate of Hull House and Former Asso- ciate of Jane Addams. She's a Careful Student of Special Dispatch to The Star. NEW YORK, March 4 (NANA)— Frances Perkins, new Secretary of Labor | and the first woman cabinet member, | comes from Beston. Although for years a New Yorker, unchanging style of her tricorn hat— a type which she is reputed to have worn ever since she was 10-years old. She still has the farm of her for- bears in Damariscotta, Me., and makes it & Summer home, when she is not ing up her vacation to studying unem- ployment insurance in England or wag- ing a presidential campaign at home. Her childhood was In Boston, her school years in Werchester and her col- lege at Mount Holyoke. | She was an only child until she was nine, when a sister was born. now Mrs. | Prederick H. Harrington of Holde | Mass. Her father—a scholarly, earnes man of old-fashioned standards deep humanness—was very close to her. A Lover of the Classics. Frederick W. Perkins had brought from Maine enough enterprise to pro- vide well for his daughters, but he was never a man chieflly interested in get- | ting on in the world. He knew and loved Greek literature and filled his daughter’s early years with classical lore that may have much to do with the liquid clarity of her expression. Her calm, deep nature developed gr; ually. In college she was ripe for work and the mark she made on her class-| mates at Mount Holyoke caused them to make her their permanent class presi- dent. It was the class of 1802. Frances Perkins now at 50 comes to this apex of her career. She was often the despair of the col- lege faculty and the amazement of her friends. She neglected her courses to| make a factory survey of the vicinity— | her first investigation. Flunking a course, she refused to repeat it, having discovered her bent elsewhere. She called herself Fanny in college. but her vital personality was rendered “Fan” or “Perk” by her classmates. She was executive of half the activities on the campus, from the Golf Club to the | Y. W. C. A. In her junior year she bal- | anced the class budget by organizing a midmorning sale of brownies and sand- wiches which, as the “junior lunch,” has become a college tradition. “Social Righteousness.” Her father’s idea of education had not contemplated economics. But Prances Perkins blossomed with the 'e;ger, new era of the turn of the cen- ry. “My generation had a passion for social righeousness in those days,” she remarked recently. She taught a year in Chicago and read Jacob Rils’ book, “How the Other | Half Lives,” and Lincoln Steffens’ dis- | turbing articles on “The Shame of the Cities.” She met Jane Addams and | then came a period at Hull House. Her mlilm deepened to make & better world. She did not turn to reckless muck- raking, but instead back to the plod- ding labor of the class room. She studled economics and sociology at| Pennsylvania, at Chicago, at Columbia | University. Jane Addams taught her to discrim- inate between justice and sympathy. She taught her that to get anything done you have to dramatize it. But the capacity for dramatizing Frances Perkins always had in her. | She was a great investigator and | she has never got over it. Facts are her gospel. She has always got the facts first, and by the painful process of digging out the facts, situations focused £o clearly in her own mind that she has never had much trouble making @ situation or need clear to others. If there is any moral in the rise of Frances Perkins it is in her implicit reliance on facts. And the facts have never failed her. A Saving Sense of Humor. She saves words by spare speech, that comes straight to the point. is always calm and has saving humor. She knows human nature like a book. She is noted as a great negotiator in groups and a great persuader before e ety pamed comp! k) It is n‘ael treat to e ‘;hre: make ‘; ting away dices = feeling their agfnw as | and ¢ Sociology. In her face every muscle is alive. People follow her eves es she talks. Values Home and Friends. No one more values her time for her home and her friends. “I have had a happy personal life,” she says. “I have had the {riendship of knotty preblems and let he have the praise. I have had a good daughter, who has grown to girlhood without ba- irg a troublesome child. I am grateful helped me bring up re of my home, for fashioned women my child end take I am one of th: ho kelicve th: into the wa 1 Wilson in 1910— man and statisticia: !y has been lonely, . in broken health, is and her daughter Suzan- has been at school in for her husbs in a hor nah, Connecticut. Retention of her maiden name was convenient to her and in the early she felt it saved her husband some y of embarrassment, while he was in pclitics and she was agitating for causes which often proved irri- tating to politicians. She is feminine enough so that when she has a real tough problem to work out she likes best to work it out over embrcidery. She smocks and smocks while her mind wraps around the per- plexity. She has an artist's love for painting 2nd she en, exhibitions of furniture. (Copyright, th American News- nc. 8, OKLAHOMA CLOSES OIL FIELDS AGAIN Gov. Murray Orders Second Shut- down Pending Enactment of New Law to Curb Output. By the Associated Press. OKLAHOMA CITY, March 4.—For the second time, Gov. William H. Mur- | ray today clamped a military shutdown on the vart Oklahoma City oil field pending enactment of a new law by the Legislature to control proration of pe- troleum production. Wells threatened | by water encroachment were excepted. ‘The executive order charged the Sin- clair interests with opening their wells, ignoring the proration allowables and setting an example which other pro- ducers have been quick to follow. With prorated prosuction of 120,000 barrels of oil allowed the Sinclair com- panies during March, the Governor charged the Sinclair companies have run 230,000 barrels of oil in the last three days and “are now running at the rate of 3,000 barrels an hour.” His cousjn, Col. Cicero I. Murray, in charge of military proration enforce- ment, called 50 additional Guardsmen to supplement a force of 100 which were put to work early today. The Crescent Refining Co., one of the biggest crude buyers in the West Holdenville field, announced an 8-cent- per-barrel price increase in 42 gravity crude, effective at 7 a.m. Monday. The new price is 60 cents. Gov. Murray shut down all Okla- homa wells in August, 1931, after crude oil {from Midcontinent fields as low as 10 cents a barrel. “POLICEMAN” ARRESTED Number on Badge Stumps Man Sus- pected of Imperscnating. Policeman Timothy Foley of New York City saw a man questioning cab drivers and displaying a an’s shield. He did not lcok like-a police- man to Foley, who arrested him when he couldn't repeat the number on the police shield. The man, James Gray, : charged with impersonating a police- an. The shield had been issued to an officer now in pricon fcr extortion. WHERE TO DINE. THE BLUE LANTERN INN ANNAPOLIS, MD. King George St., Betwee: A R e Holiday Dinner WHERE TO MOTOR AND DINE. Francis Scott Key Hotel Frederick, Maryland Fine Table D'Hote Dinner $1.00 and $125 |HORSE STEALING REVIVES WITH DEMAND INCREASE By the Associated Press. HAVRE, Mont., March 4.—Economic stress which encouraged farmers to abandcn expensive gasoline motored machinery, has brought a problem to ranchers here. Farmers again look with favor on old Dobbin, and the local price of good work horses has risen to $40 or $60 a head. Organized horse stealing has re- sulted. A horse protective association is being formed. L | PAYA | LITTLE DOWN 1 WHEN FURNITURE IS RETURNED Thereafter A LITTLE EACH MONTH WILL DO! | Also Chair Caneing d to this newspaper 9 PRISONERS' WORST ENEMY S STUPOR” |Man Whe Spent 12 Years in Cells Explains Malady in New Book. | | By the Associated Press. NEW YORK, March 4—It is “not nearly so awful” says “an articulate | prisoner,” that a man may come out of prison hemeless, penniless, friend- less and jobles as that he may come cut a victim of “priscn stupor.” ) Prison stupor, es defined by Victor | P. Neleon in “Prison Days and Nights,” | published today, is a condition that | arips a man when he trics to forget the difficuities of his confinement by drift- ing into the dream world. | H2 considers its effects “as enervat- | ing and demoralizing as the effects cf | a habit- 5 " and he asserts “all men 0 have been in pricon for |a long time are victims in greater or | lesser degree of this diseaze.” | Spent 12 Years in Prisons. | Nelson, his publishers say, has spent | 1215 of his 34 years in various prisons, | being parcled lest Summer in custody of | a psychiatrist | “The prisoner begins mentally (and often physically as well),” "Nel:on writes, “to chu his eyes whenever he gets a chance; he begins to project | himself into the remecmbrances of | some former life, or into some imagined | future world in which his desires will be satisfied and life made pleasant. “The danger is that the dream werld may become so satisiying end vital to the prisoner that he will eventually | slip over the edge, lose control, and | spend all of his time in it." | To this condition Nelson attributes manv of the readjustment difficulties | met by the rcleased convizt. Nerds Violent Stimulns. ¢ enswathed in lay- caused by malnutrition supcr; he cannot feel any- t the most viclent and excit- ns or events or people,” the helps to explain why average ex-convict, still of prison stupor, secks to | plerce the anhedonic fog with artificial stimulation sionate | gayety of night clubs and z |~ Unless some “mezning” is given to | the convict's daily life, Nelscn holds | that “prison stupor can never be eli }mav.ed from the prison environment.’ “Intelligent penolcgists are aware of | thie” he says, “but they always have | been hampered in their attempis to | change the prison environment by the | loud and unintelligent protests of ig- ncrant laymen who have not the feint- | est knowledge of the complex factors | involved n the problem of crime sad hment.” eakeasit [ she nas remained as much Boston a5 a chivalrous and unselfish husband, ‘-hoi eu o sl el ln her worn brown traveling bag and the has lent a brilliant mind to some of my ; o o o 5-Piece Parlor Suites...Antiques 3-Piece Overstuffed Suites Dining Room Chairs Gy WOOL TAPESTRY-FRIEZZA BROCADES AND DAMASKS and Porch Rockers Splinted by Our Experts at New Low Prices Estimates and Samples Given Free. 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