Evening Star Newspaper, September 21, 1930, Page 61

THE SUNDAY STAR, WASHINGTON, D. C, SEPTEMBER 1930—PART FOUR. 1% RADID CONGESTION RELEF IVEN HOPE Invention of British Scientist Most Revolutionary Since Vacuum Tube. | Today on (AU time p.m., unless LOCAL “R(‘ 315.6 Meters. 4 950 Kilocycles. 00a--Tone pictures | 00 to 9:00a—Children's hour. 11 30a—American Pro-Art String Quar- tet 00m—The _Pilgrims. | 30—Neapolitan Nights. | 00 y symphony concert | An eminent British scientist may be the Moses who will lead North America and the rest of the world out of the wilderness of radio congestion. What 18 described by competent technical au- thorities as the most revolutionary in- | vemtion in radio since the vacuum tube —a receiving system whereby the num- ber of channels can be multiplied man! fold—is about to be brought to th country for demonstration bef: American radio engineers. The invention is the “Stenode Radio- stat,” by which it is med that re mediately be increased threefold that all radio channels can ultimately be increased up to 100-fold without causing any heterodyne interference in | recepti he inventor i former radio British Royal Ai Great Britain's R and well known in radio scientist of repute. Dr. Robinson's assistants are their way to this country w apparatus for demonstration Radio World Fair in New week. in ames Robinson, | chief of the | Force, a mem f o Research this cou ber Board as a eral of w on f node | ng the rk this| i “Narrfw Path.” ison himself has accepted to make the technic laboratories Radio News of New Y his headquarters when he comes to| America, about a month from now He will be accompanied by Percy W. Har- ris, chief engineer nd general man- ager of the British Radiostat Corpora- tion, Ltd, and formerly editor of se eral English radio periodicals. Only the high standing of Dr. Robin- gon and the enthusiasm of those who have viewed his apparatus has tended to allay the skepticism that has existed in the United States since the first an- nouncement of his invention last Win- ter. Where broadcasting wave lengths are at present 10.000 cycles apart in! this country and 9,000 cycles apart in| Europe, it is claimed that the Stenode | Will receive stations without hetero- dyne interference on & band less than| 100 cycles wide. In fact, the word Ste-| node is derived from the Greek, mean- ing “narrow path.” The secret lies in “a quartz crystal | that s used instead of a number of | gharply tuned cascade resonant cir- cuits in order to obtain high selec- tivity. The band passed by this crystal is only about 50 cycles. Consequently | any interference on a frequency di ferent from the frequency of the de- sired station by more than 50 cycl ghould be completely eliminated. * * With the Stenode Radiostat the quartz erystal circuit has so sharp a resonance curve that practically none of the side- band frequencies are passed to the suc- ceeding circul Dr. Taylor's Classmate. Dr. Robinson was a post-graduate classmate in Germany of Dr. A. Ho Taylor, radio chief of the Naval Re- gearch Laboratories, who is one of the Doted American radio scientists who | will follow the demonstration with keen interest. According to reliable reports, the Ste- node principle is now being used on ! the telegraph circuit of the Londom Daily Mail between London and Man- | Chester, and has considerably multi- plied the amount of traffic this line would normaliy carry by increasing the | number of channels that can be used simultaneously and without interfer- ence. | If this can be accomplished with| wires, it can also be done with radio. | Especially in the case of television will | this system become important, because | television now requires an extremely wide band of wave lengths, which con- | siderably limits the number of tele-| vision stations that can go on the air. It is also claimed for the Stenode re- ceiver that “no matter how bad heterodyned a distant station may be in an ordinary receiver or swamped by a | the Stenode Radiostat can tune Means Dr. Rob an invit S MISS RADIO | RED-HEAD | Belection of Miss Bernadine Hayes | Gives Lie to WBAL. Here's a red-headed gir] who gives the lie to the recent avowal of managers of | Station WBAL, Baltimore, who insist | that though red-heads may televise bet- | ter than brunettes, they aren’t much as musical artists. She is Red-Headed Bernardine Hayes of Station WBBM, | Chicago, chosen by judges appointed to gelect, “Miss Radio” for the 1930 Radid World's Fair as the most beautiful radio artist in America. Though WBAL says that in five years it hasn't had a single Titian-haired goloist, on the air locally, it will prob- ably offer its audience the network in-{ troduction of Miss Hayes from Madison | Square Garden the opening night of the New York City Radio Show, Mon- day, September 22. She will be pre- sented over the WJZ network. She was eelected out of a field of 145 entries from nearly as many broadcasting | stations. | FIREMEN TO GET RADIO Cleveland to Equip Truck for Use of City Department. CLEVELAND, Ohio (#).—A radio- | equipped fire truck will be in service | here this Fall Bafety officials have found the radio | #0 valuable to the Cleveland Police De-| partment that they have decided to ex- tend its use to the Fire Department @lso. The city was one of the pioneers| in the use of radio-equipped police *cruisers. The first set has been ordered for hook-and-ladder truck. MIDGET SETS POPULAR 44 Companies Listed as Making | Small Type Receivers. Like small cars, the midget or minia- ture model radio receiving sets appear to have swept into popularity almost overnight because of their cheapness, compactness and suitability as the home's “extra set.” Of the 44 compa- nies listed by Radio Retailing as being engaged in the production of midget | gets, more than half are located in the ‘Western States. | Twenty-two companics in Los Angeles | alone are producing the midgets. They | are appearing in all shapes and varie- ties, the styles including modern, Gothic, | Colonial and mantel clock a N B.—C. Seeking Paderewski. Variety reports that the National Broadcasting Co. i5 making overtures | 5 Ignace Jan Paderewski, the pianiat for radio appearances here this Fall| 8t a fee said to be $25.000 for each| performance, ~ Although he has broad- | cast in Europe, Paderewski is one of | the few famous artists who have never | been heard on the American etber. Others who have consistently avoided | {he radio are Kreisler and Rachman- | inoft. Broadcasts Against Fire. BOSTON ().—A series of broadcasts . ©5 a part of its campaign for fire pre- *-ntion has been launched by the State Asipartment of Public Safety. 00 great composers 3:00—National Sunday Forum, featur- ing Dr. Ralph W. Sockman, 00—Sabbath Reveries 00— c hour 6:00-—Songs of the season Correct, time, pitol Theater “Family." ~Chase & Sanborn Orchestra Government,” by David Lawrence. Atwater Kent Wilfred Glenn 45—Mystery Houseé Studebaker Champions. Sunday at Seth Parker's Sam Herman, xylophonist, 30—Russian Cathedral Choir. 11:00 to 11:02—Weather forecast. Early Program Tomorrow, Tower health exercises, Morning devotions. Cheerio The Crackels Ma 15a-Morning melodi 00a—Hits and Bits 00a—The Blue Streaks. 15a—Radio Household Institute. 30a—Mildred Grizelle, soprano, 45a—Sweet and Low Down. 00a—Organ melodies. 30a cheon Ensemble. 00m rm_flashes 10 is d'Or Orchestra. al farm and home hour. tudio organ recital 00- hour bass 15— featuring 450 8:00n 8 10 10 10 10 11 11 rrymakers Municipal Band, The Lady Next Door. to 4:30 5.4 Meters. 1,460 Kilocycles. | 1:00a to 12:15—Service of the Fourth Presbyterian Church. 15 to 3:45—Patriotic Protestant Evan- | gelical Association 1 00—Gospel Spreading Association, |1 00—Myra Marshall, soprano. 1 30—Time signal. 31—Roland Wheeler, tenor, 55—Service of First Church of Christ Scientist 9:05—Ethel West and Mabel Owens. |, 10:00 to 11:00—Pollard’s Sacred Singers. | Farly Program Tomorrow, 00a~—Down South in Dixie, 10a—The weather man, 15a—Musical program. 1 9:45a—Food talk. 9 9 9 OUT-OF-TOWN ¢ Programs prepared by the Associated Press. TATIONS. |WMAL WOL 11:00a 11:30a—Half 'ghe Radio otherwise indicated.) 475.9 Meters, 630 Kilocycles. 9:00 to 10:00a—Watch tower services.| 1:30 to 11:45a—Rebroadcast from Lon- don—Talk by Sir Oliver Lodge. 1:00—Organ recital 1:30—Ballad_hour. 2:00—Tremaine’s Orchestra 30—Conclave of Nations. 3:00—Cathedral_hour. 00 to 5:00—Evensong service from Washington Cathedral—Sermon | by Right Rev. James E. Free-| man, Bishop of Washington 5:00—Quiet harmonies—Ladies’ Trio, 6:30—Crockett. Mountaineers, 45-“European Business Depression,” | by Dr. Julius Klein, 00-—Correct time. 01—Mayhew Lake and his band 30—"Kaltenborn Edits the News.” 45—Jesse Crawford, organist 00—Majestic Theater of the Air. 00—Arabesque. 9:30—Around the Samovar, 00—Back-home hour. 00—Coral Islanders, 30 to 12:00—O1 n recital by Ann| Program Tomorrow. mething for_every one. Blue Monday Gloom Chasers. | ‘Left-over Roast Meat by | srace White “Opening the Morning Mail." “The Mousse Family,” by Ida Bailey Allen 15a—Ben and Heien Talk Tt Over 30a—Children’s corner, 45a—Three Men in a Tub. 00a—Columbia Revue :30a—Manhattan Towers’ 00m—Speech by Aaron Conference of Retail tion in Boston Columbia artists’ recital Orchestra Sapiro at Distribu- 00 30- 00- 30- Organ recital by Ann Leaf Columbia Salon Orchestra —National Student Federation of America The Captivators. 228.9 Meters. 1,310 Kilocycles., 0:00a—Musical program. 1:00a—Church service 2:00 to 12:15—Birthdays. Early Program Tomorrow. —Musical clock. £:00a—Bi ys. £:10a—Musical program. 0:00a—Talk by Peggy Clarke. 0:30a—Musical program. Helpful hints to parents Lour with great com- posers. * 2:00m—Musical program. 1:00 to 1:30—Luncheon music. TATIONS. Scheduled for Eastern Standard time. (Meters on left of call letters, kilocycles on right.) 454.3—WEAF New York—660, (N. B. C. Chain.) 00a—Melody . Hour. 00a—Balladeers. :30a—Recitalists. :30a—String Quartet, Pianist. 00m—Pilgrims, Mixed Sextet. 2:30—Spanish Dreams Orchestra, :45—Fusilliers Concert Band. 00—Metropolitan Echoes. 30-=N. B. C. Artists’ Program. 00—Works of Great Composers. 3:00—Sunday Forum, Services, 00—Echoes of the Orient. 15—Viola Philo, Soprano. :30—Tea Time Tunes, Trio. 5:00—Catholic Hour. 00—Songs of the Season :30—Scores; Theater Fami| :30—Choral Orchestra, Soloists. 00—Talk on “Our Government.” :15—Half Hour Concert. 45—Mystery House. 9:15—Champions Orchestra 45—Sunday at Seth Parker's 15—Sam Herman, Xylophonist. :30—Cathedral Choir. 348.6—WABC Xew York—860. (C. B. S. Chain.) 00a—Heroes of the Church. 00a—The Morning Musicale. 9:00a—In Land o' Make Believe, 0a—Dr. Charles Fleischer, 0a— Presbyterian Church :30a—London Broadcast. 5a—Jewish Art Program. 30—Columbia Salon Orchestra. 00—Ann Leaf at the Organ. :30—Half Hour of Ballads. 00—Paul Tremaine's Orchestra, 30—The Conclave of Nations 3:00—Cathedral Hour, Service, 00—French Trio, Classical. 30—The Round Towners. 00—Fur Trappers Orchestra. 30— Fashion Plates, Orchestra. 00—Quiet Harmonies. 30- ‘ockett Mountaineers. 45—Talk on World's Business. 00—Mayhew Lake's Band Concert. 30—H. V. Kaltenborn, News Jesse Crawford, Organist. heater of the Air. Arabesque, Modern Stories. 30—Around the Samovar. 00—Back Home Hour. 00—Coral Islanders. :30—Ann Leaf at the Organ. 394.5—WJZ New York—760. (N, B. C. Chain.) 00a—Tone Picture 00a—N. B. C. Children's Hour. 30a—Nomads, String Orchestra. 00m—The Southland Sketches. 2:30—The Neapolitan Nights. 00—Roxy Symphony Orchestra. 00—Friendly Hour, Dr. Durkee. 00—Don Carlos Marimba Band. :30—Oswaldo Muzzucchi, Cello, 3:45—Feature Music. 00—The Sabbath Reveries. 00—Organ Recital. Shakespearean 30—dJosef Koestner’s Orchestra. 00—Mme. Schumann-Heink. 15—Uncle Henry's Magazine. 15— Vikings. 4 30—Floyd Gibbons, Talk 9:00—E] Tango Romantico. 9:15—Harbor Lights 9:45—The Ponce Sisters. 00—Slumber Music 30—Reminiscences (30 min.). Hour. 272.6—WPG—1,100. 00—Concert Orchestra. 6:45—WABC (15 min.). 9:30—WABC (2, hours). 282 8—WBAL—1,060. :30—Romany Trail | 00—Evening Reveries, | 30—Soprano. | '00—Same as WJZ. | :15—Baltimoreans | | | 282.8—WTIC-—1,060. 8:00—Same as WEAF, 8:20—Strings; Organ 9:15—Same as WEAF. 9:45—Vocal; News. 10:00—Merry Madcaps. 4223—WOR~710. 30—Sports; Cellist. 5:00-—Choir Invisible. 00—String Quartet. 00—To be announced. 30—Lacquer and Jade. " 00—Life Stories. 30-—Playhouse. 30—The Moonbeams. 256.3—WCAU—1,170, 00—WABC (134 hours). 45—Plantation Four. :00—Pioneers. :30—WABC (2); hours). 10:00—Orchestra g&uflc. 11:00—Hour from WABC: 305.9—KDKA—080. 00—WJZ (2V, hours). 15—Rangers. 30—~WJZ (15 hours). 10:00—Sports; WJZ. 206.7—~WHAM~1,150. 6:00—Harp, Flute, Cello 6:30—-WJZ (1% hours) 8:15—Balladeers. 8:30—WJZ (2 hours). 9 10 6: 8 8: SV = = g 379.5—WGY—790. 5:00—WEAF (8 hours). 302.8—WBZ—900. 00—To be announced. 15—Swiss Navy. :30—~WJZ (234 hours), 15—Sports Program. 30—Organ Recital, :00—Same as WJZ. CENTRAL A} STATIONS, 428.3—WLW—100, :45—Story of Opera. 30—Same as WJZ. :00—Orchestras. 15—Hour from WJZ. 5—Variety. 0—Same_as WJZ. :00—Star Dust. :30—Concert Program. :00—Same as WJZ. :30—Crimelights :00—Musical Novelesque. :00—Dance Half Hour. 405.2—WSB—740. :00—Same _as WJZ. 15— WEAF (2 hours). 15—Studio Concert. :45-—Same as WEAF. :00—Bright Spot. 00—Organ. 398 8—WJIR—T750. 00—Entertainers, 15—0ld Songs 30—The Welcomers. 00—WJZ (1 hour), 00—Whispers. 30—Music Feature, 00—The Melodists. 15—Same as WJZ. 30-—Star Dust 00—Same as WJZ 30—Happy Half Hour. :00—Variety (2 hours). 365.6—WHAS—820. :00—WJZ (15 min.): Bcores 30—WEAF (11 hours), 00—Musical Program, 9:30—Hungarians 9:45—Same as WEAF. 15—Xylophone 30—Same as WEAF. :00—Reporters. :06—Homing Program, 461.3—WSM—650. 00—Same as WJZ. 15—Orchestra 45—Concert Orchestra, :15—Same as WEAF. 45—Church Services, :45—Same as WEAF. :15—WSM Symphony. 270.1—WRVA—1,110. 00—Same as WEAF, 30—The Trio. 00—Same as WJZ, 15—Dinner Trio. 30—Same as WEAF. 00—Church Service. 0000000000000000000000000 0.« all — S, Adams 4672 < APITOL RADIO SERVICE $ * Service Exclusively 9900000000000 0000000000 40000000000 *. PHONE NAT. 3799 FOR RADIO Service M. W. DOVE 1118 13th St. NW. g # DECATUR 100 SE[BD | writing the scripts himself and before he knew it he was a successful radio | writer. He badn't tried to be one, it | just happened. When he is writing a Nit Wit script no one in the vicinity can do any work. Browne who typewrites as fast as Floyd Gibbons talks declaims_the lines as he pounds the machine. He likes to play black-face parts on the air and chews | But in nine cases out of ten you can | 8um between lines. take it for granted that a radio star's| While their appearance is in the nume is real, even though the name of | traditioh that comedians must be the radio character portrayed sometimes | gloomy away from their jobs, Knight tends to overshadow the player's or the |and Browne both pass as wits among singer’s identity their friends. Both waste half their An interesting case along t bright ideas on their friends. Neither that of Phil Lord, who is will bother to carry a notebook for jot- spoken of, even by th ting down crack-brain jests; they in- real name, as Seth Pa | sist’ that they've tried it and the stuff g always looks terrible when they consult the notes later. * K ok K JFLOYD Gibbons' hat is a landmark in the broadcasting studios. You | never see Floyd without it, even when he’s on the air. Put him bareheaded before a microphone and I don't be- lieve he'd be able to get a word out Just before he goes on the air he pushes the hat away back on his head and when he gets the signal to begin he_pulls it down over his eyes, But when he made his vaudeville h b debut recently—he did his radio stunt hasn't understood what they|on the stage for a week—that hat got but he has a bad habit| him into difficulties every performance perfectly outrageous pun i always left his dressing room al minutes early, and he always s hat behind him. as Phil Baker, master of cere- was _announcing him, Floyd remember he was hatless. Al- most in a panic he would call to Joe one of the studio pages who was part of the act, to run back for the hat Joe would hurtle through crowds of performers—once Joe pretty nearly ruined Benny Rubin, alsa on the bill, who managed to get in his way—and slap the hat on Floyd's head at the exact moment when a further dela; would have been embarrassing Gibbons told his audiences he got & *“Graham McNamee Speaking-" EMEMBER the Smith Brothers, who used to don their whiskers every Fall on the networks? Well, they've not only split— temporarily, at least—but they've got new names. They used to be known as Scrappy | Lambert and Billy Hillpot, and their specialty was harmony songs and comedy patter. They joined up as en- tertainers when they were undergrad- | ”1 AS you uates at Rutgers together, and were teammates for several years Now, however, Lambert has dropped the “Scrappy” and picked up “Rodney,” | sac his real first name, and has gone in for | meet leading orchestras. Billy Hillpot, now | the one of the stars of a big program, has changed his last name to Hughes. In- cidentally, the boys are working for different companies at present. Another name changer is Mary Mc- | Coy, a program-mate of Hillpot's—may- be Il get used to the new name in a few nfonths more. Miss McCoy's real pame is Laura Townley McCoy. She used it when she was a concert soprano but she went into musical come nd they told her it was too long for electric lights. Now she’s just plain Mary to everybody. Olive Palmer used to be known a Virgi: Rea, but that wasn't her real name. She was baptized Virginia Earle Murphy. but when she went into con- cert work she took her brother's first name for her last Paul Oliver used to be known Frank Munn. That, too, was only a concert name, but he has used it so long that no one in broadcasting has the faintest idea what the real name is Haenschen, the orchestra leader, used to sign himself as Waiter G. Haenschen but everybody called him Gus. He gave up in desperation the attempt to estab- nis real identity, and now he’s satis- f you call him Gustav. his line is frequentl who know his expect, the two chief broadcasting are the specimens you udic 1ckoo,” or resemble: and Brad Browne Wit, looks, d often dresses, undertaker. Knight of ludi eyebroy People sure he were saying. of ma a out of one’s last words He tell anecdote super-seri :agerne are always sicion can't tell whether he of nut is Satire a strong _points what. poetical geous things on the when he gets a chance Browne is tall, somber and No one ever no his hair. I and parted in niddle. He's & graduate in law even practiced the profession. He got into radio be- | great kick out of his stage experience. cause he \d himself saddled with & | and he told the truth, but he wouldn't program which was going so badly he | do it again for huge sums of money. | knew it couldn't be worse. He tried | Talking to a theater full of people was | might ‘Weem: rief-stricken p the Chief Nit like an clost gu u ous gr adds talking s an expression The arch in his a touch of surprise with him are alway with such a that strangers of him. They new vi their X ny to monies, would jus ing are his 1 s0me- and do along tk br but fanta ad_burlesqu - line allow. ight the 1d ha | It | Atting fashion lof that sort the hardest work he ever did. An in- visible radio audience of hundreds of thousands doesn’t worry him a bit, but the actual presence of a dinky fraction of that audience leaves him ex was with genuine relief that he turned down an offer of a tour—it would have meant a great deal to him financially—on the ground radio engagements wouldn't And now he is spending all his time in the studios, he never forgets his hat, and Joe, the page, hasn't anything to do but feed him news bulletins. i folk th the songs dio lads songs Some a lot result of sectior exar in Oc around But an ALL kinds of Ame 4 X are highly popular audience these days. Negro spirituals and h always evoke a hearty respon of them come from books, bt of them come to light as the original resea solated is off the air until some ti tober, while she is d the South for mew 1 be- fore she went she told me in- cident which happened some time ago while she was in the Sand Mountains of Alabama. One night she was sitting around the hearth fire of a mountain cabin with some of the hill people. One of the group was an old woman, toothless and wrinkled. At intervals throughout the evening, she blew a remarkable series of smoke rings in the air, T al- most every object she aimed at At last” Miss Richardson turned an old man sitting near her on floor of the cabin, and told him she thought. fn_her travels in out of way places, she had seen the most remark- able smoke ring blowers g, but the old woman beat them ail The old man thought for some and then drawled. “Aw, that nothin'. At the county fair last she ringed a peg on a wall 16 feet way, 104 time runnix 1t seems to me the prowess ought to be recognized in some I'm afraid it would never do as & radio program—yvou couldn’t commemorate any new records on the air. But in lieu time, in't old woman’s od. | year | e ——r— ] of a medal, she ought to get a full case of the best smoking tobacco this coun- try produces And it's such old folks, left i the backwaters of modern efvilization, who are gold mines of information for the seeker after new folk material and songs. Maybe they can't sing the tunes any more, but their infallible memories always recall all the words, down through the forty-second verse. McNAMEE'S QUESTION BOX. Q. It is true that Will Osborne was ng Rudy Vallee? And what was the result?—Pauline Bevans, Baltimore, Md A. Yes, Several months ago. Both boys were somewhat temperamental as to who was first in the field, but the: were finally pacified ‘and the sult wi dropped. Q. Can you tell me what has become Jack Brinkley, the announcer?- Donahue, Washington, D. C. A. He is now with WTIC, Hartford Conn., where he not only announces. but also builds programs. Ga Q. Was sang at it Jessica Dragonette who the reception for the French fiyers? 1 could not catch the name.— M. L., Charlotte, N. C. A. Yes, Miss Dragonette sang at the New York reception Q. Is Bradf Brow Elinor Mills, Chicago, Il A. Yes, and he recently became the father of an eight-pound boy, scheduled, at last accounts, to be called Brad- ford, jr. married?— Q. Are Guy and Carmen Lombardo really brothers>—L. §., Calico Rock, Ark A. Yes. All the Lombardos in radio are brothers—unless there are some of whom I haven't heard (Copyrisht, 1930.) THE NEW GENERAL MOTORS > wilh Torne JSelector - rovides unusual selectivit There is 8o much of interest and value being broadcast from every point of the compass nowadays that—in order to get the utmost enjoyment from radio—jyour set must have the hairline selectivity that the fine workmanship employed in building the new General Motors Radio provides. High standards of precision, adhered to in every step in the manufacture of the new General Motors Radio, result in performance that is particularly gratifying. With these fine instruments you can reach out and get exactly the entertainment you want, clearly and distinetly. And with the Visual Tone Selector you can find the best shading of tone for every type of program! The Visual Tone Selector is a distinctive General Motors Radio feature which enables you to emphasize bass or treble at will— simply by turning a knob. Come in for a complete demonstration of these splendid new instruments. Let us show you performance and appearance which have established a new standard of quality in radio. Five distinguished period models, all equipped with the Visual Tone Selector. Prices without tubes—radios, $136 to $172; radio-phonographs, $198 and $270. All are available on the liberal GMAC plan of convenient payment. i PRODUCT OF GENERAL R. G. Dunne & Co. 611 H St. N.E, WASHINGTON, D. C. MOTORS Radio Dept. mow at 1450 N. Y. Ave. N.W. (Washington Building) WASHINGTON, D. C. J. R. Enright ROCKVILLE, MD. Warren Furniture Co. FRONT ROYAL, VA. R. E. Morrison BETHESDA, MD. LEONARDTOWN, MD. Hynson & Bradford MANASSAS, VA, RADIO Rudolph & West Co. Leonardtown Implement Co. CORPORATION Gingell Motors D. M Bell Bros. Furniture Co., Inc. FREDERICKSBURG, VA. Emerson & Orme 1506 Connecticut Ave. N.W. “At Dupont Circle” WASHINGTON, D. C. & E . Dick C. Weaver, § CULPEPER, VA, _ . Central Garage w LA PLATA, MD, -