Evening Star Newspaper, May 6, 1930, Page 43

BURTIS Srakze Sire MOVIES: AND MOVIE PEOPLE BY MOLLIE MERRICK. HOLLYWOOD, May 6 (N.AN.A).— Alice White will not be a Broadway ornament this year, despite Earl Car- roll's recent announcement to effect. Her studio denies the" possibility of the little red-hot leaving the lot until next Fall, when she will possibly get a month’s vacation. She is at the present time making college stories, and when this one is completed the draft of the next will be ready to go. Alice White, of all the sexsessful girls of Hollywood, is surviving it most tri- umphantly. Clara Bow's recent change in regime takes her out of the old- timers’ class and brings her up to date. Alice White watched which way the| wind was blowing, and discovered it was going to blow long skirts this sea- son. She trained down, had her hair modified to meet the new silhouette, and got into the type ankle-length dress the collegiates are affecting, thereby saving herself izom the curse being old-fashioned. Colleen Moore, with a Dutch cut which hasn't been worn since the world war, frocks to the knees and the gar- con manner which goes with both, is Just as out of date as the Charleston. Conrad Bercovici, it would seem, not only wrote the entire story of “Gypsy Love Song” but has contributed the music and lyrics, ‘The Bercovici tales have long been considered modern classics. Their au- thor, a swaggering, colorful gentie, with mustaches like a pirate and an eye to match, has been dubbed Mr. Bolsheviki in the village. But this song and lyric writing talent is something not hereto- fore known. M Lupe Valez, high priestess of sex, will be one of the players in the story. Lupe sings. If you remember, there was & day when Irving Berlin was all of a dither over the Valez voice. That ‘was before Joseph Schenck decided the JValez option would not be taken up. John Boles will contribute his very pleasing baritone to the Bercovici work. And now it seems Frederick Lonsdale is not the only gentie working on a royalty basis in this village. De Sylva, Brown and Henderson trek off to Pebble Beach and write a musical comedy, come back, and arrange for a share in the profits. In the past movie magnates have this| they considered a makeshift art. Epflld the world’s highest prices. Their | bags of gold have snared men and women who laughed heartily at wga: u in the face of the fortunes offered them they have arrived in the village, made conventional and hypocritical speeches about climate, brilliant production and the magnificence of the Hollywood mo- guls’ understanding of human appeal. ‘When salaries get so generous as to. be the instrument of engineering power {in the hearts of their owners, then | moguls find themselves up against com- peting with genties who are prepared to | say “Take it or leave it.” A good many of them are taking it these days. And if you are a Tibbett fan—their name seems to be legion these days— youll be glad to know that he will begin another picture in July, when his concert tours are finished. Grace Moore, a young lady from the Metro- politan Opera, will co-star with him. Romberg did the music. And the role itself is the swaggering, swashbuckling sort of thing the Metropolitan baritone does to perfection. (Copyright, 1930, by North American News- paper Alliance.) Cafes That Are Also Art Galleries. Besides the regular collections that have been accumulated in the course of many years of patronage of the arts, | Paris has innumerable other collections | which make the city regarded as con- taining the greatest aggregation of art tu be found anywhere. These smaller collections are to be found in many places on each side of the Seine in | cafes and similar places where solid | rows of paintings are hung on top of | each other. ‘This mode of exhibiting pictures in cafes first began to flourish in Mont- parnasse. It was actually first started, however, in the Montmartre more than 30 years ago, but was confined to & few cabarets. The owners of _the latter often became the possessof of these canvases for almost nothing. Now every quatter of the city, from Menilmontant to ‘Ternes, has its nu- merous exhibitions in cafes. A striking feature of these works is the large num- ber of foreign names signed to them. Paris, despite its changing aspects, is | still the most hospitable city to artists. THREE ON, NOBoDY DowN), THREE AND TWO ON STUMBLETON =~ AND BABE RUTH UP nexT! I SAY, ovd CHAPPIE, wiLL You EXPLAIN THAT BALLY JARGON? A Kiss in the Park. WHRY WE NEED To MAKE THiS DANCE A BIG SUCCESS 1S ADVERTISING ! GET UP SOME CIRCULRRS WITH OUR \ PHOTOS ON ToP - TELL RLL ABOLT AT THE BERUTY CONTEST -ETC N\HAVE ROUGHHOUSE A\ HELP You f { Jupee ¢ £y lzjb [ 4 KENKLING Business Is |- “Picking Up” | "3 Already. TRIS GRAND DUKE BUSINESS GEE! WHAT A BUNCH oF WET BIANKETS!! WELL, THEYRE NOT GOWNG TO DISCOURAGE ME — THEYLL CHIRP A DIFFERENT TUNE SWew. meR, N e EXPUAN, S SIDNEY: YOW! BABE RUTH JUST YouU HERARD ME == 50,000 HAND BiULS ABOUT THE DANCE--- AN' T WANT EM RIGHT AWAY ¢ RERE COMES SINCE THE DAYS OF ROME, AND ALwayS wWiLL BE. Notopy Bver SAW A PamNBROKER IN TH' BREAD LINE — ™ ONE PAYING BUTINESS ! . NE O , THOSE REWARD NOTI\CES PN GRAB ME LIKE A TROOPER PASSING THOSE THINGS QLT --- IT'S GREAT PUBLICITY CALLAKAN, YoU'RE TAROUGH A FAT YEAR FOR PAWN SHOPS: T WRITING I3 ON TH' WALL ! WHAT THIS OITY NEEDI \S BIGEER\ AND TETTER HooKkSHeps!! SO THIS {S THE-AH- RESULT ofF BABE RUTH KISSING oneE !l MY WORD— A HARDY RACE,THOSE AMERICANS . ALL RIGRT, I'M TaRouGH, BUT. HAS ME GOOFY — 1M GOING To FIRE DETECTNE CALLARAN AND RESTORE MY PEACE OF MIND THAT FAT DoCToR-. JI'LL BAVE To sLiP INTO MY DISGUISE. WORKING FoR. ME. I HIRED You o LEARN TRE IDENTITY OF TRE MAN MY WIFE MEETS SECRETLY IN THE PALM GARDEN, BUT ALL YOUVE DONE IS To POSE AS A GRAND DUKE AND LNE “THE- ) LIFE OF RiLey é’:us\flkhoyoua QO;’_A(Q_ COLLEGE. DON'T FORGET MRS. PUDDINGTON IS GIVING A DIMMESZ AND DANCE M OUR RoNoR- TONIGRT AT Tue UNIVERSITY CLUB FOUR. EXAMPLES WRONG OUT OF WONT BE ALLOWED OUT TO-NIGHT! . That thing. . Irregular. . Let it stand. . Swab. . African river. . Wander. . Tennyson character. 60. Egyptian tomb. 5 . Chinese measure, : N o 23 . Code of ceremonies. 2 2 . Narrowly contracted. A “»‘\,‘u b Meager. . Fine. . Dictionary. . Sylvan nymphs. . Summaries. , . Cause. | Musical syllable. . Appendage at base of leafstalk. . Rodents. . Spenseh’s “Faerie Queene” charac- ter. 3. Depository. 5. Goddess of mischief, Blovs. . A relative by marriage. . Else, . South American animal. Japanese statesman. French river. - . Covered with verdure. . Encircled. . Goober. Grarted possession of. . Broad timbers. Victor. Scope. Down. . Nocturnal mammals. | Prench city. . Greek letter. . Possessive pronoun. . Small beds. . Leaves out. " One who favors his relatives, . Lees, | Anent. . Sweet potato. . A continent. . Interweave. Treated medically. . Flat pleces. . Gibed. - . Bail. ANSWER TO YESTERDAY'S PUZZLE. | 35, Moving ‘s from the earth, : . | Ancient Greeks. - . Queer. . Short fishlines. . Desires incessantly. . Utter again. " Tibetan antelope, Military title (abpr.), Referring to a Greek philczopher. . Bring into judicial contest, Beginners' reading books, . Irrigates. Multitudinous. 5. German city. " Rigorous. . Answer. _ Asian ruminant, . Fiber of the aloe, Dividing edge. Grayish brown. Domestic animal. . Near. . Symbol, tantalum. HOW COME WAL, 1 HAD A i VU4 Ask ME DREAM LAST NIGH' DO 1 BELIEVE [AN DADGUMMIT, 2 N DREAMS 7 TH MORE 1“THINK f ABOLT HIT, TH A MORE HIT b How BOUT A ul eru? By SLHUNTLEY CAEE SREnE EE peeull mee <l ) 5] Pa Goes Talkie- Conscious. ; == ~THEN 1 60T A SWELL IDEA .. TO CRass A1y CHICKEALS U Ths BAPPATS “JUH SEE, | ALLLS HAD A HECK OF & TIME LOOKING FER AIGS —