Evening Star Newspaper, February 26, 1928, Page 52

: 2 b — One on the TH'E Archduke Leopold of Austria has all the attributes for success as an Horatio Alger hero. Perhaps he had Just read one of Alger's stories as part of a course to get acquainted with American literature, previous to his ap- | ¢, pearance in “Four Sons,” and had been deeply impressed with the stories of young men who started on their path to fame and fortune by sweeping up around the place. Anyhow, an interesting story come out in connection with the release of “Four Sons,” which indicates that royalty has the same instincts as most of us who struggle through life without & title to our name. It all goes back to the early days of | im| this Fox epic, when there was a sound ot revelry by night among the property boys at the studio. They were popping corks, breaking bottles and flinging beer mugs around in a most madcap manner. However, it was all under the has [set disorderly enough to win a prize. AMUSEMENTS. THE SUNDAY STAR, WASHINGTON, D. C., FFBRUARY__Z_G.: 1928—PART 4. AMUSEME NTS. Archduke. direction of John Ford, producer of the pleture. Mr. Ford was actually spurring on all hands to make the largest and sorriest mess ible. 'That was because he wanted to shoot & scene the next morn- ing where Army officers were supposed have caroused, and he wished to start right in without waiting for any merry-makers to litter up the place. After Ford and the property men had worked for some time the director went home convinced that he had made the ‘The next morning, when he arrived, he was absolutely flabbergasted. He discovered that the Archduke Leopold had arrived an hour ahead of him, and had been unable to resist his Teutonic ‘With the help of & couple of studio hands, the Archduke had neated up so well around the place that there wasn't a sign of the debris. ‘Whereupon Mr. Ford was in favor of crowning the Archduke with something besides a title. “Wedding March” Finished. Amr: more than two years of con- centratad work, Erich von Stro- hoi: reen masterpiece, “The Wed- ding March.” is ready for exhibition. and will be given its world premiere in a New York legitimate playhouse In March. It will bring to the screen a new personality in the person of Fay Wray. one of Paramount’s new stars. Tha picture is reported to be one of the most protentious screen products ever attempted by von Stroheim. He shot more than 100,000 feet in making t. Its exhidition length, however, is 12,000 feet. Early in 1926 von Stroheim began production on “The Wedding March.” Hs not only wrote the story for the film play. in collaboration with Harry Carr, Los Angeles newspaper man, and directed ths production, but he apn-ars in the stellar role. “Th: Wedding March” was in pro- duction for almost a year, while an- other year was spent in editing and cutting, and preparing the film for ex- hibition. It is said to be the culmina- tion of a siory which von Stroheim fostered in his mind since his youth. It is the story of the pre-war glory that was Vienna's when that city was the gay capital of Europe, under the rule of th2 late Emperor Franz Joseph. ‘Thousands of extras were used In the production, 2,100 alone being em- ployed for one sequence which depicts the celebration of the Feast of Corpus Christl. Many lavish sets were erected, of which the most distinctive, perhaps, are an apple orchard in full bloom; the interior of the great Viennese Cathe- dral and a mammoth hunting lodge and inn in the Alps. The story is based on the theme that marriage without love is doomed to ftailure. No Previews Allowed THE Hollywood visitor who said 1t is more difficult to get into a motion picture studio than into heaven can sympathize with employes of the United Artists Studio, who are barred from the sets when John Barrymore’s company is acting in “Tempest.” a story of the Russian revolution. which is coming to be cne of the big film specials of 1928. All studios wall off sets and forbid everybody but dg!ckir’;’!& 'It&hngs! filming of certain intimate sequel . but never before, it is said. has such strictness been enforced as in the pro- Quetion of “Tempest.” Barrymore and _his leading lady. Ca- milla Horn, are thus safe from curious eyes during the filming of the love epi- sodes. Canvas walls are erected around the star and Miss Horn and no one ex- cept Director Sam Taylor and the cam- era men are m&mmde u_:u{\g in- closyre. Even the St or- chestra ‘which plays atmospheric strains for all scenes is stationed outside the wal's in a far corner of the set. As- sistant directors, electricians, property men and technical aides retire to an- other part of the studio stages. No talkinz or walking is allowed until M the complction of love | Television. ** RADIO s on the threshold of bring- ing television to the home.” de- clares David Sarnof?, vice president and Radio Corpora: stration made recently at Schenectady, impressive at it was, showed an art that is yet in the ‘earphone’ stage of devel- opment. Many technical, broadcasting and service hurdles must be leaped be- fore the art will become firmly estab- lished in the home. Nevertheless, its direction is sure and its progress is in- evitabl table. “In the motion picture art the rec- is not as yet general as 10| e; ognition what the advancing art of radio may the field of combined ransmission. Of the {robe for “The Yellow Lily,” her next |A Vienna Gowns for “Yellow Lily." BILLIE DOVE, star in First National | Pictures, is right in the middle of | a between-picture orgy of buying, de- signing and fitting her extensive ward- picture. | ‘The Hungarian locale and general nature of the picture it is sald, will permit the star to eclipse anything she has done so far in costumes for a film production. “The designers of Vienna are, I be- lieve, as artistic, and even more origina! | than those of Paris,” says Billie. “Their work has in it a flavor of the Oriental. In the costumes we are designing for ‘The Yellow Lily; the influence of Vienna rather than Paris will figure. “Vienna, the Paris of eastern Europe and the fashion capital of Austria and Hungary, has always intcresied me with its costume creations. We do not hear 50 much of Vienna as a fashion center l‘l;;v but in Europe its influence is i e —_— — 1 Costly Animal Actors. MONG Hollywood's screen favorites ere a group of actors who employ | no d‘o:‘blu. no matter how wp are i gflgzn at star performer in “Nevada.” * Outlaw” and “Under the Tonto Rim.” Polo ponies are rented frequently. For “Senorita” a pony which would execute & hair-raising fall was used. ‘The at $100 a fall, three times on the these animals. g0t loose at one of the studios, and Oscar Smith, colored actor, or stereoscoptic projection. “We have developed,” he went on, “a complete system of synchronizing sound with motion pictures on the screen. CING by sp- | company of First Miss Hamilton EKTON. trude Hoftman ug v, 4580, _teme dance cor- w_iesson: WK, STAFFORD PE] Ex-Pariner 1o Mas Murray. All of [ De: Studia 1126 Conn. Ave. DAVISON’S w. Teach you 10 recily in u fe strictly priv, Cluss Bal e i i fion at & D-nlmfl - Latest—"Varsity * Drag.’ THE FOX STUDIO Stage and ballroom dancing easy by ogr bie instruction. Ef enie WK e T i Mrs. Mae Davison leu.l:i’,o/ D M. of 4. Yoalts Clog. Acrobatic, y. Ruseian, Ballet, Varsity ns in few leg Priva and eveuing. Children's ciass N.W. __ Phone Mate 1732 * “TCHERNIKOFF-GARDINER SCHOOL OF DANCING A Thorourt Tralning 1n the Art of the eorasl i p bt £ Criune Amonk graduste pu : i Prima Bullenvy et Bo ( Hill Foxine Qonoert Lot bty 9 1700 R t____Catnioese __ North 874 MISS ELLEN WALLER girl who entered the extra field ol “Mares H et e “Ciiliren ‘and ury a wall 10 escape. Ladders had to be brought to get him down again. Society on the Screen. 'RANCES HAMILTON, young soclety debutante, has joined the stock Na Pictures. is a Pasadena, Calif., months ago because of her beas e“h; o uty an real dramatie talent. o She played bits in “Her Wild Oat,” “No Plzze to Go” and “Mad Hour,” all Pirst Naticnal pictures, and gave so much promise that the long-term con- tract was a natural result. Miss Hamilton's mother was Alice Genereaux, prominent in Chica- go soclal circles when she married Nathaniel W. Hamilton, wealthy Seattle industrialist. Por several years the fam- ily has resided in Pasadena, her father F !in fame ‘and drawing power. | | He reached the awkward age and| argarita Fischer as Eliza in Universal's I JUST BEFORE THE CROSS l screen version of “Uncle Tom’s Cabin.” Ho IT'S all wrong. Aloysius; it's all wrong! This new Paramount-Christie ver- sion of the old-time comedy, “Tillle's Punctured Romance,” claims to be & movie film. But as Director Edward Sutherland turned it out, the time- honored traditions are ignored like this: It has two heroes instead of one, but neither gets the girl! There are two villains, but they ig- nore the heroes and battle each wi the other! There is only one kissing scene—and that one between papa and his daugh- ter! There is a blg war—but nobody gets W Cfan_@e a MA(")vie?_ shot, wounded, killed, or even his feel- ings hurt. That familiar figure, the damsel in distress, is not rescued but left to suffer. The screen lovers have a misunder- In fact the plot and the rapid-action comedy moves so fast that at the finish the lovers are lost in th2 shuffle amid bursts of laughter. And the closc-ups in the war scenes are of German soldiers—not allied. In other words, from first to last the new Tillle—dumping a circus into the front line trenches and employing an explosive style of numor from first to last—is not a movie as the world knows movies. [NVXSIBLE walls of privacy are shield- ing the filming of the intimate love scenes of “Lilac Time,” Colleen Moore's greatest dramatic effort. No “Private—Keep Out!” signs sur- round the little Prench farmyard and its lilac garden that forms an ex- quisite setlng for these scenes. Yet the curlous eyes that stare from be- hind the camera lines of most studio sets are noticeably absent from this one | at the First National Studio in Bur- bank, where, for many weeks, this Col- leen Moore-George Fitzmaurice pro- | duction has been in progress. Director Pitzmaurice, Chief Camera- | man Sid Hickox and the chief elec- No ng@g_AA_Howed. follow the making of these scenes the lilac garden—a purple poem gently nodding in approval as the two young lovers kneel before the shrine in the garden wall. “Lilac_Time" was written for the Cowl's play, and has been called “the most beautiful romance.” Gary Cooper, who scored in “Beau Sabreur,” plays th> chief role in support of Miss Moore. Eugenie Besserer, Burr McIntosh, Kathryn Landy, Cleve Moore, Jack Stone, Dan Mason and Edward Dillon portray important characters. John McCormick is producing “Lilac Time.” Mary Carr's Son. Mary Carr, famous screen “moth- er,” selected from a mob of extras to play an important juvenile role in “Hell's Angels,” the Caddo company's alr movie, years sgo was a widely known boy star, rivaling Jackie Coogan was forgotten. For the past three years he has been one of Hollywood's army of extras, unidentified from the mob. ‘Tommy, along with 100 other extras. was playing the role of an English cadet fiyer in “Hell's Angels.” Luther Reed, the director, searching for some one to play an important part impro- vised for Lh’z ud;:e sequence, singl oung Carr from group. " ‘The young extra performed the part 80 well that his pay check was read- justed, and the Caddo company is sald to be considering him for future plc- tures. His identity was not known until after he had been picked from the mob by Director Reed. Fourteen years ago Tommy Carr, TOMMY CARR, 20-year-old son of| B Billy Dove's New Picture. ILLIE DOVE'S drama of emotional strength “The Yellow Lily,” by Lajos Biro, her next picture for Pirst National, has a story lald in Hungary that deals with the love of & dissolute young archduke for the beautiful sister of his political adversary, who enters into the turmoil and unrest of the politics of the central European nation. There are excitement, thrills, love in- terest and color galore in this play by the noted Hungarian dramatist. rian and for years a journalist and writer concerning affairs in his native land, directs this picture. It will be his first since “The Private Life of Helen of Troy.” Current History Lectures CLARA W. McQUOWN Every Friday, 11 AM. Club, 17th & K standing and fight, but never make up. | trician are the only ones whose eyes’ screen by Carey Wilson from Jane | i Alexander Korda, himself a Hunga- | Coming Attractions NATIONAL—"Lulu Belle.” Lenore Ulric in “Lulu Belle” is an- nounced as next week's attraction at the National Theater, opening Monday night, March 6. “Lulu_Belle” has had long runs in both New York and Chicago, but before closing the show definitely Mr. Belasco is desirous that other cities should have an opportunity of see! Miss Ulric's fascinating characterization of the Harlem “Carmen.” To this end he has booked the show in Milwaukee, Kansas City, 8t. Louls, Detroit, Cincin- nati, Buffalo, Cleveland, Pittsburgh, Baltimore and Washington. Following this tour Miss Ulric will take a short trip to Europe for a rest preparatory to her forthcoming pro- duction, which Mr. Belasco claims will be the most important role the star has ever essayed. It is by the European laywright Molnar, and will have its itial presentation at the Belasoo The- ater, New York, next October. 8 Miss l.fll'ltéI played "Llllzj Belle” for W0 consecutive seasons at the Belasco Theater, New York. KEITH'S—Lily Morris. The bill at B. F. Keith's Theater next week will be topped by Lily Morris, one of England’s forcmost comedy artists. Rubin Beckwith, known as the boy with 100 fingers, will be featured in | “For Your Approval.” GAYETY—"Dimpled Darlings.” Next week’s United Burlesque attrac- tion at the Gaycty Thelutgl’ wlllmge “Dimpled Darlings,” featuring George l..eon .Ifid Nox;ms‘ Fordh::mponed by capable cast of entertainer: chorus of 20 girls. e A Buay Manager STAR'HNO in the lowest position back stage and working up to the highest, then repeating that process in the business end of the house, has been the experience of 8. J. Stebbins in preparing himself for the position of the Fox Theater. Mr. Stebbins has been in the “show business” for nearly 20 years, 17 of | which he has spent with William Fox, | a record in ftself. | His work in Washington not only requires the handling of the business matters of the theater, but he also produces the stage prescntations each | week. He selects the artists thag ap- pear, creates the stage settings, lays out the running order of the perform- ance, lights it, itself a complicated undertaking, and finally “times it." To see him any Friday night at his desk in the center of the darkened audi- torjum giving directions through a typical radio “mike” is evidence enough to convince the onlooker of the magnitude of that assignment alone. On the business end he must “produce,’ also, but in that instance in a financial way, for several millions are invested in the theater and it must show a profit each week. In addition to all this is still an- other assignment. Each Thursday night Mr. Stebbins is in Philadelphia, where he produces the stage attrac- tion for the $10,000,000 Fox Theater in that city, a separate unit, and it is exceptional for a stage unit to move from here to Philadelphia or the "Prior to coming to Washington Mr. coming to n Mr. Stebbins was the director of one of the best Fox theaters, for as Mr. Fox would open each new theater Mr. Stebbins would be assigned director to that theater. as far West as Los les, San Francisco and Oakland, and more recently to New York City. he now_occuples as managing director S Hollywood studios. she loves? Paramount star. year marriages, and, asserts Miss Negri, | “I am syre that the sisterhood of flap- pers Is {nvcly taking the privilege of proposals.” “As far as history dates back—and even further—women have pursued th men they loved. But in the days of old | women were more crafty in snaringi their mates, because they were denied the right of free speech in love. Every woman who coyly ran away from a| man was, in reality, pursuing him, only | he wasn't aware of the fact. “Today the modern girl in most| instances frankly avows her affection. | She says ‘love me or get out of the| tunity’ She has discovered. perhaps. that in this newer independence | pays in love. Broken hearts nowadays | mend more quickly than in the past centuries. | “Win a man in the kitchen and you'll lead him to the altar,” says Miss NEW YORK ' FHILHARMONIC - ORCHESTRA ARTURO TOSCANINI. Conductor TUES., MAR. 6, 4:30 where he started the new Academy of Music on its way as one of the most successful of the Manhattan | theaters. ~The South holds first in the continued demand for Western fea- tures; the Midwest is second; the West third and the East fourth, Path MGMT. LEE AN Mon. & Fri. Eves. & Wed. Mat. Tues. & Thurs. Eves. & Sat. Mat. ed. & Sat. Eves. ONE WEEK—MARCH 1 then 6, was starred in “Little Breeches,” and with his brother Stephen, now 21, was co-starred in the Patsy Bolliver having retired from active business. Miss Hamiltdn was educated at Ra- mona Convent, Alhambra, and at Cas- 1» | tellija Pinishing School, Palo Alto, Calif. To Be “Pushed" to Stardom. ¢RXCHARD ARLEN, one of ths 11 | youngsters picked for special oppor- tunities at the Paramount studio th en' st big success came in ings.” His later picture was “Under the Tonto Rim,” a Zane Grey Western story. Other yo players who are to be pushed toward stardom by Paramount are Charles Rogers, Jack Luden, James Hall, Lane Chandler, Ruth Taylor, York, ney Mod- | . Varsity Drag | e EATRI Baliet Acianutic yoom asn % et e LEROY H. THAYER BALILEOOM AND STAGE. DANCING wite’ Jse v e vl A Clusees. atiost 2 ' Helen_'J:n: Marr School of the Dance et 15th Kt NW. CE COLES r Clasers 81 privels wasons in every siyle otiale wnd ek nare wars Tuught by 9t Lancs Arte Bpecial O AKK OPPORTUNITY Ofteret 1o talented business Kirle fur viifessional eugagenenis Duily FEvening Classes Autitivne yusranweed fur Weshluglou spr Yewrniies and New York profuctions Studio—1422 Mase. Ave. N.W. Tel Deentur ¢ COLUMBIA STUDIO Tel. Fr. 2766 1107 ¥ B NW. BALLROOM STEPS TAUGHT Fox-Trot, Walts, Tango, All D.mu' ana Boll- | Louise Brooks, Nancy Carroll, Mary Brian and that pair of co-featured { romantic lovers, * | Cooper. *T SR | e If there is anything In heredity, Renee Macresdy, who appears in Win- | throp Amee’ production of John Gals- | | worthy's “Escape” at the Booth Theater, | | New York, should make her mark on | | the stage. Bhe is the great-grandniece | { of the famous English actor of the same family name. Miss Macready made her | stage debut In musical comedy in Daly's | | Iheater, London, und came to New | York last 8pring o sct Gloria during | the final three months' run of “Gen- tiemen Prefer Blondes' Jumes B. Pagan’s play “Glorla,” which | Julia Mariowe, acted several years ugo, | 115 reported us being made over into o musice] comedy, 1o be called “The Lady | of Florence,” with music by Prank | JERITZA SOPRANO, MET. OPERA. Poll's—Wed., M . Seute e Grosss's Bubses, Drooy's, 1ta osd 6. Oil Paintings and Sculpture series of child pictures. His last recog- | nized screen work was in the serial ! “Velvet Fingers,” directed by George | B. Seltz, seven years ago. Mary Carr, the young actor’s mother, |1s in Germany at present, appearing |in a Pirst National picture being made | for German release. . Fox Innovations. Tfll Fox movietone and the invisible master of ceremonies presented ex- | clusively at the Fox are two theater ! innovations, The Movietone first came into its own with the take-off of Col. Charles A. Lindbergh for Paris, the recording of his flight being placed | above every other attraction at the New | York theaters, Since then the Movie- Ray Wray and Gary | tone has presented weekly tho news of | “The In- | the world to Fox patrons. visible master of ceremonies 18 & crea- tion of Managing Director 8. J. Bteb- | bins, and it must be heard to be ap- | preciated, . “Three-Iing Marriage” is the new title of the picture formerly known as “Do It Agaln” This s the screen version of Dixie Willson's story, "llrllp Yourself to Hay" Marshall Neflan di- rected it for First National. Mary Astor and Lloyd Hughes have the fea- tured roles. W ) A \ Y“‘A\b National Gallery of Art ntil F:ebrun! 20th RACHMA GREAT PIANIST I} Mrs. Wilson-Greene ennounces the | METROPOLITAN |OPERA_COMPANY | From the l-ln;!mn Opers Mouse. New York mll’ UILIO GATTI.CASAZEL Oen') Mgr, EDWARD ZIZGLER, Asei. Oen'l Mgr. 4 Performances—April 18-19-21 ‘NORMA" Ponselie, Teiva, P | BORis GODUNOFF" 1§ Cb pla, Tokatyan, Bourskays. CIII'I.IQI, , JULIETTE ] Gigll, De Luca, Lu ! TANNHAEUSER | bhett, Claussen, Laubenthal. {| Chorus—Orch 65—Corps “ Orders for seats now de Ballet filed at Mrs. son-Greene’s Concert Bureau, Droop's, 13th and 0. Main 6493, NINOFF Send self-addreseed, 800 to $2.00; Nat. Mi amped envel 800 te §2.50; The Famous A 2:15, 611 Both Matinees RBurlesque De Luxe Rube Bernstein Kson 7/1¢ Personatity “2-for-1” BARGAINS Saturday’s Matinee Also a Bargain SPECIAL TO LADY PATRONS SEATH RESEUVED i DI TIYNR YT DAY T T e re- | SHUBERT LASC “PIRATES OF PENZANCE" GEORGE RLIS lope. ESSVE VAXAWR, (In Person) ADELA NATIONAL THEATER Tiekets 30, 82, $1.30 T_ARTHUR SMITH BUREAU. 1330 G st T | Ditinguishied Artists it Mareh_ 9. | | | One_of America’s AL THEAT 30, Tiekets, $2.30, . 82, & S1 3 { Now aelling. T. ARTHUR SMITH BUREAL. 1330 G St.. In Kitt's, 0 MONDAY Mats, at 2:30 Wed.. 30 £2: D J. 3. SHUBERT 300 $2.30 plus tax. i Washington's Theater Beautiful Preaenting the Foremost Foreign and Native Artists and Attractions of the Speaking Stage WINTHROP AMES' GILBERT & SULLIVAN OPERA COMPANY “THE MIKADO" “|OLANTHE" 2—MAIL ORDERS NOW AMES TPrese In Shakespeare's MERCHANT OF VENICE ts, 30c to $3.00; Wed. Mate., plus tax. BEGINNING SU 3 MATINER AT 1 Star of the Stage and Bereen “THE MAN WHO LAUGHED” EXTRA ADDED ATTRACTION SPKCIAL FEATURK Distinguished Planist “A ROADSIDE 1DYLL : A MOVIE CAMERA LEADS THEM | | Dog Stages Fight on Set. UMANS gre not the only tempera- mental ones in motion pictures. ‘This was recently proved, with the resultant temporary disryption of cam- era work on one of the year's biggest films, at the United Artists studio, when a South American parrot and a Scotch terrier staged a bitter fight in a Russian atmosphere. “Joe,” Mary ckford’s pet parrot. 2nd “Sam,” whose master is John Bar- rymore, were the battlers. “Sam” was jealous of “Joe,” for one day the ter- rier saw Barrymore stop by the par- rot’s cage. | The opportunity for revenge came | when “Joe” escaped from his cage ana }flew. hopped and screeched onto a set | where the Barrymore company was at | work on a story of modern Russia Wild barks from “Sam,” ear-splitting | sounds from polly—and the fight was jon. By the time Barrymore, Sam ~ | wearing. The Foreign Legion marching down an Algerian street in the new Unl-| Not only is Haupt's versal picture, “The Red Mirage.” The entire set was arranged at one of the | gest ever introduced Woman'’s Leap | Year Rights.| But Miss Negri would not have every | girl who longs for romance adopt a | kitchen gown. Clothes, proper settings, | e | even architecture, are all important. “If you have set romance as your star,” says Pola, “chocss your back- ground with the greatest of care. Ha't the battle 1s a romantic setting. It's a wise girl who pevs particular attes to the time and th~ place, taki: vantage of a moon that boget love, exguisite lamplight and chadows. n are suscep n: way and give some one eise an oppor- | % POLIS fnox-12th! Taylor, the director, and others could pry the palr apart, “Sam” was minus | most of his whiskers and “Joe’s” bril- | liant feathers were floating through the jair. And “Joe” was saying things | Mary Pickford never taught him. | "“Joe" is back in his cage, squaw {ing as loudly as ever, and “Sam"” guards the Barrymore set against feath. cred intruders. :Wears Monocle With Effecs. LLRICH HAUPT, former German stage and screen star, who was chosen by John Barrymore to portray an aristocratic villain in the United Artists film special, “Tempest,” a story of the Russian revolution, is showing Hollywood the last word in monocle eyeglass the lar- in the picture capital, but it is also peculiarly tinted and gives an uncanny sensation to ti people who meet the wearer for the first time. Even in the revolutionary scenes, when Haupt as a cynical, domi- nee army officer is thrown from | high estate and given over to the mer- cies of the blood-thirsty mob the me HOULD a woman pursue the man| Negrl. Which is her version of that old, | ocle remains in piace. It is his fina! i | famiiiar adage about woolng a man | gesture of caste. By all means, yes,” says Pola Negri, | through his stomach, and it belies any | opinions she may have that riches or | 22 3 Statistics revcal an increase in leap | the l?;‘: muszm ;ecessarfly be a prime | JANET RICHARDS requisite in successful love-making. | Public Questions: Home and Foreign | Every Monday Morning at 10:45 { Masonic Temple, 13th St. & N. Y. Ave. Admission, 65¢ BOSTON SYMPHONY ORCHESTRA Serge Koussevitzky, Conductor Poli's, Monday, March 5, 4:30 Seats. Mrs. Creene’s Concert Duresa. Droop's 1300 G. 2Main GAS3. EVES., 50c to $3:30 o%g‘ MATS., 50c to $2:20_Now "THE MUSICAL COMEDY SENSATION OF BROADWAY h a Cast of New York WILLIAM WAYNE Dolores Farris, Don Lanning, Thelma White, Mildred Marion Chambers, Favorites Including MARIE CALLAHAN Frank McCormack, Costello, Anthcny Hughes, Don Rohan GEO. OLSEN'S ORCHESTRA-—40 FLAPPER FRESHIES The Show That Created “The Vanity Dreag™ NATIONA TODAY AT 5:30, TW Nights, 50c, $1.09, $1.50 Mats., 50c, 75c, $1.00 CE DAILY THEREAFTER 3 N30 POSITIVELY ONE WEEK ONLY THE INFINITELY BEAUTIFUL SPECTACLE VISUALIZING THE WORLD’S GREATEST STORY 22222227, 722222 I ONE WEEK ONLY--BEGINNI Z 7 Z at. All Seats on Sale at Nox Sensational, Smashing, Récord-Breaking 72227 2% UL «“LULU By EDWARD SHELDON 7227 Week 2% WEEK MARCH 19TH Fay !l.\lNTEk yu HARDING Lawrance D'ORSAY Morace BRRAHAM Thoa. Coftin COORE e Al LOR “She Stoops Ny OLIVER ¢ Adapted by JEANIE MACPHERSON No Mall Reservations or Telephone Orders Accepted for TA HIT! BAVID BELASCO Preseats LENORE An Achievement Worthy of the Dean of e ——————————— Geo. C. Tyler’s Mar. 12th | Delightfal Comedy Gleun HUNTER o HEGGIE TAWDE Willtam by Same Exquisite Musical Score NG NEXT MONDAY ,, Eagage- Office Thuraday. Macch 1 at § ae M. The Play Everybody Has Been W BELLE" and CHARD . MacARTRUR American TAoater B ey /OMMY” =—MALL ORDERS NOw Mra. Leste RTER Patricta COLLINGE Marie CARROLL Johm T‘IK\‘.\I(“'R - araid ENZ THOMAS » to Conquer™ MLDSMITH, Bae. N GRAM George . Tyler's Sovond Classte Revival fue the Sprtw Staued By Williaw Ses wane i s Bl $8 80 L OP "N RN L s ¥, Al M M oL &\ PR ™ ln“\‘m\ "W veltaditenned aad Mt sase e velapy for retuin of Viohots. Frives Wontical with these of | froianat of toa o Diwlanace