Evening Star Newspaper, December 12, 1926, Page 78

Chiarles Bickford has been engaged for ““Chicago,” the new Jeanne Eagels Pplay now in reheasal. “Sunny” ended a 15 months’ engage- wment in New York last night. After & week’s vacation for the Marylyn Miller musical comedy company it will open in Philadelphia. In the cast of “Yours Truly,” the fmusical comedy which Gene Buck is producing, will be Anastasia Relily, - Geneva Hayes Mitchell, Ann Green- ‘Way and Theodore Babcock. Laurette Taylor will open in vaude- ‘ville in Chicago tonight in “The Come. dienne,” a oneact play by her hus- band, J. Hartley Manners. Lillian Foster is to appear in the #econd production of “Bevond Evil," ‘which was recelved with jeers by its audience last Spring, but which® will demonstrate the triumph of hope over experience by returning this season. Nedda Harrigan, daughter of Ned #nd sister of William Harrigan, has supplanted Mary Fowler as Manuela in “The Squall,” now running in New York. Miss Harrigan was the leading ‘woman at the Lakewood Theater at Skowhegan, Me., last Summer and played this part in the original pro- duction. A play called “The Captuted,” by James A. Oshorne, is to be taken into New York under the direction of the author and Leslie Morosco. It is characterized as “a sensatlonal do- mestic drama.” Martin Brown's ne forth be known as “It Love" in- stead of “Body and Soul.” This piece, which has Florence Rittenhouse as its principal player, is described as “the romance of a comeon for a speak- easy.” Will Rogers, who appeared last ‘Wednesday night at Carnegie Hall, New York, for the benefit of the New York Visiting Committee, sent a check for §500 to that institution for one seat. It was labeled proudly, “For my wife to hear me. “Polly of Hollywood.” a musical comedy by Will Morrissey and Ed Josephs, was put in rehearsal last ‘week by the former. A strong cast has been secured. '“Few Can Do It,”a play by Arthur Caesar, will be placed in rehearsal this ‘week by Robert V. Newman. “A._Rough Diamond,” adapted from the French by Stanley Logan, was given its initial presentation in Balti- more last Monday night. Leo Carillo has the leading role and Nana Bryant and Vivian Tobin are also in the cast. lay will hence. After the opening of ““This Woman Business” in New York last Tuesday, Dr. Louls Sunshine started work on his production of “Burlesque.” This i8 the piece written by George Man- ker, author of “The Naked Truth”and *“Hot Air.” Ruth Hawthorne and’ Louise Con- mell have collaborated on a play which will be produced in London soon after the holidays. Its title is “The Quee .- Miss Hawthorne was, with Mary Kennedy, co-author of that en- l:fint and persuasive comedy called L Partridge Presénts,” which Dorothy Burgess, heralded as one of wyn's production of “The Adorable Liar,” will make her debut in musical comedy as the principal player of “Bve, Bye, Bonnie.” This is the plece which L. Lawrence Weber will pre- sent in New York after the holidays. Ashley Dukes, who I8 at present rep- by his trans- 's “Mozart,” has Just completed in London & new play | written entirely in iambic verse. It is | called “One More River.” Its scenes | are laid in a boarding house, whose in- not at all depressed by the fact that his first play, “Red Blinds,” by the censors in England, and has | written a second plece, which he calis ““Twopence Colored.” It is to be played | in London by Marie Lohr. | Otin Skinner made his opening ap- pearance in “The Honor of the Fam. | {ly” in Philadelphia a fortnight back | and the papers commend it with warm | words. “Judy,” a musical version of Mark | Swan’s pl “Judy Drops In,” will go into rehearsal this week under direc- tion of John Henry Mears. Charles Rosoff and Leo Robin wrote the music and lyrics. “The Black Cockatee,” a play by | Samuel Ruskin Golding, will be pro- duced soon by Frank Martins. Mr. Martine was one of the producers of | “Pyramids.” Eddie Dowling, mes Hanley and Bobby Connelly e formed an or- ganization for “the production, writ- ing and staging of plays.” . Mesars. Dowling and Hanley are the authors of “Honeymoon Lane.” Mr. Connelly. staged the dances Gustave Blum's next production will be “The Mystery Ship,” a first play by Edgar Schoenberg and Miiton Sing- er. It is one of thoee mystery melo- dramas. Jessie Royce Landis, leading woman of the Otis Skinner company, i8 Chicago_ girl, from the Evanston dis- triet. Her father, a musician and portrait painter, had aspirations for her along musical lines, her education being planned with the hope of an operatic career. 8he won a scholar- ship in and was grad Chicago Musical Colle, studied voice, dramatic art and instru- mental music. Otis Skinner was especially selected to portray the part of Falstaff in the assemblage of America’s foremost actors for the production of ‘‘Henry IV” at the Knickerbocker Theater in New York last Spring. Mr. Skinner confesses that he played some 50 parts during his first theatrical season, One of them was Jim, an old negro, in a play of the North and South called “Woodleigh,” by Philip Stoner. His salary in those days was $7 per week, and he had to furnish his own cos- tumes. New TYear eve an extra midnight performance will be given in each of the 44 theaters constituting the Mu- tual Burlesque Association circuit Based on the experiences of the past Gutherie McClintic nrodneed two sea- son! several seasons, the total gross re. ceipts will reach $100,000. How to Make Europe Happy RICHARD A. ROWLAND, produc- tion manager of First; National Pio- tures, after a flve-week stay in Fu- rope, where he visited England, France, Germany and Italy, ~has advanced ideas for the solution of difficulties existing between the pro ducers abroad and in America. Now, and for some time past, there has been & disposition on the part of foreign governments to limit the ex- port of American products on the | ground that it is preventing the devel- . opment of their home picture indus- try. Also foreign motion picture men contend that their pictures have been wvirtually boycotted in America. “My recent visit in European countries,” said Mr. Rowland, *“con- vinced me that although there is & more conciliatory spirit than existed & year or 80 ago, there remains much California Mountaineers OTION picture producers in Cali- fornia have overlooked a promis- iIng story field at their very doorstep, sald Jack Holt, following his return from a location trip in the high Sterras. “Why,"” asked Holt, “hasn’t some one written and some one produced the saga of the California mountain- sers, those hardy characters who live in the rugged Sierras that wall off the Golden State from its Eastern neighbors? Mountaineers always have been favorite characters in fiction, but from reading John Fox or Harold Bell Wright and other speclalists in -altitude literature, one would nk all the mountains were in Vir- ginia or Kentucky or Missouri. “The California mountaineer is fully as colorful and picturesque as his Eastern or Southern cotemporary. I have made three pictures, ‘The Thundering Herd,' ‘North of. 36, and now ‘The Man of the Forest,’ that haye taken me into the high Sierras, northeast of Hollywood, for periods of two weeks to two months. “The lives of the people who live in these hills would make good screen or book material. The feud of the Owens River Valley folk with the city. of Los Angeles over the water rights in the valley, with its story of night riding, dynamiting and bitter litiga- tion, and the enforced migration of a people from the homes they had found- ed on the desert would make a thrill- ing melodrama in itself. “The people in those hills think nothing of traveling 100 miles to go to a dance, over roads on which a wnake would have to back up to make the turns. They whirl their cars around the ledges at a speed that makes the stranger resolve to lead a better life. “They have unique standards of hospitality and there are some fasci. mong them that get time away from act- ing, I'm going into that country and live the natives' life to acquire material for a California mountain ffifil’wl Jt CKEON, PRIVATE DA 188 D desons., ¥ Phon-Pm“’Eu‘; is L A ACHE! A —1 on nw .. rohestra. Privaf applintient. - Fr. 8667, Eat. 1 Leila Fowler, Capitol HilL Day phons. X, ‘u'n Eve. Atlantic 488.3, en Fri ln" mm f"hw n»fi g Mz ‘an S"m‘o‘ chmmon Valencis. Late to be done before we achieve an era ot good feeling and understanding. “I think this is an opportune time to promote an international stock company that would include players from ail countries-and produce pic- tures in France, Germany, England, Italy and Spain as well 4s in America. “Probably the main point of differ- ence in the viewpoint of the Euro- pean and the American producer is that the Européan generally fails to recognize the value of personalities i ictures, call these personalities featured players or what you will. “The point is that we must have personalities that draw at the box office. As soon as the European pro- ducer provides players that become popular in the United States, he wiil not have the slightest dificulty in get- ting a showing for his product here.” A\' honor accorded to few persons and never before, so far as is known, to a fllm star, was bestowed upon Richard Barthelmess when he was made the guest of the students of Fton College, the oldest and most aristocratic of English schools, re- cently. Barthelmess, accompanied by his representative, was recelved by a master of the college and had tea with the students, which they them- selves prepared. The film star spent some interesting moments also in in- specting the marvelous library, which includes priceless treasures, such as first-edition Shakespeare, te, eto. with rarities like the Gute Bible, valued at a quarter of & million dol- lars. Eton College, incidentally, was built by Henry VI and has more than 1,000 students. Windsor Castle, the pres- palace, is a stone’s throw on, and this also was visited. C——e The retitling of Ufa's production of | ‘Faust,” which is being released by Metro-Goldwyn-Mayer in Washington this afternoon, is said to be a fine piece of work. All continental photoplays have to be translated or rewritten be- fore they can be released in the United States, owing to the foreign language titles of the original production. ont ro from “The Fairy of the Violin” Returns to Mer Home Town in Recital National Theater Tuesday, 4:30 Tiekets, $2.50, $3, $1. M. s 1330 G St In Kitt's Ilnll House FRIDAY, 8:15 | YALE GLEE and BANJO CLUB Masonic Auditorfum —reom| l' of lh. proln ulul nu‘ offe acro) ,.'a s..‘;,..m!.'-.! 405%%: a10* Adunl Tiekets, $2.50, 82, $1.50, $1 T. Arthur Smith Burean, 1830 G ™. the season’s discoveries in Edgar Sel- | mates are all awaiting divorce decrees. | The Earl of Lathom is nnureml_\'i was barred | {of |ance, or debut, THE SUNDAY Will Film Dead Author's Story HE last literary Larry Evans, zine writer, who died recently, be adapted for the movies. The story, “Down Our Way,” which was published in a popular magazine not_long ago, was bought by F. B. O. | to be made into a special Gold Bond production for the season of 1927-28. It is expected that a leading cinema star will be gecured for the principal role, although no director or cast has been designated as vet. | Otis Skinner TIS SKINNER was born in Cam- bridge, Mass.. June 28, educated In Hartford, receivs gree at Tufts College in 1895 and his first job was with an insirance com- pany in Hartford. He found his life- work as an actor at the age of 25. Mr. Skinner is the son of a New England clergyman. and with a letter introduction from the world-re- nowned circus man, Phineas T. Bar- num, made his professional appear- at the Philadelphia Museum on the night of October 30, 1877, in the part of Jim, an old negro, in a play of the North and South called “Woodleigh,” by Philip Stoner. The following season he was a mem- ber of the Walnut Street Stock Co., Philadelphia, supporting such stars as Janauschek, Lotta, John McCul- lough, Lawrence Barrett, John T. Ray- mond and Ada Cavendish. Tn New York he made his first ap- pearance in a spectacular fairy plece called “Enchantment,” produced by the Brothers Kiralfy at Niblo's Gar- den Theater. During the same sea- 8on_he also played with Edwin Booth at Booth's Theater, New York, and on the road. A few years later found him in sup- port of Edwin Booth and Helena Modjeska in their joint tour. During 1890-1891 and 1892 he was leading man for Margaret Mathér, and during the second season with Margaret Mather he acted as her manager and co-star. A chronological record of Mr. Skin- ner's repertoire as a star, producer and manager includes: “His Grace de Grammont,” ‘"‘The King's Jester," “Villon the Vagabond,” “The Mer- chant of Venice” (as Shylock), ‘A Lady of Lyol ‘Prince Rudolph,” “Shenandoah, Rivals,” “Rose- composition of well known maga- will dal.” “The Harvester," Humble Servant ? Celebrated the Walk," “Captain Fury.” Other characterizations bring the total up to 326, Parhaps no living actor has so meritoriously won his way into the hearts of the American people and holds their respect and esteem as has Otis Skinner. Will Leave Pictures ADMIRER! of Jobyna Ralston prob- ably will er for the last time as Harold Lloyd's leading woman in “The Kid Brother. For three years, b.*lnnln‘ ‘with “Why Worry?” Miss Ralston has ap- peared in every Lloyd plcture. Now her contract has expired, and with the opportunities confronting her for stardom on her own account, Miss Ralston has decided to cast her lot in the dramatic field. She has received & flattering number of offers from producers. The kindly things critics have been saying about her for the last thres years are now about to bear fruft, - Miss Ralston, who halls from the Tennessee hills, was a featured player in musical comedy. Trained under the supervision of Ned Way- burn, sl yed in a number of his successful mu Iu.l comedies, and just betore rolnx West to try her luck in pict he had a featured role in "Two thfla Girls in Blue.” SINCE the movie has sought to build up its fortunes with the assistance of vaudeville, which it calls “'stage presentations,” the latter have become a special industry apart. Slowly but surely the big vaudeville stars are being enlisted in the new enterprize until it is not unlikely that they may top the picture interest. Recent announcements from the Loew Presentation Chain, which has & unit in Washington, state that Gus Edwards is about to lead a more pre- tentious revue into photoplay houses than he has yet presented in vaude. ville, and it i{s promised that the eat Nora Bayes will vie with the ‘amous Irene Franklin in winning new laurels in ‘“stage presentations de luxe.” The season is yet early, and even shrewd guessers are at sea as to its possibilities before a warm wave sets JANET RICHARDS Publio Questions—Home and Forelgn —Every Monday Morning at 10:50. New Masonic Temple, 18th St. and N. Y. Ave. Admission, 65c. STAR, WASHINGTON, cage, together with other baggage. He first American pi Must Have EREAFTER all directors under contract to Paramount, the first | organization to conduct a ‘“school of acting” as a means of solution, will be charged with the responsibility of developing one new face for the screen every year.* As Paramount has an average of a score of directors under contract con- tinuosly, it means that 20 newcomers will be singled out annually for train- ing and development toward the coveted goal of stardom. “Directors have been given to understand,” says B. . Schulberg, “that to develop a ‘new face' which will find favor with the public will he considered of as great value to the company as the production of a good box office picture. Paramount’s willingness to meet the demand for “‘new faces” in this man- ner, he stated, is largely the reeult of the suecess of the Paramount Pictures 8chool, in which 18 young people, se- lected from all parts of the country and without previous film experience, Famous Ufa Director ALEXANDER KORDA has arrived 1in southern California: likewise his wife, Maria Corda. Both are to do their first plcture work in America at the Burbank studios of First National Productions, he as a director, she as an_actress. Korda is a noted Ufa director, one of the most successful of Ger. man megaphone experts. His charm- ing wife, who for professional reasons spells her last name with a “C" n- stead of a “K.” is the most famous of German screen artists. Korda received the International Film Exchange award for brilllant work in 1920. Elinor Glyn is now writing an original story for Betty Bronson to be called “Ritzy."” CURRENT EVENTS LECTURES By William Rufus Scott Every Monday Morning, 11 O'Clock T RAUSCHER’S Single Admission, 60 Cents m Soclety of the Fine Arts A ustus nhw-mud-m o 1hasteated lect HOMER SAINT-GAUDENS Auditorium, Central H|.=I| School P,M. WARDMAN PARK MOTION PIOTURE GUILD PRESENTS TODAY AND ALL WEEK OTIS SKINNER ™ His Greatest Achievement “KISMET” Twe Shows Daily—7:00, 9:00 Thurs.—A Fri—W Ninth Near F Ladies’ Club Theater AIwayl Something Worth While ne MUTUAL A Show of Fun, Melody and Girls THE TEMPTERS Don’t Miss Our Special Feature Nights MATEU CONTEST RESTLIN FINISH BOUTS L GAYET TERBEANS «°SUSIE / Extra—MIDNIGHT SHOW—Friday, December 17. WEXT WEEK—'WHITE OARGO." R G sl Twice Daily 2;15-8:15 Ladut’ Mat. Daily, 25c The German motion picture star, Emil Jlnnlnfi o D. C. is now at t New Faces. wers given a course of trefning in screen drama. From that school came Charles Rogers, now playing one of the lead- ing roles in “Wings,"” the Air Service epic of the war; Mona Palma, person- ally chosen by Thomas Meighan as his leading woman in “The Canadian"; Josephine Dunn, just signed to the mamt feminine role in “Loyge's Great- est Mistake'; Ivy Harris, assigned to a prominent role in “The Potters,” in which W. C. Flelds is starring; Jack Luden, who has played numerous prominent roles since he was gradu- ated from the school, and several others of unusual prominence, In the past two weeks Paramount has signed thres more promising girls who are to he developed within the or- ganization, Ann 8heridan, Doris Hall and Betty Jane Young. And now the directors, who have the closest contact and ability to observe the work of new players, have heen called upon to de. velop their quota. Mats. Thurs. and Sat. Messrs. Shubert Present Washington’s Native Son AL JOLSON in his New Musical Show “BIG BOY” Company of 100 Nites—$1.00 to $3.30; Pop. M: Thurs., best seats $2.50; ) Sat. 500 mkenrl seats $2.50, plus tax DECEMBER 12, 1926—PART 3. and his wife arriving in New York. The actor carrled a bird Hollywood motion picture colony, where work has started on his Current History Lectures CLARA W. McQUOWN Every Friday, 11 AM. The Washington Club, 17th & K Admission, 50c The Carnegie Institution of Washington Announces an Exhibition Representing Results of Current Research Activities Administration Building Sixteenth and P Sts. Open to Visitors Saturday, Sunday, Monday December 11, 12,13 2 to 5 P.M.; 7 to 10 P.M. SHUBERT pEC, 13 BELASCO DEC 13 Mgmt. Messrs. Shubert Anne Nichols Presents “SAM ABRAMOVITCH” - A Romantic Drama By Francois Porche With a Great Cast wz'zx\ofiug'%'m&n,z'l'l 27th VRS FISKE GHOSTS BEGINNING SUNDAY AND ALL WEEK ON THE SCREEN With GLADYS BROCKWELL and HOBART BOSWORTH Nellle Revell’s Story of Life and Love Under the “Big Tops™ ON THE STAGE A Suappy, Synoepated Musieal Comedy MM VICTOR HYDE'S “THAT'S IT” With the PERMAUENT CAST OF 22 AGAIN TOPIE. BY IRVIN B. HAMP and Introducing THE FOLLIES BERGERE GIRLS SENSATIONAL AERIAL NOVELTY Entertainment That's Different ALWAYS BEST FOR LESS Jiromack “The World’s Favorite Concert Singer” WASHINGTON AUDITORIUM Next Wednesday Eve., Dec. 15, at 8:30 Prices, $1.00 to $3.00, plus 10% tax. On Sale at Mrs. Greene’s Bureau, Droop’s, 18th G Streets GREAT POPULAR REQUEST PROGRAM St o Slir Wl i 00K, the name of the MRS, w:uofi-ckzz T _CHICAGO GRAND OPERA red. Bve., Tob, 16, § ‘WEDNESDAY EVENING— PoLI'S THEAT:E ‘THE MASKED BALL" 0 s Matines, Fob 17, at 8 o'Clock. RAISA—VAN GORDON—MARSHALL—BONELLI uromoo, (Oonduotor. avasoay aamoezr— HTHE RESURRECTION' aa rraa) | MARY OAID | —RITCH—MOJIOA—OLAESSEN ZONT, Con: ORCHESTRA duster. .I—EV'HII STAGH 78, Incidental Danc Ordges fgr seats now Deing fled at Mrs. Wilsen-Green DgUIFMENT ind_ o s uresn: Dreey's, 19 ant AMUSEME HOW LOVCI‘S NTS. Are United. NVENTING novel and ingenisus ways of bringing lovers together fs one of the chief strains on the scenarfo writer's imagination. Often- times the director is responsible for the crucial moment. Fred Newmeyer, directing W. C. Fields' latest picture, “The Potters,” recently staged what is probably one of the oddest love scenes on record. Richard “Skeets” Gallagher, as Red Miller, is bending over his aweetheart, Mamie Potter, played by Ivy Harris. Pleading with her to give him a shred of encouragement, when Pa Potter, portrayed by Flalds, standing behind the portieres, plants a kick on Red's trousers, thereby throwing him into| Mamle's arms. A tender love scene follows. A breath-taking stunt propelled Renea Adoree as Carita into the arms of her lover, Roger Drake. played by Thomas Meighan, In “Tin God Carita is standing on the edge of high bridge trestle when a gale of wind causes her to lose her balance and she starts to fall backward into the abyss. Meighan grabs her and pulls her into his arms, where she clings to him in a passionate embrace, In “The Popular Sin” Director Mal St. Clair used a variation of the old sprained ankle gag. Florence Vidor as Yvonne Montfort is playing croquet with Clive Brook, as Jean Corot. While hitting her ball, held with one foot, she accidentally strikes her ankie. The pain, of course, makes her stagger and by tripping on a con- venient wicket she manages to land in her lover's arms In an adorably un- conseious condition Louise Brooks as Janie Walsh, co. quettish sister of Evelyn Brent as Mame, in Frank Tuttle's “Love 'Em and Leave 'Em,” gets something in her eye at an auspicious moment and has to have the orb examined by Arthur Donaldson as Schwartz, the department store manager. As usual- Iy happens in such cases, lip meets 1lip before the examination is con- cluded, The scenarist invented a good one for Richard Dix in his college picture, “The Quarterback.” Dix, as Jack Stone, is being hazed. Blindfolded, he is placed behind a- stone wall and told to step out and kiss the first person who passes. A large, fat colored woman is ambling down the stroet, but before she reaches Dix's hiding place she turns into a store “KEI and, at the same moment, the beauti- ful Esther Ralston, as Louise Masen, emerges. As he hears her staps Dix Jumpe out, throws his arms about h- and kisses her. Ensue wom confounded—but the love uory is well under way. You probably remember the instance in Gloria Swanson's “Stage Struck.” when the hapless girl is ha wus- pended under the lower deck of a hoat, feet and hands in the water, while her frantic lover swims about in the water searching madly for her. A swell carries him under the deck and plump into his inamorata’s frensied grasp. All ‘thess {nstances are but elaborn- tions of the old standard predicament of the country maid who had to be rried across the trickling ford, and ‘mod protot: who, each Sum mer, gets the handsomest Apollo on the beach to teach her to swim. Teaching Farmers by Film PARIS, December 11 (#).—The min istry of agriculture has organized an educational film service for the remote country districts. So far there is a library of 23,000 films showing modern and economieal methods of farming, stock raising, food preservation and storing. public and private hygiene and child welfare. The pictures are shipped free to anyhody who can show he can make good use of them. "Miss George Wuhington : 'OLLEEN MOORE'S “next plcture” will be “Miss George Washing- ton,” according to announcement John McCormick, producer and gen- eral manager of West Coast produc. tion for First National. The story is based on a threeact comedy-drama by Lewis Allen Browne. ‘Miss George Washington™ will be the third of Miss Moore's current se- ries, which was inaugurated by ‘“Twin- kletoes,” the colorful Limehouss stery by Thomas Burke. The fourth in thi group probably will be “Bennle,” a: other comedy-drama. KEITH-ALBEE VAU Dl\nllE waw BEG. SUNDAY MATINEE AT 3:15 Second Master Bill of the 100th Anniversary Celebratio tion AGAIN TWO GREAT HEADLINERS HARRY FOX The_Irresistible Comedian witn BEATRICE CURTIS 4nd Bevy of Beautiful Coryphess In EXTRA ADDED ATTRACTION ‘Rarming IOI“ FOLSOM Offering Bpecial Story Songs by Blanche Merrill SPICML CO“'DY FEATURE Favori THE FOIII CAMERONS I “Like Father—Like Son” ENGLAND'S ECCENTRICS CARR & PARR 4 Novelty n Dancing =t SARGENT & LEWIS Specialists in Laugh Lyrios 4 AMERICAN ACES AND QUEEN Sensational Flying Ezhidition KANAZAWA TRIO Bquilibrists With a Laugh ¥, TOPICS OF| ARRE" Q‘rn‘ T Telophones: Main 4484, 4485 6823 ATlONAL ARSOLUTELY mnr llll(!n Ot- the Dainty Musical Ce “THE BFE ANC THI”’“O‘%" By Willie Collier CO-HEADLINER DE LUXE JAYVI:'[I E Terpsichore and Troubadovr Featuring VIOLET BACHE and LOUISE BLACKBURNE AND ALL WEEK 50¢ to $2.50 The Most Important Event of the Theatrical Season CHARLES FROHMAN Presents ..meuomom!mm' AMERICA’S PRE-EMINENT ROMANTIC ACTOR IN HIS GREATEST SUCCESS STRONG SUPPORTING ORGANIZATION NEXT WEEK BEG. TUES. NIGHT—SEATS THURS. ZIEGFELD MUSICAL COMEDY PRODUCTION BETSY BELLE And an all-star ALLAN KEARNS EVELYN LAW BOBBY PERKINS RALPH WHITEHEAD PHIL RYLEY EDWARD HICKEY BAKER cast including: AL SHEAN MEDELEINE CAMERON BARBARA NEWBERRY DAN HEALY VANITA LA NIER JACK WHITE Ana JIMMY HUSSEY Staged by SAMMY LEE Diale 0? ? Book Musie ."‘IDIAID RO AND THE GREATEST DA BURTON OLME THURS. MAT. 15, 22/ 72777 “THE GREAT WORLD CRUISE” SEATS SELLING $1.65, $1.10, 75« & #0e