Evening Star Newspaper, January 31, 1926, Page 52

THE SUNDAY STAR, WASHINGTON, D. T, JANUARY 31, 1926—PART 2. IN PAN-AMERICAN EXHIBITION Will There Be a Great War in the Pacific>—Hector C. Bywater Writes of Such a Struggle~—The Latest Fiction From the Publishers. Unusual Exhibition at the Arts Club—Sporting Prints on View. Isabel Cooper's Water Colors at the Corcoran Gallery of Art—Italian Art. BY LEILA MECHLIN. {squirrel monkey. There is one group|some instances the impressions ave DA GILHET MYERS. L L e | e ts bk A bl R e .| of fish, unlike any fish that we know | .nished by hand. water color being| [§ : , : : i THE GREAT PACIFIC WAR. By s > any USa2! pxhilitlon ovens % | in our’ American waters—odd-looking, applied for smull detail invariably by : & ™y 7 v . K Hector C. Bywater, author of “Sea | 1S, becomes a fallure as a banker, consists of paintings and de. | K41y colored fish, found n the waters | the artist. ’ 3 ‘ 9 4 1 / K Power In the Pacific.” Boston: | pettlis b, toe Ot Cor S noney fo | CORAL: 5 sequel 1 ar ek ol stined gliss aBd|wip bodies bent as though In motion, | “Full Cry." “The Leap® s . 3 sy, B T e Pt e Bl ot thair avoey ‘hen thew Thimseiver] 1L Doron'¢ llr.u.xu.‘m«u of Philadelphix. In Plctured as seen In the water swim.| Death S eivea ByIBontl % i the logical sequent of “Sea|of their money than they themselve: N Co. YaAscenzo studlos in that clty. | o ®how erotesque some of these | Alken and published in 1538, There Power in the Pacific,” just|could take. : JFOR & line of eething of the old:me | creatures are—the iwizened face of | is unother very remarkable set of stx as/getting iready o1 go 1] B0 I s mtory Caee o rit. sometning e days of the : Sl i . ‘ e ke the antecedent of going: a pretty bad handicap to over intimate relationship exists between | JIOEE FA IS OOt A How | third Set of o e The Q"mfi ',*"“ “,’. of Europe culminated, naturally, in|makes up a good part of this latest the master and his workmen and a [ S b % y ot > D the World War. Having made definite | Lincoln romance of the New Englun JiED artistic standard is upheld. o AR T el e Tesearch into the problems of strategy | coast. wherein the smalltown folk: Alr. D'Ascenzo is one who has clung)| L8 5 12U ichca in executions| which 1s a Teal porson with . civen that would charucterize any conflict in | comport themselves not only in the | SiStinct Chusses > traditional {deals. He has made a |OF NOL 1t BUEEESS Sase T CECChHOn: | Which 1s & teul person of those the Pacific, having set out these prob- | familiar Lincoln fashion, but in thei | jociety. Where 1 ”“,‘";"“ ”‘.’,I"‘N ’m”l‘f' ‘RL‘F‘:I;“F{L"‘;‘;yvl..lr . “Why, how simple; I believe 1|introduced in the tir i e pant - G 3 % e lems in thelr various parts and rglln- ;":;r-nfbn:al::zt::n“_"eli- ‘:\?_';')d)'] k;"‘; laes pperiy, i < + . A could do that myself!'” bears witness | forth in the succeeding There i A LR ] 3 E < z tionships, having arrived at conclu- oseph Lincoln does |7 /0 GDE S (HE S of the twelfth and thir {35 gtery on the part of the painter ot/ GF s ag Eninte Slons inherent in these problems, the [and nobody else projects them quit: | T g s, they who lterally|gyqp is true of these water colors aved by Hunt after Turner, pub- task fs till but half accomplished. To| so truly und lovingly. There fs an |3 0, moie Justifica 113 Sunshine through molten | gueh '8 \HE 0 TU0e HBhea 1n 1, showiie: the aboding beé sure, from thia study definite ah-jorher clement to. the romance. ORt | .o riies'ine driver of e understands better than | 2 e R g Qe L, S0 oy stract siratelc facts stand clear. But [ that sets it high in the heart of th: | Marries ! ver of ¥ ing the vaiue of the lead iine and| W v ler . pattiee O Rt et an abstraction is of use only when it [reader. And that {s the love between | 13 the foundation e Use of the iron construction. He| AN unusually interesting exhibition e ke alohery Y pDed nt : : ¢ has been reduced to its practical con-|the two brothers, George and Care: | Justment so diff Tesorts ws much as possible to the | £ s that of early English sporting 0. Wodicock: December. diick: L : ’ ¥ ] |crete substance. (= Judson, a love that stands four-squar, | U(COMe in the naty nse of pure celor as little as| prints, now on view at Gordon Dun:|JBWUAlY, suive There are sevel . % : B ““The Great Pacific War” is such a | with itself. giving without question ko possit to blen Among ht n 1205 Connecticut avenue. | 408 FICE "G"n“ w-r‘ {‘L:—h« :fl ng 5 reduction of the principles of modern |sacrificing without a second of hesita | Eenerally sati hest known works are the “xnu(m-““ Ralph Nevill, in Old bpnrlms!( Sl A NERM mf;“‘r:':fl warfare to demonstration tn war itself. | tion. Yet this is no story of a pai: | ! PPy ending in the Washington Memorial Chapei | Prints, has said, year by year these | ji'® & 5 oot Hieres (_f“lm e True, this is but an imaginary war be-|0f weaklings. Rather. the behavio :L“l‘] this author does his « at Fory the Ascension prints are being accorded u larger ok don s . tween the two logical combatants in og‘;; l:.,ume of real men in a worl iliful work « window, in the Church of the Good [measure of public appreciation. e it e e andn e § ; : a this quarter, Japan and the United |t a8 more of their kind than th: ; Shepherd, at Scranton, and windows| -xr”f:.\; ‘a?;‘nl-‘ :\ie;“\ &-x“m( fl;}“l‘m_"l B af ramance’ Sl %Al gt in s o B ; ¢ States. But it is, nevertheless. pro- !t.m;xhr:' :ould h'u"(' you think. Tha the Church of the Tlessed Sacra- | values of such prints it may be met | SLUCR G, rameee Wl P 4 e u ) R : o +| |sected in exact and'deninite accord with | 15 the eacret of Joseph Lincoln, th A o el T at Detroit, and St. Paul's 2! 1 | engraved by Reeve after Newhouse, ¥ b 4 . the general principles of naval war- re people’s love for him. . vt i ¢ hurch, Overbrook, Pa. He has not [and upward, whereas some scts are i : Ssdkoti » i fare modified by the superficial vari- | knows that the world is much pette |2/ Dluusible contined himself alone to church win- | auoted at over $3.000. But this is not enditignu ‘r:“'“ ment, with ;{“‘ = L 2 ants of time and place and circum- character play 2 g : & 5 ; < conch appearing over th ¥ = ar the end o oweye.” e Sesdened and"ex | e whe L semenibersd, hat ey | L e Pearing over the - s I = ecuted very: beau u P 4 s a o oday.| These pr s will cantinue to be o 3 o % g 4 I S ' : ; nc ot be duplicated tod r itinuy n e i 4 « Nire gohe © Bavi of his Gty | g and camnot be SupUSL Lot | il S Peneuars 12 : ' e O E LR iionta Ithern Haly. He has ales dome an|at the end of the eighteenth and be- | T r : o to 1931, "this author contrives interesting series illustrating *The | SinnIng of the nineteenth ""“'""“\Tm: exhibition of early American A 3 the isual trivial pretext for comfiict | Fecent accessions at the Public L. tvolution of the Book." was a sporting_ country in a different E e e s o a1l students of his. | brary.and lists of recommended read. e e by mo. means n modernist, | €nse from today. The majority of portraits, miniatures and silver I The war between the United |!n§ will upbear in this column canh “ in the Jamuarv Bulletin of | bunting men, for verc lassembled by the Washington loan States and Japan is on. In no time|Sunday the Art Alllance of Philadelphin, he | Sduites: ‘,‘f“":,):(“njd“) 8 exhibition committee, and shown for % B TR == SR CASTEEANOE: | all the Japanese l;l\\'indz v.h: l?hlllp» Drama. tale [ v vho visi % mber ¢ 4 > B v 5 9 “Sous RLO! "AS N , which, from their proximity tof . L caleulate ¥ one who visited the €X-|.pgiacters throughout the countryside. | the Past two months in the Natlonal et o £ e i oot Tioin (he fomi [ Bangs T Ic. 'The! Bioselirs: tass.l niie, a5 1t decorative arts held last e : i Museumn o OF URUGUAY, WHICH IS EXHIBITED IN THE apan, their long &8, veler 1896, 5 v e A el e st | Hunting, with them, amounted occa: | Museum under the auspices of the BA S ANERISAN GULLECEION D o hate Il otiate nevall . YDEING. e art ot 4 et Ge Travail' in the polo y\"‘:llru::,lyr:;w"ndu;vl‘l'.f‘v'(n:elllrfif;?é:in?nw;n: National Gallery of Art closes today. ‘ = and military prnlet'llol:‘._l fall into !’he Bul(':l-. ‘Ch;;;:s “m‘;\sm\'nn Winkle nalse section must feel thankful that | oy rnoce of relaxation and health, A | 11¢ attenda at this exhibition has| _ hands of the renem{‘ he b:xmlzo S e Be, e o \‘:D.r‘ THE WIND. Anonsm there are <till craftsmen who are con. | PATROSES of relaxation and healin, Al eased steadily, and during the past | %1ll €0 to Boston, then come to Wash. | length portralt of Mra. John W. Gar- [of meeting for the combata s | Gale, . Mister Pite. 3133mi iy A tent to make beautiful coples of fur- | o) P0G R O O Al being | month several g have attended | nEton. and from here to Chicago, after [rett of Baltimore in Spanish costume, | Guam—and Guam falls. The Jap-|Goodman, K. S. and Hecht, Ben. The per § nishings that have s'ood the test of | warl wo e ands dlear B oy aevarcliktoNne Jsve siien which it will be returned to Italy. which was not in the least suggestive |anese lay mines off Hawali, and a Wonder Hat and Other One-Act(6THE wind wus the cause of it { Father than embark on a hag |mel Content to live and dic amidstiin a body and listened to explantory Bl of his previous works. mine_field is discovered off Sun Diego,| Plays YD-Gezdw, : e ) . 15 vovage In quest of what loved Q. * ¢ ® It is. therefore, | talks by Mrs. Porter Chandler and . - P a reminder of what at the time wax|Goold, M. N. Saint Claudia. YD-|and hy eings were involved, | ' ie.* It is his conviction | fore o S0 well. e ote | other miembers of the committee. As| ANOTHER interesting cxhibition called nervous apprehension on the 36458, THe o : 3 2 that de: must conform to use, in | Dot natural that old sporting prints, | LOCF JUS0Cinie the pictures constl: which will prohably come here | "J'HE Washington Water Color Club|part of certain Senators. There are|Klein, Charles. The Lion and the|but ¢ b Y siing 4 ny of which are imbued with a I:‘w'»r o ]u..,usm ot this semeon: fis will open its aftnual exhibition In !attacks by submarines on llhe (‘ous{hot uMog_seh 1'::1. M\';P.;\-;m_ ; iseem 2 Qotetients : - National Gallery of Art will be re. |that of paintings by urtists of Mexico | tha Corcoran Gallery of Art the last |California and air ralds also in that|Law. F. H. e ern Plays, Short thi ey et Dew doctrine o the |1 source of real attraction to those In- 3 ,f}m;“*‘ allery ot Art will be' te: | L5 couth America, assembled by Wik SF this sreek. to conlane through Feb- |region. | and Long. YD-SL4lm. o beforerthe Snen. ke ‘ant for arve make ofjoeevied 1n g mene ‘;“}:‘ idyeiietic past - lUam Alason Bryan for the great pan- | ruary. The United States, after the fashion | Lawson, J. H. Processional. YD-|gun 1o be former hecomes the ‘art for hu-|stituted the traveling of past davs,| THE last day of March or the first of | American exhibition which Spsted 18 %% of ita Engliaty progenitor, (e selfav| Lep. 0o ey plowed and § [beconies : stituted the travel st days, e a0 : the Los Angeles Museum. Californ e {sured. overconfldent that there e | Masefleld. John ‘e Trial of Jesus. Was NOthIng & s suke’ of the latter. We be | when the sound of the coach horn o April it s understood that the | November 7. and continies through | ¥ the war portrait collection of the (FUrEe OV AT, P00 (0T, '0F the reads. | YDM37atr. there was nothing e ety RO on |livened many a country road, and the | o yipijon of cotemporary Italian art, | today. This exhibition is snid to af-| = National Gallery of Art 18 4 three. | neay for war that its opponent is so [ Nirdlinger, C. . The First Lady of Sheniine e T o Oh | handling of the ribbons was an accom- |, ought to this country under the pa. | ford an unparalleled opportunity tolquarterlength portrait of Cardinalswifty approaching. In realistc de-| the Land. YD.N62T P e s ehmroE Siplieiment ot whith ms sl study, to know and 1o enjoy the best | Mercier. This was painted by Ce | i.q) the author portrays the moves [Oxenfard, John. The Two Orphans.|ing waves | 4 hinge has equal attrac-|sportsmen loved to shin. tronage of the King of Ttaly, the Ttal- | ik " of cotemporary painters from |cilia Beaux in the Bishop's Palace at|{an4 countermoves which, at first, are 1876. YD-Ox26t | howensver.a % as we can redeem it from | The sports represented in the prints | ian Ambassador wnd Donna Antonietta | %111 q. on the north and Chile on the | Malines, directly after the war. In | s qUUgfaBaNes ™R 1 COULEL | shakespeare, Willlam. A Midsummer | Hom o<l I and the commonplace. We|now on vlew at the Dunthorne Gal-|de Martino, which is now on view at|qouth, from Boston on the east to|appreciation not only of his kindness |,y 2igs gubmarine attacks, radio! Night's Dream. YD-S5M5p. 2 fraftsmen believe that the best art|lery are hunting, coaching, racing and|the Grand Central lerfes, New | yonolulu on the west to her at that time, but his fearless, | ;nq cable communications cut off, | Shakespeare, Willlam. The Tragedy e bl e @ positive excuse|the chasc. The majority of these are | York, will be shown here. This exhi-| In order that the representation |gentle character, the painter had i | ejusive feints made in this direction | of Hamlet; ed. by R. W. Pence. or being. We feel that a landscape. | in aquatint, though there are some |bition w zed by the Italianipight be divided fairly among the |palm and purple ribbon placed on the |, ng that, the chief aim on the part| YD-SSHp. with & definite color y-{,r.np, executed | few mezzotints. .-\lmus_( with 1t ex- ministry n\f»r‘uhlir‘ instruction under | vyrious countries, spa was appor |frame under this picture when news | ¢ 1inun’ to avold a direct sea fight | Sinclair, U. B. Bill Porter. YD Si63b. » over-mantel, fs bound to be | ception they are in color. A very few s of th tioned 1o the several countries in[came of his death—a beautiful tribute | w8 (0 8 2500 dee at widely sep. | Stange, H. 8., and Mears, Stannard. st 2 proportion to thelr population and |from a distinguished artist to her | lared oints to American commerce | Seventeen. YD.St26s. itero brobuble art activities. Two hun.|great sitter. and to certain inadequately protec lod}smro, Alfred. The Two Virtues. 1914, | 51 present romance A £oes back a generation of “Carnival” This dor advances along a fam s of love und union between mermbers « distinct classes in t ippor* of which he remarks: “While | Gririt of vivacity and life, constitute | tUting the permanent collection of the across t most as sonr when fo: g b dred places were allotted to Central * 4o naval bases YD Susst S tees and South America. =The artists of | ryvz; Phillips Memorial Gallery,| Then China, at the back of Japan, sputed the fte Khied Blaies and Cimadl were 1608 Twenty-first street, an.|begins to be troublesome and Man-| Poetry, Essays, Speeches, Books sweeping u‘|\ll4;- to FI-T4! Ao equsl pum ": nounces an exhibition of paintings | churia becomes a hindrance u,f‘;n.(-‘r; 1 P palnting: e oetlon frem $h¥|by 11 American artists and an impor. | trated action upon the Paciflc itself. | of Humor. United States and Canada will be dis-} /0" ork by Odllon Redon entitled [ Then the United States wakes to the . ¢ Ci = = = persed, it Is understood® directly. The |\ crery,” to be shown from Feb. |demand for a strong and single-minded | The Arts of Cheating, Swindling and stction from South America and Mex. | S0 tery. ", o offensive—and the war takes a new Murder. Y-SAriR {1co wil make a circuit of the citles o turn. It goes the round. with Manila | Blasco Ibanez, Vincente. El Prestamo . = _B&17 pr. That's the stc |the United States and will eventual gain a part of the United States, with = de la le;]n' Y40 little girl, ¢ L Iy, if the present plans are carried out, am restorcd—indeed, with the situ. [ Frowning, Robert. Selected Poems, [ little m or be shown here in Washington. BOOKS RECEIVED I Sl ft was at the begin-| YP.Bigaal, W8 o Ber Hotany : . g “aravan. YP-BSg9sc, | ing valle 4 ning of hostilitles, save that thou-|Bynner, Witter. Caravan. YP-BI805c. s A NEW STANDARD BIBLE DIC.|%nds of human beings have been | Cobb, ¥, . Here Comes the Bride. other, bef TIONARY, ¢ o e | slaughteres in an age- interna- - 3h. ster ;”“;\’.‘R;’";,‘,‘"l"“':;fl i Slonal game that would be ludicrous [Fox, C. J. Speeches During the of the wind th Seiteen: their Janguages, liter. | were it not so inhumanly monstrous French Revolutionary War Period. |lessiv. & story ¢ Serp! ; ansg . ante | One cannot deny to Mr. Bywater the YS-F83 100, of the sei ary problems. history, biokrabhy |, chtevement of a thrilling drama con. | Herold. Don. Bigger and Better. YW |4nd unco e B s A ed py | Structed upon accepted military prin H336b, rough and ha Ieligious leachings. buo'te BY |ciples applied to an existing condition | Johnaton, W. T. ed. Second Joy Book. | Wit don ing held in the old Academy Building,| Jielanc 9 st i L0 adjacent possesslons and rivall YW-J848fa. _and outs on Broad and Cherry streets, Phila. | Jean and Hosmer professor of the| aims within an area ited to | Kaplan, Nehemiah, In Blumen Land at that time delphia: the other is the annual dis criticlsm in Hartford Theological | produce friction. However. the world} = Yiddish text. Y61D-KI46. lay of thé Architectural League of Seminary: Edward E. Nourse |18 indubitably moving forw ard. & Macaulay, T. B. Selections from Ma New York. held in the Fine Arts D. D., professor of biblical theol. [ While reading this clearly project 1| caulay’s Prose. Y-Mllfal. f e Building. West Fifty-seventh | ov g fnstructor in New Testa | imaginary picture of . it can be | Mackinstry, Elizabeth. Puck in Pas- ! the more street, New York. The former con.| OB #N0 nstructor In N eual eriti |accepted us a strong argument against | ture. YP-M216p. austere beau S exclusively of ofl paintings and | DIEPt caRoniclty ang txual Cem. | war because of its ultimately fruitless | Opdycke, J. B. The Literature of Let- | pnrases a rks in sculpture, the latter of inary, and Andrew C. Zenos, D. D., | resuits and still more because of its ters. YC-30pl. architectural studies and works in| huery, 8RQ ABATew O Fonon. B ol | cssential barbarity in an age that|Philippe, C. L. Enfants et Petites : < Lt claims to be civilized. Gens. Y39F-P53se. the allled arts. ogy in McCormick Theological E . Ryan K. W, Golden Pheasant. YP son Terhur x5 %% | Seminary, Chicago, in_association * ¥ . R CaysonyTerk T this time of year the art season| With American, British and Ger,|CHRISTINA ALBERTA S FATHER. [ stewart .0 and Mrs. Haddock | George H c at its height ¢ exhibitio an scholars. Completels sed . Wells, author o e is at its height, Many exhibitions | 15" enlarged. Imbellished with| Tike Gods” ete. New York: The| -Abread. VWSS TTACHEL {arc in progress under the nuspicer of 2 i 4 : i . el 3 istrations, plans millan Com; {the art besides which | . tier Tooe: otk & | { the dex E5_prement @ con-l nanyico: | (YHRISTINA ALBERTA herself gets S SRR AR BT REEE ARAER Rok > . PRINTS st _ stantly chang les of displays e e 3 into the story quite as completely OING TO COVER.” INCLUDED IN THE EXHIBITION OF SPORTING PRINTS AT THE DUNTHORNE | In New ecently severul en- _MODERN RE/ | as Christina Alberta’s father does, de- i GALLERY. | gaging lttle exhibitions were to be ~THE > e iRt s rehextedivaotion to) ce. Mode | &een by the chance visitor. At the | By Alexandre Dumas. dited and | sPito Hhe A e e strongly| Sian Literature. ZYS4M6T. ; i ; Y ; gallery of the Soclety of Arts and| abridged by Marquis K. Shattuck |/ i is her father's story, not hers. | Micoll, Allardyce. A History of Early | of tu notter than the one painted for no|date before 1800, but the majority|ciety. It is the first of its Kind to | Crafts, for instance, there was an| Llustrated by George M. Richards. |{It tO% % RCr SGIECE SR W00 Bict " pignteenth Century Drama, | woul o one and for no place. Tt must be real. | were made durlng the first 40 vears| have been sent to America, and it [exhibition of sculpture in wood and| New York: The Macmillan Co. O e o art of e Wenls, 16| 1150 ZYDMole. oo EC e InterRuGinl D 'ed that 99 per cent of the old works | of the nineteenth century and ex-|includes paintings, sculpture and |stone by Alec Miller of Camden,|THE MODERN READERS' SERIES |SeSiure o the PRIL OG0 Jiberta to| Nicoll, Allardyce. A History of Resto- | Of Northern Africa appeurs fron . of art sought for by collectors and | clusively in England. i | samples of decorative art representing | Gloucestershire. England, of unique| —CULTURE AND ANARCHY. |pe bal Wanted (Bt ehmn A | N, e eama, 16601700, 142, | dire a \e museums the world over are| The making of an aquatint fs in.|varlous tendencies in Itallan art dur- |charucter. = This was essentially | By Matthew Arnold. Edited by |KeSp Sufhe WouC BOPMONG BIC 20T paton, O oo e oas, e reautiful because they were made for | teresting. Powdered resin is dusted|ing the past 30 years. " sculpture in the little, and yet it had Willlam 8. KnickerQocker, assist | &' “and to himself. This isa story of = Mabel. Through the Year |Youth holding on to u treasu ‘etinite person, Darboss of place, | on to the plate and made to adhere| One section of this exhibition com- | Jistincty plastic quality. It was| ant professor of Bnglish, New|Si_and to himecl [Thls 1o 3 Sory Ol Patterson, Mabel. | Through the Year |caiylerally his own. 1o Art 18 of necessity a carrying.on proc. | by the application of heat. The plate | prises numerous paintings by Manetni. | naive and at the same time assured. | York _State College of Forestry. | mmoy “auit daughter. Tn the first amous Authors. ZY-0P2. | e may xay o<, "and enere tradition Ia entirely |15 then bitten with acid, the same as| There are other well known names.|unusual and of fine quality. Some of | New York: The Macmillan Co. ather And ARt I e oo |Southey. Robert The Lives and|ing jovousatvent regirded the result is likely o be|in etching. The acld eats into the|The Itallan modernists have very gen: | these carvings were in limewood, | miE MODERN READERS SERIES | piocolers oy chisting s mether mar.| Jvorks of the Uneduca s 800 Oyououavontirer. Alhe und uly, unless, indeed, a new | cOpper around these minute particles. | erous representation, and though their | others in pearwood, basswood and |11 =il PABLES OF ABSOP . Se | riad her father —one suspects. when | ay 2 5080 o Seloctions. 2. | B8 PoCkst: from Whick in tne. bes new use call forth a new|or “iskind,” and thus an evenly| works may not be lovely, they do|teakwood. Those of children were TRAE0, taIA inew &40 theis Bistorsi e was hot loblne ataseios him sieht W. Memory Selections. sleiglit-othand. manner he produc: . | roughened Surfaced is obtained. Thix|demonstrate the seriousness of the |most attractive. L N e e oy, b ho o ST 0 ek, Aggits | mAreels with: rapt d dest e granulution holds the colored ink and| painters and the vigor of the move | “at the Durand-Ruel Gallerles, where | pictires. by Richard Heighway. |led a quiet and comfortable lite. Bur | 40 Doren; G (o ang AEOE A e OB, ves tinn of sater color draw. | ELV<S, the tone effect required, variety | ment. It iy interesting to note in this |one can always see fine examplea of | X' York: The Maemillan Co on the death of his wife Christina Al- | (af, 874 Drinah Litessturs Stce | would with 1) 201Y OF Wi 9 raw- | in which is produced by the depth of | exhibition that some of the more exX-|the works of painters of the French % a0 o it = ] 3 | 60, ZY-V283. his case is i by Tsabel Cooper now on [ hitng. To print these plates the ink | treme of the cublsts and futurists arc | (o ictioriat chool, there was to be | THE MODERN READERS' SERIES berta and her father, Jittle Mr. Pre S sl view in the Corcoran Gallery of Art|is put over the entire furface simul-| coming to a much more definite and | cean a group of lovely paintings by| —THE WAY OF ALL FLESH.|emby. cscaped from the layndry and Shorthand. P o 11l be found of interest to sclentists | taneously, gnd as different colored|conventional form of expression, vet | perthe Morisot, the cne woman who| By Samuel Butler. With intro 0 s 9 ot 3 e § - vigorating mann T g s It e whic! ey v. 5 = 4 duction by I'rances Theresa Rus |A dreamer, little Preemby, living iIn{Carroll, Lewis, pseud. Alice in Wou Bord e well us artists and deslgners. It | inks are Used on the same plate at the | one which possesses distinet virllity. | won distinction In that school, and ell, assistant - professor of Eng |the past with old kings and potentates, |~ qerland, printed in Gregg short. | €ad¥ o onsists of carefully made, accurate | same time, the inking is almost as|The pendulum, it would seem, is be: | whose works compare favorably with| . el ofessor 3 S 3 ., printed in cpresentations in water color of a|dificult & process as the etching. | ginning (o swing in the opposite direc. |t peet. . Tavo of thess were garden| ' lleh in Stanford University. New |speculating much on the lost Atlantls| hand. 1021. ZF.C236. . - great varlety of strange creatures,|kach impression may therefore betion. The New York critics have writ- | (\f cta; fresh, exquisite in color, har- _York: The Macmllan Co. Bad O R e o Sl | Do, Gie & C. The Sign ol iho = ranging ull the way from crickets and | reckoned an ortginal wori, and must | ten in warm praise of the collection, | monious. full of Jovous ruggestion— | MENDEL =MARANTZ By David |{iC 80 neh 0 Tane0 k| Kanr mrinied o differ slightly from the others. In!After being shown in New York it v Freedman. Illustrated by M. 3 ¢ 8 pictures which would seem 1o potsess 3 - hailed as Sargon, King of Sumeria. Gre J. R. The Q's and A's of an endless source of pleasuregiving| Leone Bracker. New Yorl Tihle: Trany, Laloved. aud mo | e LR e eaiia. r l quality, superior works of art, a joy| Langdon Publishing Co., Inc. cepted his charge of bringing back | Grew § rase Book. to see and to remember. THE WHEAT PIT. By Edward|forden davs to sarth. ang, stter a | o5’ Mo ororthand Phra | Il From Jan. 27th to Feb. 13th | At the Macheth Galleries was an Jerome Dies. Chicago: The Argyle | while, Preemby escaped into an asy-| Gregg, J. R. Shorthand Junior Man- | Interesting group of portraits pre.| Press. lum, where, undisturbed, he could £0| = ual. = ZF.G8638) | EARLY ENGLISH | sented as a partial answer to the fre- | mpp; QRIGIN, NATURE AND IN.ion dreaming of all the beautiful things | Gregg, ' J. R. Taquigrafia Grezg. quent question, “Who can best paint| = gFLUENCE ' OF RELATIVITY. he was going to bring to pase.| 1923, ZF-GS63t.S. my portrait The painters repre-| Jowell Institute lectures and Lo: | Christina Alberta escaped into the|Lorimer, G. H. Letters from a Self- sented <were Louis Betts, erlnlag Angeles lectures. By George | freedom of London life and again Made Merchant to His Son, writ- In Color Keep Clark, Robert Henrl, Christine | 1,5y14 Birkhoff, professor of mathe. | escaped matrimony by the simple proc- ten in Gregg shorthand. 1921, Herter, Ernest Ipsen, Ivan Olinskv.| natics in Harvard University. |ess of abstracting the essence of mar-| zp.Lg | Helen Peale, Rebert Reid, Leopold| New York: The Macmillan Co. riage and by finding out, afterward. | Mechler, W. If. Shorthand Cham- ’ G d D th Seyffert and Della Shull. Mr. Tpsen| ., poy v wprle BOOK OF | that she had no use for its hull. “I| plonship Tests. 1822 zi-Mdess. ||| GOFdONn vunthorne showed his recently completed portralt | CA BB EEN (e o PO ok | won't marry you. There's no man in | Miner, E. N. Vocabulary Studies for | [f! of Elthu Root. former Senator from' 34 ilustrations. New York: G. P.|the world I can marry. I'm going to ~ stenographers. 1922 zF-Msssv. |l 1205 Connecticut Ave. riod and place down the who, wi come Texas. WO extremely important exhibi- tions have just opened and will be in progress during the month of February. One is the annual ex- hibition of the Pennsvlvanian Academy of the Fine Arts, the oldest art in stitution in the country, which is be “LITTLE STUDENTS.” A PAINTING BY A. SPADINL, WHICH IS CONTAINED IN HIBITION TO BE SHOWN IN WASHINGTON THE ITALIAN EX- New York and at one time Secretary of State, lent by the Century Associa- tion, an admirable characterization. Louis Betts was at his best in a por- trait of a Mrs. Wardwell, & work which compared favorably with the best of the old English school, a transcription of vital personality and decorative ef- fect. Leopold Seyffert is essentially a painter of men. Two of his por- traits in this exhibition seemed almont to outdo the great Dutchman in their own manner. that manner so forceful, 80 direct and yet so suave. Robert Henri's portrait of a small boy was Iikewise to be reckoned with hin best The New Society of Artists, whicl is supposed to represent the more in- dependent minded and extreme, held its seventh annual exhibition at the Anderson Galleries from January 6 to 30, and conformed much more than heretofore, if not to conven- tionality, at least to traditional stand- ards. There was nothing therein either very startling or very vulgar, and those who visited this exhibition to be shocked must have come away disappointed. To the contrary, there were some very beautiful works in sculpture by Stirling Calder, Chester Beach, Edmond Quinn and Rudolph Evans, almost in classical manner. Ernest Lawson, Gifford and Rey- nolds Beal, Jonas Lie and Robert Spencer were all represented by works in their accustomed manner, interesting and good. Carl Melchers ghowed a flower painting and a full- Putnam’s Sons. THE SOUL OF WIT. A choice of English verse epigrams. Made by George Rostrevor Hamilton. New York: G. P. Putnam's Sons. FOR LOVE OF THE KING. A Bur- mese masque. By Oscar Wilde. New York: G. P. Putnam'’s Sons. THE PALMETTO DERBY. And other stories. By George Hoyt Smith, author of “Gray Gull Feathers.” New York: G. P. Put- nam'’s Sons. THE GHOST OF GALLOWS HILL. By Stanley Hart Cauffman, author of “At the Bign of the Silver Ship.” Jacket and frontisplece by Frank Eltonhead. Philadelphla The Penn Publishing Co. Tokio About 2,000,000. According to the census taken in October the population of Tokio is ap- proximately 1,980,000, There are 1,081,100 males and 898,900 females. This is an {ncrease of 59,000 over the census figures last year. Households total 429,300. The population of Tokio prefecture is 4,458.000; 2,381,000 males and 2,097, 000 females. There are 975,400 house- holds. This {s an increase of 201,700 in households and 738,800 in popula- tion over the previous census figures. be a free and independent woman, Bobby. From now on.” That's Al-| berta Christina, wondering out loud | why we don't take what we want in a world that, after all, is regardless of the individual life. No matter about the theme, the preachment of the book if there be one. Just the ac- quaintance with little Mr. Preemby and his daughter, Alberta Christina, as they flll every page of all these pages with sheer delight for the reader in humorous, tender, pathetic, amus- ing experiences and episodes—this is the reader’'s joy in such a Wells ro- mance as he has not read in many a long day now. * ok k% QUEER JUDSON. By Joseph Lin- coln, author of “Doctor Nye,” etc. New York: D. Appleton & Co. AN enormous number of people— maybe half of them—follow occu- pations for which they have neither gift nor liking. Tremendous waste of human stuff, this. Latterly there ap pears to be a dawning notion tha‘ perhaps the likings and aptitudes of children should be considered in look ing forward to thelr work and place | in life. The schools are diffidently toying with this idea. Novelists are doing more and more with it. It & a great theme, because of thou- sands of actual exemplifications. Carey Judson, “Queer Judson,” is onc of these misplaced {ndividuals. Born to & kniship with nature and all out- Miscellaneous. Borah, L. A. News Writing for High Schools. _ZCJ-B647n. Glenn, E. R.. comp. Ref. Bibliog- raphy of Science Teaching. ZWLA-G48. Kleiser, Grenville. Similes and Their Use. ZBD-KS67. Librarians of Large Public Libraries in Conference, January 1-2, 1925 Ref. ZP-8L618. McColvin, L. R. The Theory of Book i Selection for Public Libraries. BARB-MI3. Minnesota. Department of Educa- tion, Library Division. High School Library List, 1924-1925 ZX-M666. New York Times, Advertising Depart- ment. Newspaper Advertising Topography Contest. ZHE-N42. Parker, R. E. A Review of the Es- sentials of English Composition. ZB-P227r. Sawyer. Mrs. H. P., ed. The Library and Tts Contents. ZP-Sa80l. Sharp, D. L. Some Great American | Books. ZX-Sh27s. Shay, Frank, comp. A Guide to Longer Plays. Ref. ZWYD-Sh2g. | Slater, J. R. Freshman Rhetoric ZB-81 171. What Editors and Publishers Wa 1926. Ref. ZL-5WB5. Woolley, P. V. A Guide to the Study of Woodworking. Ref. ZWTLN. | wEs. Now in its Second Hundred Thousand THE PERENNIAL BACHELOR by Anne Parrish # A continual surprise”™ Kathleen Norris HARPER & BROTHERS