Evening Star Newspaper, March 16, 1925, Page 13

THE EVENING STAR, WASHINGTON, D. C. MONDAY, MARCH 16, 1925 / as by the soloist of this group |smirk or gesture, but simply & ro- |downtown. The big audiences ves-|down. by a motor car:and later in|scenic of the wonders of vilo interprets it, Another rare bit [ bust man, dressed as a woman and!terday enjoyed this musical attra the hospital is identified as the \\:ln‘[\\nln short reels and pipe o - of musical nonsense is the melodic |trying to appear as such The | tion immensely. of a candidate for governor againtt|sic, complete the bill | = Sios “bullfight.” A mandolin and guitar | Christie studios showed good: judg-| The principal film for the first part | whom the opposition is vainly seek- SRy | Rhe“mat‘sm Prescrlptlon rendition of “Marcheta” is the pleas- |ment in turning out a clean picture, [of the week, through Wednesday, is|ing condemnatory evidence. LY 220 dhnsl Gonttting: Avts Bie ing opening number. The selections | Where the directly opposite might|«“Born Rich,” with beautiful, biond| FHer supporting cast tncludes John | pinition 15 o Lt heid in Pailadeintia | Refilled a Million Times ontinued from Bleventh Page.) | flee from a discordant home made un- | \i¢luded also “Sally in Our Alley,” | have been made with little trouble.|Claire Windsor and Bert Lytell of | Dillon, Bruce Gordon and Leon Pl e i gt | {Gontinued. Bag earauyn @ discordant home made un- | “Follow the Swallow” and other |Charley Chaplin is reported to have | (he manly chin and Impressive stal-| Sennetts “Love's Sweet Piffle i | bny okl in conjunction iona1 | || Prescription A-2851 for rheumatis A R B Y I e e o¢ han | popular hits. The orchestra is well |helped out brother Sydney, and this|yre as the stars. As this picture has|which all of the Seanett beauties and | 3 . £ Tioatery en At AN was first filled in 1864 and has been re Randolph, in “Grooming the Groom,”|stebmother. "With the memory of Rer| halanced in playing all the instru- [can be easily imagined, as’there are|peen shown in Washington elsewhere | comedians sppesr, and a fine travel! osociation of Hosiery and Under- || =8 Prt 0ot o 0 mes. A teaspoon have a skit that seems to plea: glrlhood sweetheart as her Eirlish | ments and 1t has- good cond soting | many spots in the m to suUgEest it.| en 1 detatled review Medr Manufacturers \ ¢ A-285". taken three ti day The photoplay, “Three Keys™ is a|ideal she ventures forth on a long|ang an attitude of really enjoying | The Supporting company is excellent, | Juite, yecently, o detailed review MUCHIARS e e s w27 thrilling mystery melodrama, with a [arduous journey to the African veldt, | {ts own musf, i the minor characters being handled | iy T e wolT o bl Sehs and Giff ewsllca cast headed by Edith Roberts, Juck (where he has gone to seck his fortune. | Migcha Guterson led the Rialto Or- | with artistic accuracy and telling ef. | those comforting pictures, we'l pho- ol g ity el Mulhall and Virginia Lee Corbin, in- | After weeks she reaches her destina- | chestra in the overture from Thomas' | fect. togean ed'.“‘“,“m ik g 3 S0 6 & wedtco ,u;«\.nn\m Mudlis Gagton Cluse Elussto¥ie Ition and is met by the lover's cousin, opera, “Mignon.” It was generally| The story of “Charley’s Aunt.” for| !0 & happy ending. il = Dizsy® Sick? Headachy ? AMEND, 205 Third Aven Charles Clary, Miss du Pont and Jo-) who discloses that -the man i3 ot | well: done, ulthough” the tempo seemed | the benefit of the younger generation, | “The Ple Man’ one of ‘the wost d2gY, SUEKT G i | Sasumates seph W. Girare worthy of her, the untamed spirit of | to drag at times and the drums did |concerns two students at Oxford in|amus “7. I"l g "‘- e You're Bilious! Breath Bad? { = % e he wild country has gotten him and | not seem exactly on the key. The |love with two pretty girls who are[Aesor Fable curtoons, 1s an added 5 < e ] Columbia—"Isn't Life Won-| ¢ has become a mental and moral| sirings am very good. g asked to dinner to meet an aunt com- | ttraction, and the Screen Graplic Take a Stomach Sout.? olumbia— lsn t Lile WOnN-| jegencrate. Stunned by this end to| The comedy, “Are Blond Men |ing from Brazil. The old lady misses|Ccompletes the bill | Laxative! Clean the M k F o d f deskal?? 4l of lier high ho 3 for happiness | Bashful?” is good and the news reel | the train and the girls refuse to sta e | A R L 151 aKes r'riends o e does not know where to turn or [ completes an ambitious program. without @ chaperon, so a third col - 2 Jowels D. W. Griffith has produced | what to Go. She fears her father's| ¥ i lege chum, e L Ambassador—"Charley's owe St Ch E - anoiner aunter aor "SF scfecn rt | Sout 14 inend wan v o 2o | Wordimans Pk o “Richacd | e oo W ale ' Sreheies vafs omach Enemies in “Isut Life Wonderful?" which is|ut the cousin's suggestion that she| VYarcman PFark — ichard | (o nely the boys out by impersonat- unt. b shown at Loew olumbia this week. | take the next boat back she rebels -2 w in, the aunt The aufit is very Christie’'s laughable fflm version of It ts a powerful drama of realism | [t {s when the cousin, Burke Runger, the Lion Hearted. R Ithy, v Bioh mads touhor @btrace | Charledte S Aunt ! Conturing Saffok 3 I e e e and differs from the great majority { who bears a striking resemblance to| The charming little theater at |tiveness, and the counterfeit is court-| Chaplin, is the feature at Crandall's — ";"h m- "‘"" = ": aai of pictures in that it conce afthe wayward lover, but who in char- | Wardman Park forme a perfect set-|ed by the guardian of the two girls| Ambassador also the first three days \ Epeia ne e Phase of real life, depressed and re- | acter is upright and honorable, finds| i for the showing of the Olm |und the father of one of the boys.|of this week. > Sausage. pellent through hardship and suffer- she is adamant and deter- | tichard the Lion Hearted,” which | Herein lies the big kick of the piece. The supplementary attractions in- Nothing more cootributes t ing, yet beautiful and gay when tem- | mined to remain on the veldt, that| COMes to that theater the first three | The false aunt tries to keep the aged|clude an amusing comedy, “By | man sure of himeself than pered by tr e ner than fic! he offers her the protection of his|days of this week for the first time |suitor at a distance and still main-|or Crook new release in nto bis old-time stride of \us conditions tacular dis- | home and name in marriage. Then | 0 the Capital | tain hiz position. All ends happily | land Tice's “Sporlights’ and pipe or-| e PR sy e It cxemplifies 7] rillbw Cenasianil & llng seen s ‘or two reasons this film version | when the rezl aunt arrives on the | gan n No gassipes How Stuart’s Dyspepsia Tablets and L tlie husbend and wife endeavor ito & H_'] Walter Scott's famous novel | =c marries the father of one of and | “iping back” Guy, Uhe broken man, | “The Talisman,” should prove success. | the hoys and the guardian consents| = £ ey g and restore i imehont ¥ Mo | eut, First, it s made on an unusual- | ts the engagement of his wards. of | Central—'Midnight Mollie."| e with joy : | ineantisde khe 1 R thotehve with gorgeous scale, of wagnificent |course, poor Baabs” after his stormy | oo e G e L e B e i e SISTU Life Wonderful?” was 81med | (e man who has martied her out of | SCC00 Valuos, all 'the beauty and |irip in feminine garments is reward- |, OSL U SONCEL T8 g o et . in Germany to obtain a natural back- | ingness mes Kirkwood takes both [ POStry of the atmospheric Scott novel [cd by getting the one girl he loves. li,g voung women of the underworld i setais the alkaline sround of 3 L A title| ble of the broken drunkard ana tho | PAVINE been caught and sympathet- | The Metropolitan was packed to},% crangall's Central Theater the Shes e = calls it & romance of love and pota- |y i Bngllah’ cousin, ically interpreted. other reason | the doors. The advertisement stated | g ., vyo days of this week in “Mid- toes. oes play a very important tstanding features of the picture | [OF 1ts success is Wullace Beery, who |doors would open at 2 o'clock, but (W8 WG TRTE OF (AG FCER o1 "Eois part the The period in|, able scenes in which Kis in the title role re-cnacts his famous | the crowd was kept outside until crook who eluded the police when de- . war was 4 agutiies n nibie dbs SRR ation that helped to make | 2:30, jamming the sidewalk, the show [(Z0RF, W1 SRAZ0 T8 POICR el €7 ible suf- ting himself, shaking hands with rbanks' “Robin Hood” a |starting at 3. Bverything was for- valuable painting from a fashionable I el o | etc’ und 4 torine Hovd, dur- | Suceess He s ull that one remembers | gotten, however, in_the laugh-pro- | 0NN X i ana, i ner nasie | Ot Constipation, Biliousness, Headache crowded th ftiest which the tale reaches a thrilling | °f that famous figure of classic ro 2 4 Gtk o to make a queck escape, was run the demand for an oo ¥ mance. In the scenes with his wite, [ * Goofy,” a crazy two-reeler v of food. Near- | Vernon comedy, News| BéTengaria, he is tenderly aitentive. {turned out by Christie, started the ramine 3 its horros-—potatoss |y, nd orchestral music complete | A8 Europe’s most celebrated swo fun, and the orchestra and usual and ho only d for | “|!man, he strikes a_pose of justifiable [ short pictures completed the pro the poor: ¢ waiting in line with | vunity that is wholiy irresistible, and |gram thless paper money to | o . . s the comedy scenes he is delightful- | - wuthruls: men nati- | Rialto—"The Lighthouse by |t In fact, Wallace Lieery in | . 1. e - i LeSea ) urrent film proves conclusively | Tivoli — Waring's Pennsyl- { the Dea. that he is a versatile sereen actor of | & | The Rialto Theater has a varieq, | N0 _mean ability | vanians. | interesting bill this week The | George Melford produced the pic- | The feature attraction at the Tivol oy returns from | feature film, “The Lighthouse by the | ture for Assoclated Authors. The |Theater this week is the popuiar fugee family | Sea.” is one of those “harrowing,|ast has been chosen with careful |orchestra, Waring's Pennsylvanians, rt in Berli They are | red.blogded” pictures. It has a dog | consideration and without exception | that just closed a successful engage- to eke out an existence. | fight, two big “bare-handed” fist|the players avail themselves of their | ment at the Metropolitun Theater eplorable quarters and | fights between the hero and the vil- | °PPortunity to make each role an out- i the most | luin, and is punctured throughout | standing characterization. The pro- t food. The | with minor thrills. It is a tense, [ duction gives the impression of hav- I weakened by | melodramatic story that leaves the been handled almost reverentl front, becomes |audience in .a. gasping, -worn-out 3 y every detail has been ca: | s with its | state. There is wonderful - scencry, | Tully the vivid (N ] alleviate suffer- | the photography is excellent and Rin- | figure of famous King Richard sttention and | Tin-Tin, the clever police | and his adventures in the Holy Land, cotheart nurses|is the outstanding compens: | the story contains a delightful love The future is|women in the aud e for a | theme which is interwoven with the to- cultivite a : | {action of the plot so as to give double nd build a little 2 | interest to its development. i ] ns of mar-| T v concerns Calel .| Tbose who have prominent roles a blind lighthouse keeper, whose re- | and acquit themselves most favorably drama of | cent blindness is kept a secret by |are Kathleen Clifford, Marguerite de o ran re- | himself and daughter ) Ta Motte, John Bowers, Tuny Mar. | Chew a few Pleasant Tablets of genuine happi mpathetic by Louise Fazenda), [<ball. Charics Gerrard, Clarence Gel- -— 3 ine! fu when | 5o that the old man will vot sent | dert and George Sigman. Stomach Feels Fine! to overcome | from the job to which he h been St faithful all his 1 ollic o2 (37 . nd Neil Hamilton |45, a8 e abiprres er | Metropolitan— Charley's ipal roles, admir- mes helper at the " a typical Griffith |lover of Flora, is good, e Aunt. are the usual standard Experts of the film trade journals atures include an | who head a rum-smug have placed “Charley Aunt.” show- cartoon, International | the end, of course, the hero and hi ing this weeik at the Metropolitan, and incidental hes- | dog r down the enemy and the class . alongside he | and boy start’out to try living hap- |production of “The Thief pily ever after. Whether they suc-|Those who saw the rollicking farce . ceed or fail is another picture | vesterday will be likely to agree with Palace—"The Top of the Quite as interesting as the feature |the professional rating. 1f there fs World.” film is the novel semi-jazz orchestra {a defect in “Charley’'s Aunt” it is its = led by Lieut. Felix Ferdinando. It is |slow action in getting under way, but the World,” an [thel M.|called the Havana Orchestra and lafter a hundred feet of celluloid has is the thrilling picture|comes here direct from the Hippo- |been run off the g patrons at the)ldrome in New York Unique nu and, with all c lers working in|es the stomach all distress from aci Though Anna Q.| bers i uded cor satires f llmlumh:. the fun is fast and furio ach or Indigestion ends. Immediate as the star, James| “Pinafore” and “Carmen In the | to the end. f from flatulence, ga heart. Kirkwood, sterling actor of both|former, a fiutist disgnised as a sim-| Too much praise cannot be given|burn, palpitation, fullness or stomach stage and screen, adds new laurels to[ pering “Little Buttercup” and the |Sydney Chaplin, for his quick-fire | pressure. his career in a r kable dual role.| bass-horn have a delightful ludicrous | acrobatic comedy is chiefly responsi-| Correct your digestion for a few The action commences with the de-| duet. 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