Evening Star Newspaper, November 13, 1921, Page 66

N. Y. Symphony Eveni: The second :of -the hefies of evén- ing orchestral concerys given by:ahe’ New York Symphony auditori School, ‘Washing: will be 8:30 o'clock. The ture vhony N ven; Al and’ the by, Enesca. - As usual at 'thé piano Ppal compositions rendered. These ~evening - concerts rily for not free in the afternoon hours. and by such Falk-Wentworth Recital Tomorrow Jules Falk, the noted violinist. will be heard in joint recital with Estelle Wentivol the Masonic Auditorium, and Ne ening auspices Mu_ Phi Musical Jules Falk is a rare violin ‘Rienai, AMUSEM Concerts—Lect % Concert. | Green strect ciety in the um,of the Central Hi under’ the “auspices of - ton Society ©of the i glven tomorrow eve confel the rogram- comprises. the by Wagner 0. 5 in C Mfor.” by’ Beetho- glo for Strings,” by Lekeu, “Rumanian Rhapsod D Mr. Damrosch will analyze the princi- theme mark prove Mr. Know mdus his’ by are primh- busy music lovers who are | are being well patroni 1 Limit; tth, the dramatic soprano. at | Revol 13th strect York avenue, ‘tomorrow at 8:30 o'clock, under the of Rho Betu Chapter-of the ‘Epsilon National Honorary Society. w fi o] S . who | will open _tomorrow Raym Thursday™ evening at and experience national ject of Tickets ms street. ENTS. ures i le's concert ren: tage, th e at the New Masoni 5" 0'cl ing the opening of T.. of unusual interest. Robbins s N oas oo trial expert of authority pin‘ons, while not always I clicved by many to be sound. n oextr moral or econol international. W ation of Armament or W ution—Which?™ will be the his lecture. be obtained at the conditions or £ T. Arthur Smith, Ln parkes-Olshansky, Friday. morning, at Mrs. bureau, 13th-and G AT Raymond Robbins, Thursday. .Wifh the limitAtion of armament occupying the center of 4 lecturs to be given by | Ulric in his own adaptation of “Klkl,” Raymond Robbins on this impprtant |8 character study by Andre Picard, Auditorium ock, Smith. Inc., star lecture course, should internationally al economist and an and ked, . He ordinary record of work labor and indus- trjal fields, and no man, it is said, Js in a better position to interpret so- mic, orld orld sub- of- c., 1306 G has hed h s igh rank by 3 ey astiatle enihnsiatm wad per, | Miss Lenora Sparkes. popular prima Whick have won for his art |donna, of the Metropolitan Opfikra zenerous recognition by the country's | {'empany. and Bernardo O’S’?fif‘nyj fnost _prominent musical organiza- | the noted Russian baritone, W P fions. "He playswith an elegance | h¢ar in'jaint recital in the third con- not given to many rt of his cotempo- at the of the T. Arthur Smith ten-star tional Theater Fri- rarles. He is a pupil of Prof. Otto-|Xeri i 0% | day afterncon, at 4:30 o'clock. ar Sevcik and later of the great| %Nyl Sparkes is a native of Bristol, Esteile Wentworth needs no intro- | England, who won two scholarships duetion to the lovers of vocal music,j#t the Royal College of Music, Lon- concert and operatic, in Washington. | don. and continued her work under Her fame is international. the eminent Signor Vanucini in Flor- Seats may be had at the offices of “r. Arthur rSmith, Inc., 1306 G street. ew York. is a1 no of fine qualit; ence and later with Yeatman Griffith yric flexible, pure s sopr: i of tonc and of extensive range. New York Symphony, Tuesday. |y o the best In music An all-Wagner program is prom believe that Bernardo Olshansky is 1y Conductor Walter Damrosch for | the outstanding figure among the ar- the second concert of the New York [ tists’ whom Russia has given to the Ssymphony Orchestra series at the | American concert stage. His volce is New National Theater Tuesday after- | of wide range, rich. full and even in noon at 4:30 o'clock. quality. and his technical skill is A feature will be a scene and finale | marked. The nxruzz;?u‘\‘ ] llfo\(\)'m Ditet - » vi - rem la ana r from “Rhinegold” sung with four so: s la munos from thott loists. The scene is "The Rape of the will again be sung by Mr. Patton. Mr. Damrosch will open with the Am; agge Kramer). Mr. at ow Like a Lan- 01- (Gold" the three Rhine maidens and ; ] A ‘Alberich, and the finale. “God Thor| (Glueck), “Begli occhi lucenti™ (Fal- Creates the Rainbow Bridge Upon|conieri), “Air from Werther” (Mas- Which the Gods Enter Valhalla, La- | senct), Ar. Olshansky; “Vol che sa- ment of the Rhine Maidens.” The cast | Peté.” from “Nozze di Figaro" (Mo- “ngaged is as follows: Woglinde: Z4rD), “Quando ti vidi ‘WQ.‘L“ 2 Tlenrietta_Conrad; Welgunde, Rachel | FarD). (Santuzza Aria’ from "Caval Morton Harris: Flosshilde,” Frieda | [crit Rustoung OF T Hiink, Atberien, Thor @nd, WOt |3 Sliv' e Tchode” (Rachmanin- Other Wagner numbers included by {(f0)- tle charbonniers «Paiadihe). Mr. Damrosch in this part of the T Clshansiys “HeS LOUN L, program will be “Wotan’s Farewell”! g‘":’_“lh_, £ (Weckerlin) Ina “Fire Charm. from “The Val- [iSeremade”, = (Weekoriip), - WS kyrie,” in which the part of ‘W \: “Jarke), | “Autumn | Mastersinge ‘Siegfried 1dyl These concerts are under ‘the local management of T. Arthur Smith, Inc.. and tickets are on sale at 1306 G street. Concert Diplomatiques. Tuesday. The first Concert Diplomatiques of | the Cha son_will be g at 11 o Hotel Hadleigh by a quartet of in esting prano of pany; has_recel in New can teno baritone. of Verd Emil Pol The Chamber Music Society has ranged a series of fourteen ing mu ternatin ballroom. Many of the singers intro- duced at the concerts arranged here Jast season, it is announced, have been engaged to reappear in Washington this season. Anna Pavlowa, Thursday. Anna Pavlowa, with her ballet Ru. and full symphony. -orchestra. . zive a performance at the ) ational Theater Thursday o’'clock, Jrs. Wi Her d: lexand: to_he. _glve Aafternool ¥hen an entirely different program will be presented. " Sale of seats for this per Frieda vith her five years, and Hubert Sto- ‘witts and Mechislav Pianowski sup- port her also in certain numbe Owing to the de: extra performanc Prelude,” followed by, sic_ Society this sca- n Tuesday morning in the ballroom of the r- mber M lin th next at o clock Mel h, Opera Com- Klink, contralto, who de a name for herself | (7Y Athouse, Ameri-| FFoF Ameriean | oo program ! Hi music, With{ given (Berl Blane singer—Mary the Metropolitan | ber K ntly m York: Paul r, and Fred Patton . 'who will give i and Puccini lak at the piano. morn on al- Hadleigh sicals to be given Carm g Tuesdays in the 3 T (M veux’ taine Fait | by T will 3 of afternoon at under the management Ison-Greene. . lancing partner still remains re Volinine, who has been r mand for seats, an e has been arranged Poli's Theater Friday ember 18; at-8 o'clock, ven at T, Novi ompany. des *Roses" bussy). Barcheta” nard), “Borgere Legare. 1 Wekérlin,.and “Avec Mes Sabots” and “Les Fiiles de 1a Rochelle, a “Over the w Wil ovember e hallroom of the Sunday evening, a'clock. of His of the term, Competent has’ declared him the in par excellence.” program_here. which \ i French, follows: ois), “Cavatine de che” (Boieldieu), “Le Mar| (Franc! en” (Bizet), “Sonmet enet), “Adilie” (Faure), (Koechlin), *Romance “Green" ' (Debussy), (R. Hahn), ~ “La Caraonet” (Lotszey), aux Qiséaux” y will la_ Dame lage Mati; “Sit de Peur iersot. ‘The: 22, at the National November cital afternoon, is noted for her .. VIOLIN MAKERS OF ‘CREMONA. (05 ‘however, Sghoo! "and t marvelous specimens ! those made by Stradivarius, Nicholas Amati, Joseph Guarn Joseph ' Guarnerius - Petrus (uadagnini, Carlo other il shine as:long as . played. Antonlus -Stradivarius, the great, was born in 164 workroom - was- th ] toil, and during his lifeti struments produced by t the moos LY few of the real facts concern- ing- the-violin, makers of the old Italian city’of Cremona & generally. Referring to the violin t is often aeked of professional vielin- ists: “Is that a Cremona?’ without apparently knowing th Cremona bears no significance to the violins made in that city. The school, h Thi re known . 1w he question | Falk dran; at the word B F. life inc2 n-th . was known as the Cremona gave to the world such Antonins friend. in a recital here this w > Mountains” (old | jazziest, singiest, get-up-and-go-ts 1662, arranged by Qulilter), Go, My Love” (Hageman), Well” (Hageman), Miss " Edmohd Clement, November 20. : Edmond” Clement, the: distinguished French tenor, will appear in_recital lard 20, Clement will-be recalled as a mem- the original Boston Opera return_ to this coun- v has been a triumph, in the large a ter- be “*Absence” Cantabile de el ule- (De- ‘“La Fon- “Ca v rranged by arranged Hulda Lashanska, November 22. Hulda Lashanska, soprano. will be heard for the first time in this city in ater at ) under the management of Mrs. Wilson-Greene. Lashanska markable voice and personality. She has been ¢alled “unique among sing- wurs of today.” She appeared with the Boston Symphony last season. Tickets are on sale at Mrs. Greene's formance wvoncert Bureau, 13th and G streets. re- eek. instrument was made in 1723, b; offers ve ‘been refused by tor. it.”" [ atic’ with sketch, interpol Keith vaudeville. Stradivarius for his greal {he Count Salabue, and fabu- Mr. Lou Tellegen has staged a melo- ated songs and dances, for Florence Wal- ton, the dancer, to be shown soon in The piece is called “Montmartre,” and deals with in the Latin quarter of Paris thé war. e-cast. There are nine persons ‘ot violins as erius- del ; Jesu, filius -Andrea. Guarnerius, John - Baptiste. Eergonzi and many. names. whigh will trious f ot the violjn. will be . regarded as est violin maker of all times, | d and died in 1737. His| é scene of constant me 2.000 in-} are supposed to bavé bein his master, although t accurate records show only 540 of these instruments In existence at_the present time. Under-. .the tutelage’ of Amatl, showe not 1660 violins label. closely ceptor; and not until 1§90 did he be «in to make violins of larger dime- sions. The instruments bearing date from 1690 to 1700 were of a longer pat- tern,. th mate wi 1o that veloped tion. the 80-c career, ‘is the model mostly used b kis"imitators. One¢ of the most beautiful speci- mens. ex stradivarius is now owned by Jules Palk, th . an adaptsbility which did cape Amatl's notice. and_ 1665 he apparently felt the desire to become a creative factor in the world of art: and leaving the orkshop af Amal 1o whic! Thé form of the Nicholas the boy from the very first Between ti, he began to make he affixed “his own e vidlins bore of his pr upon’ the line ough retaining the appro dth of the violins made prior time. From 1700 on he de- the violin.of larger propor- model, patterned during h alled “golden period”. of his. tant.of the work of Antonius e noted violinist, who will be l Firs .tovA;peiu' in o002 Lecture Course TR EERER CRITERIO The. Master Photaproduction . Based. .. Memorial. Pal intings, Visualizi Frontier /'Life," TODAY | - AND _II.I.IEEI 3 on Frederic Re ming ing Our Early ’cto-'- INGTON PRODUCTION PATHOS-BEAUTY — DRAMA THE PUOTOPLAY OF THE YEAR ; [ITHIITEII T Goming -Attractions NATIONAL — Zenore Ulrio - in David fi;l;u;‘xévlfl.:ruent Leonore at' the National Theater next weel starting Monday, immediately pr ‘Arthur | ceding her engagement at “the Be- lasco Theater, New York. One of the greatest successes of recent years in the Parisian theater, “Kiki” "is declared to provide Miss Ulric with a splendid role, radical difterent from “The Son-Daughte! and “Tiger Ros¢,” her great triumphs of the past. . A distinguished cast engaged by Mr. Belasco includes Sam_B. Hardy, Max Figman, Thomas Findlay, ‘Sidney Toler, Saxon Kling, Thomas Mitcheli, Harry Burkhardt, Arline Frederick: Frances Kyle, Pauline Moore, Flo guce, Lee, Gertrude Bond and Jean Scott. GARRICK—*“The Fair Circassian.” “The Fair Circasslan” a romantic comedy of the time of George 1II and the regency, will be presented at the Shubert-Garrick for the flrst time next week. Gladys Unger Is its au- thor, and Gertrude Newell, long assoclated With the theater as a dec- orator and designer, is making her initial bow as a producer with it. _ Miss Newell is responsible for the production to the minutest detail. It was wshe who selected the cast, head- ed by Claude King, Ethel Barrymore's leading man in “Declassee.” There are twenty-one players, each selected with the greatest care. “The Falr Circassian” tells an inter- esting story, mined by Miss Unger, who: llved abroad for many year: from the archives of the British Mu seum. It concerns a slave girl, whom an eastern potentate, in 1819, thought would be a pleasing gift to George 11L. 'B. F. KEITH'S—Fritzie Scheff. Next week at B. F. Keith's the bill will include Mlle. Fritzie Scheff, the Lightner Sisters and Alexander, Ben Welch, Frederick Burton, as Abraha; Lincoln, in “A Man of the People Doris Humprey's Dancers, Joe Darcey, Healy and Cross and Techow's Cats. COSMOS—“Havana.” Cliester Pollard’s charming little spactacular musical comedy, “Ha- vana”, which critics have said Is the préttiest thing in_ vaudeville this vear, will be one of the big attrac- tions at the Cosmos Theater next week. Another, along different lines, will present Billy Richmond and com- pany of four pretty girls full of pep and’ talent. and a quintet of mascu- line companions, not a whit slower, in the “Cabaret De Luxe", one of “the | ity acts of the season,” as it is heralded. Dare brothers,: thrilling equiltbrists, and Clay dnd-Robinson, comedians and singers, will be reinforced with other act mike the standard bill for the week.’ - Miss Dupont, Universal's new star, first run picture. “The Rage of will'be the added matinee at- traction, - and_Clyde Cook's laugh- maker,. “The "Sailor”, will figure in the comedy section of the bill. STRAND—“The Frill Shop.” i “The Frill Shop,” will be fashion revu *headline attraction at the seen as the include Murphy and Klein, giving “Tin- kling ‘Tunes in Tuneful Moments™; Ed- die Sloane, “The Dark Son of Father Joy”; Provost and Goulot, in “A Vaude- ! Ville 'Mixture,” and a number to amuse | both young and old, ‘Swain's cats nnd’ rats. The photoplay will present Alice Lake in her latest Metro production, “The Infamous Miss Revell. GAYETY—Watson's Big Show. | Billy Watson “and; his burlesquers | in the “Blg Shi will, be presented at_the Gayety "Theater néxt wgak.l Witk Billy. Watson' as 'the principal | comédian. _ Playlng _opposite ls the only and’ original Grogan, Clarence | Wilbur and Andy Smith. Others_in_the cast include Billy Lynch, Charles Smith, Carnival Trio, Beatrice Harlowe and the Morette ! Sisters, not forgetting twen misses Who constitute the chorus. . An Old Friend. HEN Sergt. Patrick Henry Barnes, who will present his A. E. F. musical comedy, “A Buck on Leave,” here this waek, was at the headquarters of the American Legion in ‘Detroit re- cently one of the boys came up With extended hand and sald: “Buck, the Jast_time I saw you was in the hospital in Bérdeaux: 1 was all smashed up and you were standing at the foot of my cot springing gags from ‘A Buck on Leave,’ singing the songs, telling stories and generally helping to make me and the rest of .the American ‘blesses’ there forget our troubles. Gee, but it's sure good to see you again.’ And wherever “Pat” Barnes goes it is. said to be the same story, with .vatiations. He is greeted in every ty he visits with his show by scores of “buddies” who remember him “over there,” and_many of those who meet him remember Mllthlfor his visits to the milftary hospital ‘You see it was like this: ‘A Buck on Leave' was 2 big hit with the boys in France, bécause it was just regular doughboy- stuff. The papers were full of it, and the fellows Fritz made hospital patients of would read about ft and wish they could see the show. Well;, as they couldn’t go-to see the 'Buck’ the only thing.to do was for the ‘Buck’ to go and see them, so I visited the hospitals at every opportunity and, belleve me, if my coming_gave the boys pleasure it was a wonderful pleasure to me to be able to brighten the days up for them e little. Sometimes I just worked alone, but on special occasions I was just one number on a program. “On_one occasion I'was on & 'bill with Elsie Janis and’ E. H. Sothern. And what wonderful audiences they were to_entertiin, lying there in their little white cots, smashed up in many ‘ways, but never complaining of their hard luck. And did they enjoy the entertainments given for them? Well, you should just have seen them. “It was my good fortune to be per- jmitted to entertain the soldiers of our allies as well as our own boys in. the hospitals. One morning—it was St. George's day—TI entertained at a hos- pital a number of British boys who were . wounded at the battle of the Somme. I enjoyed entertaining Tommy Atkins and his mates so much that day that instead of taking_ the customary time I spent the whole momlnf telling them stories. Some of the. lads had to be propped up in bed, but they never lost their fighting spirit. Every one of them was anx- ious to get back into the fra, HAS SUBTITLES BY- WASHINGTON MEN HE photoplay . “Judgment,” soon to * be seen.in Washington, has sub- titles which are the work of Harry Chandlée and. Willlam B. Laub, both natives of this city, who were among the first. to specialize in this par- ticular work. The subtitles are writ- tén in the style of speech current in the’ sixteenth century—the period in which the story is laid. ‘Judgment!” is & screen version of y* Tudor,” by ‘Victor Hugo, and tells the story of the love of the Eng- lish queen for one of her courtiers, My Lord of Clanbrassil, whom. cir- cumstances forced her:to sentence to '} death, and whom she later tried to save at_the risk of losing her crown. Ellen Richter, a Kuropean actress new to the American scréen, plays the role of “Bloody Mary.” The picture is said to include thou- sahds in-its ehsembies, with stu- pendous and lavish séénes. Rt ED S Y ; x;x B ::;’rfiar ne miovie -t:;: will return In, = mo Hamilto: l%fl Carle Cariton will .soon produce she is “the ohe person who knows Hugo Jansen's musical comedy and |gencral, a whole army corps, Strand Theater néxt week. Others will | cro, Ly, inesBlne Masourka” 18 now 5 e ou! Fela and ‘Mr. ights for Adelaide, the dancer, wore a- stun- ning gown of orange velvet, trimmed, at Keith BY ELENORE DE WITT EBY. EFORE (he war we thought of. Elsie Janis as one of our great- est theatrical entertainers, but since then we first think of her as a sol- dier, facing dangers and privations as bravely as any of her soldier lads, so that she might send them to battle with.a smile on their faces. It has been said .of her that the soul of the A.-E. F.; who calls them her boys,-and who gave them over 600 concerts to make.them happy und to forget their cares. en. Pershing. called oy Elsfe “the boss has safd that she wis worth Some x know that Miss Janis ¢ ocean seven times during the war; that she was in Paris during some of the worst air raids and bomb- ings by “Big Bertha": that she fol- lowed the troops to the most danger- ous fronts and played for them. under fire, sometimes giving them-as many as elght performances a day: that she has danced for them wearing a gas mask, and sung for them while an air battle was going on overhead. These things were all done in her capacity of “actress,” but ma of us do not know that she Is an author- ess and poetess as well. “ThewBig how.” her account of those six months the American Expedi- tionar is well worth reading. for it in the same style that which inimitably. Stories are interpolated as she heard them told, and poems ty- little | Jotted down as the thought came to|trimmed her, and the accounts of the most thrilling experiences are stated in a casual fashion, with sparks of Janis Artist in Joint Recital Of the Ten Star Series fur- s enduring | Miss Elsle Janis appeared in crisp | pink taffeta dotted with ribbon | roxettes in “Let's Go,” at the National. through in _the humor sparkling irrepressible Janis irresistible and fashion. Elsie confided that she was glmost sorry when the war ended, for she was “selfish enough to regret that the work which gave her such inde- scribable and infinite joy was ended, that the biggest thing in her life had gone out of it, and that never.again .could she sing to and cheer two or) three thousand of her wonderful boys and send them singing into the un- known. However. although peace has.come and most of us have settled back into the humdrum bf everyday life, Elsle Janis has not forgotten those “won- | derful boys,” but has taken as many of them as possible under her wing and called them “her gang.” None of them was a professional actor before, but Flsie savs the soldier-actor is onc of the finest combinations produced by the war, and all who witnessed the enthlsiasm of their performance at the National Theater will certainly concur. It seems almost trivial to mehtion gowns in connection with a star who toured the French, British and Amer- ican fronts in a simple blue serge suit and. wore an evening gown only three times during the entire six months. However, Miss Janis herself announped that “war rations are over,” and she came to Washington last week with a collection of dainty \ feta, with a basque slecves of tulle and a bouffant skirt. | means — | Rosettes of deep lavender and old|/as slanted off in an uneven line at {bfue ribbon ‘were sprinkled over it at {random, and. a single ribbon cluster the smart taffeta “tam, which was somehow reminiscent of Elsic in a French uniform with a plain blue tam. *Mecca.” PULENT splendor is the promise held out for “Mecca,” a romance of the crient, which F. Ray Comstock and Morrig Gest will send to Poli's Theater the week beginming Sunday night, November 27, One of Mixs Tallulah Bankhesad' mont effective gowns in “Everyday,” at the Shubert-Garrick, was a model of white canton crepe with appliqued ‘white rowes. Miss Tallulah Bankhead was wel- comed by . Wi leading lady. Shubert-Garrick Theater. A few sea- sons ago soclety welcomed her be- cause ghe came from an old and di tinguished family, but by a few years of hard work she has again forced their recognition of her in a new ca- pacity, one attained by her own ef- forts. She is a real actress, and is enthuslastic to the nth degree about the stage and everything in general. “Of course, it's been rather hard she told the writer, “but then anything that's worth while is worth the effort, and it surely has its com- pensations. I've always adored dra- | matic work, ever since I can remem- ber: something to do, and I like doing things. Miss Bankhead said she chose her gowns principally for their colors and they were unusually effective, al- though almost classically simple. In the first act she wore a deep amethyst crepe gown: in the second her frock was of burnt orange; the model sketched was of white Canton trim- med only with self-material roses, and her last appearance was in a brown duvetyn frock bordered with fur. Adelaide's gown, which is pictured, was a combination of bright orange velvet and georgette, with deep bands of luxurious black fur as trimming. ‘The velvet bodice tapered to a “V” at the front which was supported by a beaded necklace, and the set-in sleeves were of georgette, opened from the shoulder with one long slash, and cuffed with fur. The front skirt-panel was a continuation of the bodice and the' hem. ‘Panels of georgette-ap- peared at the sides, while the wider rear panel of velvet, fur-edged, par- tially covered them as the folds varied with the quick movements of the idancer. B Soloist With New York Symphony Orchestra Written by Oscar:Asche, creator of “Chu Chin_ Chow,” with music by Percy E. Fletcher, this offering war planned by Mr. Asche for His Majes- ty's Theater, London. The English presentation had to be postponed however, because of the continued success of “Chu Chin Chow;” and so ‘the world's premier took place last season at the Century Theater, New York. Washington, it s announced, will see this gorgeous production be- fore its massiveness is cut down_to fit smaller stages and before its big cast of well' known players under- goes a changé. “Mecca” is a musical extravagansa of the.far east; the orient of a thou- sand years ago.. Its coloring, staging. costuming and musical settings have ‘| come in for no end of praise, but the sensational ballet and bacchanale de- vised and staged by Michel Fokine, creatdr of the Russian ballet, is said to stand out as the culminating tri- umph of ‘stage genius. ‘The scene of the ballet represents — an . old Egyptian -palace, with a series of stairs rising to distanj heights. The dancers, a hundred ‘or more, appear in old Egyptian costumes, and, in the moonlight which filters through the decaying columns, dance a "ballet d | which ‘Fokine has termed “Memories LEONORA SPARKES. Story of a Famous Favorite. o E Merry Widow” was originally produced in Vienna, in 1905, and at Daly's Theater, London, a year later. - It was the rage throughout Europe when Henry W. Savage secured the American rights and produced it in October, 1907, at the New Amsterdam Theater, New York, where it ran for an entire year, being simultaneously given by three tourfng companies. For the next four years it enjoyed enormous vogue from coast to coast. Mr. Savage was tenacious of the rights and refused many tempting offers for musical stock and screen release. He has now made the en- tirely new production to be disclosed here this week with the same inter- national singing cast ‘that-recently arousqd renewed interest - in -the Lehar operetta.at the Knickerbocker, New York. There 'the -music “was of the Past” —_— Never since the Pilgrim Fathers landed on these shores have the peo- Ple of the United States been so vital- 1y interested in the other peoples of the world and their countries, their present caily life and their ambitions for the future. The coming series of Burton Holmes Travelogues has been planned to furnish this knowledge, laying espe- cial stress upcn Mexico, Japan and the Philippines, with a comprehensive trav- elogue of our.own country, concluding ‘with a complete circling.of the globe, glimpsing mary peoples now in the pub- lic eye and the stage-settipg in whish they_are playing their respective. life- diamas. The entire series will be illus- trated by colored views and motion pic- tures. To Appear With-Her. : ‘Fam_é\'u Ballet credited with as much freshness and charm, .and as .being as - essentially modern, ab if ' never - heard. -before, Indeed it is new to the generation of music_lovers grown up within the pest dozen years.. -Their elders who heard it before find fresh delight in its haunting. irresistible, dance tunea and wild Slavic melodies. +Franz Lehar, composer Merry Widow tria-Hungary. and fft of age. ufnaant at the Conservatory of Pragu devoting himself to the violin, an “The "".i8 & .native -of Aus- y-one years of ‘When but twelve he became a later was concert master at the Com- bined City Theaters.in Barmen-Elber- fleld. In 1889 he entered a regimental band. He was appointed -military mu- sical director in Losconez, and.con! quently made director of the Austrian u.: “Titania,” was pro- zig, -and then tollqw?d n Naval Band: His first ope -duced at Leip: an - engagement. - as.. conductor Trieste, where he dovoted himself: to the compesition .of. light operas of 2 reigning-hit in Europe. 5“'-.- ::l cured the ri early American productions ‘His newest .op-|. AMUSEME Photoplays This Week (Continued from First Page.) KNICKERBOCKER—Pola Negri- “Qne Arabian Night.” Pola Negri will be the star of the bill at Crandalls Knitkerbocker The- ater today and tomorrow in. her latest First National attraction, “One Arabian Night” sald to be the most gorgeous of all the vehicles in which she has appeared before the Amerl- can public. The Jnickerbocker or- chestra, under Sig. Ernesto Natiello, will play as a concert number selec- tions from Bizet's “Carmen” 2nd minor film features will be shown. Tuesday and Wednesday a film ver- slon of George V. Hobart's morality play, “Experience,” ~with Richard Barthelmess in the role of Youth, will be shown with “Exit Quietly.” star- ring Bobby Vernon; Thursday and NTS. In “The’Bakety"; Saturday, William 8. Hart, in “The Whistle”;- Mutt d :le!t omedy and:Fox News.: - Princess. Tofay, “Diane -of Star Hollow": tomorro‘w. ‘Tom Moore, in -“Madec in Heawen”: Tuesday, Max Linder, in ‘Seven Years Bad Luck”; Wednes day, Fannie Ward, in “She Playcd and JPaid”; Thursday, Will Rogers, in ‘Boys Will Be Boys"; Friday, Nor Talmadge. in “The Sikn on the. Lo aturday, May Al andssa y son, in Raphael. Today, Thomas Meighan, in “Con- quest of Canaan,” and Snub Poliard. in “Teaching the Teacher”: tomorrow and Tuesday, Cecil B. De Mille's “The Afrairs of Anato! special musie; Wednesda Miriam r and George Walsh, in : Thure- day, Viola Dan in uppets of Fate”; Friday, Villlam Hart “The Whistle,” also ninth insta of “Do or Die,” and Saturday, Wild Goose.” enade n Republic. Friday, Eugene O'Brien in his new| Today. tomorrow, Tuesday and production, “Clay Dollars,” the story | Wedneaday, Helene' Chadwick and of a_young city chap who tries in a | Richard Dix. in “Dangerous Curie small rural community to salvage an inheritance of doubtful value, also “Wedding Bells Out of Tune.” with the “Pique Dame"” overture and selec- tions from Victor Herbert's “The For- tune Teller,” by the orchestra, and Saturday, Bebe Daniels in “The Speed Girl,” also “On the Traii,” picturing Irving Cummings, and selections from “The Girl in the Spotlight” (Herbert), by the orchestra. ‘CRANDALL'S—“The Idle Class.” Crandall's Theater. beginning this afternoon at 3, will present for a seven-day period Charlie Chaplin in his latest comedy hit, “The Idle Clas; and Will Rogers in “A Poor Relation the play made famous by Sol Smith Russell. he Idle Class,” written and di- rected by its star, plctures him first as the familiar vagabond with the trick derby, baggy trousers and the skimpy coat; then as a swagger young man of wealth, married to a beauty but cursed with the perplexing handicap of habitual absent-minded- ness. “4 Poor Relation™’concerns a pov- erty stricken inventor with a device from which he hopes in time to derive great wealth. He has developed a shilosophy ail his own and brings happiness into the lives of all of his associates, and finally, through his daughter, rescues himself and his adopted kiddies from penury. | Apollo. Today and tomorrow, Richard Bar- thelmess, in “Experience”; Tuesday and Wednesday, Wallace' Reid, in “The Hell Diggers”; Thursday, House Peters, in “The Invisible Power": Fr| day, Elaine Hammerstein, in “Hand- cuffs or Kiss and Saturday, Betty Compson and Milton Sills, in “At the End of the World,” and “Hurri- cane Hutch" No. 4. g Avenue Grand. Today and tomorrow, Wallace Reid, in “The Hell Diggers’; Tuesday and Wednesday, Richard Barthelmess, in “Experience”: ~Thursday. Conway Tearle, in “After Mdnight": Friday. Viola Dana, in_“The Matchmaker, and Saturday, Elaine Hammerstein, in “Handcuffs or Kisses,” and “Hurri- cane Hutch” No. b. Carolina. Today Elaine Hammerstein, in ‘The iracle of Manhattan"; tomor- row. George Beban, in “One Man in a Million”; Tuesday, Charles Ray, in “Scrap Iron”; Wednesday, Roy_Stew- art, in_“The Bond of Fear’; Thurs- day, George Walsh and Miriam Coober, in "“The Serenade”; Frida Earle Willlams, in “Bring Him In and Saturday, 'Norma Talmadge, in “The Sign on the Door." Circle. Today and tomorrow, Helen Chad- wick and Richard Dix, in “Dangerous Curve Ahead”; Tuesday, Mirlam Coop. er and George Walsh, in “Serenade” Wednesday, Vivian Martin, in_“Par- don My French”: Thursday, Elain Hammerstein, in “Remorseless Lov riday. Constance _Talmadge, Woman's Place”; Saturday, Alice Brady, in “Dawn of the East.” Criterion. The first motion picture with which it has ever been attempted to visual- ize a great painter’s work, “Out of the Dust,” is announced for the Cri- terion Theater Saturday. It is based on the paintings of Frederic Reming- ton, and is not only reminiscent of frontier days, but is decidedly differ- :nt from the so-called “western pic- ures.” Dumbarton. Today, May Allison, in “The Last Card”; tomorrow, H. B. W i “When We Were Twenty-One™; day, Bebe Daniels, in “One Wild! Week" Wednesda: Dangerous | Curve Ahead”; Thursday, Anita Stew- art, in “Sowing the Wind,” and Sat- urday, Tom Mix, in “After Your Own Heart! George Molford's screen version of E. M. Hull's novel ,“She Sheik,” fea- turing Rudolph Valentino &id Agnes yers, Empire. Today and tomorrow, Herbert Raw- linson and Florence Billings, in “The Wakefleld Cas ‘Tuesday, Blanche Sweet and Thomas Jefferson, in “The Girl in the Wel Wednesday, Bar- bara Bedford, in “Cinderella of the Hills"; Thursday, H. B. Warner and ‘|Anna Q. Nilsson, in “One Hour Be- FRIEDA KLINK. A Violin. HAT is a violin? A little bundle of kindling wood with four thin strings fastened to the most primitive wooden pegs. It Wweighs 'but a few ounces and s Imlnu(lctured by the millions. One man pays $4¢ for his violin, while .another will not part with his for any amount of money, not even a fortune. Some are ‘hung up by the neck-in pawn shops, side by side, with shabby trinkets, old guns and carpenters” worn tools; othets rest luxuriously in plush-lined cases, under lock and key. By the light of an oil lamp off in| the far northwest camp one screeches and wafls In the handa of a Swedish luniberjack; under the warm glow of a thousand bulbs another one sings d4nd sighs to a hushed multitude in a vast hall. Hardly an attic in any town but !bllrbnta some one's old “fiddle and ow.” Is there in the world anythin, holds 80 many varfed possibilities, so ‘much mystery, such strange romance as this fragile little instrument? : It has made players woalthy be- yond all dréams “and ‘famous’ long it has tor- ‘after they were dead; ‘mented the -neighbors; it has en. chanted audiences. To the on.' erson it thrills like a ano! tion that 18 exerted over every human being. Not even. its masters. —— Arcade Auditorium. The attraction announced for -tomor- row- night at the Arcade Auditorium is a jolly. “Lucky. Spot.” -with a novel that lover; in r’'s hands it lles unresponsive, cold. - . And through all the hundreds of ‘years no one has explained its moods, its power and the witching fascina- fore Dawn"”; also vaudeville; Friday, Hoot Gibson, in “Action"; also episode No. 9 of “The Terror Trail”; Saturday, Shirley Mason, in “Ever Since Eve.” Home. Today and tomorrow, Rupert Hughe: production, “DangerouscCurve Jhead" Tuesday, May Allison, in “Big Game” Wednesday, Norma Talmage. in_“The Sign on the Door”; Thursday, Frank Mayo, in “The Shark Master"; Friday, Herbert Rawlinson, in “The Wake. field Case”; Saturday, Vivian Martin, in “Pardon My French." Elite. ‘Today and tomorrow, A art, in “Sewing the Wind"; Tuesda: Viola Dana, in_ *“Puppets of Fate Arthur Boucher, in “The Thursday, Bebe Daniels, . “One Wild Week"; Friday, Cos stance Binney, in “The Magic Cup, and Saturday, Earle Willlams, in “Bring Him I ita Stew- Lyric. Today, Roy Steuart, in *“The Medi- cine Man,” and Jimmy Aubrey, in “The Riot”; matinee only, “JVhi Horseman,” No. 12; tomorrow, Tue dey and Wednesday, D. W. Grifith's “Dream Street”; Thursday, Kitty Go, don,-in “Tinsel’; Friday, “Cold Steel and Saturday, - William - Duncan, - in “Steel Heart'; matinee only, last epi- sode- of “Miragles- of the Jungle.” New Stanton. The new Startom Theater will cele- brate its fth anniversary week _as follows: ay and temorrow, Ru- ert” Hoghes, in' *The - Old Nest”: esday, William 8. Hart and the child actors; Georgie Stone afd Rich- ard - Headrick, ~ in. “The’ Whistle”; Wednesday, Elaine Hammerstein, in “The Girk From Nowhere”; Thursda: Willilam Fairbanks, in “Go’ Get Him’ Keepers,” first time sho n Wash- Inn:n. and Charlie Chaplin, In *“Work™; Saturday, Buster Beaton, Willam H. Crane and Irvh Cummings, in the “The Baphad.” Today, Viola Dana, in “The Match- breaker”; also “A Develish Romeo”; tomorrow, Corinne Griffith, in “The Single Track”; also Monte Banks, in “In and Out”; Tuesday, May Allison, m “Big- Game”; also Jimmy Aubrey, in “The Blizzard"”;- Wednesday, Bry- ant Washburn, {n “The Road to Lon prize awarded the fortunate .couple at each dance. The remainder ‘week- Wil .be devoted to of a pretentious carnival of SuApDY, Jaswy” variety will be the dano- Th Bightly, except on wecfi:y'. when staged, 3 , Antonio Moreno, ‘in “The Secret of the Hill land Monkey comedy, “Snooky’s Twin Trouble”; Friday, Bert Lytell, in “A las Mr. Holmes Trip to Paradise,” and Larry Semon, Ahead,” and Harold L Thursday and Friday, in “Rainbow,” and I “Between the Acts, Antonio Moreno. in the Hills,” and comedy, Thrills, IZpisode I of Through” will be shown Frid Saturday. Doy houn Savoy. Today and tomorrow, Charles Chup- lin, in “The Idle Cla * and Wil Rogers, in “A Poor Relation™; Tues- day ;“d Wednesday, W e 3 e Hell Diggers Alice Brady, i Wr Frida 11; Madge areful,’ York. nd_tomorro ay ills, in At Wednesdasy Mary, Be cane Hutch” No. Today of Anato and Milton the World" Tearle, in “After Mi day. Paul Powe Road”; Friday, Hell Digge: Moreno, in and “Hurrican Hurch' 1 of aturday. Ante "t of the Hi N NEXT WEEK'S PHOTOPLAYS. Metropolitan. “A Man's Home,” Select" of Ralph Ince’s new special tion. releas: produ.- Palace. Marion Davies, In her latest Cos: politan production, “Enchantmen Knickerbocker. ‘A Man's Home,” Wanda Hawle “Her Face Value,” Tom Moore Helene Chadwick in “From Ground Up” and Marie Prevost “Moonlight Folli Crandall’s. Eugene O'Brien in “Clay D Alice” Brady in “Hush Moncy" Hoot Gibson in ion.” In the Spotlight. This week marks the twent annual opening of the sale of ¢ tickets for the Burton Holmes T elogues or “Photo-Stories of Trave as rechristened his form of entertainment. This year b is to brinz ¢~ bis audiences Mexico, »an, the Philippines and our own North Americ. u 0 s fifth photo- story he will them on a hurried trip entirely around the world. i ‘The staged rovincetown Plavers, The Emperor Jone made C. §. Gilpin a star and worthy to rank among the best players of th drama, has made another discovery in Armistead V. M. Jones, ninetecn years of age and formerly of Hamp- ton. Jomes' mnewly publis Umbia,” is the story of : boy. who was captured b; e shot and thrown overboard. dri an island, where he dreams he fore his God for judgment. It the play is to be presented i York with Jones as its star, supported by & cast of white playe “Little Ola New York,’ |Rida Johnson Youn Forrest and produced by ris, will come to the National Theate, the week of November 2. It is three acts, has for its bac! New York of 1310, and Tobin will be s in the Jacob Astor. shington and Henry B characters. Gene principa Greene Hallec are among i Bessie Clayton has returned to th Keith circuit after a year's vacati at her country place at Long Branch She has a rapidly moving sketch called “The Box Party."” written and staged by Bert Cooper; Mercer and James Templeton are her dancine partner. and a groun of young me: called the Vawr-at'o Sextette provid: the music for the act. enerosity of ng of Through the Albee, Babe Ruth, the Wwill make his debut in New Y charity The great Bambing wa booked to make his first appearan: - at the Palace Theater. but when M- Albee found that federal Jude Manton. chairman of the New Yor Foundling Hospital, wanted a Uit headliner for a benefit concert to b given Sunday evening at the Hippo drome. he immediately placed twen: hendline acts at the disposal of 1) committee. including the dist guished Mr. Ruth. Matheson Lang h bought ‘English rights for “Blood and Sanc in which Otis Skinner has appeared New York. Lang, who scored a cess in London last season in “Ti. Wandering Jew"” and played the ro in which Tyrone Power is appearin: will present “Blood and Sand” London before Christmas. John Cort has engaged Grace €. Iyle, Edna M Oliver and W Deming for important rts of rest S. Rutherford’s mnew comed “Her Salary Man.” At last Helen Hayes appears in play that probably will run lo: enough to reward her talents with full measure of public appreciation “Golden Days,” which opened Tuesd in New York, is described as minus a_ musical score—a Cinderell plot so deftly textured with refresh ing’ dialogue and clever turns as t conceal its frailty and exposc nothiny but sweetness and charm. This ftom one of the cleverest critics in the bi city.. A new comedy by Clare Kummcr entitled “The Mountain Man.” is nov in rehearsal. Sidney Blackmer will play the leading role. Lenox Pawle, who appeared in th: original _production of “Pomander Walk,” has been engaged by cable for the forthcoming musical version. Tips to Censors. ECAUSE of the recent agitatioy against censorship, Herbert Raw- linson, the Universal star, has out-, lined his ideas of what should be bar red from the screen. They are as fol- lows: No killing—Exerts a bad influence on_o}d and young. - No Intense loving—Might lead to killing - through jealousy. No embracing—Might lead to &n fn- tense love scene. No kissing—Might lead to an em- brace. 3 "No shaking hands—ight Tead o @ ki . No’ smiling—Might call for a hand- No' smi h! What's the use? Might shake. No— ol 'as well have nogpicture!