Evening Star Newspaper, November 13, 1921, Page 63

good thing to give the front shutters a coat of green paint to gloss over the wear of time and 1ts consequent abrasions. It is often good to “assume a virtue though we have it not.” But sometimes it is very hard to get green paint and harder still to pucker the lips for a joy- ous whistle when things go too far wrong. At such times virtues real and assumed will take wings and fly away. Think of it! bHow-wows ? cork and be the jovial, humorous, laughter-making minstrel of bygone years, even if he has had a birthday since he was here last. There secmc_:d, indeed, a lack ‘of normalcy in Lew in white face, despite his presidential theme, ® %k kX HE prim and precise should take t Mecca,” the mammoth spectacular, melodramatic production, amu ing as well as tragic, by Oscar Asche, which is headed in this direction, is heralded like a bomb that is loaded. It is described in the advance notices as a “magical carpet,” whereon “we smo it Balzac and intoxicate our fancy with gorgeous fantasy. thusiastic heralds states: “To intoxicate t trait. Some accomplish this with alc still further.” With “Mecca,” he adds, cal carpet and are transported, ii not to ish eater’s ecstasy, anyhow to a lower r This sounds like a suggestion of intoxicat the world of dryness floundering ior re explored? w oi duty during the weex. tion sometimes temper the judgment of sin, as indecency there can.be no toleration, no excuse. that an entertainer deficient in .t win unusual applaus to score a hit. Sometimes, sad to say, he succeeds, and success leads the player,-weak i co try the same route to a “kmockout.” stopped with a stern hand. THERE is another pernicious practice that needs the attention of tho: responsible for the titling of plays and photoplays. to suggestive labe there is nothing in the play or the photoplay to warrant i warning. Advance mnotices oi One of the en- L * % ok kK It ronage under false pretenses, * k *k X EODOR M. CHALIAPINE, director of the Morinsky Opera House at Petrograd, who has come to sing in opera and concert in this coun- try, brings the cheering intelligence that “despite the reports of cor- respondents who write vividly about Russia from Paris, the soviet gov- ernment is fostering Russian art in all its branches, and that artists are He is also quoted as saying he believes that “Russian art, as now enconraged, will express the national spirit better than ever beiore.” It is comforting to know that art is flourishing, even where the distribution of rations is neces- given first preference in the distribution of rations. sary. * X X * ILTON LACKAYE, once the great impersonator of the mysterious and awful Svengali, is appearing in a new production translated from the French, entitled “Greater Love,” which its French author says is not a sketch, nor a monologue, but 2 “monomime.” - * %k X X ON the chill winds and through the falling leaves that foretell the ap- proach of winter comes a chirp of joy from Baltimore over “The Merry Widow.” * ¥ Kk ¥ OL. HENRY W. SAVAGE, when abroad last spring, spent’a fortnight in Vienna with Franz Lehar, and tried to induce him to come to America for the new production of “The Merry Widow.” The composer, however, declined, attributing as a reason, it is said, his fear of the perils of a first overseas voyage. Col. Savage hopes, however, he will feel dif- ferently when he produces Lehar’s newest opera, “The Blue Mazourka.” the American rights to which have been secured by the colonel. This gay and tuneful work is said to be a reigning light opera success in Europe at the present time. ¥ ok ok g A CLAIRE is said to be grieved that dramatic writers permit “such surface things as.morals” to obscure the fact that “Bluebeard’s Eighth Wife” is “a new kind of farce which portrays the dramatic struggle of a man and a2 woman for supremacy.” and that “‘her role is that of a modern woman who is forced to demonstrate that she, too, is an individual with rights of her own that demand respect.” must admit that Ina has a good press agent. * % % ¥ HE suggestion has been ventured that the injection of the A. H. Woods type of farce into tabloid vaudeville bids fair to banish the word “polife” from that variety of entertainment. A Woods farce and in- sidiBus suggestions of monologists are enough to make one long for the return oi Plimpton B. Chase at times. Mr. Chase was one of those who helped materially to make vaudeville polite in ‘Washington. EE WASHINGTON playgoers are reminded that “A Buck on Leave,” which Sergt. Patrick Henry Barnes is bringing-to Washington this week, is presented for a very worthy cause. and that.-also, it'1s one of those mesry, iight-hearted projects that grew out of the. war,‘as well ds into the war, through the efforts of overseas soldiers who now find them a means of livelihood when employment is scarce'and:bonuses scarcer. * %k k ok ¢ 3 IT was unfortunate that a clever little play like “Everyday,” the work of Rachel Crothers, a®popular playwright, should have been overlooked by play lovers at the Garrick during the week. Perhaps personal con- venience enters largely in the choice of people in search of entertain- ment. But here was a genuine trcat, for the theme was both timely and interesting, and the play was excellently presented by a thoroughly capable company. The audiences were not niearly what they should have been. even for the Shubert{Garrick, which Manager Taylor has made quite as attractive as his New York limitations will permit. sk kK C A ALKER WHITESIDE is to be presented in a new work by Gordon Kean. entitled “The Hindu.” which s described as a serious play of modern ladia. Maud Allen, Myra Scott, Sydney Shields and Maurice Barrett are numbered in the cast. John Harwood is staging the pro- duction. #* ok ok T Julia Marlowe's suggestion a free matinee periormance of “Hamlet” was recently given for school children at the Century Theater in New York, the audicnce heing composed of youngsters between the ages o eight and twelve, none of whom had ever seen a classic drama acted in the theater before. * ok K . T was reported last night that the beautiful production of “Spanish Love.” which has had a long and apparently successful run, passed into retirement with the drop of the curtai Played Paris During pcaCC &nfcfence T° few actors will fall the distine- tion of having played in Paris durihg the peace conference. and to play in Washington during the ses- slons of the armament conference. Such @ distinction is about to be enjoyed by the soldier author-actor, Sergt. Patrick Henry Barnes, who, with his associate A. E. F. players. in the A. E. F. musical comedy, “A Buck on Leave,” written by Barnrs when he was a buck private in France, and with which he toured the A. E. F. cir- cuit there for six months. The Paris engagement vas plaved at the The’!!r des Champs Elysees, one of the magnificent theaters. of the French metropolls. In this great playhouse the soldier actors—there were 126 of them, all the “girls'™ then Ijeing boys—scored such a decided hit ‘hat the manager of the famous i"olies Bergere wanted to secure the now for.a yun at his famous the- r, but -military regulations would ot permit it. ace Theater, New York. will consist of a woman -fashion ex- an .expert corsetiere, mand a special brand.of corset.. As- ciated with this. staff in an ad- tives of the theatrical Aresses and all_sorts of novelties in the line of accessories, lingerie and dressmakers. on exhibition at the council head- fesslon. PTIMISM, like the sunshine, will chase away the glooms veryl often, even though there be good cause for them, and it is also a Lew Dockstader tn white face and a red mustache! Is everything going to the demnition And it would have been so easy for him to don his coat of ke the ‘enchanted cigarettes’ of he mind is a profoundly human ohol, others with opium; many go “we place ourselves on some magi- the seventh heaven of the hash- ung in the ladder of pleasure.” ion in spitc of prohibition. Is lief into fields heretofore ud- ORDS failed a good woman in the endeavor to express her disgust at some of the entertainment she was obliged to endure in the line Human weakness and' overpowsring tempta- but for what is understood It is not infrequent he finer sensibilities and ambitious to e weakly resorts to suggestion or profanity, hoping at ephemeral medy and in entertaining ability, to It is bad business and ought to be It is the tendency g with the purpose oi alluring morbid curigsity, when i simply beating the devil around the stump in the etfort to attract depraved pat- Possibly it is all true, but one | | Fashion Council Organized. F interest to woman artists on the vaudeville stage is the latest an- nouncement of E. F. Albee In con- nection with the B. F. Keith “third- of-a-century™ celebration. Mr. Albee nounces the establishment of the Kelth fashion council, to be at the service of every woman. performer on the Keith and allied circuits, with permanent headquarters in the Pal- Its staff pert and several assistants, including since most of the new French models in frocks de- ory capacity will be representa- costuming houses, including shoe shops, hosiery &hops, jewelry firms, makers of head- makers /of These houses will.have models and sketches quarters for the benefit of the. pro- Every act. which {s sent out.on the Keith' circuit will be reviewed -by the WASHT} GTO D. C, Shubert - Garrick» MAy MeAvor~ MARGARET SHANE and PATRICK, HENRY BARNES SUNDAY MORNING, The Sundny Star NOVEMBER 13, ~ 1921. REGINALD PASCH A LIDKOWSKA” National AT THE THEAT NATIONAL—"The Merry Widow GARRICK—"A Buck on Leave, tomorrow evening. i evening. B. F. KEITH'S tomorrow’s matinee. BELASCO—Shubert vaudeville. tomorrow afternoo STRAND—"Conflict.” picture and afternoon. GAYETY—Waldron's-Finney's Re noon. CAPITOL—"The Whirl oi Mirth,” ! I Current Attraction_._s soldier’s musical comedy. POLI'S—Frank Tinney, in “Tickle ERS THIS WEEK " operetta. Opens this cvening. Opens Me.” musical show. Opens this | —The Mosconis, vaudeville. New show opens with | New show opens this-aitcrnoon. | COSMOS—"The Teacher's Romance, vaudeville. New show opens vaudeville. New show opens this vue, burlesque. Opens this aiter- burlesque. Opens this afternoon. NATIONAL—“The Merry Widow.” “The Merry Widow,” given entirel new production by Henry W. Savag will diffuse _its harmony, gayety and | romance at the National tonight and | all this week. There is but one com- pany presenting Franz Lehar's be- witching operetta, and this comes in- tact from New Yor “The Merry Widow"” blends insinu- ating waltz themes, rattling march ‘tunes, a wealth of sentimental lyrics and a real plot of vibrant young ro-, manticism and bubbling humor. It has been sung in almost every lan- guage,_and hummed, whistled and waltzed to by millions of twinkling feet in every land. New scenes have been painted by Joseph Urban and Robert Bergman: new sowns, smart, brilliant and modish, devised by Peg- gy Hoyt. The cast assembled by Mr. Savage in this country and during hig recent two-month tour of Kurope includes singers, actors and dancers of dis- tinction — Lydia Lipkowska, whose Iyric successes were registered in Petrograd, Vienna, Paris and London in?grand opera and in_this country with the Boston and Chicago opera companies and at the Metropolitan. where she sang opposite Caruso in “Traviat ‘Rigoletto” and “La Bo- heme”: Jefferson De Angelis, popular American comedian: Reginald Dasch, principal tenor from the Liembrandt, Amsterdam; Dorothy Francis, from the Chicags Grand Opera and French Opera, New Orleans; Marie Wells,! nusical, comedienne; Frank Webster, Snglish tenor, who sang at thej Jast coronation at Westmiaster and on a tour of the British, Isles with Tetrazzini; Raymond Cran | Georges Dufranne. 'Charles Angelo.| William H. White, D'Andrea and Wa kers and others, with a chorus of the singing quality-upon which Mr. Sav- ege is insistent and'a grand opera or- chestra. The only matinee of the week Will be on Saturday. S GARRICK—“A Buck on Leave.” ‘Washington playgoers will be given an opportunity of se€ing a real Armv show this weok—not an Army show made in America, but one made in France by an American soldier and presented by him “over there” for the benefit of his comrades. The play is “A Buck on Leave’ which will open a week's engage- ment at the Shubert-Garrick Theater tomorrow night. Sergt. Patrick Henry | Barnes, the author-producer, will pr sent it here and will appear in his original role of A. Buck, which he played fof six months over the A. E. F. circuit’ in France, following the signing of the armistice. With him will be other members of the original A. E: F. cast, including Larry Young and Alexander Winslow. and a com- pany of nearly 100 singers, dancers and comediavs. The role of the “buck,” as played by Sergt. Barnes, is a broadly humor- ous one and was drawn from life. Its satire is keen and the shafts of dough- boy wit he fires, although in a good- natured vein, appeal to both service men and civilian alike. Nearly a mil- lion soldiers saw Barnes as the “buck” in France, and he is now playing his Mony of the notables now In Wash- | council from the sartorfal standpoint. | second season in American theaters. ington saw “A Buck ‘on, Leave” in|Somé will e completely costumed.| Margaret -Shane, .a _well-known ierier amd it is ‘expected many of | Others will receive advice as to how | Washington zi"l. whe won her wav taem will again enjoy it this week. Mosw ehoatis ol 12 ieating lady with' and wlicre. to obtain the Uost offc:ts. < | this Raymonad Hitcheock production of “Hitchy retired from the stage success, will m; pearance in the prim A Buck on Leave who is cast for “Mary Lee,” the jn- genue lead. and Iola Swinnerton have attractive roles. There will be a large chorus of pretly girls and ex-service men. The specialties include the Hoffman dancers, O'Connor's Spanish girls and the Montrose quartet. POLI'S—“Tickle Me.” “Tickle Me."” starring Frank Tinney, will come to Poli's Theater tonight in_his original Koo” and who after winning e her re-ap- donna role of san Freeman, for a week. It is an Arthur Hammer- | stein production. The music is by Herbert Stothart, and the book and| Iyrics come from Otto Harback, Oscar Hammerstein, 2nd, and Frank Man- del. William Collier staged the piece and Bert French supervised the dances and ensembles. It is heralded as gorgeous in settings and costumes of exquisite taste, in two acts, and eleven screams, with Tinney as a “hefty feather,” so ticklishly funuy as to win the description of a mirth- quake of laughter, An all-Broadway company includes Vie Casmore, Lillian Ring, Grant and Wing. Haun and Sedoni, Doris Arden; Rowland Woodruff, Tom O'Hare, Vin{ cent Townsend, Jerome Kirkland, Leq Chalzel, Gerard Gardner and othe The plot concerns a motion picture producer who goes to colorful Tibet for location, taking his entire com- any. including a jealous:movie star nd Frank Tinney, the handy man bout the photoplay shop. The Dar- nella e something like that, and Frank ®Tin- ney. Eets his job. Then the real fun zins. During the first act Tinney in blackface; after that he c'nif&'?.‘f? way without, Tampblack. B. F. KEITH’S—The Mosconis. B. F. Keith's Theater this week, or chief ‘executive of tommencing at the matinee tomor- row, will present Louis and Charles Mosconi, famous spectacular dancers, a sisted by their sister Verna and other Willie, in_their latest hit, s They Were.” tion “will be Frescott, “the mind,” introducing. Hope Lden, * Miracle Girl,” in_a demonstration of telepathy.. Miss Eden's psy- chic powers were tested by the late Drof. Hyslop and other eminent psy- chologists, and, it is claimed, they found she' has remarkable gifts. -An- other feature will be Robert Emmett Keane, =Broadway ~comedian, and Claire Whitney, the screen star, .for the first time lhere/ein Lawrence Grattan's sketch, “The.Gossippy Sex”. Ti® little Welch prima donna, Sybil Vane, late of the Royal Opera, Co- vent Garden, London, is also inciuded in_the list-bf notable offerings. Others will ‘include Ray Raymond and his quintet of melody charmers, girls. of course; Harry Norwood and Alpha Hall, in “It May Have Happened fo You”; the Du For boys, in a dancing specialty; Herbert and Dare, in ath- letias; Assop's Fables, Topics of the y Today at 3 and 8:15 bill, headed by Adelal Miiss Juliet and Lew Doc L2 oniven. 'he nd - Hughes. stader, will EUGENEQ Palade MADELINELEVERE Capitol ?(fferbgdme?r 4 the | n temple dies of old age, or| The added attrac-| master | TH has been mach conjecture in country as to Pola Negri. who with the.release of “Passion leaped into instant popularity with the American theatergoing public. a popularity, which was enhanced by this remarkable star's portrayal of La Carmencita, the cigarette girl of Old Seville. in “Gypsy Blood.” Authentic _information concerning the actual Pola Negri has been at best fragmentary up to the prese Ivan Neede, however. who int ved the star abroad for the B . made possible to make ki ] RE h T ally is. ~ tement that Pola Polish would seem to I Iy true. Her father v her mother a Hungarian. There ar cording to Mr. Neede, about N Axiti- the the Pole and the dramatic, tie, haif-Caucasian elements Hungarian. In private life she is in_ reality Her hushand, Count . resides today in obscurity his estate at Polen, while the count pursues fame on the screen, residing i for the greater part at the fashion- able Hotel Esplanade. in. Berlin. where she i® known only as the Countess Domorski. The private life of Pola Negri is interesting. Her only sport is ridir.g, She has a favorite mount named Pasha, and the two are said to be a of 1o- on BELASCO—Shubert Vaudeville. The Whipple-Huston players and Dolly Connolly will be co-starred on the program of Shubert vaudeville at the Belasco THeater this week, with the matinee this afterngon. Bayonne Whipple and Waiter Hus- ton. who have heretofor: supplied novelty vaudeville sketches. will offer a new act with an abundance of melodies and dances. It is u series | of episodes in seven iscenes, called | “Life,” and enlists the services of a | 1arge supporting company, including { many girls. B | Doily Connolly and company, includ- ing Percy Wenrich, come direct from “The Right Girl,” which was written by Mr. Wenrich. Miss Connolly’s con- (ralto voice is familiar in every home that boasts a phonograph and her partner is. the author 6 100 popular sons successes. N Other -acts will include . Rigoletto brothers in magic. singing. juxzling, posing, dancing and _instrun.ental music; Rert Meirose, in his 11 acrobatic stunt, the “Melrose Clark and Verdi, in Italian clarac- terizations; the Fred Schwartz com- pany. in “The Broken Mirror.” « Eu- Yopean novelty; Jack Strouse, & mono- ma:erial; logist., with brand-new Taffap and Newell, in “A Chick Ep: sode,* and Gen. Ed La Vine, a_ve | satile entertainer. . The Shuber: New | Weekly and a Bud Fisher film comedy will complete the bill. i Tuesday night Washington Lodge of Eiks will attend the "Belasco and Thursday night the Masonic clubs of Washington. COSMOS—“The Teacher’s - Ro- mance.” Not ‘often is a sweeter story told than - Charles Derickson wove into tion, “The Teacher's Roméance,” fea~ turing Robert Capron and Muriel Rast- rick, which will be one of the big num- bers of this week's bill at the Cosmos Theater, opening_ with tomorrow's matinee. Edwin Ludwig has written very. pretty music for it, and Willlam. Brandel has given it a handsome stage setting. The cast, an attractive one, numbers ten in all, and the little musi- cal comedy has been called elsewhere “one of the prettiest of the year.” Another exquisite feature will' be 1 “Gloriesa,” - & ¥l | Clyde . Rinaldd, an act b every way. Tabor and eautiful _in Green will bring: a repertory of songs, witty flashes and Humorous Hits; Freemont Benton and company, a raré comedy offering, . “Handkerchibf 137; ~Harry Bentelli,” an entertainment of music, song and humorous comedy, and -the Melroy - Sisters, a series of _terpsich rean _eccentricities eharmingly pre- \sented: s g A feture 6 Wachincton: firet =~ pf oduetion® “for . Matle CompsoN »Co'lgmlaia George-Choos’ latest vaudevi]le produc- sion- of fairyland, by ! | tamiliar sight parks of Be Ip.nh pictur | quent comm pu the purely hu | man side of this brilliant_ artiste | found in the fagt that her Lobby dolls. She cherishes a vast coilectior of dolls of all ajzes and ~11 kinds in_ the fashionahle hrbuzh which bridle )y wandcr. | baby doll:. child dolls, | It s wiso dis | that the « ! Pola Negri. | screen exaciv as she 2 s in_the | flesh. s a bit over medium | height, formed, and lan- # by turns. guid r eliective contr her and unblemished. Her hair rt, after the mode of bobbing sre or less popular in tl now o Conatry, although the Negri crowning lory has been clipped only te clear the shoulders. In the e to Americ studying tutor. AMr. Neede's admi: & to no purpose {0 try to guess I Neari's age is significant. He s She matured while still young and her youth is ¥ Will never grow old. Right now she is in the prime of charm and poise. Her vivacious impersonation of the wild desert dancer in “One Arablan Nizht," her latest American relcase. ix ‘oné of the telling features of the much-heralded picture. ation of coming soon untess Domorski is English under a private on that it would \PT‘QVOS[. “Moonlight Follies,” a delizht- ful little romance, will be the added | matinee feature, and Buster Keaton, in {*“The Goat": the International News: Cartoon Comics and others will be added attractions at all performances. {STRAND — “Conflict”-“One, Two, Three.” The photoplay again takes prece- dence over the vaudevile offerings at the Strand Theater this week, begin- ning today. It presents Priscilla Dean in a Universal-Jewel super-producy tion entitled “Conflict,” described as “one of the most thrilling, breath: taking. superbly staged pictures ever cened.” Its cast inciudes Herbert Rawlinson, 1dward Connolly, Hector Sarno, Marthia Mattox, L. C. Shum- way and -others. Tt is based on a magazine story by | Clarence Budington Kolland. The vaudeville portion of the bill in- cludes “One, Two, Three.” a musical satire featuring a quintet, of versatilé artists; Hashi and Osai, in spactacular oriental frolics; the Pesci Duo, pre- enting_ “the harpist and ihe. sing- - Lester and company, in “Breezy aroical Fits,” and Race and Edge, in a laugh skit, “London Bridge.” Short film features also will shown. Orchestral numbers will in- clude an overture, Michaelis' “The Forge in the Forest,” and Fischer's “Wimmin." + GAYETY—Waldron’s' Revue. Charles H. Waldron presents his “Frank Finney Revue” at the Gayety this week, beginning with today's matinee. Finney is the featured party. This burlesquer has endeared himself to fanciers of },_glmfl‘u! style of humor, Wwith nothing .crude or approaching the offensive. ZTle Finney Revue is divided ‘inio-two acts and ten scenes. A sincera, ef- fort has been made, it is announced, to upset the accepted standard’ of what a. burlesque book Should.<be. The _scenes are varied and 'range from one pole to another. ®meo- graphically ~speaking. A _talgated cast has been engaged far this-pro- duction, which also boasts of &:pretty W and active chorus. CAPITOL—“The Whirl of Mirth™] Quite out of the ordinary is sald to jbe “The Butterfiy Girl,” who provides the plece de resistance in the per- formance -of the “Whirl of Mirth” which comes to the Capitol Theater this week, starting today. . . < _ Ert_(Slivers) Hunt, a comedian long | popular in burlesque, heads the cast: ‘and is surrounded by Genme Roth, Madeline Le Vere, Flo Carter, Robert Bandberg, Corey Hunt, Floy Ward, Frank Lembert, Ifillian Isen, Lou Jackson and “twenty under twenty” in_tue choras. I Hop! PriscirnA DEAN - Stra SOMETHING ABOUT POLA NEGRI. An elo- | et o exuberant that she ¢ bei £~EpEN ~ Kerths ELLEN RICHTERS ~ Ruialto Photoplays This Week this afternoon. | PALACE—May McAve CRANDALL'S—"The Idle Class afternoon. | CRIT Open? this aiternoon. RION—"Out oi the Dust based on Kemington pictures. AT PHOTOPLAY HOUSES ALL THIS WEEK. METROPOLITAN—Pola Negri, in “One Arabian Night.” Opens RIALTO—Ellen Richter. in “Judgment.” Opens this afternoon. COLUMBIA-"Ladies Must Live.” Opens this aft in “Morals.” ernoon. Opes this aiternoon. "A Poor Relation.” Opens_this ‘METROPOLITAN —Pola Negri i *‘One Arabian Night.” Pola Negri ant star of * sion” and "G W will be picture star during: the cyrrent v randali's Metropobitan Theite r latest First Ndtional att “One Arabian Night.” a glitte romance of old Bagdad Jexg’l vity jthe orient Never before. ‘3t is¥ claimaed.” has there been brought to’lhe Ame screen a specticular drama so.Tich in entertainment, so colorful in nar- rative, so magnificent in production so splendidly acted as “One ight.” ike its predecessors. the Lubitsgh studio, ard is peopled with: thou C1l drilled and wonderfully directed actors, The story prehrensive adaptation.of “Sumurun. with its oriental intrigue, wandering players, . mighty sheiks, gorgeous pal- aces. and -earefully guarded harems. where. lapguorous beauiies risk the master's wrath for a glimpse of the outside world. Pola Negri appears in the role of a wild desert_dancer, wending ber wa toward Bagdad With:a' troupe of jug glers, -owned and managed" by hupéhpack clown. The clown shel- [ters- his star with paternal rather than 'managerial faithfulness, and cHerishes a forlorn hope that some day she will consent to take his love serious dispatched by a new beauty ite wife, who 1 the dancer is t.1 however, sl H with a young sh mighty one bartered. for a typical “Arabian to develop and spend opulent atmosphere o {like of which, it is s before been pictured. Lubitsch _himself cofitributes striking characterization as the | heartbroken clown. who finally squares his account-wit} the world. “A brief prologuc has’been secured especially for this engagement by arrangement with Josephr Plunkétt, managing director of the Strand Thi ater, New York. . A concert overtur “Scheherezad by Rimsky-Korsa- %off, will be played-by the orchestra under<X. Mirskey. The”program for the, week will be rounded ‘ont by minor' filme and an orchestral, - symphohic: interpretation pf the, major feat, RIALTO—Ellen Richter in “Judg- - ment.” One of the'great pheto spectacles of the Year, “Judgment¥’ t1ling a sense 2 ory of love and intrigue. plotting and ‘counter plotting in the days of Queén Mary. of Englind,” an ‘adapta- tiont -2 *Mary Tddon" ‘by -the 0, will bé ipg of t comes from to supplant the favars a ed- for. The saim: . son of the he. has been way paved Thus is itself in the a l’-‘vew‘h€ :ubv%_fll_«to » presentes y > ‘lnfl_ Moore's Rialto -Theater su?{ i Cveek, begine Ring A0daY., o Mugte e s EStien, Richteto e er to the Kmericin- screen; but ' ndiad through- out the capifals of Europe as bne of the cinema’s mosit talented artists, will be seen here for the first time in the stellar role, the. supporting cast being of egual note-and ability. “Judgment!” gives a dramatic chan- ter from® English history and tells the | s Story. of the infatuation of the. fTst|the “lilies” and -the -gold-ATg reigning Queen of England for an Italian adyenturer, one Fabiano Fabi- ani, who has deceived the queen into believing -that he is of noble Spanish blood, and has induced her to, elevate, him to the English peerage. In her .y him i 5 i 1etion. | and who ke i Ara-|ed lis a graphic and com: {recent “|orchesira with Pavlowa's bailet.. Th pled out by a slageaaler{ With hor the grand sheik (o' find jadapiétion <pl. ased her Jopg. 1, 1« desperately in | I'a Il Kights™ plotdUrdey a palace thelter id. has never|“The High | ¢ = F Infatuation ‘she does this, but finding — (Continued oa Fourth Page) . <he, in a jealous rige, tences him to death; apd -then tries 1 hout the knowl- who are bit- 1s are frus- panish am- the queen’s tilip of Spain. of a simple wood id to over- T against him rated, I us carver and crving throw dangerous f.vorite wnd cure Mary of her folly Richter played the role of Mary Tudor in a recent presentu- tion” of the Hugo drama_ on the speaking stage The musical program will be direct- as guest con- G- or- v Adolf. Schmid, ductor. . Mr. Schmid has been ductor of the British Symphony chestra, the orchestra at His Ma, t's Theater Covent Garden; the Bos- ton Grand Opera Company and more conductor of the symphony overture given will be Wagner's “Rienzi.” ~An interpretative -score; arranged by Robert, Bond Gotta, wili be played during tife showing of tie picture. A, Mermaid. comedy.: “F Land's Sake"; one of Tony Sarz's shadowgraph comedi The Steamboat,” shown also. - PALACE—“Morals." cAvoy,the girl star who ed ‘many"® few months ago hor beamty apd her talent in the of Sir & M. Rarrie’s Scotch antasy, “¥ntimentil Toinmy;” will picturéd on thé. seroenof-Loew's lace Theéater tltie week, beginning 1is afternoon,'in William D. Taylor's srecy adaptation . ef William wvel, “The Morais of Marcus 13 and'the Fox News will be Ma fasci The added attraction will be Bus- Keaton. in latest comedy, gn’ Burton Holmes Nice aud Cannes”; the and selections from the by the Palace Or- the - direction of travelogue, Pathe New: opera of “Aida chestra, “under Thomas ‘Gannon. B “Morals” concerns Carjotta, a:young girl reared in a Turkish harem and taught to believe that marriage is the logical career of every woman, who is suddenly transplanted, at the age of seventeen, into the upper ievels of British society as the ¥ard of’a staid and socially impeccable British bach- elor. The violeni.contrast between the east and the wést thus engendercd. paves:the way for humoring, interest- ing and ‘altogether romamntic inter- ludes.The cast inudes William P. Carleton, William E. Lawrence, Kath- Iyn Wiltiams and Bridgeta Clark. COLUMBIA-—“Ladies Must Live.” “Ladies-:Must Live,” the latest photoplay_production by the producer of “The! Mirgcle Man,” George Loane FTucker, will-begin an extended en- gagement at'Léew’s'Columbia Theat- or’ this afterno6p. It:i% a screen ver- sion of, the ‘mugigine story by- Alice Duyer Miller, and ‘the oAzt is fieaded by Betty Compson he ;mglw(?- lon Bedtrite 3oy, Cleg Madison, acille, Hutt R Mutt~ and Jeff” animated sdartoon, Loew's News . v wnd/-myusical numbers, including’‘The Merry Wives of Windsor'~{Nichelai). -'s* ‘= “Ladies Must Live" s L modeyn urhan life, the silkendarlings of a handred citles, who }ive lives of luxury outside ‘the conventions, whbile maintaining an outward appearasoe of pectitude. 7 =