Evening Star Newspaper, May 7, 1940, Page 24

fMoore—Géxtdn Gay Again As De Sylva Employes ‘Louisiana, Purchase,’ With Zorina And a Bright Berlin Score, Is Oversize but Merry Jest By JAY CARMODY. There no longer can be any doubt about it, public office fits Victor Moore like a glove. It is as a Senator now that he is creating his familiar uproar in the throats of theatergoers; the Senator in “Louisiana Pur- chase,” a musical the size of Bouldar Dam, and a lot more Rabelaisian, which opened last night at the National. Still in the floundering stage, “Louisiana Purchase” is a satirical, stunning-looking, humorous something designed to make the world die laughing be- fore it dies a more unhappy death. In addition to the wistful figure of Moore, Producer B. G. De Sylva offers a bright, lilting musical score by Irving Berlin; such brilliant co- stars as William Gaxton, Vera Zo- rina and Irene Bordoni; and the biggest bunch of beautiful girls east of a Hollywood producer’s dreams. Out of all this, it is inevitable that De Sylva and Author Morrie Rys- kind will carve a slick piece of en- tertainment, but the fact remains they have considerable carving to do. In creating the book, a sort of loose-leaf affair styled to fit the highly developed talents of Moore and Gaxton for political satire, Ryskind assumed a fabulous state called Louisiana. In it, he located an imaginary city named New Or- leans, which is controlled by a bunch THEATER PARKING 6PM.TO o 5 E 12 P.M. CAPITAL GARAGE 1320 N. Y. Ave., Bet. 13th & 14th DRIVING In accident-proof dual con- trol cars. Lady and gentlemen INSTRUCTIONS teachers. 7 AM. P.M.. E including Sunday, EASY METHOD DRIVING SCMOOL 4608 Iowa Ave. LOANS 74 years of buying, selling and lending on diamonds, jewelry, etc. Liberal Loans at Lowest Possible Rates. CASH FOR OLD GOLD (Government License) Established 1866 LOAN_OFFICE 1215 H St N.W. 505 King St ALEXANDRIA. VA. WASHINGTON. _ to 10 7¢y*S* poRT TONIGHT The Quaint, Nautical Atmosphere of GFHIP ~~ DANCING to \;\ Sam Korman’s .Superd Musie JDINNERSS: & / 81 to 81.73 ... MAY CRUISES from Baltimore * Until June 14th . . . the low- est rates in a genorchon on M. & M. all-expense cruises. They include glorious sea trips oo o plus un-filled visits to America's tropical resorts. For instance: MIAMI . . . ...%53 Miami Beach . ..,.‘71 Miami-Havana .23,*121 Boston Tour . . ...*44 —including hotel accommodations, sightsesing, etc. For full information, apply M. & M. Travel Bureau, 1418 H St., N. W., Washington (Tel. National 4612) —or authorized tourist agents. MERCHANTS & MINERS LINE s_Orchestrs. W'x;emme 4680, Al!A GH'S RESTAURANT, 2608 C ly st Arbeugh's esn you set O eai q spareribs and aged charcoal broiled Mixed drinks, wine, A M BLUE ROOM, Connecticu sllurt Dimn: lnd daneing. Two shows 9:30 and 1 mm\er $2 B lulk! at 1:30. cludmlmvu supper cover, 50c. AD. o_np_ ROOM. ~Hamilton Hotel, i4th SO ‘;"‘u‘fi{“‘fi'.'f."‘omm. neing to SR Min- Saturday oniy: $1. DI, 2580 LOUNGE RIVIERE, Hotel 2408 16th St. Dining. dancing to Pete M‘Tclu (Orebestra, ing Adele 2 Cover except Sat. eve.. $1. NoS Fiot BURLINGTON HOTEL, Vmunt at Thomas Clrcle. * 4 squares from White House. Dickens Room Cocktails, 5 to 8 p.m., 25c. Dinner, 6 to 8 p.m.. fl%c. 75¢_and $1. GSHIP, 3135 K N.W. Dinners, 33‘%'}":. 50. No cover. Min. $1: St. #1.50. No min, for dinner guests, lnter- tainment by Brooke Johns. Resv. NA. HE TROIKA. 1011 Connmhn inner of siippet, % $1.54 . gl'htly lnfl Sundays. 5¢c_on 8Sat. enly ln i uncheon, D CLUI ke Penur!nl Nldln: and. | De luxe dinner. lln!ll 2 ocm:l FABRITION, nl&:- avorite ‘place to & danoa. ;nd l“l:llm:ln[ ; | How” | them in the end & pretty de melodious and &— of purely fictitious, highly talented political plunderers. Any one who Sees a resemblance to truth and life in the material of “Louisiana Pur- chase” simply knows more about truth and life than sponsors of the extravaganza. With a tsk, tsk for such knowing ones, De Sylva and Ryskind disavow any intent to im- ply there ever were such goings on in this great and clean Republic. That disavowal out of the way, they g0 bitingly berserk in a situation in which Moore as Senator Loganberry of Vermont attempts to clean up the mess ,of which Gaxton is the master mind, and send the rascals to jail. * ok ok % The attendant merriment is quite as dependent upon the skill of Moore as the fall guy and Gaxton as the fellow who trips him, as it is upon the material. There is this differ- ence in the tumultuous conflict be- tween them on this occasion, how- ever, that somewhere behind the stumblebum he portrays with such perfection, Moore's Senator has his touches of archness. Fate does not have to work quite as hard to save him as it did when he was Vice President in “Of Thee I Sing” or as Ambassador to Russia in “Leave It to Me” It gives the character a freshness for which Ryskind may take a bow along with Moore and Gaxton. Zorina and Berlin fit ideally into the scheme of things which so long has been the province of the M. and G. team of jesters. The latter’s score is a rich and varied thing, from which romance will recruit one prettily sentimental song this summer, and at least two others will be sturdy candidates for the hit parade and the sandwich shoppe nickel odeons. “You're Lonely and I'm Lonely” is the Berlin pattern number to which hearts will beat— a path to the marriage license bu- reau—in the next few months. “To- morrow Is a Lovely Day,” another torcher (not torture), “Fools Fall in Love,” and “Latins Know How” are others likely to leave their mark on what the newspapers print as “vital statistics.” The Berlin touch is still sure, even when it is re- quired to adapt itself the Rys- kind impulse toward satire. x % % ¥ Zorina’s role is much more than that of beauty and dancing dex- terity in “Louisiana Purchase.” The heroine of “I Married an Angel” lends an angelic touch, one with earthly undertones in a manner of speaking, to her part as the apex of the triangle of which Moore and Gaxton are the other angles. She not only handles her comedy style that will charm, if -not amaze, her wisely doting public. Her ballet talent, thrice eéxhibited, expresses itself in three tempos (all right, tempi), all of -them excellent. That she still has a way with a song, and the right blood lines for effective handling of arch humor, is something that Miss Bordoni loses no time in demonstrating in “Louisiana Purchase.” “Tomorrow Is a Lovely Day” and “Latins Know are the numbers intrusted to her and she does right by both of them, the latter most especially because it is best suited to her style. Miss Bordoni is also very useful as Madame Fixer for Gaxton's band of Senatorfrustrators, delivering to stration of her genius for the dot Cross. ‘When the principals are not being tied in the humorously hopeless knots, De Sylva’s rafish idyll of love and politics offers a series of diver- sions that are unfailingly good. ‘These include the singing of Carol Bruce, the specialty dancing of Nick Long, jr., and April Ames, the harmonizing of that talented quar- tet billed as the Martins, and the ensemble dancing of one of the largest and prettiest choruses since Hollywood boasted all the- pretty chorus girls had moved out there. ‘The visual richness of “Louisiana Purchase” is something for which Tom Lee deserves public apprecia- tion as well as the De Sylva pay checks. Obviously working out of a lavish purse, Lee has done an ex- cellent job both on the scenery and costumes of the extravaganza—the latter at its best in Zorina’s gowns and those decorating the six gor- geous Powers models who make a lovely border for so much of the action. The talented hand of her husband, George Balanchine, is evident in the ballets of Zorina, and that of Carl Randall in the spirited en- semble numbers. Robert Emmett Dolan does his usual excellent job of getting the ultimate value out of Berlin's score and out of the oversize orchestra which it requires. Gregory La Cava Has an Anniversary “Primrose Path” might be called Gregory La Cava’s 20th anniversary gift to the screen. With it he rounds out two decades of work in Holly- wood as a director, eventful years that have seen his maturing in and mastery of the craft of presenting stories on the screen. 5 lthmyemmmucnlbumd rom newspaper cartooning pioneer in the field of the l.nlmned His penchant for having cartoon. '%¢ | & hand in the writing and particu- 1921 to write comedies tional. He returned soon New York to pen storie Comedian Johnny Hines, then back again to California to direct " | two-reel comedies for Producer C.C. Burr. It was in “It Girl,” one of these Clara Bow made her film bow. ° After successful affliations with 9. | Famous Players-Lasky, First Na- A - | tional, M-G-M, ‘United Artists as o |writer and director, La Cava was placed under a long-term contract by R-K-O Radio -as- producer- director. He directed Ginger Rogers g, s 224 with skill, but reveals a singing|... THE EVENING STAR, WASHINGTON, D. ¢ -| which strikes Mrs. Beam’s parlor FROM TRUCULENCE TO WISTFULNESS—That is the road John Garfleld has traveled between his first four films and his fifth, “Saturday’s Children,” which is the Earle’s next attraction. It’s pretty obvious from his costume that Garfield’s bellicosity has no part in his current assignment. Barbara Stanwyck to his merchandise! for me?” Those Tales of Troubles Annoy Mrs. Artie Shaw Enjoying Vacation And That’s All It Is, Moreover; Young Holden Compares Stars By SHEILAH GRAHAM. HOLLYWOOD. Lana Turner has been offered a lot of dollars by an enterprising manufacturer of woolen sweaters if she will allow her name to be tagged Lana, by the way, is rip-roaring furious about the locnlly printed item that she is quarreling with Husband Artie Shaw, t she has been going places with former flance Gregory Bautzer, "n‘s so unfair,” stormed Lana to this writer, “Will you please deny it don’t make a liar of me by getting a divorce! Barbara Stanwyck tells me that her long absence from picture- & making — it’s about six months since she faced a camera —has nothing to do with her ru- mored {ll-health, nor to the per- sistent tale that she will soon be- come a mother. “I'm just wait- ing for a good part,” says Bar- bara, who until % then is having a Shellah Graham. swell time, resting and sun-tanning. It's interesting to hear Willlam Holden's comparison of Miss Stan- wyck and Jean Arthur. Bill was co- starred with Barbara in “Golded Boy,” and is currently emoting with Jean in “Arizona.” “Barbara,” said Bill, “helped me. Jean is shy, but then, so am I. And I don’t know how to talk to a shy )erson. I just freeze up.” * k% % Talking about shy stars. . . . Ginger Rogers is now making her first movie with Ronald Colman—“Lucky Partners”—and, to break the ice after their introduction, told him how much she had enjoyed the Col- man performance in “Arrowsmith.” Ronald returned the compliment by praising Ginger's dancing pictures with Fred Astaire. But he didn't A ~ | make any headway with her until he le | praised her performance in “Bache- lor Mother” and “Primrose Path.” From then on the couple became friends. I doubt whether Ginger will ever again make a dancing Okay, Lana—and now 9— Ann Rutherford has posed for so many swimming suit photographs against a certain Santa Monica rock that the stone is now known locally as “Rutherford Rock.” . .. When that overanxious extra punched Clark Gable’s lip and split it—for a scene in “Boom Town,” Wife Car- ole Lombard gloated, “Swell; now we can have a vacation together.” They have to “shoot” around Clark for a week—at least, until his lip is healed. Lucky the extra did not smash Mr. Gable’s teeth at the same time! * k% % Deanna Durbin will earn $90,000 this year in commercial tie-ups. This, of course, is in addition to her film salary. . . . William Powell had to imitate some bird calls for his picture, “I Love You Again.” And, as Bill is not very good at imitating birds, an expert was called in to do it for him. Afterwards, Bill asked her to imitate a couple of love birds. Ah me! Marlene Dietrich puts her arms around Photographer Hymie Fink at the recent Hal Roach soiree, and coos, “Hello, darling, I have a little present for you. I'll give it to you the next time I see you.” The little present is some silver for the newly married Mr. Fink's home. Accord- ing to Hymie, almost his entire house has been furnished for him by movie stars. The handsome elec- tric stove in his kitchen came from Joan Crawford. Being a photog- rapher in Hollywood puts you in & unique position of favor with the stars. The face “that launched a thousand ships”—in a picture—is sometimes on the homely side in real life. And it's up to the ‘candid (?) photographers around town to be kind to their fair clients—if they picture—although I understand that her studio has not given up hope of arranging another song-and- dance epic for Ginger and Fred. The boys, aged 10 and 12, are not the only ones out of school in the Sandrich family. So’s their old man, Mark, who really is not an old man. By convention, the presence of Producer - Director Sandrich in Washington should be a thing of significance. He should be here researching into the obscurities of the Capital, absorbing atmosphere, or shooting backgrounds for his Where and When Current Theater Attractions and Time of Showing National—“Louisiana Purchase,” new musical with Zorina, Victor Moore and others: 8:30 p.m. Keith’s—"Primrose Path,” up to the straight and' narrow with Gin- ger Rogers: 11:40- am. 1:40, 3:40, 5:40, 7:40 and 9:40 p.m. Earle—“Dark Command,” lawless days in the Kansas of old: 11 am.,, 1:45, 4:30, 7:15 and 10:05 p.m. Stage shows: 12:45,°3:30, 6:20 and 9:05 pm. Capitol—“Dr. Kildare’s Strange Case,” latest adventures of Interne Levmn 11'am., 1:45, 4:30, 7:35 and 10:10 pm. ‘Stage shows: fl:lfi, 3:30, 6:25 and 9:10 p.m, Columbia—" Rebecca,” the Hitch- cock-directed film version of the novel: 11:35 am., 2:05, 4:35, 7:05 and 9:35 pm. Metropolitan—“Too Many Hus- bands,” Jean Arthur happily in that predicament: 11:15 am.,, 1:20, 3:25, 5:30, 7:35 and 9:40 p.m. Palace— ‘Strange Carge,” with Clark Gable and Joan Crawford: 11:35 a.m., 2:05, 4:35, 7:05 l.nd'flfi Little — “Harvest,” the leadinx French film of 1939: 11:10 am., 1, 2:45, 4:25, 6:10, 7:55 and 9:40 pm. Belasco—"Lights Out in !uron the darkness before the doom. 1:35 am, 1:20, 3, 4:45, 6:30, !10 and 9:50 pm. Trans-Lux—News ' and shorts; continuous from 10 a.m. La Cava-directed comedies that|p.m. want the said clients to remain friendly. And vice versa! (Released By the North American Newspaper Alllance, Inc.) M:r. S. Comes to Town But Only to Show Sandrich Sons the City Sights next picture. And, what is he doing here, if none of those things which are traditional on the part of producer-directors? He is here showing his sons the sights. He also is showing Mrs. Sandrich the sights and giving them the complete once-over for himself. That’s all. The Sandriches are just tourists and proud of it. The youngsters are having the time of their lives, picking up those little nuggets of knowledge and wisdom with which Washington fairly reeks, Like any other pair of doting par- ents, the. Sandriches are enjoying their offspring’s enjoyment. A producer-director of Mr. Sand- rich’s caliber—he’s the most suc- cessful musical picture director in Hollywood—cannot come to Wash- ington without talking some shop, naturally, Between sights, the next of which was to be Mount Vernon, youngish, successful Mark did his shop talking at a luncheon yester- day, the luncheon courtesy of Para- mount, the guests courtesy of the local publishers, so to speak. One of the subjects had to be “Buck Berry Rides Again” Sand- rich’s latest picture, which is o Loew’s Palace project for the im- mediate future. Pascal Is Filming ¢ . Major Barbara’ Gabriel Pascal's production of George Bernard Shaw’s “Major Bar- bara” is before the cameras in Eng- land. The cast is headed by Robert Morléy, who will be remembered for his successful appearance on the New York stage in “Oscar Wilde,” and Wendy Hiller, whose American screen debut was as the leading feminine player in “Pygma- lon.” Pascal also has signed Andmv TUESDAY, Civic Plays A British Comedy Top-Notch Cast in ‘At Mrs. Beam's’ At Wardman By HABRY MacARTHUR. ‘That feather-brained daffiness which marks the British drawing room comedy thrives also in the British boardinghouse, it seems., At any rate it thrives gaily in the delirious London boardinghouse parlor Mr. Willam Girvan has flung up on the Wardman Park Theater’s stage for the Washington Civic Theater production of “At Mrs. Beam'’s.” The' C. K. Munro sketch, which served as an Alfred Lunt-Lynn Fontanne vehible a few years back, is, like every other British comedy, light in every detail—light in its comic touch and light on plot. Its |504Y. main concern is the consternation when a pair of new boarders who claim to be Mr. aad Mrs. Denham turn out to be not that at all, but Mr. Denham and some one else, and evildoers besides. Last night the consternation, as displayed in some of the insane Munro lines and in top-notch play- ing by some of Civic's better comics, was not too far short of hilarious. 1t will be closer to hilarious by the time Director Day Tuttle has his players whipping through it in at least 20 minutes less time, “At Mrs. Beam's” being one of those things which must be fired at an audience so fast there is no op- portunity to stop and think about it. The cast should be quite up to the task of accelerating “At Mrs. Beam’s,” for it is an excellent cast. There are veterans of Civic Theater duty all about, but it is a young lady who seems to be new to the group who becomes the play’s out- | standing comedienne by a gem of | & scene in the second act. Sarah Meigs can have you holding your sides just with her manner of say- ing: “Yes, oh yes, I expect s0.” And that is something. Very fine, also, is Rachel Sewall the gossip whose nose is ever in other affairs, even unto thinking | Mr. Denham the chap who did away with a large number of young | women, though she is not sure | whether or not he has eaten the | young women thereafter. And so, too, are some others very fine—espe- cially Frank Cronin, Anne Ives, Lansing Hall and Morris Arkin. AMUSEMENTS. Fun Icv zm,hl»' ‘Dr. KILDARE'’S Strange Case” LEW AYRES o LIOWEL SARRYMORE © Laraine DAY STAGE Lonchs of « L “FORTY LITTLE MOTHERS” o With a Grend Cant @ ss¢ pLIOY | BLUE BARRON Gable ot His B 3 Clark GABLE 1 30an CRAWFORD TRANGE CARGO” | ’f:':o;ud Sow l-.m.-, _"‘ In the Powerful Drama LY S TS | DANGE LESSONS Cost Very Little at ARTHUR MURRAY'’S Bach danes lesson eosts but & few cents more— but what a satisfaction in the final result! Une der consclentious experts fewer lessons Tee quired to become & good dancer. Call for halfe hour private trisl lesson. ARTHUR MURRAY, 1101 Conn. Ave. HELD OVER LESSONS © Waltz @ Riumba ©® Fox Trot ® Tango ® Swing @ Conga =) LAST WEEK <@ Everyone . ung and old. ‘men and women.’ can le-rn to dance . also reduced rates on- private iea: Ennll Mon. 11 AM. to - . Sat. 10 PM. STUDIO AIR ‘' CONDITIONED VICTOR MARTINI 1511 CONN. AVE. DU. 2167 (Batrance 1510 39k B1. N.W. ‘WASHINGTON—BALTIMORE Grainger Participates In Simon’s Lecture The first lecture of a series on modern musis being given by Dr. Helrich Simon at the Washington College of Music, to be continued on subsequent Mondays, took place last night, distinguished by the presence and assistance of Percy celebrated pianist and composer, Th'; in!onxatgwo( the event greatly contri its enjoyment, both Dr. Simon and Mr. Grainger changing places in their joint per- formances of several works on two pianos, one or the other taking the lead. In the same manner Mr, Grainger contributed to Dr. Simon's talk by sketching Frederick Delius’ career as a composer who, a native of England, curiously enough re- ceived his first lessons in composition on this side of the Atlantic, while others sought education abroad. Mr. Grainger referred to Dr. Simon as being responsible for the cele- bration of that cogposer’s 60th birthday anniversary in Prankfort by a program of his major composi= tions. Besides Delius’ “Dance Rhap- ly,” arranged for two Percy Grainger, the musical selec- tions of the evening were Carpen- ter's “Concertino,” which Mr. Grain- ger recently played with the National AMUSEMENTS. COMING FRIDAY “"We're Young... We're Married... AND BEST OF ALL WE'RE BROKE!” GARFIELD ANNE SHIRLEY \i] ANDREN CLAUDE RAINS A Warnor Broc. rowe. ©® On the Stage ® RED SKELTON And Other Acts Warner Bros. LIVING ANIMALS | OF A BYGONE AGE RE- CREATED and FILMED BY A NEW SECRET PROCESS! feitlcring Victor MATURE ¥ Carole (ANDIS Llon CHANEY Jr. METROPOLITAN SRR ml' DAY 5 12 T.» % "l’l-mll | AMUSEMENTS, pianos by m LUX i & DENMARK INS OF R GANG” : CARTOON SHORI’ SUBJECTS TONIGHT AT 8:30 MATS. TOMOR. & SAT. $:30 IGWAm 4 o dBERL 88 RViNG fi“nl‘:n loox BY MORRIS RYSKINO Avallable All Performances w REITH'S' CINGEI ROGERS JOEL McCREA “PRINROSE PATH" “INFORMATION PLEASE” WALT DISNZY'S “TUS BOAT MICKEY” . ® BING CROSBY Gloria Jean in'f 1 Had My Way® Teday Thru Saturday 4 P. M. Cen . 35e te 5 P. M.—40¢ te Closing HERBERT KLINE'S DOCUMENTARY FILM OF THE SECOND WORLD WAR ““LIGHTS OUT w EUROPE"’ COMMENTARY BY JAMES HILTON NARRATION BY FREBDRIC MARCH —EXTRA ADDED FEATURE— EXQUISITE...TOUCHING...CHARMING...DELIGHTFUL TFirst-rate entertainment +..Darrieux a delight.” ACADEMY e hfltl at G E. Lawrence Philkipe’ Theater “Meet Doctor Christian,” Starring JIAN HERSHOLT. “ON YOUR TOES 4 _ With_“Brother Rat” EDDIE ALBERT. 1331 l LS NE Al 8300 Ty mtt? "".-..,""4‘.'5"?"'"0.‘ o ures. nto_One Diversified Thrill—MAE WEST. JFIELDS in My Tt E CHICK CAROLE LOMB. an o NIGHT. "Also Belected: Featurettestt Having Matinees. AMBASSMR 18th 1. & Col. Rd. Col. 8503, CLAIRE TIKJVOR JOHN WAYNE 10 At 1:25. 3:25, ws. BEVERLYI.I 3300, Mat. 1 P.M, Parking ¥p: Available te Patrons.’ ERROL_FLYNN. ‘AIRIAM HDPKIBS IRGINIA CITY. 10, CALVER Newsréel. 15th & E NE_ uz: Wis. Ave Farking Space’ e Ava DY nd ao‘i“fign i mouNA 1ith & N. C. Ave. 8K JAIN, co"cm #931 Nishels Ave. S.E. “MY LITTLE CHICKAD! With MAE WEST _and_W._C. »lz - DUMBARTO | 1343 Wisconsin Ave. RONALD COLMAN. MURIRL ANO!LV! in “THE LIGHT THAT PAILED.” and 8hort Subjects. FMRLAWN ANACOSTIA, D. C. ION HAS WINGS. . NEW SEATS Anbs‘ _Tast Compiete Bhow 3727 M ST. N.W, “FTERN » _with LORETTA T il Doy T _to_the Ladies Tuesday Night. For_Additional Information Phone Theaters Direct SHERID, With FDWARD n..u? 3 and ANTTA LOUISE. RICHARD DX, asd QAT PATRICK fa BETHESDA "'%.I=r .~ Free mes Mly and Tomo! “Gone With' the Wind.” Matin Unreserved seats eellb. h!nl show at 8 p.m. All seats_reserved HIPPODR ' K near 9th SPENCER TracY. KOBERT YoUNG. ¥ Northwest Passage.” Tomor.—*The Bluebjrd.” Te's At & " R‘fl ’“ the n-u‘}"u London wmufi'fi cm"mu AQ'IMPGOPM WARNER BROS. 'I'HEA'i'ERS (] 5| WO. 2600. SPENCER TRACY ROBERT YOUNG HWEST = PASSAGE.” At B Ao _Newsreel. AVI-'. GRAN 645 Ps. At COLONY s 6o 25 ronme A S In the Event of Busy Signal Call REpublic 0800 WOI(A; At 6:15, Bna SAVOY MW PRAN’K uom:/m "Amt in xum )MES HOME. 510097 2 SECO m Gl An )lvnm\ wr’ wnuAu POWELL THIN MAN. At 15, RO 9:50._ Newsreel. TAKOMA 4th --a JOE__PENNER PLAYE ’m’u'm i.‘L—' He Mfi'i'r'f'ed His wite” o Y BOMRST PI\-TW _POSTER _ANN_DVORAK. PALM THEATER 2%, 2+~ “RAFFLES. ” DAVID F N %VLI.?“