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ARYLAND GARDENS on_Marlbore "h. turig Nadmme and “her co-ed Tuxe dinner. 5. lncln: A o'clock. _Phone_Hiliside_0600 })Inln( danchy clas’ Orchash‘l Ade Vl 2. N i x\" oS Wllhln'hn Ave. The HOUSE—Overlooking White st 16th and H !&LNPsnh;l:d\nt:‘n ere charm, y_and_gen- -fl'f‘“n Mnc:!fln IM dinner from $1.25. Organ_music_nigh uring_dinner. K N-W. Dinners, ” . Sat. com il ‘nod dlnnn Starday only, ll. P2 Old Scarlett, Now Juhet, Scores Another Triumph Vivien Leigh Tops Benefit Performance, But Capital’s Sheila Barrett Comes Close With a Different Juliet By JAY CARMODY. Some of the guests of honor falled to show up, for which no one thought to make an explanstion or an apology, but Uncle Daniel Froh- man’s Actors’ Fund benefit party at the National last night nevertheless had its merits. In addition to those represented by Vivien Leigh and Laurence Olivier, Sheila Barrett, Walter Huston and numerous others of artistic stature, the informal, casual and necessarily loosely constructed — project had the virtue of dnwln' a profitable audience. If the obvious can stand one more dissection, that is what a bene- al's audience limited to those who filled the theater, for the prospect of a glance at Miss Leigh jammed contiguous E street as the Derby does Louisville. As Juliet, in- side the theater, and as the girl who IS Scarlett Jay Carmedy. O'Hara, on the outside, Miss Leigh proved quite a compensation for the absence of Olson and Johnson and Gladys Swarthout, none of whom came as advertised. With Olivier as Romeo, Miss Leigh held the audience spellbound with her portrait of Juliet in the balcony scene of Shakespeare's stormy idyll. Nor was it a matter of beauty only because, for once mn a blue moon, the moonlight was blue; not the best light for reveal- ing the radiance of the girl who looked so marvelous in David O. | Selznick’s four hours of technicolor. The mistiness, however, could not keep the passionate beauty of both Miss Leigh and Juliet from com- ing through the reading of the lyric lines which have made music in more ears than Capaulets and Mon- tagues ever dreamed. By the time Miss Leigh and Olivier emerged from the scene’s midnight blue into a more revealing spotlight, the ap- plauding audience obviously had concluded she was as much Juliet as she ever had been Scarlett. * Kk Kk * With that temerity which is one of her most enchanting qualities— and one of the most enviable on the part of lesser artists—Miss Barrett gave the audience its sec- ond Juliet—an imitation of Mae West in the role. As full of smoke, the undulating West kind, as the other of fire, Miss Barrett's Juliet is another to be remembered. (And not only remembered, but to be requested the next time she makes an appearance on a local stage.) Even more popular among Miss Barrett's imitations was that famous version of the professional Southern girl in the New York cocktail lounge. Protested here a couple of years ago, the amusingly ironic portrait which starts off with the heroine demurring at a drink and ending up by ordering a bathtub of ab- sinthe, turned out last night as the most successful of the Barrett car- ricatures. Others included her con- ception of W. C. Pields and Fanny Brice in the roles of Rhett Butler and Scarlett O'Hara, Tallulah Bankhead singing “Get Out of Town,” and Bert Lahr singing a characteristic Lahr smokehouse ditty. Miss Barrett still is perfect. Prob- ably always will be. * ok ok ok Huston’s contribution to the eve- ning, at the specific request of Mr. Frohman and the silent prayers of most of the audience, was his famous “September Song,” from “Knickerbocker Holiday.” He sings the Kurt Weill-Maxwell Anderson composition no better than he ever did, which is pretty bad as bari- tones go, but he still manages to make it one of the most engaging things you ever heard. As an en- core, Huston dipped deeply into the Huston files to come up with one of his own compositions of a couple of decades ago, “Why. Men- tion It?” * koK ok To the show over which woolly Monty Woolly and Taylor Holmes presided as masters of ceremonies, many others contributed generously. Violet Hemming and Peggy Wood, among the visitors, made merry in a skit, “Perfectly Marvelous,” a frag- pm ment dealing with the reaction of an actress who asked for criticism and got it. Virtually the whole of the Cap- itol's stage show, Benny Meroff’s ONLY AT ARBAUGH’S 2606 Conn. Ave. Can You Get Real BAR-B-Q SPARERIBS And Aged Charcoal Brolled Steaks Mixed Drinks— Wines—Beer Cannot Lie As a character witness color Is | a great truth teller. The selection of color in.one's home is an [f index fo taste; judgment and re- [} finement. Select paint with cou. |} tion. Elinor Morris picector McDougall-Butler Co. 421 Tenth St. N.W, NAtional 7888 “Funzafire,” which is in the spirit of “Hellzapoppin,” made its appear- ance. From the Earle came Tommy Riggs and Shaw and Lee. Night club entertainers held com- mand during the first hour of the production. Opening the show was George Duffy’s highly talented Carl- ton Shar-Zad band and closing it brilliantly was the orchestra and entire gypsy chorus of Helen Hamil- ton's Troiks. Matt Windsor and his accordion came over from the Anchor Room, Jean Cathron from L’Escargo, and Starnes and Anavon from the Shoreham. Because the program neglected to mention her, we can'{, but the girl from the Flag- ship who sang “Alice Blue Gown” sang it too well to merit the fate of anonymity. * k% % Down from New York, but unable to attend the benefit because of re- hearsals, were a virtual ton of celeb~ rities involved in tonight’s opening of “Louisiana Purchase” at the Na- tional . . . They include Irving Ber- lin, Morrie Ryskind, Vera Zorina, Billy Gaxton, Victor Moore and Buddy De Silva . . . The Messrs. Berlin, Ryskind and De Silva made a8 merry group making merry at a party at the Willard which preceded rehearsals . . . The conversation ranged from musical comedy to war and the high price of both . . . Mak- ing one more celebrity in town is Mark Sandrich, the man who can di- rect & musical comedy for the movies as no other man can direct musicals for the movies . . . Just what Mr. Sandrich is doing here is this de- partment’s assignment today . . One of its hopés being that he did not bring along that bag of dice which he handles with as much skill as he does Astaire and Rogers . . . Or did handle Astaire and Rogers, now that both have gone on to other things . . . Hardest working man in town must be Sidney Lust, whose current avocation is his annual one of chairmaning the “Father and Sons” banquet to be held next Sun- day . .. For it, Mr. Lust is gathering every talent and every reputation he can lay his hands on . . . Sports, stage, or what have you, he wants celebrities and gets them. Athlete Is Following Sons’ Footsteps Jim Thorpe, the great Indian ath- lete, has followed his sons, Phil and Billy, into the cast of “The Life of Knute Rockne,” starring Pat O’Brien in the title role at Warner Bros. Thorpe will play the umpire of the football game which inaugurated the traditional rivalry between Army and Notre Dame. Played in 1913 the game started out as a rout victory for Army and ended as a win for Notre Dame when the famed forward-passing combination of Rockne and Gus Dorais went into action. Owen Davis, jr., plays the part of Dorais. Bill Giaver, former Georgia Tech fullback, Will portray the referee of the first Army-Notre Dame game. Thorpe, whose two sons appear in early sandlot football scenes of “The Life of Knute Rockne,” prob- ably will se eother gridiron action before the picture is completed. Where and When Current Theater Attractions and Time of Showing National—“Louisiana Purchase,” new musical with Zorina, Victor Moore and others: 8:30 pm. Keith’s—"Primrose Path,” up to the straight and narrow with Gin- ger Rogers: 11:40 am.,-1:40, 3:40, 5:40, 7:40 and 9:40 p.m. Earle—‘Dark Command,” lawless days in the Kansas of old: 11 am., 1:45, 4:30, 7:15 and 10:05 p.m. Stage shows: 12:45, 3:30, 6:20 and 9:05 Clplh)l—"Dr Kildare's Strange Case,” latest adventures of Interne Lew Ayres: 11 a.m., 1:45, 4:30, 7:25 and 10:10 pm. stwe shows: 132:45, 8:30, 6:25 and 9:10 p.m. Columbia—*“Rebecca,” the Hitch- cock-directed film version of the novel: 11:35 am., 2:05, 4:35, 7:05 and 9:35 p.m. Metropolitan—“Too Many Hus- bands,” Jean Arthur happily in that predicament: 11:15 am., 1:20, 3:25, 5:30, 7:35 and 9:40 p.m. Palace— ‘Strange Cargo,” with Clark Gable and Joan Crawford: 11:35 a.m., 2:05, 4:35, 7:05 and 9:35 pm. Little — “Harvest,” the leading French film of 1939: 11:10 am,, 1, 2:45, 4:25, 6:10, 7:55 and 9:40 p.m, Belasco—"Lights Out in Europe,” the darkness before the doom: 11:35 a.m, 1:20, 3, 4:45, 6:30, 8:10 and 9:50 p.m. Trans-Lux—News and shorts; continuous from 10 am, Open-Air—“Destry Rides Again,” with Marlene Dietrich and James rt: 8:10 and 10:30 p.m. WHERE TO DINE. l!T Fned Clncken Dmner LOTOS LANTERN 17" Cafeteria 724 17th ST. NW. | Theater. LOCAL LASS IN MUSICAL—-Aleen Stuart, member of the cast of “Louisiana Purchase,” the Irving Berlin-B. G. De Sylva mu- sical which opens at the National tonight, is the daughter of Mrs. R. B. Buchanan of Washington. —Hessler Photo. Local Drama Groups Civic Group’s “At Mrs. Beam’s’ Has Experienced Cast By HARRY MacARTHUR. Now that the Washington Civic Theater has decided the title is “At Mrs. Beam's” instead of “At Mrs. Beams',” it has looked about and dis- covered that the comedy, which opens tonight at the Wardman Park ‘Theater, boasts one of Civic's most imposing casts, Many of the players have had professional experience, most of them are veterans of former Civic Theater productions. There is Rachel Sewall, for instance, who long ago made a name for herself as a puppeteer, later joined< Stuart Walker's stock company in | Indianapolis and has spent several | recent summers at Mount Kisco and Westport. With the local group she has appeared in “The Petrified Forest,” “It Can't Happen Here,” “Lysistrata,” “Johnny Johnson” and “. . .one-third of a nation . ..” Then there is Anne Ives. This is only her third appearance with Civic, but she is one of Washing- ton’s best-known actresses. She be- gan her career on the stage with 10 years of stock, vaudeville and troup- ing, later with Robert Bell organ- ized the Ramshead Players. The ramshead you will notice decorating the peak of the Wardman Park | Theater's proscenium is a relic of those days. The Alfred Lunt and Lynn Fon- | tanne roles in “At Mrs. Beam's” are being played by Morris Arkin and Lansing Hall. Mr. Arkin's ex- perience began with the old Na- tional Players, where he appeared with Edward Arnold and Roger Pryor, and for the last four years he has been active with the Civic Miss Hall has had sev- | eral years’ experience with the Civic, | t00, in “Johnny Johnson,” “The Pet- rified Forest” and “Excursion” and has been a Roadside Theater favor- ite for some five seasons. The Columbia Players, one of the | two drama groups which formed the nucleus for the Civic Theater, have given the current cast Dorothy ‘White and Lois Alexander. Others in “At Mrs. Beam's” are Betty Leaf (who has played in “Caesar and Cleopatra,” “The Front Page,” “Fly Away Home,” “Excursion,” “Noah.” “Girls in Uniform” and “Merrily We Roll Along”), Sarah Meigs, Paul Sears, Willlam Mogerman and Frank Cronin. * ok % % A further indication that we are going to have a summer this year, no matter what you have been thinking, comes from down Fair- fax County way in'Virginia. The boys and girls at the Cross Roads Theater once more are preparing to chase the cow out to pasture and start a new season. Even now the Cross Roads people are getting to work on improvements and refurnishing to make the barn theater at Bailey’s Cross Roads a more pleasant place this 1940 sea- son. Dormer windows and exhaust fans are being installed to keep the theater comfortable, even on those August nights when Fairfax coun- try breezes fail to co-operate. Also the seating capacity is being in- creased by some 50 chairs. Announcement of the 1940 sched- ule will be made in the near future. R The Federal Playhouse has sev- eral activities afoot at the moment. For one thing Lee Shugar, the | Playhouse director, says the group is in urgent need of several per- sons with fine clear voices, whose enunciation is as little short of per- fect as possible. What Mr. Shugar wants the owners of these voices for, he does not say, but he does impress that it will be a fine op- portunity for those qualifying. He will interview the voices tomorrow night at Thomson School, Twelfth and L streets N.W. The other Federal Playhouse ac- tivity is the production of Moliere's “The Doctor in Spite of Himself,” which will be staged in the near fu- ture. Jacqueline Beryl Lawless is directing and the players are Violet Hellman, Harold Langsdorff, Cecelia Cronin, Herbert W. Lupton, Irma Rutley, Rex Tyler, George Detmers and Emerson Wilkins. * ok ok % Next week brings us two pro- ductions as the season nears its| end. Wednesday and Thursday | nights, May 15 and 16, the Pierce Hall Players will present “The Late Christopher Bean,” that popular Sidney Howard comedy about the maid and the paintings of the artist discovered to be famous after | his death. Howard Wentworth is' directing and the cast includes Bill | Draper, Ellen Scholze, Wilhelmina | Van Slyke, Peggy Johnston, Bob | Langley, Peggy Mansfield, Sidney Bassler, Bob Miller and Bob Coren. 'rh;: place, of course, will be Pierce Hall. The I. D. R. A. (that's Interior Department Recreation Association if you've time to say it) Theater Group will stage an original musical comedy, “Uncle Sam's Follies,” at Roosevelt High School auditorium May 16. e RS ’ Garfield’s ‘Fiesta John Garfield’s first picture after his return to Warner Bros. from his stage sabbatical probably will be “Fiesta in Manhattan,” the studio announces. “Fiesta in Manhattan” is from a story by Charles Kauf- man, who is collaborating on the screen play with Robert Rossen. STUDENTS STAGE A MUSICAL—-Worthy Talcott, Doris Hamp- shire and Leonard Meakin, the to iron out a difficult; a musical co L} producer—dlrcctor get together in the production of “Include Ma Out,” Y in three acts, to Audttorium of the University of M and Friday nights. ”ia‘u'fi'#‘.é"faa.v‘?, hareday \ & Hurrell Waits AMUSEMENTS, and Waits While Errol Talks Salary Mr. Flynn Wants to Be Paid While On His South American Jaunt; Bette Davis Just Laughs By SHEILAH GRAHAM. HOLLYWOOD. Errol Flynn has an appointment with Photographer Hurrell, but be- fore he can get to the “still” stage, he is grabbed by Boss Jack Warner. ‘They have lunch, and Errol turns the unexpected meeting to good account by asking for payment during his forthcoming “good-will” tour of South America. Errol will be away eight weeks. He wants $5,500 for each week. ‘Three hours later .. . Flynn and Warner are still talking .. . and Photog- B e rapher Hurrell is lull waiting. Bette Davis and Bob Taplinger (chief of the Warners' publicity department) laughed themselves ] the couple are : now vacationing. I know that Bol wants to marry the star he pub- licizes. But whether Bette Sheilsh Grakam. wants to marry Bob—only Bette can tell. And to date, her only answer to the rumors has been the laugh referred to above. Rosalind Russell is spotted in her limousine driving to work. The Rus- sell locks are done up in curling pins. Hey, Rosalind, that’s not being fair to your public, or yourself Jimmy Stewart lunches at the Bre Derby the day after the preview of “My Favorite Wife.” “It’s the best com- edy I ever saw,” he raves. “That Cary Grant—what an actor, what an actor!” You're not too bad your- self, Jmmy . . . Olivia de Havilland is playing the violin in “Episode”—or rather they have now decided to let two other people play it for her. Which makes it kind of funny when Olivia asks, “Is my hair all right?” * ok x % The “Little Hungary” restaurant is the Hollywood hang-out for those who like to eat. Among the couples wolfing goulash last night were Hedy Lamarr and Gene Markey, Myrna Loy and husband, Merle Oberon and Korda. Looking at these fragile ladies you'd never guess at the amount of food they can put away at one sitting—particularly Miss Lamarr . . . I ask George Brent about the status of his current ro- mance with Ann Sheridan. And he replies, “I'm the old standby. When- ever they need a new man for a new romance, they say, ‘Leave it to George.’” Clark Gable telephones his Carole from the set of “Boom Town"— “Keep lunch late for me, honey. I'm on my way.” Some one recently asked Miss Lombard whether she | had found it difficult to adapt her- | self to her present quiet country life. Carole, before her marriage to Gable, was one of the gayer girls around town and famous for her screwball parties. “But I never really liked that sort of thing,” she says now. “There was just nothing else to do!"™” It's always amusing to talk to Director Alfred Hitchcock about Charles Laughton, whom he direct- ed in “Jamaica Inn.” “Laughton,” says Hitchcock, “will dominate any picture, unless at the beginning you | say to him, ‘Tl knock your head off!’” Smile when you say that, Mr. Hitchcock. * k% % To tea with Maureen O'Hara's mother, Mrs, Fitzsimmons. She tells me that she and Maureen are going back to Ireland after Maureen’s cur- rent picture, “Have It Your Own Way,” is completed, “unless they (the studio . bosses) change their minds again. We came to Holly- wood 10 months ago to stay three |- months.” That's nothing. I came to Hollywood four and a half years ago to stay four months. Mrs. Fitzsimmons has five other children and a husband in Dublin. The oldest girl, aged 20, is & nun. Florrie, aged 17, is acting with the Abbey Players and will return with her mother and Maureen to Holly- wood to try her film luck. If she’s as pretty as her mother says she is —*“blond, blue-eyed and much pret- tier than Maureen”—it should be easy. (Released by the North American Newspaper Alliance, Inc.) ___ - AMUSEMENTS. w KEITH'S™ GINGER ROGERS JOEL McCREA ruuuon PATR" Adad... ‘lurouunlon PLEASE” WALT DISNEY'S "TUG BOAT MICKEY" o e . BING CROSBY Gloria Jean in'lf I Had My Way” ACADm ot mm:nu Phetoplay E Ll'reréc.e l?hfllin 5'1110'&! Beautiful. RICH and JAMES STEWAR “DESTRY RIDES AGAIN.” Alse “The Saint’s Double Trouble,’ With GEORGE SANDERS. A 1331 H st NE. tul Blended Int mvenm Bcre‘e;x" un;m'x'd—u ¢ WS ADEE. 0 CARPL! Lgn- OLE, NIGHT.” Also Selected hl!\ll”;’l’ ’l'.Nllil'l‘ AT lli. WED. & BAT. lllll I. ANDA !.flll AR Seats Available All Performances HN VMAND At 1 28 ._Ne ARK COM: 15th ERROL FLYNN, MIRIAM HOPKINS VIRGINIA ‘CTIY 1. 2324 Wis. Ave. N.W. and B and SoB HOPE | TO SINGA- BEVERLYu 300, st "1 Pat. 3:10. CALVERTW 2345. Mat. 1 P.M. R OAD hao it 1:35 40, 5:40, 7:40, CAROLINA 1 & X . ave. sE D' Ko ‘ind EBEABCHT YRR AMUSEMENTS. P~ APITOL & FAT o Awather Capital Trear! LEW AYRES - LIONEL BARRYMORE - LARAINE DAY “Dr.KILDARE’S Strange CASE” ‘FU“ZAFIRE" with SENNY MEROFF'S Oreh. 204 45 screwhais on the lovse Joan CRAWFORD “Strange Cargo” Y SONT MY SONT" Hoteiiee borotcrien T OTR: burse< Lusk Rorwerd yvv GRET ix the ward for it! REBEcc LAURENGE SLIVIER JOAN FONTAME “Sensational story . adds new riches to drama of romance «+ « superlative acting!” FREDRIS Rlfiflfl Music & Wevner Jansoen A DANIELLE DARRIEUX w “KATIA" The Uncrowned Qu 'lI’lA::thnMund"m-' DANCING. Direction of SIDNEY LUST CIRCLE Pe2ns. Ave. st 210t st TEMPLE in “THR BLUE BIRD." Cartoon. CONGRBS 2931 Nichels Ave. S.E. “THE LIGHT THAT PAILED. o COLMAN and WALTER" HUStON. DUMBARTON 1545 Wisconsin s EDWARD G ROBINSON. R N “STORY ERRLICHS T BOTErs News and_ Short snu?guc News. For_Additional Information Phone Theaters Direct Parking Space Availabie te Patrons. Ne's"d > Flrllnl Space Available to BING CROSBY. Y CENTRAL <23 s xw. -~ iy g e L) pen 5 ‘! ENCER TRACY, nz'ng;‘x"“ l! 3. 45. 5. PENN 8 u‘_;cn-. My 8 BING SEOSBY. DOROTHY OB HO OPE " in * FAIRLAWN A¥acosta, b. c. “RAFFLES." w ith, DAVID N OLIVIA DE HAVILLAND. STOOGES. SREENBEI. L WA\;I‘Ag{RIE:OD'Y OF 1940." h LIDO 327 M sT. N.W. NEW seATs and IVEN Also 3 ADULTS, 25e. JAu nmn Cast. 5 “HARVEST.” LYRIC GAITHERSBURG, MD. FRED ASTAIRE IL.!ANOI\ POWELL in Ga: Ave. & Coleaville Piks Parking Soace ‘A s e e ERROL FLYNN. HOPKINS in Az 1:10, 3:20. 1500, '-‘. o4 I at. 1 P. HENRY FOND, v xsre A in John, telnbeck s 35" News., , Mat1 1 ! l. Parking Snace’ Avaliaby ERROL Pl,\'mwA . Pmcm ll'lllt N.E. l-l 2600 Double. mm:e':; _:" c"'“""‘ TETRICH, JANEs STEWART n SDESTRY RIDES JANE _WITHERS “HIGH SCHOOL.” with JOE BROWN. JY WARNER nnos. THEATERS _ 2 Eve. 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BRIAN AHERNE, “THE | As 6:00, 7:30 and 9:30 P 3