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AMUSEMENTS. Stage’s Best Is No Longer Held Too Good for Films Plays That Enjoy Long Life Likely t6o Meet Themselves as Pictures Unless Contracts Specify Otherwise. By Jay Carmody. movie audiences. T The truth is that when a play, on the road it is likely to run into itself as a picture unless definite pro- vision is made to prevent such a col- lision. Broadway laments the dearth of material for keeping the legitimate stage alive, but Hollywood, for all its proselyting among the New York dramatists, is in much the same pre- dicament. So the latter grabs up everything in sight, absorbing not merely plays, but players when it seems the wise thing to do. An illus- tration of the inclusiveness of its ap- petite for material was provided last Summer by Maxwell Anderson’s “Win- terset.”” For all the fact that it was not promising box office material, R-K-O took the play and its two lead- ing characters, Burgess Meradith and | Margo, and made one of its finest, if not most successful, pictures. It is typical of the new spirit of the cinema to get the best for its patrons. “You Can't Take It With You,” “Dead End” “Stage Door,” “First Lady,” all soon to be “in work” at Abe studios, are other specimens of the same type. There was a period in picture history when any number of excellent reasons could be found for rejecting such material, particu- larly “Dead Eend” and “First Lady.” But virtually nothing that is accept- able to New York audiences is re- Jeted today by those who have set their talents to making the screen tell stories as effectively as the stage; maybe more effectively. One would think, for instance, that the musical comedy would hardly provide a theme de- signed to pull the body politic out of its own chairs into the chairs of pic- ture exhibitors. Essentially, “On Your Toes” is designed to rib the art of dancing, ballet dancing. Hollywood, however, is prepping Ray Bolger to do it for its millions Just as he did it for the thousands of legitimate stage followers last Fall and Winter. It would be a nasty and unwar- ranted slur upon the artistic in- tegrity of Broadway dramatists to ascribe their recently developed tol- erance toward their fellow men to the fact they write withr an eye on Hollywood. They perhaps never even “On Your Toes” | HE best in the way of the legitimate drama no longer is too good for In fact, it Broadway ever had the idea (which it did) that it was the center and circumference of the more subtle drama, current events challenge its right to go on in that conviction. regardless of theme, becomes an established success, Hollywood instantly is hot on the trail of the creator. indeed, that by the time the play getss. So hot, | think of it. It is undeniable, how- ever, that the wave of benevolence which has engulfed playwrights in recent months has fashioned drama that is highly suited to picture re- quirements. More so than in any recent year. ‘“Excursion,” “Having a ‘Wonderful Time” and several other of the later comers to Broadway sound like just the sort of thing the picture companies would like to get their cameras on. And probably will. * ok K % TWO great institutions, the weather and the “Ziegfeld Follies,” will come to grips on the local scene this week. It is generally agreed that | against almost any stage production at this particular season, the weather would draw the shorter odds. But the “Follies” are not just “almost any stage production.” Not too oddly, they are the “Follies” with Fannie Brice, Bobby Clark, glorious girls (glorified, too) and all the other features which have become virtually a “must” ir- respective of the time of year. ‘This year’s edition, according to Joe Flynn, Ben Atwell and others con- nected with the enterprise, is even richer than usual in comedy. Miss Brice and Mr. Clark, whose careers are co-extensive with the ‘“Folies,” by no means have a corner on all the laughter in the piece. * ok x % N DECIDING that “You Can't Take It With You” was the best play of the year, Pulitzer Prize judges characteristically failed to cover them- selves with glory. Critics who selected “High Tor” as their choice after quite Pulitzer winner a curtsey in their deliberations. It was fun and they liked it fine, thank you. They had lush words to say for the artistry of their old pals, Kaufman and Hart, in their reviews. They did not see the play, however, as particularly sig- nificant; a quality which so many followers of the stage think should be manifest in prize winners. So they passed up “You Can't Take It With You” entirely, leaving it fresh and fair for the Pulitzer judges to pounce upon in the latter's subsequent de- liberations. 'Twas almost ever thus! Coming Attractions Cinema Houses Book Films for Next Week. HE PRINCE AND THE PAUPER,” first talking pic- ture version of Mark Twain’s famed adventure- romance, made by the Warner Bros,, comes to the Earle Theater next Fri- day. Bobby and Billy Mauch play the title roles and Errol Flynn is the swashbuckling young swordsman who gees it is the prince and not the pau- per who is crowned King of England. The film was directed by Willlam Keighley. Next week's stage show, starting Saturday, by Hal Kemp and his orchestra, with & fast-moving program of feature acts. Shep Fields and his orchestra will ap- peer Friday. “Silent Barriers,” the epic story of the bullding of a great railroad, which has been enjoying an extended road- show engagement in New York, comes o the Metropolitan Friday with no in- crease in prices. The Gaumont-Brit- ish feature was made at a cost of nearly a million dollars and was filmed almost entirely in the Canadian Rock- jes. Richard Arlen heads the cast, which includes Lilli Palmer, Antoinette Cellier and J. Farrell MacDonald. “Oafe Metropole,” the new comedy with music which was written by Gregory Ratoff, comes to the Capitol Theater Friday. Loretta Young and Tyrone Power, together in the popu- lar “Love Is News,” are the stars of the new fiim. The Capitol's bill will include a variety stage show. “A Star is Born,” wherein Holly- wood has discovered how to treat itself sensibly, will remain at Loew's Palace. Janet Gaynor and Fredric March are the stars. ‘The new Fred Astaire-Ginger Rogers picture, “Shall We Dance?” still draws crowds to Fifteenth street and will continue its run at R-K-O Keith's, “Be Mine Tonight,” starring Jan Kiepura, and “It's a Gift,” with W. C. Fields, compose the next double-feat- ure attraction at the Rialto Theater, beginning a week from today. ‘The motion picture version of Dick- ens’ “David Copperfield,” starring Freddie Bartholomew, will be revived next week at the Little Theater, start- ing Sunday. GAYETY BURLESK = Starting Sunday Matinee CORONATION WEEK WITH THE “QUEEN” HERSELF ANN CORIO ALSO NONA “RED” MARTIN and MAXIE FURMAN FRAUENHEIM Recital oo Hall, §50h sod B 'rl‘l! Evening, May seats reserved-—8$72:20, § flh ’l 10 Dorsey Concert Bureau Co. DROOPS—13th & G 71 years of buying, selling and lendingondiamonds, jewelry, etc. Liberal Loans at Lowest Possible Rates CASH FOR OLD GOLD (Government License) Loan Office Retail Store g T Do 1215 H St. N.W, Ectablished 1 will be presented | TODAY'S FILM SCHEDULE R-K-O KEITH'S—"Shall We Dance?" at 1:45, 3:45, 5:45, 7:45 and 9:45 p.m. EARLE—"Wings of the Morn- " at 2:50, 5:15, 7:45 and 5 pm. Stage shows at 2, :25, 6:30 and 9:20 p.m. CAPITOL — “Woman Chases Man,” at 2, 4:30, 7:20 and 10:05 p.m. Stage shows at 3:35, 6:25 and 9:10 p.m. PALACE—"A Star Is Born,” at 2:15, 4:40, 7:05 and 9:35 p.m. METROPOLITAN — ‘‘That Man's Here Again,” at 2:30, 4:20, 6:10, 8 and 9:50 p.m. “Servant of the People,” at 2:10, 4, 5:50, 7:40 and 9:30 p.m. COLUMBIA — “Walikiki Wed- ding,” at 2, 4, 6, 8 and 10 p.m. BELASCO—"Girls’ Club,” at 2:05, 4:05, 6:05 8:05 and 10:05 p.m. TRANS-LUX—News and shorts. Shows run 1 houw and 15 minutes, continuous from 2 p.m. until midnight. RIALTO — “Every Night at Eight,” at 2:17, 5:16 and 8:23 pm. “Now and Forever,” at 3:37, 6:44 and 9:51 pm. LITTLE—"“Peter Ibbetson,” at 2, 3:45, 5:40, 7:40 and 9:35 pm. THEATRE PARKING 6P.M.TO 35e 1AM. 1320 N. ¥. Ave CAPITAL GARAGE 52334 & A% TRANS-LUX 14th & H Sts..n.W. Hindenburg Disaster Hot News—All Releases “Rambling Thru Vienna.” Mickey Mouse, Sport, Ete. ADMISSION ~ 25¢ DELIGHTFUL STREET CAR RIDES OR MOTOR VIA MASS. AVE. TO BIG GLEN ECH 1P. M. TO MIDNITE DAILY MORE THAN 50 FEATURES FREE PICNIC GROVES WASHINGTON-3 DAYS UNION MARKET, 5th & Florida, N E. TUES. MAY mav17 wav18 Wavl9 ALL NEW THIS YEAR Now INDIA “lrl.m“'lfl .'I'Iclfi sales open Friday, May 14, o4 American Auto Association and Laasbursh 4 a few ballots, did not even give the | Steamer Returns. THE Wilson Line steamer, City of Washington, arrives at its Sev- enth street wharf this week to begin its eighth seqgon in excursion service on the Potomac River. The first cruise will be held Thursday evening, when the annual Showboat frolic of will be staged on the decks of the City of Washington. During the Winter the boat has un- | dergone a complete overhauling and hes been redecorated, under the super- | viston of Capt. John W. Emering, who ington this season. The boat's schedule this year calls for two daily trips to Mount Vernon, at 10 am. and 2 p.m., and the nightly moonlight cruise at 8:30 o'clock. In Film Debut. SAXD to be one of the most prom- ising feminine “finds” of the sea- son, Diana Gibson makes her debut as a screen leading lady in R-K-O Radio's “Tomorrow’s Headlines,” op- posing Lee Tracy. DOORS OPEN 1:30 .M. FRED GINGER ASTAIRE « ROGERS “SHALL WE DANCE" GERSHWIN'S MUSIC EDWARD EVERETT HORTON ERIC BLORE HARRIETT HOCTOR L] JOHN BOLES “AS GOOD AS MARRIED" with DORIS NOLAN MOTHER’S DAY Dinner, $1.50:%. Revues ® e e Two com- plete shows at 8:30 and 12 P.M. Dancing, 7 to 3 A.M. NEVER A COVER CHARGE RUSSIAN (% TROIKA 1011 Conn, Ave, Natl. 4141 Coming Ist' U. 8. Showing Enolish Titles Paris’ latest HI: oont! +he we 200 QIRLS sne ONLY ONE MAN IN \R\-S ClUB‘a (Club de Femme) ¢ Written, Produced and Directed by Jacaues Deval, Auther of “Tevarich.” T THE GRITICS SAY guum I cannot find room {n my heart for anything dut praise.” ashington Times “Isn't bith ~corseted minds, —Katherine )lrllwr (News) “A_moviegoer confused ez to where the line {3 drawn Dbetween art and vulgarity would do well to attend the Belasco.” Wanmnnw Post “Deftly and frankly herdied. Proves entirely welcome Aim.” e —Washingion Herald ‘Subst n“nfl' Aflarions. Esel ¢ perfors pers ," ~Jcy Carmody (Star) BELASCO w.= or_people rare com the Washington Junior Board of Trade | again will command the City of Wash- | Pool Prepared. BOYD HICKMAN, directing oper- ator of the Crystal Pool at Glen Echo Park, is getting things in shape for the swim season at the outdoor amusement resort, which begins May 27. Guards have been selected from the George Washington University foot ball squad, under Hickman's di- rection. The staff of swim experts includes Ted Cottingham, Howard Tehila, Louis Carroll, Glen Carroll, Hank Vonderbrugge and Bruce Mahon. Other attractions at Lh(’ park are “operating in full swing.” if you don't mind a cliche with your Sunday breakfast. 123 PEOPLE ON THE FANNIE BRICE Leota Lane — Marcella Ben Yost’s PRICES: 22 THURSDAY, * FLOOR SHO * SIDNEY'S ORCHESTM * FREE DANCING * JR. BOARD GLEE CLUB * ADDED FEATURES Leave 8:30P. M. YA R AL LS LT LIL L T X 2D e WILSON NA. 2440 - TTH.STREET WHARVES o NATIONAL| Eves, 81 to $3.50 plus tax. Msts, $1 Fannie Brice and Bobbie Clark are the Ieatured comedy stars in the newest edition of the Ziegfeld “Follies,” which had a successful season in New York and open a week's engage- ment at the National Theater tomorrow night. Trading Tricks. SCAR STRAUS, the waltz king of Vienna, and George Gershwin, top man in modern American music, met recently at the R-K-O Radio followed may make musical history. ring vehicle, “Make a Wish,” and Gershwin, with his brother, Ira, wrote | the score for “Shall We Dance.” hicle. Gershwin took Straus to his apart- ment and there the two composers | spent an entire evening—Gershwin | teaching Straus the tricks of writing Jazz and Straus showing Gershwin his | waltz-making technique. WEEK BEGINNING MONDAY NIGHT MATINEES WED., SAT. to $2.50 plus tax. THE GREAT POPULAR BROADWAY REVUE HIT GLAMOUR GIRLS GALORE STAGED BY JOHN MURRAY ANDERSON BOBBY CLARK Swanson — Cass Daley — Hugh Cameron—Marvin Lawler—James Farrell— Varsity Eight MARIAN MARTIN—CHERRY & JUNE PREISSER HARRISON & FISHER—STAN KAVANAGH ENTIRE PROCEEDS DONATED TO ACTORS' FUND EXTRA MATINEE FRIDAY, MAY 14 $1.00 to $2.50 TAX EXEMPT GALA OPENING MOONLIGHT CRUISE On Washington's Finest and Mest Medern Excursion Steamer “CITY OF WASHINGTON" Sponsored by The Washington Junior Board of Commerce MAY '|3TH Round Trip Tickets 75¢; Other Iigbh 000; Som. & Melideys 15¢ MT. VERNON Lv. Daily 10 A. M, 2P. M. Round Trip 50c Admission %o Grownds 26c Beginning Thur., May 13th Bosermber— “Always a Good Time on The Wilson Line”™ N LINE Pictures studio in Hollywood, and what | Straus is creating an original score | for Bobby Breen's forthcoming star- | the | new Fred Astaire-Ginger Rogers ve- | AMUSEMENTS,. F—$ Fine Individual Work Shown in Stage Season Both Men and Wome Talent and Younger Actors Have Won Ac- claim, With Personality in Abundance. By Richard ] constant. case. there are many more naturally tempting prospects of achievement for men. Base ball playing for one. Then, too, the old-time Puritan prejudice against acting has sensibly died down in the case of the girls, while con- tinuing to a remarkable degree in the matter of boys. It still is looked upon by many persons as just a bit unmanly for a youth to start painting his face and pretending he is somebody else, even for the sake of art. A third cause 18 that sort of natural male jealousy that causes strong men to tremble with rage when the name of, say Mr. Robert Taylor, is brought up. That, incidentally, is a trait that youl will not find frequently in wom- en when mention of, ‘say Miss Greta Garbo or Miss Jean Harlow, is made, and it goes to suggest that all the cattiness in the world is not to be | found among the girls. Anyway, there does exisit to a vast degree the feeling, perhaps instinctive, that there is something a little dubious about actors; that, although the temperamental qualities that make for thespian skill are attractive in girls, they are merely silly in young men. The feeling, I may say, extends even to critics, with the result that they are inclined to be just a little bit harder on actors than they are on actresses. It wouldn't surprise me if sex had something or other to do with it, despite the ivory-tower austerity of all play reviewers. I think I may whisper to you my | suspicion that, while critics have been known to express the conviction that such a thing as feminine beauty should never interfere with one's | Judgment of acting skill, there really is no reason to think that good looks have ever hurt an ectress yet, or have | they caused a professional theater observer to be additionally severe to their possessor. After all, hasn't the theater got something or other to do with the presentation of beauty? T CERTAINLY isn't my intention to suggest that sex has any great pert to play in the verdicts of dra- RIALTO o;...050 0 Remember the First Lady of your heart,today.. MOTHER. £« CAPITOL A crazy cataclysm of laughter that will put your funnybone where your head ought to be ... WOMAN CHASES MAN MIRIAM HOPKINS and JOEL M°CREA Audiences acclaim the rich emotional experi- ence of this : great story “of real life in IEBHNIEUUJR JANET GAYNOR FREDRIC T 18 not infrequently noted that there are more promising young actresses on the stage than there are promising young actors. other changes in the theater are, the ratio in favor of the girls remains The surprising thing would be, of course, if this were not the In the first place, despite the opening of almost all form of endeavor to women, the business of acting remains one of the most fertile fields for their extra-domestic ambitions, whiles n Leave Evidence of Watts, Jr. No matter what the matic criticism. Possibly it would be & good thing if it did. Here, how- ever, 1 want only to say that it takes | a pretty good young actor to attract particular attention from a metro- politan reviewer these days. When the players grow older it is & differ- ent thing. There is no instinctive feeling against the actor of middle years. A Dudley Digges, for example, forting for all who are dubious about youthful actors in the fact that Mr, Meredith has the great good fortune not to be excessively handsome. But the reason that he is so generally liked, as well as admired by review= ers is that there is no pose or swank or eccentric mannerism about his work. Everything he does is straight= forward and clean cut and without pretense, ind there is something so comforting in his frank directness of manner and entire lack of esthetic pretentiousness that it is a pleasure to realize that he is also an eloquent and brilllant player. AMONG the newcomers and semie newcomers of the season the girls have registered, without too much recourse to the assistance of what is, | 80 far as I know, still called sex ap- peal, the outstanding triumphs, Ob- ’vlously the finest performance given | by any new player this year, and one of the most moving given by any one, is that of Miss Katherine Locke, as the wistful Bronx secre= tary putting up that pathetic ate tempt to be very refined in “Having ‘Wondeful Time.” Miss Peggy Conke lin is hardly a newcomer, but she will be acclaimed with all due and proper enthusiasm, and there is no suggestion in any one's mind that it | is just a trifle peculiar for him to put on false whiskers and a putty nose and pretend that he is the late Em- peror Franz Josef. If he were a younger man, however, there is the chance that he first would have to hostile attitude on the part of ob- servers, teur. It is for this reason, I may say, claim accorded young Mr. Burgess Meredith is such a great tribute to a remarkable actor. ‘HAT Mr. Meredith is the young actor on the American stage is generally conceded, and no one seems even particularly grudging about the admission. As a matter of fact, there is no particular rea- son why the limiting adjective, “young,” should be included in the description, save the natural ecri ment. For there isn't a better Amer- ican actor of any age available, and there is evidence that only Maurice Evans, among the vaunted English actors, has performed any more vale orously in these parts. EEK OF SWINGTIME EARLE Doors Open 1:30 In 20th Century Fox WINGS of th:MORNING In Warner Bres Goofiest Comedy “THAT MAN'S HERE AGAIN® weth MARY MAGUIRE—TOM BROWN o “Servant of the People E. Lawrence Phillips -nm f' 2500 “SINNER TAKE ALL 2 With Bruce Cabot and Margaret Lindsay “LARCENY ON THE AIR,” With_Bob_Livingston_and_Grace_Bradiey. ARLINGTON, VA. N SH Bruv"' on Wilson Boulevard TOMORROW BETTE DAVIS in “MARKED GLORY WOMAN. " Jos ath St 8. ASHLEY ACK “COLLEGE HOLIDAY i CAROLIN 2nd “THE_ CIRCLE ANGEL " in " AUt EBoS _ESCAPES" News. DUMBARTON ::** T ATHER ANGEL _in “BU DRL\NOND "ESCAPES"_ New FAIRLAWN AhACOITIACn LBER. __in_"MAID_OF SALEM.“ LIDO 3227 M SRTE SYLVIA SIDNEY " oatt HENR Cu ONLY LIVE ONCE 11th and N. C. Ave. OTHREE SMART Gk RY _GENTLE: Ave. and JLLDOG 9th Between F and G GARY COOPER. ANN HARDING in “PETER IBBETSEN.” PRINCESS o;.;‘um Fe DEANNA DURBIN. RAV A MILLANI in WIHEEE SMART GIRLS' Also PAUL JUNE TRAVIS in “JOIN THE 2 G«-m- Ave. SECO N “LLOYDS OF LONDON," FRED ' 'BARTHOLOMEW = MADELEINE CARROLL. TY POWERS. Popeyc _ Comedy “SINBAD. THE SATLOR 6th and C Sts. N.E. STANTON it %id. Hgubmént Continuous from_ 2:00 0 "WOMAN WISE,” With ROCHELLE HUDSON and MICHAEL 'HALEN. “JOIN THE MARINES,” With PAUL KELLY and JUNE TRAVIS. _ STATE BETHESDA Bethesan. MOO: “Whep You re in Love.” Mickey Mouse and News. TAKOMA 4th and Butternut Sts. No Parking Troubles Continuous From 2:00 " P.M “Bulldog Drummond Escapes" Select Short Subjects _ " FALLS CHURCH, VA. STATE “%fi":“:“" D, MORROW . CHARLES HOYER | cHESTES MORRIS an an JEAN ARTHUR LEO_CARRILLO in “HISTORY IS in 1 PROMISE MADE AT NIGHT " g JESSE THEATER '8th “SWING HIG SWING LOW.” CAROLE LOMBARD FRED McMURRAY SYLVAN 15t ana x. 1. ave. N.w. “ON THE AVENUE,” DICK, POWELL. MADELEINE CAR- PALM THEATER *=L%* BERNHEIMER’S w% “# IN uovr' GRACI: overcome a certain bristling if not | both professional and ama- | that it strikes me that the general ac- | best | It is perhaps | true that there is something com- | ACADEMY ©f Perfect Sound Photoplay m DIRECTION OF SlDNEY LUST surely stands among the younger | players, and she is entirely entrance | ing in “Yes, My Dearling Daughter.” Miss Flora Campbell made a d edly good impression as the daughter of wealth who has turned Commu- nist in “Excursion,” and hereafter will be looked for with interest, pro- vided she doesn't immediately flee to Hollywood. Miss Wyn Cahoon was an attractive military institute belle in “Brother Rat” but already she has gone to her reward in the screen | capital One of the most interesting portray- als of the season was that of a gallant latter-day pioneer woman in “200 Were Chosen,” by the curiously neg- | lected Miss Paula Bauersmith, who | should be better known in the theater, and I still remember the perform- ance of Miss Louise Chaffee in the ‘ small role of an austere young esthete |in “Stage Door.” The most attrace tive musical comedy ingenue of the | season is Miss Grace McDonald in | “Babes in Arms.” cal instinct for moderation in state- | LAST TIME TONITE 8:45 The International Dance Favorite! TED BLACK And His Orchestra A 13-piece network band playing for dancing onthe S. S. POTOMAC Moonlight. Cruise Teaves §:45—back at 11:45. A des lichtful 3-hour cruise. on the Jarzest boat on the river. Loud <peaker system. Dining room. O FREE DANCING Fnlarged dance floor. Plenty of room. And a famous band to furnish the music. O FREE PARKING on our large lot at the docks TICKETS SUN. nna 60c Mise POTOMAG RIVER LINE Tth & Water Sts. Bi. 8611 18th St. & Col, Matinee 2:00 P.3 ANNABELLA nee 2:00°F. CAROLE ln\lBARD and FRED MAC- i\\'[\G LO\" S HIGH M. ION MARSH BIRTHDAY?' Ninth St NW. Fhone Met. NE =umx,n WIVE and MUIR __POKER FLAT COLONY X P.M CAROLE Doand FRED Me. a e "% ANy PRESTON FOSTER In, :OUTCAST " OF Popeye § MURRAY, “SWING HIGH _LOW."_ Short Subjec HOME THEATERS AT and FRED Me. VING HIGH. SWING Phone fatinee 2:00 CHESTER MORRIS R . RILLO in "I PROMISE 10 PAYY SHERIDAN atinee - Ave. & Sheridan Ran. 2100 SIMONE sl\lfi\ and JAMES STEW. in “SEVENTH 'HE: Kl TIVOLL 110555, & a8, N lll"!‘r 2:00 P.M. JEANETTE " MACDONALD. EDDY n “MAYTIME. o Cleve. “Rioo UPTOWN s t STEW- ART in " SPVENTH HE-\E\S'EN YORK Ga. Ave. “and Quebes Place, Col. 1616 DICK POWELL WARNER BROS. Short. . and Newark atine DELEINE ROLL in “ON THE szmzrl: CALVERT =331, Woconsin Ave. Matinee 2:00 P.M. NELSON EDDY in “"MAYTIME. K Near 9th HIPPODROME %, Y% ot CLAUDETTE COLBERT and FRED McMURRAY in “MAID OF SALEM.” Also_Poveye in Color— “Sinbad __the Sailor. . MT. RAINIER. MD. CAMEQ 7 fAmm, KATHERINE HEPBURN and FRANCHOT TONE in “QUALITY STREET.” ARCADE "RaTtsvutr. oo DICK POWELL and MADELEINE CARROLL in “ON THE AVENUE.” RICHMOND ALEXANDRIA. VA Tomor.-Tues. CAROLE LOMBARD. CLARK GA __in_*“NO_MAN HER REED OLIVIA TEA DAY " 261 MILO FOCKYILE D, SIMONE SIMON in “SEVW HEAVEN.” nlu.