Evening Star Newspaper, January 11, 1937, Page 32

AMUSEMENTS. Fitzgerald’s Comic Art Flourishes in the Films Famed Abbey Player Goes Over Perfectly Into New Medium—Miss Stanwyck Plays Sans Brogue. BY JAY CARMODY. and, while it is the custom of this department not to review pictures TB!Y screened “The Plough and the Stars” in Washington last night 1in advance, it is no violation of policy to disclose the happy truth that Hollywood has added another great artist to its pay roll. He is Barry Fitzgerald, familiar to thousands of Washingtonians as the bright and shining genius of the Abbey Players. Whatever remains to be said about the manner in which Sean O'Casey’s play tran-¢———————————— scribes to the screen, Fitzgerald goes over perfectly into the new medium. Hollywood, it is said, is determined to keep Fitzgerald. He is the superla- tive comic artist for which it has been looking and it will not let him go even at the risk of an open break with Dublin. Before screen audiences are through seeing “The Plough and the Stars,” it will be extremely clear why R-K-O is willing to fight for him to the last spear in the prop room; to the last extra hireable at $5 a day. It would be worth $7.50 when Fitzgerald .48 the causis belli. Pitzgerald is a great artist in any dramatic medium. When he walks upon any scene he takes it over. He «does not need to use his most splendid asset, his voice, to acquire complete dominance of an interlude. Let him walk through a door and the thrill .of the theater comes in with him. Perhaps as soon as his footsteps have become familiar in sound pictures, he will be able to command a scene while Re still is 10 paces away. That is the kind of an artist Fitzgerald hap- pens to be, as drama critics from London to Chicago have been saying for years. The screen is as kind to Fitzgerald as he is kind to it. It discloses that the tricks which he does primarily with his voice—the expression of scorn, rage, compassion, pathos, etc.— on the stage are done just as effec- Sively by him with a change of facial expression on the screen. You may not catch them in a large theater unless you are on the near side of row N, but they are visible a block away on the screen. Fitsgerald does not play the same kind of roles that Charley Chaplin does, but he brings to them the same inspiration and an equivalent talent. And even Chaplin could not make beer foam clinging to his mustache quite &s funny as Fitzgerald does. * ok kX A‘r THE risk of saying just enough more to make this sound like a review of “The Plough and the Stars,” 4t seems compulsory to report that Arthur Shields (Abbey Theater direc- ¢or and player) does not allow Bar- bara Stanwyck to attempt an Irish brogue in this picture. Shields, as director of dialogue for the film, per- mitted his own five players in the cast to cut their speech as thickly as they Schoop Wit In Dances At National ‘Comic Ballet Is an Hilarious Pro- gram. HERE were a few empty seats at the National last night around the edges and in the back of the house. Each empty seat Wwas a marker for some citizen who 'was missing something he should have seen, for the other seats were occupied by people having one whale of a good time with Trudi Schoop’s Comic Ballet. “The Blond Marie,” the eight-scene dance comedy which comprised Miss Bchoop’s program last night, is more tomime than it is ballet, of course. Schoop has started, perhaps, from the ballet form and built up this technique of .her own, a manner of telling a story that is part dancing, much more acting and pantomimic interpretation. But even if there was none of the ballet about her tre- mendously comic presentation it would #till be all right if she called it a comic ballet or a valse triste or any- thing she wanted to call it. It still would add up to plenty of fun. Miss Schoop and her cohorts are extremely proficient at this business of telling a story with motion and at arousing laughter that starts ‘way down deep, without the use of wise- cracks or other mechanical devices. Especially Miss Schoop. She uses her hands, she uses body movement, she uses a thousand facial expressions ‘with telling effect. She, and the oth- ers in her troupe, perform with such skill, in fact, that no small part of any effect for which she strives is lost on any one in the audience. Miss Schoop's style, indeed, is one that calls for no knowledge of the meanings of the basic ballet forms for understanding. All you have to have is & sense of humor and if you have even the smallest part of one she will show you the time of your life. “The Blond Marie,” which was written by Miss Schoop, is a piece that contains every form of hilarity than can be projected in pantomime, from keen and subtle satire to broad burlesque. The “operetta,” which is one of the scenes in “The Blond Marie,” is a rollicking riot of fun, from the tenor who bursts into song (no words, still pantomime) for his lost Jove when he is arrested, to the “dance” by the ballet girls. It kids could and remain understood, but not 8o the Hollywood talent, which sup- plements the Abbey members. The closest Miss Stanwyck is allowed to come to the Irish idiom is the sub- stitution of “ye” for “you.” Only on occasion does she come even this close. Incidentally, Fitzgerald’s brogue is small handicap to him as it is popped off the sound track. Ordinarily, on the stage, it takes a few of his sen- tences to warm up one's auditory sys- tem before he becomes completely understandable. This is not true in his first picture. An intimation, per- haps, that he may have made a neces- sary concession to those millions of ears into which the wonder of his voice has yet to pass. * x x % Y WAY of report: Secretary of Commerce Roper will be present, and speak briefly, at Variety Club’s first 1937 luncheon get-together at the Willard today. Charles Kranz and Arthur De Titta, club kings for today, have scoured the local byways for other notables to give the club’s social season & bright, fast start . . . Mem- bers of Eddle Elkins’ Pall Mall room band are unmuted in their praise of the faking which is done by those non- musical lads who comprise the or- chestra in Lily Pons’ picture, “That Girl From Paris.” Orchestra lads, you know, usually are disappointed in such pictures. So often, of course, they hear a B note in the south end of the keyboard come out of a F| e« sharp played a mile away in the treble . . . “One in a Million” is being screened tomorrow afternoon at the Fox Film Exchange. It is the next film scheduled for the public of Loew’s Capitol . . . By way of Holly- wood comes the report that Jack Benny is going to desert the radio for a permanent picture connection. All the more interesting in view of the fact that Mr. Benny has again just won the championship among ether comics . . . They now have a “first 10” ranking for ladies of the strip-tease ritual. Ann Corio, eurrently at the Gayety, is ranked No.'l. Hinda Was- sau, another whose name is brightly familiar here, is sixth on the list . .. “The Life and Loves of Victor Her- bert,” starring Gladys Swarthout, whatever else it may be, should be the longest titled film of 1937. the shoes right off of some musical comedies and operettas. All the way through this tale of the servant girl who became a star and then husband-shooter and then woke up, this sense for the correct grade of satire or burlesque most apt to the moment keeps humor at a high pitch. And through it all the mood of wit Miss Schoop is creating is aided by a deft piano accompaniment, written by Paul Schoop and played by Mr, Schoop and Lothar Perl. Miss Schoop’s associates include Meta Krahn, who has almost unbe- lievable muscular control; Edith Karola, Marin Raae, Otto Ulbricht and & number of others who are ex- tremely capable. There are a lot more things that could be said about Trudi Schoop and her gay Comic Ballet. The best thing, though, is the advice that you do not let an empty chair represent you the next time she comes to town. H. M. Where and When Current Theater Attractions and Time of Showing. National—“Frederika,” at 8:30 pm. R-K-O Keith’s—“That Girl From Paris,” at 11:24 am,, 1:26, 3:28, 5:30, 7:32 and 9:34 pm. 3 Palace—“College Holiday,” at 12:15, 2:35, 4:50, 7:15 and 9:35 p.m. Earle—“Sing Me a Love Song,” 11 am, 1:35, 4:15, 7:10 and 9:55 p.m. Stage shows at 12:40, 3:25, 6:15 and 9:05 pm. Capitol—* “Garden of Allah,” at 11 am. 1:45, 4:25, 7:20 and 10:05 p.m. Stage shows at 12:40, 3:25, 6:20 and 9pm. Metropolitan—"The Jungle Prin- cess,” at 11 am, 1:05, 3:10, 5:20, 7:25 and 9:35 pm. Columbia—“Born to Dance,” at 11 am., 1:10, 3:20, 5:25, 7:35 and 9:45 pm. Rialto—“It Happened One Night,” at 2, 4:40, 7:04 and 9:47 pm. “The Plough That Broke the Plains,” at 4:07, 6:27 and 9:11 pm. Little— “These Three,” at 11:28 am., 1:31, 3:34, 5:37, 7:41 and 9:44 pm. Ambassador—“Sing Me & Love Song,” at 6:15, 8 and 9:50 p.m. Tivoli—“Gold Diggers of 1937,” at 3, 3:45, 5:35, 7:25 and 9:20 pm. Howard—"Gold Diggers of 1937,” at 13:15, 2:45, 5:15, 7:45 and 10:15 pm. Stage shows at 1:30, 4, 6:30 and 9 pm. River Expenditure Favored. ‘The expenditure of $37,010,000 dur- g the next fiscal year on the upper Mississippi 9-foot canalization . pro- gram has been recommended by Maj. Gen. E. M. Markham, chief of Army engineers. In the Public's Interest wE are not the largest ing nlcblul\mnnt in blishing and print- ‘ashington, nor the oldest. In fact, we've just started, but we have tmythmg that it takes to give you a good print- ing job, ‘regardless of the specifications. We have set out to build a reputation fol riendly service in the public’s interest, and invite your inquiries accordingly. The Friendship Press Edward B. McLean, Jr., Pres. PUBLISHERS AND PRINTERS MAGAZINES LETTERHEADS PAMPHLETS BOOKLETS - "1065 Wisconsin Ave. N.W. Phone WEst 1643 ; G STAR, WASHINGTON, Who here seems to be having considerable troubdle with a little matter of office routine, is of the cast of “More Than a Secretary,” the new Jean Arthur film which comes to Warners Theater Friday. LIONEL STANDER, ANN_CORIO IS ADDED ATTRACTION AT GAYETY “Joan Crawford of Burlesque” in Person of Nona Martins Pleases Audience. NN CORIO is playing the Gayety this week.” With such a straight- forward statement of fact, members of that benighted confraternity which attends burlesque shows for pay might discharge their weekly chore in speedy | yet sufficient fashion, desert their “word mills” and hie themselves away in search of stimulants, as is their inevitable wont. But the mansgement frowns on such tactics and demands a review, even as upon any other Mon- day. Nevertheless extended appraisal of La Corio would be futile; her fame 1is established and, come what may (as the saying goes), virtually every one in town is truckin’ on down to renew acquaintance across the footlights, re- sulting in feverish activity at the cubicle of “Box Office Sammy” and & well-nigh beautific countenance for Col. Lake. However, in a gratifying display of munificence, the Independ- ent Burlesque Association has pro- vided a complete show besides (tech- nically, Miss Corio is an “extra added attraction”). Topping the subsidiary array is “the Joan ‘Crawford of bur- lesque,” titian Nona Martins. Here is & newcomer, locally, whom the fans will want back in a hurry, at least, the first-show audience will. A master stylist that can “sell” her numbers to the well-known nth degree, she comes dangerously close to pilfering Queen Ann’s plaudits. Comedy, too, is provided in abun- dance; Maxie Furman and Harry Con- nelly see to that—a talented pair who click on every sppearance with Fur- man getting an extra hand for some neat dancing bits. Boyd Heatherly and Eddie Innes render able straight service, the latter adding a touch of mimicry, while Lew Brown takes care of song on the male side. The ex- tensive cast includes also Bebe Sher- man, husky-voiced songstress of the Sophie Tucker school; Hilda Allison, dancing with the ensemble; Alma Mai- ben, with specialty and scene work; Kay Johnson, assisting the comics, and Paul Miller in tapping, harmonica and “spoon” items. —C.A. M. —— OIL BOOMS DECLINE CORPUS CHRISTI, Tex. (#).—Mrs. Ethel Jester, who has operated cafes for 16 years in Texas oil flelds, thinks “oil booms aren't what they used it to be.” “Everything is too modern and quiet,” she says. “I remember when you couldn’t see the derricks for mud. “I have seen many men killed by falling crown blocks, but I wouldn't c;'lz t_hn exciting—it happens too often.” Yes, you can even get MITHFIELD HAM— Any Time—Day or Night I's Good Taste to Eat at O’DONNELL’S SEA GRILLE 1207 E St. Northwest LANK BOOK You get voriety and value here. See ouwr big stock. E. Morrison Paper Co. 1009 Pa. Ave. Phone NA. 2045 I Save Your Eyes By Consulting Our Optometrists A b Tyt WHITE ASH Stove___$12.70 Esg -.'lt.“ Nut ... 12,70 Pea el A, et smmete, It earried in—080c ton extra B. J. WERNER 1937 5th N.i.‘ . NOrth 8813 D. C, ard arle Capital’s Drama Groups New Theater Group Shows Interest in Civie Theater’s Staging of Lewis Play. BY HARRY MacARTHUR. than casual.’ It's a whole lot more [ drama, has become pretty thoroughly a casual play. Mr. Sinclair Lewis, NTEREST in “It Can't Happen Here,” to be presented at the Wardman Park Theater January 20-26 by the Washington Civic Theater, is more than casual. For one thing, it is not according to advance reports on the aroused over some of the social con- ditions which might develop in the United States under certain conditions. Latest evidence of the more serious aspects of “It Can't Happen Here" is the entrance upon the scene of theg, New Theater Group. The New Theater | Group is not concerned with brittle drawing room farce or romance in & filling station. Plays of social tmport | are its metier, and Clifford Odets the | bard in whose words the group finds most of its eloquence. “Waiting for Lefty” started off the New Theater Group's career back in the Summer of 1935, and later its members brought to town a reading of Irwin Shaw's cogent diatribe against warfare, “Bury the Dead.” Albert Maltz's timely drama, concerned with National Guardsmen and strikes, also was presented here by the Washing- ton affiliate of New York's New Thea- ter League. Now the members of the New Thea- ter Group seem to foresee in “It Can't Happen Here” a taste of the food upon which they thrive, and & number of them have become members of the Civic Theater, so they can contribute to the production of the Lewis drama that was too hot for Hollywood. Seven members of the group—Peter Morris, John Carroll, Carleton Ayers, George Freeman, Louis Terkle, Fulton Reichlin and Mack Dauber—are in the cast of the local production of Mr. Lewis' discourse against fascism. William Anthony McGuire's first play, “The Divorce Question,” has been chosen by the Blackfriars’ Guild as the next play on this year’s sched- ule. It will be staged February 1, 2 and 3 at St. Paul's Auditorium. McGuire, whose latest bid to thea- ter fame was the scenario for “The Great Ziegfeld,” wrote the play in 1912, and it was widely discussed be- fore and during the war. It isn't dated, however, just because of that, for its theme concerns the effect of | divorce upon the children of the fam- ily, just as vital a problem now as it was when “The Divorce Question™” first reached the boards. ‘The Blackfriars production is being directed by Angela Keir. Constance Connor Brown's Studio of Theater Arts starts its new semes- ter January 22. The studio is work- ing this year in co-operation with the Civic Theater, and one of the major activities of the second term’s sched- ule will be the production of Christa EXTT T Winslow's “Girls in Uniform.” The sixth play on the Civic group’s pro- |gram for the year, “Girls in Uni- form” will be produced by the thea- | ter and the studio, working in co- operation, to be presented in March at the Wardman Park Theater. It | will be directed by Miss Brown and Day Tuttle and will go into rehearsal under Miss Brown while the Civic Theater still is working on “It Can’t Happen Here.” During the second semester, as dur- ing the Fall term, the studio will offer instruction in voice production, speech technique, acting, eurythmics, history of the theater, stagecraft and direc- tion. Judy Lyeth, well-known Washing- ton dancer, teaches eurythmics and dancing incidental to the studio’s pro- ductions, and William Girvan, tech- nical director of the Civic Theater, is instructor in stagecraft. 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DUPONT Phone her now, up to 8 p. anytime m. LAUNDRY Launderers & Dry Cleaners 2535 Sherman Ave. MONDAY, JANUARY 11, 1937. AMUSEMENTS. Fantasy of Old Russia Portrayed in Symphony Dr. Kindler Directs Nationalistic Program. Polish Violinist Displays Great Artistry. BY ALICE EVERSMAN. colorfulness, charm and fantasy of old Russia lived again in Con- stitutional Hall yesterday afternoon, when the National Symphony under Dr. Hans Kindler's direction, gave another of its nationalistic programs, this time devoted to Russian music. the concert period the varied phases of Russian music from the great Glinka the new Russia, was covered. The soloist of the afternoon was Roman Totenberg, 44— to the modernist, Prokofleff, of young Polish violinist, who last sea- son chose Washington and the Na- tional Symphony as mediums for his professional debut in this country. The young violinist has made wide strides forward in maturity and poise. He is gifted with every essential to make an outstanding artist, and is on his way to recognition as such. His tone is beautiful and warm and his technique so sure and firm that he is at all times master of the difficult pas- sage work. Yesterday he was heard in Tschaikowsky's “Concerto in D Major,” which, temperamentally, was ideally suited to him. His legato is by far the best of any of the violinists today, and the full, long:drawn phrasing of the first part of the allegro moderato and through- out the “Canzonetta” was unusually fine. By reason of this these two movements took on another meaning and the story which they tell so elo- quently became deeply poignant. The brilliant passages interspersed here and there and constituting the entire third movement were given in rip- pling fashion, with excellent intona- tion and dashing effect. All in all, it was a performance highly satisfying artistically and emotionally, and the artist was recalled time and again by an audience, many of which, hav- ing heard him at his debut, will look forward to still finer things from him in his assured career. The orchestra, with some tricky work in front of it, showed its readi- ness by a stirring performance of the delightful overture to Glinka’s “Russ- lan and Ludmili” Particularly ap- propriate was the selection of this opera excerpt and those from “Boris Godounov” as the text of both operas were founded on writings by the great Russian poet, whose 100th birth calendar. From the older period of Russian music there followed three dances from Tschaikowsky's “The Nutcracker Suite” and excerpts from Moussorg- sky’s “Boris Godounov” in the colorful arrangement made two years ago by Dr. Kindler. These numbers ran the gamut of all the wealth of fantasy inherent in the Russian temperament and the opulence, grandeur and power of czardom. The orchestra played each with the spirit or sonority neces- sary, to the great delight of the public. But contrasting in marked manner was Prokoflefl’s “The Love of the Three Oranges,” the great pianist and GAYETY BURLESK “BANG”, “CRASH” Here is what happened after the Sunday matinee ot the Gayety, the butcher told the baker, then the baker told the grocer, and the grocer told his mother-in-law, and the mother-in-law told everybody that “Nona Mufi,‘ch Burleskers” MAXIE FURMAN AND HARRY J. CONNELLT. and ANN CORIO As Guest Star Is the Burlesk Event of the Season The Groatest PriseWinning hct- in Sereen History! Gul GABIE ol CabiCOBIRS Alve “SHE PLOW that BROKE the PLAINS” PH ILADELPHIA ORCHESTRA EUGENE ORMANDY. Cenductor Tomorrow Night, 8:45 Cengiitutien CHORUS OF 180 VOICES Sololst—Sergel Rachmaninoff to T Aflllr ln|lh Bk %0’ BN i Wit ETRONOME e ROOM and CAPITAL COCKTAIL LOUNGE [ ] DANCING From 10 P.M. JOE CANDULLO and his MCA Orchestra NO COVER CHARGE Minimum Check, $1.00 COCKTAIL LOUNGE Open Daily from 12 Noon ARDMAN PARK HOTEL CONN. AVE. o WOODLEY R Poushkin, | -anniversary will | be celebrated throughout America be- | ginning on January 29 in Washington, | the birth date, according to the old | RIALTO =r In the short space of composer of the modern Russian regime. In spite of all the modern touches which characterize the work, Prokofieff did not abandon the inspira- tion to be found in the unique art tendencies which had also inspired his predecessors. The composition not only is highly interesting, but it car- ries an undercurrent of poetic fancy. It wears the modish, severe garb of modernism, far from the velvet and ermine of Moussorgsky, yet under- neath is genius of idea as expressed in the “Scene Infernale,” romance of the most idyllic character in “Le Prince et la Princess,” and originality of invention in the “Marche” and “Scherzo.” ‘The three excerpts make enormous demands on the orchestra’s ability and the performance yesterday was so ex- celiently done as to be the high light of the program. In spite of the hardness of modern harmony and the introduction of new tonal effects, the work is one of great richness, imagina- tion and superb musicianship. Its re- ception was unanimously enthusiastic. COAL HUFNAGEL COAL CO. & ALASKA COAL CO. 2,240 Ibs. to the ton. Every Pound Del Your Bin ot N PA. HARD COALS Al Sizes -& Old Company's Famous All Coals We Deliver 14-Ton Orders. Dial NA. 5885 or Jackson 2000 Phone Orders—DAY OR NIGHT ACADEMY ot 'lt%eleil Scllll HOIOIIII E hzrmcl;u:“h.l m’l‘l;n!nrePBeMlthl Howr fn “END OF T4E TRALL AMUSEMENTS. ATIONAL Nites un to $3.30; Wed. :.Bc A33-200 Bat. Mat. luo DENNIS Prlar to Nw rm KING GI.EASOI TIIIIEX In Frans Lebar's New Operetts Stared ana IIISSIHD SHORT Tonite 9‘. s B xrit vy “gur es' o ,, The Yeomen of the " ¢ tfiGARDEN “'”-ul?'.: OF ALLAH® : Pnidey..\N PERSON 3 MW!ISESLMULLER GEORGE BURNS GRACIE ALLEN m;#xnwms « A wWASHINGTON unnnlo_l 2"° Week! LILY PONS GENE RAYMOND @ JACK OAKIE ‘THAT GIRL /-~ PARIS™ S New Seng Hits + 1,000 New Lasghe Heart Troable Set to Masie PRESTON FOSTER in Sean O'Case’s “PLOUGH and the STARS” with ABBEY PLAYERS of DUBLIV AND a new addition of “The MARCH of JIME" itution Hall, Next Son. Aft.. 4 P. M. AMBA“ADOR 18th !L . l:-l m.v..xs HUGHONH!R.BPQRHPE xchlsfi PITTS and ALLEN JENK] ll'! JACK HOLT CLARENDON, VA. RANGI CIRCI.E p.’.‘."?-.'r'u'.':'.‘. 255 X%, JEAN ARTHUR and SQEL McCREA in 'ADVENTURE IN M NHATTAN.” News. DUMBARTO! lan 3 Wiconsin Ave and ARLINF .YVDG C:E WORD FOR ARH.!I NT 18 FAlRLAWN mn and ANAcosm D. C. POWELL tn m Mh nmuu ¥ and O omlm g MR B HOPKINS E THREE.” PRI cms 1119 H St. N.E. Double Feature GENE “PIGSKIN PARADE.” AUTRY In —OH. SUSANNA.” 108 nt. S8 LIGHT BRIGADE,” ERROL FLYNN. OLIVIA DE HAVILLAND. STANTON riith %284 ¢ MWM STATE BETHESDA %Beddes: fi" BARA STANWYCK JOEL McCREA in “BANJO ON MY KNEE.” Cartoon and News Events. CHURCH. VA. FALLS Cl S'I'ATE NS BUR- 8244 Georsia m BAXTER “WHITE mmm cn- ?m ternut Sts. Troubles. nmn nd BOB !U 8 _in 'BIG BROADCAST OF 1937." WILSON Oy, Colental Villase, ,A|=BAM JOW an JOII.. Il'l:mA e it HIPPODROME * Leo Carillo in i in “Gay Desperado.” DANCING. ““America’s Noted Dancing Instructor” DON MARTINI Waltz-Fox Trot-Tengo-Rumba-Tap nmuu :ue"g;t lel«w Li‘ufmul NOTE: Frois TR 1811 H 8t N.W. The Edward F. Millu Studw i ineed W Rk 27 * MT RAINIER. MD. T = in “LOVE ON THE RUN 5 Akurfim Edward Arnold in “Come and Get Tt a | RICHMOND *™=X%: '# i £| JOEE. BRO n “Pono JOE. i fi"xo,. 3 5 0 rh o l.nu. 3378 JOAN = CRAWPORI CLARK GABLE in wvz ON T RON AVALON Comn- Ave. & McKinley WILLIAM POWELL" MYRNA LOY, JEAN HARLOW d __TRACY in "LIBELED L: By ORR AVENUE GRAND a ARNER BAXTER and —WHITE _HUNTER. nd BAYMOND 55 “EMARTEST GIRL IN TOWN." Mickey Mouse. TRACY in 8illy | avmnhn.v. HOME Penna. Avenn S.E. th and 7th St e 2:00 l‘ll 8 . 00'. s;wov oy 'rl-u TolinC ARDO TEZ wi R-lCA COR! ln‘ SHER!DAN YRR A Sty ‘5‘.:'“5' b e Onis Atlnetlon—"!ll:l')-. 3 BONG" with PATRI and dren, 20c; Adults, m"‘fi&.&“a‘" sale for_inis et 'nvou utl!thrI DICK m % DELL 1937 UPTOWN Maticees Daily i 21 "LAOG) in BRANDT.’ 5 YORK__—l_An. nd Quches WARNER BROS. THEATERS 'uou: DIGOM umvm.ns iy. _‘Cartoon. SYI.VAN i3 and B L Ave. N.W. “CAN THIS BE DIXIE?” SOMMERVILLE: - Comeds. ° Novelts. y. D IAI. PALM THEATER “BIG BROADCAST OF