Evening Star Newspaper, September 17, 1935, Page 36

B—16 = AMUSEMENTS.' Star Struggles in Vain In New British Musical Both “Brewster’s Millions” and Creatore Pro- gram at Rialto Need Better Staging. “Little” Opened. BY ROBERT B. PHILLIPS, JR. HE comedy and dance directors of British and Dominions Pictures are avid scholars. With the patience of archeologists, they have examinei the American filmusical and attempted to reconstruct it in lifelike form, that their own people may know what once went on in a strang: eivilization called Hollywood. Like many of their academic counterparts, in “Brewster's Millions” they recaptured the outward semblance of things but THE EVENING STAR, WASHINGTON, Popular Girl About Town D. C., TUESDAY, SEPTEMBER 17,. 1935. Ziegfeld Film Presents Many Casting Problems Billie Burke, Cantor and Fields May Have to Play Themselves as They Were Long, Long Ago—Cost to Be Terrific. BY MOLLIE MERRICK. OLLYWOOD, September 17 (N.AN.A.).—Plenty of problems cpnfront H the makers of “The Great Ziegfeld” With 105 speakipg parts to cast, and with most of the characters representing 0us person- alities remembered by all contemporary adults, it's a job to turn the most picture-wise gray. Billile Burke may have to be made up as Billle Burke of 20 years flatly missed the point. E In the film at the Rialto this week much time and attention is paid a dance called the carranga. No doubt it is meant. to be a cousin of the Carioca. The music is vived, lively and intriguing until the same melody has pounded on and on for an aeon or two. Where the camera is used for detail shots the dance likewise hns vigor and a mild degree of enchant- ment. En masse, the number is a total loss because it fails to utilize contrast to bring out the choral pat-| terns. | Against a background of silver| sheen, a chorus garbed in black may be led effectively through any rumber of intricate maneuvers (or could have | been two years ago, before the game | was run into the ground). When tae | dancers in “Brewster’s Millions' wear | Bpanish costumes to contrast with & | setting both sandy and dull, however they produce merely an effect of | elaborate confusion. So much for the elements of spec- tacle. As a comedy, “Brewster's Mil- lions” relies upon such startling nov- elties as a scene wherein Jack Bu- | chanan hides in the rear end of a| papier mache dragon and discovers a | cut-throat who has been trying to| kidnap him is occupying the front} end. The dragon then chases its tail | from pillar to post. Later some fire- | works explode inside the beast .ndi Mr. Buchanan's smalls hurst into flames. The director, no doubt, rolled in the aisle—alone. SRR | /AN AMIABLE, dapper comic who re- ceived more than his share of teeth from the world, Jack Buchanan sings, works hard for laughs and #kips through one brief dance routine | in this affair. For a background he | has a story that has become more or | less a classic in the annals ot farce, the tale of the young man who in- herits a fortune of 500,000 pounds sterling and is commanded to spend it all in six months in order to ob- tain another legacy a dozen times as large. For five months and 29 days every- thing he buys goes up, every gamble wins and every gift is returned two- | fold. On the last day he achieves the necessary losses. Lili Damita also is a member of the “Brewster's Millions” cast. In later years, when she reviews her perform- ance, she probably will be tempted to deny that she was there at all. | o | 'HE Rialto’s auxiliary program this week also suffers from poor stag- ing. Creatore is himself a showman of no small repute, but the conditions under which he was reintroduced w0 Washington yesterday would have killed Ted Lewis’ version of *'St. Louis Blues.! The orchestra filed in in plain view of every one after the feature ended. The house lights were on dur- ing “The Dance of the Hours” from | "La Giaconda” and Boccherini’s “Minuet,” and Creatore was not fa- vored with a spotlight of sufficient strength to distinguish him from his own music stand. When Kathleen Lawlor came out to sing *“Toujour L'Amour” and “Only a Rose” she was required to climb over the footlights onto a platform so small that she secmed to be in' a strategic position to bite the microphone. Consequently her voice did not come througn properly. Despite these handicaps both the principal figures in the musical enter- tainment were well liked by the audience. Creatore received an ova- tion both at the beginning and the conclusion of his numbers. With .m- proved presentation the program doubtless would be entirely successful ko * DURING the last Summer, every | drama desk in town was flooded | with letters pleading for revivals of the better films of the past two sea- gons. With local picture menus far from delectable during the theater's dog days, the quality products of an-| other year seemed infinitely desirable. Last night the answer to t.h_osc‘ prayers materialized with the opening of a downtown house which will be | devoted entirely to revivals, The| Little Theater on Ninth street made | its debut before an invited audience’ with Bing Crosby and W. C. Fields’ | +Mississippi,” & pleasing burlesque | cherished by the Fields cult because | it allows the great comic to stay be- fore the camera for long stretches of | N time. | Smartly renovated after the mod- ernistic fashion, the new show shop is an intimate but comfortable house, | the perfect place to get a second look | R at an old favorite or catch the much- | discussed show you missed when it was in town. The second reel sched- uled here, for example, probably will be “The Barretts of Wimpole Street.” | So long as the Little Theater sticks to a program of that quality, it will | fill a definite need in Washington. A tip to the management: Dim the side house lights. From the rear and | side, they hamper visibility, * Xk ® X ON 'THIS page Sunday & ruminative article concerning the New York | theaters bore the by-line of Lucius| R Beebe. A slight error, as Mr. Beebe | was manufacturing other fables in 2,240 Pné‘éf!;‘:o;i? | Blue Ridge Va. Hard Stove Coal, $10.00 Special rnace Size. $8.35 Spy Stove Size, $0.00 Nut, $9.35; Pea. $8.00; Ece. Buckwheat, $6.75 Smokeless Egg, $9.00 Bituminous Coal Without Smoke or Soot 80 $8.00 % Li Blue Egg, $8.00 ul Hard-Structure Pa. Bitumine: Makes Only Thin White Smoke 75% Lump Coal, $7.15 50% Lump Coal, $6.75 lelivered in separate Lump d ".C a H bin: w honr eaal. afier “burning it 4 with_our eoal hours. we will take it back and refund your money on partion not used. Over 20.000 New Cus Ty in_ Baltimore and ington There Is a Re ' est Re Necina Ll':n‘lhrnell- BLUE RIDGE COAL CO. i rginia Anthracite Hard o Sttty e 5o Washineton. Me. Opposite Texaco Oil Wal. other places last week. The essay was contributed by Richard Watts, jr., but neither should be aggrieved, as Mr. Watts certainly could not object to being mistaken for the witty Mr. Beebe, while that gentleman, in turn, should be flattered to be confused with the young film critic who batted far above all his metropolitan contempo- rarfes in judging the cinemas last season. * X X X NN CORIO headlines the Gayety bill beginning next Sunday. The Triangle Club presents “Mr. Pim Passes By” in the Y. M. C. A. Auditorium Sunday night. The cast will include Clare Sargent, Rosemary Walker, Marguerite Bohn, John Ken- drick, A L. Diket and Frederic Cole. Direction by Charles Gillman. Phil Hayden opened his dance studio for the Fall season yesterday. “Poil de Carxotte” will be the next foreign offering at the Belasco. The name is “Red Head” to you. The red head does not parade. Ann Garrett, voted the best actress | in the last one-act play contest ar- | ranged by the Community Center De- partment, leaves for New York this week with Beth Thompson. this season. Where and When Current Theater Attractions and Time of Showing. Palace—“Steamboat Round the Bend,” at 11:40 am,, 1:40, 3:40, 5:40, 7:40 and 9:40 p.m. Earle—"Bright Lights,” at 11 am, 1:40, 4:20, 7:20 and 10 p.m. Stage shows at 12, 3:25, 6:20 and 9:05 p.m. Loew's Fox—"Redheads on Parade,” at 10:45 am, 1:30, 4:20, 7:15 and 10:05 p.m. Stage shows at 12:15, 3:05, 6 and 8:50 p.m. R-K-O Keith's—"“Top Hat,” at 11: am, 1:35, 3:35, 5:35, 7:35 and 9: p.m. Belasco—“The Man Who Knew Too Much,” at 12:14, 2:08, 4:02, 6:05, 8:08 and 10:14 pm. Rialto—"Brewster's Millions,” at 12, 2, 4, 5:30, 7:30 and 9:30 p.m. Creatore and Rialto Symphony at 1:30, 3:30, 7 and 9 pm. Columbia—"China Seas,” am., 1:45, 3:45, 5:45, 9:50 p.m. Metropolitan—" Annapolis Farewell,” at 11:15 am, 1:20, 3:20, 5:25, 7:25 and 9:30 p.m. Ambassador—"Bright 6:15, 8 and 9:45 p.m. Tivoli—“Farmer Takes a Wife,” at 2, 3:50. 5:40, 7:30 and 9:25 p.m. Roadside (Rockville pike)—"Trilby,” at 8:30 p.m. 35 35 at 7:48 11:45 and Lights,” at BAND CONCERT. the Soldiers’ Home Military at the bandstand, at 5:30 John S. M. Zimmermanw, By Band, o'clock. ciate leader. March, “Lincoln Centennial,” Lee Sanfori Overture, “Aroldo” Verdi Entr' Acte— (a) “Invocation to Battle” (Rienz', ‘Wagner | effectively villainous is Mr. Connell, | (b) “Danse des Sultanes”__Danieis | in fact, that last night he was round- | trust fund in July to aid national park | Potpourri, “Folk Songs of Germany ” |1y hissed by a host of the melodrama | projects and | restoration “of historic sites and areas | of scientific and geologic interest.” Margis-Berger Popular songs— (a) “Co-ed Capers” Wadsworth (b) “Love in Bloom"..____Rainger Waltz de concert, “Tales From the Vienna Woods”. Finale, “Gen. Lejeune” (U. 8. M. C.), Branson “The Star Spangled Banne LANK BOOK S v Blank Books E.Mor 1 Pa. Ave. Phone NA. 2945 SCHNEIDER’ SEA FOOD DINNER Wednesday 5(c Special Choice of Clam or Shrimp Cock- r Clam Chowder. Deviled 5. Oid Vi rginia Crab Cakes, ied . Tartar Sauce. Lyonn: Potatoes, Coleslaw. Coffee, Tea or Beer. Rolls and Butter. OYSTERS Are in Season We Serve Them Any Style “Everything to Drink With Anything to Eat” CHNEmER’s o CAFE o Since 1886 427 11th St. N.W. WHERE TO DIN| TOBY TAVERN 1509 H St. N.W. “The Food That Does Not Depend on Its Marvelous Atmosphere.” Every Night Dinners, 85¢ & $1 Sunday De Luxe_ __--$1.00 Luncheon . ___ 50c & Up Metropolitan 9128 LRIFEITH BARMS Famous for Food A magnificent 100~ estate on the Marib miles from the District Line Dinners from 11 A.M. A la Carte Meais Hawalian Orchestra OPEN DAILY AND SUNDAY Phone Hillside 0112 3545 Distributing Plant 8475 Both | will seek engagements in legit there | week their bright musical picture, R-K-O Kelith's. Ginger Rogers and Fred Astaife are still leading the marathon popu~ larity contest among film players around Washington. This is the third “Top Hat,” has packed 'em in at | “TRILBY” REVIVAL ENDS | ROADSIDE PLAY SEASON { Rl Du Maurier Classic, a Success Earlier in Summer, Returns for One Week. SUMMER is just about at its official end, now that the Roadside The- ater is swinging into its last week, presenting a one-week return engage- ment of “Trilby” to conclude its sea- son The production of the Du Maurier classic by the barn theater group earlier in the season was one of its major successes, what with huge throngs of Washingtonians making the trek out the Rockville pike every night for two weeks to see Denis Connell cast a horrible hypnotic spell over poor Carey Lucas. The good folk who had the S. R. O. sign thrust in their faces then, can have their chance now. The Roadside production of “Trilby™ is replete with neatly contrived char- acterizations, though top honors go to a chap in one of the major supporting roles rather than to any of the leads. | This would be John P. Rappolt. ir. | who expertly delineates the pitiful | Gecko, the violinist under Svengali's | hypnotic spell. Mr. Connell adds another to his long list of well-done character por- trayals with his Svengali, making | scrubby madman who made a concert | singer of the beautiful artist's model | who had no sense of tone. He also dies with much fuss and bother, to | the delight of every one present, both | on the stage and in the audience. So | fans present. Carey Lucas is both beautiful and THE DIFFERENCE BETWEEN rison Paper Co. ! “will” 1 wishes—it was drawn to for doubt? be in seasoned hands. F Street at Ninth | national bandmaster; Anton Pointner, asso- | himself thoroughly unlikable as the | receipt of the first donation. | firm said this was in recognition of | facilities placed at the company's dis- | posal by the National Park Service in | | the filming of the picture “Sequoia,” wd ‘perhaps” T is your right to dispose of your property in general accordance with your own wishes and best judgment for the welfare of your family. You can exercise this right by making a will. If you fail to make a will, the court will dispose of your estate in accordance with the laws of the District. Perhaps the law will coincide with your in the majority of such cases—but why leave room Make a will! If you name this Trust Institution as Executor and Trustee under your will, you may be sure that the settlement and administration of your estate will I good as the waif from the Paris slums | | whose perfect tootsie became the talk | of the town. She gets in her best | digs, though, In her last scene when | she has to fight the dread spell cast | upon her by Svengali's evil eye, which lives in a photograph even though he is dead. There are others, too, who perform their tasks with skill. Ralph H. Thay- | er, among those in the original cast, contributes some good comedy, though E | he gets on one tack and sticks to it | too long when some restraint might help. Among the newcomers to “Tril- by,” who bolster up the production, are Ann Ives, who is splendid as Mme. Vinard; Leslie Orleans, who makes a | much more effective Little Billee; | Fred Haskin, jr, and Marvin Beers. | “Trilby” was directed by Harrold | Weinberger and, as have been nll! | Roadside productions, staged by Edith | I. Allen and costumed by Dorothy ! Croissant. H. M. METRO DONATES $5,000 | TO PARK TRUST FUND Motion Picture Firm Is First to Give to Foundation to Aid ‘ National Projects. Secretary Ickes announced yesterday | that Metro-Goldwyn-Mayer had do- | nated $5,000 to the recently created park trust fund, marking An executive of the motion picture in Sequoia National Park, Calif. Congress created the national park the preservation and work as fairly as possible | dit when seen singly often lose their 8go. They cannot find any othery, actress who suits the part. Billie, like Barkis, is willing, so we may see this most interesting phenomenon— an actress playing the part of herself | as she looked 20 years before. Frank Morgan plays the role of | Ziegfeld’s business rival—the man| who has as keen an eye for beauty as | the Follies genius, but who generally | misses out because of better general- ship on Ziegfeld's part. Virginia| Bruce plays a purely mythical role in the film for mere story purposes. W. C. Flelds and Eddie Cantor either will have to play themselves in the picture, or actors who can give a convincing imitation of them will have to be found. It's a facer. The world of the screen knows the Fields face and the Cantor map so well that imitating them, even with the famous Hollywood make-up, presents a con- siderable problem. Fields and Cantor played such a large part in Ziegfeld's career that it is impossible to tell his story without them. But ... Fields is on the sick list. And Cantor, what with radio and screen, is pretty well tied up. Also, the boys cost gold! The cost sheet of this picture is going to be more like a foreign loan than a cinema project. Sneak previews sometimes are shocks. “The Perfect Gentleman'— previewed with much secrecy—was a disappointment to producers who had hoped much for this debut of Cicely Courteneidge in the films. The famous English comedienne is surrounded by such luminaries as Frank Morgan, Tna O'Connor and Henry Stephenson. The gelatine lords find the picture too slap-stick for their taste, now that it is finished, and I hear they are going to tear it up and remake | ertire sequences. giving the whole a different tone. Making pictures is no sinecure. Sequences that are splen- value when cut into the finished pic- ture. Driving down a quiet little street off Hollywood boulevard the other night | we saw a strange spectacle. A man in stained and picturesque rags wan- dered out of an alley, picked up a garden hose and played it gravely on the awning and windows of a little hole-in-the-wall, from whose dimly- lighted doorway came loud shouts of applause and merriment. The shabby | man listened gravely to the applause for a few moments, then turned off the garden hose and walked back down | ; the alley, while a squealing flock of WEARLEY’S SEAFOOD GRILL 418 12th St. N.W. Our Frors Are Shipped In Alive WEDNESDAY SPECIAL_ 11:30 AM. UNTIL MIDNIGHT HOT SEA FOOD PLATTER Every Day Special ont Window select your . Have it killed and cooked ont of you. It is eur g()e women in evening wraps collared in priceless furs dashed from a taxi| and through the fake rain which | dripped from the doorway. It looked like a mystery—so in we went. A room some 18 feet wide and | 40 feet long was jammed with coco- nut palms and crude wall benches with little tables. Behind the long, shabby | bar stood the ragged man who had been playing the hose on the awnings Maestro 'SMITH BUREAU REMOVED CREATORE, ‘The dynamic symphony conductor Wwho made news decades past, took over direction of the Rialto orches- tra yesterday as that picture house added a musical program to its film fare, CIRIPETENENERENEELR - HOW TO HAVE : - GOOD EYESIGHT : —depends on the care and attention You E£ive to veur exe: Any eve tramble should be looked after at once. Cons . sult_our graduate optometrist for an examination now. - - M.A.LEESE Optical Co. " 611 9th St. N.W., = PITTTR UL TANG O' THE SEA”_FOO Never Closed 1207 E St. N.W. Wednesday, 11:30 AM. to Midnight Pried oysters. shrimp. clams. scale crab cake. filiet of paddock, ar sauce. French-fried Botatoes, w. Home-made rum buns, and butter. Coffee, tea or slass of beer. —and now for a double-play in style [ ] | fi ® & button the bottom button and MEN’S Here's a style com- bination — “all-in- "5 A ”» one” a (button the bottom button) suit model in ;. “Tick’, ("vhite pin dot) pattern. A double play, in a single garment. The last word in “men’s fashion.” SUITS by KUPPENHEIMER WASHINGTON LOAN - AND -TRVST-COMPANY 17th Street at G HARRY GRANT MEEM, President MEMBER, FEDERAL RESERVE SYSTEM $40 & #45 f AMUSEMENTS. AMUSEMENTS, M KEITH’S > A'\:/:;hmz!on Institution GINGER ASTAIRE « ROGERS w*TOP HAT/ GOSN IRVING BERLIN. Coming... EOWARD ARNOLD Abready famous for his characten and windows. In the dim light stood | _ a mob shouting—“Hey, Beachcomber, mix us one of your specials!” Another Hollywood fancy, this tiny bar, without a name, without a sign, and with the most popular barkeep in Hollywood—"Beachcomber,” every oné calls him. He runs a perfect burlesque of a South Seas dive. And | when the elated ones shout, “Hey, Be:.chcomber, how about some rain?” he gravely goes through the ceremonial of the garden hose to the delight of the patrons. Nor does the repeated trick seem to pall. He's merely thought of something’new in & town where night clubs have gone white paint and scarlet leather and are all brilliantly lighted. (Copyright, 1935, by the North American Newspaper Alliance, Inc.) GAYETY BURLESK NOW PLAYVING Billy Arlington, Change Is Made Necessary by Expanding Program. T ARTHUR SMITH announces the | * the removal of his concert bu- reau from 1330 G street northwest, Homer L. Kitt Music House, to 910 G | street. The change was made nec- essary by his expanding program, in- cluding four concerts during the Win- ter by the Philadelphia Orchestra. AMUSEMENTS, Fall Festival of Greater Shows o oTHER ACTS - On Sape - SALICI PUPPETS - ANNAPOLIS FAREWELL Paremeent's Drama wsth ‘COMING FRIDAY SYLVIA HERBERT 25cto S P.M. Eve. 25¢ & 40c DIXIE LEE “REDHEADS on PARADE” Stage AL TRANAN BILLY HOUSE £ €O = HELLER ARD OTHER ACTS | Frislay ‘HERE COMES THE BAND” e 5 COWIS und ORCR. Siage GLEN GRAY 6 CASA LOMA 4 3 ow = WilL ROGERS *STEAMBOAT ROND THE BEND* 8 JRVIN S, STEPIN FETCHIT | §TAO CRIME SUBICT ALIBI RACKET" G Goming. CLARK GABLE-LORETTA YOUNG RIALT BREWSTER’S MILLIONS “THREE LITTLE BEARS” “CHICKEN NEIGHBORS” CREATORE Rialte Symphony, 1:30, 3:30, 7, ® TO11 P.M. 12 NOON | |CAROLINA_ "¢ | DUMBARTON "'WARNER BROS. THEATERS Toots Brawner, Alexianna and Girls Next Weeh—ANN CORIO. ACADEMY O Perizt Sound Photopiny E. Lawrence Phillips’ Theatre Baautitul Continuous From 430 P.M GRACE MOORE and LEO CARRILLO in LOVE ME FOREVER Also DONALD COOK. IRENE HERVEY In “MOTIVE _POR REVENGE ASHTON ciafi28 __LORETTA_YOUNG { D. ROCK uSRnltan " e ES x:}\m’ ARN and KETTI GALLIAN j; PAMPAS MOON" Co fllRL}fiVN ANACOSTIA, D. €. HELEN GAHAGAN in_“SHE 110 H FRANCHOT St N.E Silver Continuous Pro: i O4) EEIX\‘"FUXLNLS; R!(’T‘HA’R;) (‘RO‘{\!\\'ELL McFadden’s Flats.” _Comedy. Paramount News. _ STANTON 7t 328 % e RICHARD DIX. } “The Modern Theate; 0 Wis. Ave.. Bethesda Open at 5:45 P.M oW at 6:00 ROBERT DONAT MADEL N CAnG “THE 39 STEPS.” Also VNe_w;Mgrc}) of Time.” TAKOMA #% 358 Butternar s EDMUND 1OWE LACK SHEEP” G VIRGINIA BRUCE ir TIMES SQUARE LADY.” ALL OF OUR THFATERS EQUIPPE WITH NATURAL ATR.COOLING. SYoTE S HIFPODRONE = LL in C’XME();MT.T%\;IFIT MD.; SHIRLEY TEMPLE in “CURLY TOP.” Feature Approximately 6:00. 7:50, 9:40 P.M. KRCADE"’H\'AT'I?AI LE, MD. May Robson. “Age of Ind o Starting Tomorrow, Thursday, Friday. SHIRLEY TEMPLE in ___“CURLY TOP." _ RICHMOND ALEXANDRIA Marion Davies “Pag 18th St. & Col. T |AMBASSADOR 1i® &t 5.5k JOE E_BROWN and ANN DVORAK in_“BRIGHT LIGHTS APOLLO SHIRLEY 8 Line TEMPLE! col C 52| .W. C MES CAGNEY PAT O'BRIEN in THE TRISH IN US" Cartoon 615 NUE GRAND £¥ It Matinee. 2:00 P SHANGH. CENTRAL faist £, Phone Met W._C. FIELDS in “MAN_( FLYING TRAPEZE | A ,< o 5% q - > < & Farragut 3 Geo. 6500 SHIRLEY TE) ‘CURLY TOP." Comedy. 1230 C_St. Lincotn 102 GEORGE RAFT and ALICE EVERY NIGHT AT EIGHT. T4th § SAVOY il RICHARD DIX. THE Novelty 14th St_ & Park Rd. N.W. TIVOL! Colmbia - 1800 Matinee, 2:00 P.M. JANET GAYNOR' HENRY FONDA in ““PARMER TAKES A WIFF Ga. and Quebee Place N.W. Col. 1616 CLAUDETTE COLBERT in T TION OF LIFE °_Ca - | JESSE THEATER "3 &0i7 “CURLY TOP," SHIRLEY TEMPLE. JOH SY'LWE ‘ AN L NOEL COWARD. JULIE =€ 2 - T— PALM THEATER % “Broadway Gondolier,” DICK POWELL and JOAN BLON- DELL. C: ARIZON ER’S OLES BERNHEIM Our Special Fall Talent Development Course 12 ONE-HOUR DANCING LESSONS Tap-Ballet Acrobatic Character / ONE HOUR \ LESSONS Limbe: Mausie: \ or Ballroom DANCING Stretching 5 al Comedy ring and 00 58 3 DAYS TO ENROLL SEPT. 18, 19, 20 ildren—Adults—Beginners Advance¢ Student. Wiibur Pa: you desire. to for a professi $5.00 must_be pal ment is ma HOURSY9 A. reserved to reject —Register NOW at ker School of Pro- prepare you al caree: id when enroll- e. M. UNTIL 10 P.M. Right any application. “The School of Pro- gressi tems that Incites 1 e Teach g Sys- Constantly nteres GLADYS WILBUR PARKER STUDIO oF DANCING 1223 CONN.AVE. NAT.563) 'ON STUDIO OF DANCE. d Ballroom Dancine. ! e. Phone NA. hoos. 3¢ | 20, | THE ELLEN WALLE SCHOOL OF DANCE Announces the opening of its new Fall for children adults in both The Edw. F. Miller Studio 814 17th St. Nat. 8093 It It's Danced. We Teach Ii. LEROY H. THAYER| DANCE STUDIOS Announces the opening of the Fall sea- son for. instruction in Stage and Ball Room Dancing. Regisier now. Pri- vate lessons pointment. Special Baliroom Instruction and Dancing with Orchestra. Ask for Details. guest lesson and dance analvsis obligation. Stu until Telephone MEt necticut Avenu by Call for w