Evening Star Newspaper, August 10, 1935, Page 28

B—14 AMUSEMENTS." “Going Native” Revue Solid Hit at the Fox Local Actors Sing, Dance and Make Fun of the Critics, and the Result Is a First-Class Show. BY E. de S. MELCHER. ENE FORD, impresario as well as manager of Loew's Fox, has picked up a neat revue this season for his annual local splurge. In it you will find a girl with a golden voice, a pair of roller-skaters, a man with a dog, a ventriloquist, sledge hammer break a stone which is placed squarely on top of her stomach, & young man v\ho looks like Gene Raymond, three radio stars, the poem “Boots,” a skit some singing cops, a lady who lets a | THE EVENING STAR, WASHINGTON, D C; New Paramount Star about local re- § viewers, a great many handsome “butterflies” and a song called “Rhythm of the 8 Ice,” which is the only thing that doesn't get a suf- ficient break. This year's “Going Native” revue is long, fast and full of tal- ent. At yester- day's first show there were only two minor mishaps— and these could have happened at any Broadway opening. We found Mar- Jjorie King an exceptionally expert vocalist, singing her music as sweetly as a lark; the Silver Shields Quartet, Henry Nestor featured, well deserving the volley of applause that stopped the show when it had scarcely begun; that skit about the bargain rush. a masterpiece of Fordian wit; Ted Val- entine one of the best ventriloquists we have ever heard, and Karl Sonder- land’s dogs among the nicest dogs the Fox has ever seen. Then there were those two swell skaters, Myra Adcock and Stephen Hunter, doing things which the Bar- num & Bailey troupe might envy; Joe Bell and his guitar with that Raymond suggestion mentioned above and a smooth and easy way of putting a song across; Arthur Reilly, turned actor and getting plenty of tears for his nicely spoken bedside monologue; Horace Hunnicutt and Folly Harper, popular radio-ites, purting a few songs over with a bang; Staniey (“Boots”) Karmazin and two exceptionally tal- ented soloists, Alma Melcalf, singnig violinist, and Toma Genaro, elegant acrobatic dancer, who looked like a million dollars in that blue dress. By now you have heara, of course, that brother and sister reviewers are given a gentle ribbing in a skit called ‘Washington Quintupiets, another Fordian masterpiece which may or may not result in a couple of broken jaws. While it is perfectly obvious| that those concerned wili get a great- er kick out of it than any one else, the net result is a fracas of the first water in which the messieurs and madame of the critical fraternity are drawn to the life. | ‘The chorus, ably directed by Mar- Jorie Hartoin of the Chester Hale studios, danced yesterday as one and cid that Butterfly number to the ac- Gene Ford. | claim of the multitude. | is somehow missed; also some of the | uneventful. And if there is anything else to say about the re- vue it is that the audience seemed to enjoy it very much—and sat through its 80-some minutes without a murmur. Congratulations all around! * ok o* X THE film at the Fox this week 1s “The Man on the Flying Trapeze.” It is enthusiastically recommended to all W. C. Fields admirers, in spite of the fact that it hasn't any story and the ending is weak. * Nk “'I‘HE FARMER TAKES A WIFE” is an attractive pnotoplay, well | acted, skillfully directed, and, while | long and rambling, nevertheless in- teresting throughout. It is currently playing at Loew's Palace. The Fox Co. has seen to it that a good deal of the nostalgic Erie Canal background has been retained, and many of the simple virtues of the Broadway play. While the lat- ter was never a “dramatic thunder- bolt, it always seemed to us struc- turally a better play than most peo- ple would have it—and the acting above reproach. This was due to| June Walker and Henry Fonda, two | principals who carried the drama to | its final resting place with the punch that it deserved. Mr. Fonda plays the same role in the film and plays it with that same slow and sly charm which carried him to the heights in tne first place. An actor of considerable magnetism, he is being groomed already by the Fox studios as the Gable of their lot, and judging from feminine re- actions already encountered, it would seem as if Fox has hit upon a young gold mine. Janet Gaynor plays Miss Walker's | role and since she had the wisdom of going to see the play a good many | times and learning.certain Walkerian | mannerisms, she comes out better than you anight expect. She isn't as good as Miss Walker—but she’s next best. | The omission of the word Rancho.” “canaw! M " l l more pungent scenes—and the fight u S x C a S scene isn't any more exciting when | it is shown than when it wasn't (as | in the play). The film is very long and slightly But the virtue of the picture is in these things—the slow living of those days having been mir- rored with good taste and tact. Mary DAILY SHORT STORY-: HELPING HANDS By Florence G. Yore. ITS & wonder Jim can't un- derstand how I hate to cook,” Sal was murinuring to at Metropolitan in Her Imitations. ARY ELLIS impersonates the grandmother of all flower ven- dors in “Paris in Spring.” In the picture at the Metropolitan this week she also mimics a grisette, a lady chemist, a torch singer and her own handsome, tuneful and mildly robust self. Even this impressive lot of imitations does not make much, how- ever, of a slight and frothy cinema which may be best described as a bed room farce set to music. too fast. fix some soda.” She rushed back Wait, I'll baking Ellis Succeeds! from the Kkitchen herself as she gave the living room a final bit of dust- ing before her guests came in for the evening. She looked at her hands proudly. ‘They were beautiful, white and uynwrinkled. “And Tm going to keep them that way, too,” she as- sured herself. “No hot grease or boil- ing water for me.” Meanwaile Jim was strefched out on the davenport, groaning to him- self over tonight's with a cloudy glass. “Here, Jim, this and do hurry and change your shirt. The folks will be here right aw She ran out to attend last-minute make-up. With a grunt Jim pulled himself off the davenport, rub- bing his stomach as he muttered half aloud: This hurts like the devil. I'm sick, I tell you.” Sal didn't even hear him; she was drink | “Cripes! | Aided and abetted by Lynn Over- man, Tullio Carminati, Jessie Ralph and an obscure gentleman who re- veals untold genius as an inanely bored restaurateur, the farce is by far the most satisfactory quantity in this affair. The rest consists of a few mediocre ditties by Gordon and Revel, some clever photography and a few piquant touches from the directorial wand of Lewis Milestone. All are strewn loosely through an elaborate mix-up between Miss Ellis and Mr. Carminati, who are in love but bicker- ing, and a far younger couple, ditto. Mr. Carminati finds young Mignon about to leap from Eiffel Tower, whence he had planned to bounce his own sorrows into oblivion, and the other lad finds Miss Ellis singing songs in a night club. All four show up at a country es-| supper. “Canned salmon pepped up with lettuce and sliced iemon! What a meal to hand a hard- | working guy when he's just achingf‘ Too much for Jim. :de;mrl;g:‘g g:;;ellbin tate, where old Grandma Jessie Ralph | iierer in ine be;‘hves She thinks Tullio and Mignon | and Miss Ellis and Mignon's Albert | (if this is getting ioo complicated fore the paneled room, In Talkie OLLYWOOD, August 10 (N. A. H today most of the action and dialogue no matter how muted it may be. This music-less period was the in- . evitable result of the manhandling or music which preceded it. Then, every | star, big or small, sang whether he or she had ever done so before or not. statement, but it's quite true. | *Each morning press agents her- | alded, “Miss Hoosit discovered to be | great musician; had hidden her talents even from studio production neads. Supervisor passing her bunga- low heard the sound of an exquisite soprano voice and to his surprise found Miss Hoosit singing and play- ing her own accompaniment. ‘I've sung all my life; was her modest answer, ‘beginning at my mother’s knee. Mother was a famous soprano, you know.’ " Then she sang in a picture and the public waiked out and the box-office returns went lower and lower. Fans stood at the kiosks in front of movie | palaces and muttered, “is there any singin’ in this one?” When the answer was in the affirmative they moved.on down the*street where they could hear plain talk without war- bling. ‘This, my friends, is a somewhat cruel ‘but absolutely true picture of 1930 to 1933. Then, when the public woe was softened somewhat, music crept slowly back into cinema. “Charge of the Light Brigade” will SATURDAY, AUGUST 10, 1935. Cagney, O’'Brien, McHugh I1lumine Irish Comedy .Skillful Direction Makes Film at Earle| Attractive—Spitalny’s Girl Band in Stage Program. HAT temple of Hibernian wit and belligerency, the Warner Bros.’ studio, has produced a jaunty tale of the wearers of the green in | “The Irish In Us.” Swift of pace and shot through with beautiful hokum, the film at the Earle this week takes Jimmy Cagney, Pat O'Brien, Mary Gordon and Frank McHugh, names them all O'Hara, and sends them skipping through a boisterous comedy, brogues and shamrocks flying before them. L3 After carefully perusing the official | ‘ the night of the fight and starts a pre- cidental music in pictures from 1930 to 1933. Grace Bradley, one of the up-and-coming youngsters in Hollywood, who is being groomed by Paramount for great things. She is shown above as she appears in Gladys Swarthout’s first starring picture, “Rose of the Farce With Music Stages Comeback Productions Mlld QuahtyiPublic, Weary of Being Fooled, Pleasantly Surprised at Entertainment Offered. New Film to Include Sea Chanties. BY MOLLIE MERRICK. N. A.).—There was practically no in- This seems a radical You listened, during that period, to dialogue absolutely unbackgrounded by melody of any sort, whereas | of a picture have a musical obbligato, | singing quite honestly, since they |picked it up from the Mexican vaqueros, the music of the Westerns will not seem out of place. Music departments today have five times as many people working in them as they had in 1932. synopsis of this opus, we cannot de- tect any earmarks of a great and | original plot. There is some business about three brothers who love each | other and their mother very much, until two of the boys fall in love with, the same girl. The girl, knowing a star when she sees one, prefers Mr. Cagney, and that estranges him from | his happy home. * ok ok % SMALL-TIME manager of smaller | time prize fighters, he gets his protege, Carbarn Hamerschlag, a match with the light heavyweight champ at & policeman’s benefit. ‘When Carbarn gets orry- eyed drunk | “ORCHIDS TO YOU” BUILT‘ ON MIXTURE OF COUPLES Some Important Actors Are Placed in Various Artificial Situations. JOHN BOLES, Jean Mulr, Arthur| Treacher, Charles Butterworth and numerous other rather important cin- ema people parade about in some very «| artifiicial settings in “Orchids to You,” which this week is available for public | inspection at the Columbia, but for all their talented presence, the film is neither good nor bad. If you're in a good humor and don't care what hap- pens to you, you may enjoy it, but if you are looking for adeptly biended hokum you are in the wrong depart- ment. Mr. Treacher, who has just sprung to a position of eminence as a highly | important subordinate in any film in which he appears, buttles again in this, but he has too little buttling to do. He'll awake you from your leth- argy whenever he appears on the screen, but he always leaves too soon. Mr. Butterworth, an amiable and unassuming funster, does his portion | of the piece, which also is not enough, | in true Butterworth style, which is just about tops. He pulls a gag early in the proceedings which should go down as one of the major wise cracks of the season. The film is not built around Mr. Butterworth and Mr. Treacher. It is dbout a lassie who sells orchids and other flowers, Miss Camellia Rand | (Jean Muir). She peddles some of these rare, delicate and famous posies to one Mr. Draper (Harvey Stephens) to be delivered to & Mrs. Bentley (Ruthelma Stevens). Mrs. Draper (Spring Byington) decides to have a divorce and hires as counsel Mr. | Bentley (John Boles), who is in love | with Miss Rand. Now Miss Rand turns out to be a highly righteous per- | son and refuses to tell to whom she delivered Mr. Draper’s sly love tokens, which is, of course, very commendable but hard on the movie, because it looks | as though everybody is going to have | to go on and on, living with the| wrong person. In the end, however, it is to be| assumed that every one in the case gets tied up with the mate he wants, | for Miss Rand and Mr. Bentley clinch | | Thereupon Brother O'Hara, who had been sulking over | | Spitalny’s girl band, | nin’ | singing. They shall be nameless. But they're | for the fadeout. You can go in very a swell pair of girls in the movie |late in the film and in five minutes! world and both famous. They went | will know what has gone before and on location together and got snowed ' probably will not care what happens in. One consoled herself that she from then on. Miss Muir and Mr. had a good bottle with plenty of | Foles could have saved a lot of time warmth in it, and the other, looking | and celluloid if they had confessed around for books and a piano, found | their true and undying love to the a piano in quite good condition. world and to each other as soon as While her friend uncorked the bottle, | they discovered it. she sat down to play. It's a talent The rest of the Columbia program she hasn't turned on Hollywood much, | has a Terry Toon Cartoon which is keeping it for herself and her moods. | grand, a highly interesting piece about She played and played in the | Wire-haired fox terriers, which will mountain lodge, while the snow piled | make you want immediately to own up outside and the logs crackled. She | one; & comedy which is funny some finally heard loud sobs behind her. | Of the time and the news reel. | “My dear,” she cried in apology, “I H M didn't dream my music would upset you so—" “It isn't that” BAND CONCERTS. By the United States Soldiers’ Home sobbed the little “but nobody ever told me there was so much classical music in the world, b00-h0000000001" (Cepy.ight. 1935, by the North American lady with the now half-empty bottle, | Band, at the band stand, at 5:30 | o'clock. John S. M. Zimmermann, bandmaster. Anton Pointner, asso- ciate leader. | | March, “Cleveland” .__ nng battle with the champ, the chnmp‘ cools him. Then Mr. Cagney steps| into the ring and flattens the champ. Pat O’Brien- losing his girl to Mr. Cagney-O'Hara, picks up the conquering hero and gen- erously tosses him into the girl's lap. At least, that’s what the synopsis says. Actually, he does no such thing, but it might have been a swell idea. Whether Mr. O’Brien-O'Hara does or does not fling Mr. Cagney-O'Hara inwo the lap of the future Mrs. Cag- | ney-O'Hara, you may have gathered | lhat “The Irish In Us” is no classic of | modern inventiveness. It is, however, a sharply directed cinema, with every | possible ounce of action, humor and | pathos squeezed into the situations it presents. Given a competent cast and a stale plot, Director Lloyd Bacon handled his assets so skillfully that the weaknesses are forgotten, * % £ % IS actors seem to cherish an espe- cially warm feeling for the work cut out for them in this production. Cagney is less bumptious, but more beguiling than in his recent pictures, Pat O'Brien takes no liberties with his straight characterization of a serious-minded cop, and Allen Jen- kins’ limning of a lazy, slug-nutty palooka is approximately perfect. Be- tween them, Mary Gordon, McHugh, the nutty one of the three O’Hara brothers, manage to lift al- | | most every scene in which they ap- | penr. no mean feat with the Cagney competition around. as the | mother of all the O'Haras, and Frank | AMUSEMENTS, KING’S FRIEND DIES EABTDOURN! England August 10 —“Dusty” Matthews, 86-year-old ooloflul retired fisherman who was a friend of King George, died yesterday. ‘When the old tar saw the King and Queen taking a stroll Lere last Spring he lustily shook hands with the mon- arch, asserting: “I'm pieased to meet you, captain, I knew your mum and dad.” AMUSEMENTS. § llOOOOpru " JAI.NA" e A A cast N ROBERT DONAT in'THE 39 STEPS" with MADELEINE CARROLL ‘1’%:““ first picture since Count of Monte Cristo® “THE MARCH OF TIME* It defies comparisons | | The heart in- | tereM is supplied by Olivia DeHavi- | _ land, a gentle, shy and unsea.soned newcomer to the screen. ‘The Earle stage show this week consists entirely of music by Phil an agreeable group distinguished chiefly by choral numbers and the incredible | amount of noise it blasts forth during the “1812 Overture.” The featured entertainer is Maxine, who possesses a voice of charming quality and an air of supreme inanimation. The Spitalny program ranges from “Run- Wild” to the aforementioned overture, with “Broadway Melody” and “Binah” the high spots of the P.BP,J. _ AMUSEMENTS. ST~ 1{5 ENES - CH lUS Olcla i w' Fl GIGL;«& RAFT G qu PAYE - ¢ Nicut ar'iicyrt iage.. $10 GARY ul'fl“ | SECO | RANDOLPH % P6anson, | “VILLAGE TALE" | JOHN WAYNE in TELEGRAPH TRAIL." t_Chapter “TAILS! 6th lnd c Finest Sound WH-'E # FARMER T B S SUMBRARLLY M. SR s sony . JEAN W a-mws ALY - CHINA LERSE, EVERYONE KNOWS THERE'S 26 LETTERS IN THE ALPHABET AND SHOULD KNOW THERE'S MORE THAN 50 FINE FEATURES AT 40-ACRE its | RUGERIO FLOCCO SANE & INSANE DIVING EX- || HIBITIONS AT GLEN ECHO SWIM MEET AUGUST 12 " | ACADEMY o e togspen E_Lawrence Phillips' Theatre Beam u) TEARLE " MARY RAN SING NIGHTS Als 10 ROTH Mi%, n “THE FIGHT ErONEER ASHTON NUT FARM.” CAROI.INA wDUMBARTON AR, TALA BIRELL in ~AIR CHAWKS " “RUSTLERS OF RED Comed) FAIRLAWN A\Arosru LY “UNDER_THE P/mms MOON. PRINCESS 1119 B st. NE. JeAN ARTHUR | VICTOR JORY FARIY WIRE' ~Alio REE ANET CHAD & Po'lct D mmam.uo e_Pol of e % in CLARENDON VA WALLACE _ FORD. “THE " Popeye and Serial. 11th & N C Ave SE “THE LONE RIDER" and DOU-AF. 8234 Georgia Ave. Silver Spring, Md. Double Feature Continous From Li09 SCO" | nulumem in Also Tom Tyler ‘The Modern Theater” Ma STATE 6070 Wisc. Ave.. Bethesda Matinee. 1:30 to 11:00 P.M. Cont. Bosible - pe ture Program BURNS 4 “LOVE L BLOO\ i “FISH FROM HELL" | TAKOMA 4th and Butternut Sts. No Parking Troubles Continous From 1:00 PM, - NORMAN FOSTER ‘Hoosier Schoolmaster” . BUCK JONES = ‘Outlawed Guns | ALL_OF OUR THFATERS EQUIPPED | WITH NATURAL AIR COOLING SYSTEMS HIPPODRO! S st JOAN CRAWFORD, “FORSARING ALL OTHERS CAMEQ Y™ 4mus ¥p. EDWARD _G. ROBI! Jim plfi on a bold front when the |we'll start over again for you) are| Thornes #nally arrived in a swirl or\m,,med and, being tco darned deaf | greetings. Sal watched him closely. | to bother with hearing them out, sends | round it, N TOWN'S TALKING." Program and Serial Newspaper Alliance, Inc.) for a juicy steak smothered in onions | and a piece of honest-to-gosh pie.” | An involuntary groan escaped him. | have modern music written to back- e p | All Comedy Leo Forbstein tells me. Overture, “Franz Schubert,” Von Suppe Entre 'acte, HYATTSVILLE. MD. “Or I was aching for pie,” he amended, one hand caressing his stomach. “Now I'm just aching.” The Wards had finished a gloomy meal, with Jim criticizing the food and telling Sal how worn out he was. | She in turn recounted how she had | Just about run her legs off downtown looking for bargains. And if he weren't | so0 darned stingy and had more ambi- | tion and tried to get a better job, she wouldn’t have to pinch pennies so. “Why don't you hire a cook, any- ‘way?” she concluded. That was too much for Jim. He retired in painful dignity to the daven- port. * ok % x Sal finished her dusting and then erranged a few jonquils in her fa- vorite little powder-blue vase on the gate-leg table. She loved beauty, and she wanted the house to look its best | tonight for the evening of bridge. She'd show Marisse Thorne that she was a good housekeeper. Marisse was Jim’s boss’ wife, and only a few years older than Sal her- self. She held the weight of au- thority in the Thorne household; if Sal made a good impression with her tonight, their first visit, Jim would be sitting pretty with Dave Thorne at the office. “How's it look?” she asked. answer; Jim was asleep. “Just like a man,” thought Sal. “They can sleep off anything.” And she leaned back to rest her own head. She was tired, and almost at once she, too, was dozing. She dreamed of her sweetheart days with Jim. She was sitting on his lap in the old needlepoint armchair at *home. Jim was admiring her lovely hands, telling her how he would always keep them beautiful. He was saying: “Sal, dear, I'm so darned jealous even of that old type- writer of yours! I want your hands all for myself.” Then bending his head, he smiled down at her with those beloved gray eyes of his. Time itself halted when | Jim kissed her. . . “What's that!” Sal blurffid out as she awoke with a start. It was Jim groaning: “Gosh, Sal! I've got a heck of a pain right here—"" pointing at his stomach. Sal sighed wistfully over the van- ished dream. “It's just a little indiges- tion, dear,” she nnvd. “You ate| ¢ No | was growing steadily paler; | She was furious. that Marisse should | have taken charge of the situation | Inwardly she was convinced that most of Jim’'s grousing about her food was | merely for the effect, but tonight she | wasn't sure; there was a taut expres- | sion about Jim’s mouth, | And after an hour of bridge Sal was even more doubtful. Jim’s face g he was missing tricks, overbidding his hands— something unprecedented in Jim. And | then came the climax. Jim reeled | from his chair, mumbled something about a “glass of water,” and fell over on the floor in a dead faint. “Oh!” cried Sal, and she sat wring- ing her hands. - Not so Marisse Thorne. With one bound Marisse was at Jim's side, loosefiing his collar, shouting for a glass of water, for smelling salts. 2 x Sal forgot her worries about Jim as she ran from here to there around the house, doing Marisse's bidding. while she, Sal, sat by helpless. She told herself that she resented Ma- risse’s ordering her about, but deep inside she realized the truth—what she resented was really Marisse's ca- pability. In no time at all Marisse's min- istrations had taken effect. Jim lay resting peacefully in bed, smjling his gratitude—not at Sal, but at Marisse. “Better take tomorrow off, Jim,” his boss boomed as he and Marisse took their leave. ‘“Looks like you've been overworking.” 3 But Jim shook his head. “Don't need to now, sir. Not after the way your wife fixed me up.” She smiled good-by. and Sal saw the Thornes to the door. She dreaded this farewell, dreaded the look of contempt she fully expected from Marisse. She was thor- oughly unprepared for the shock Ma- risse’s last words gave her. Loitering behind her husband, Ma- risse whispered to Sal: “I'll be expecting you over tomorrow morning for your first cooking lesson— oh. don’t worry,” when she saw Sal's startled expression, “we’ll keep it a secret. Dave might think your hus- band’s trouble is overworking, bu me it looks like undereating. I could tell,” she added, “by your hands. No woman who's been married a year them all off to bed with the wrong | people. We are happy to intorm you that the gendarmes, the French equivalent of Jack Dalton and che U. S. Marines, | everybody | straightened out before matters get | arrive in time to get beyond the bounds of gooa, clean fun. Eventually Grandma Ralph delivers a speech paraphrased from Elinor Glyn's “Gettysburg Address,” the and the curtain descends upon a pret- ty duet between Miss Ellis and.Mr. Carminati. The Metropolitan program this week also includes a Clark and McCullough | comedy—worthy, as usual, because of Mr. Clark. There is also the usual assortment of other more or less di- verting bits. —R. B. P, jr. BILL PROVIDES HOLIDAY PAY FOR CHARWOMEN | Measure Is Favorably Reported to Senate by Civil Service Committee. Charwomen in the Government service. would be paid for holidays under one of five bills just reported favorably to the Senate by the Civil Service Committee. The measure re- lating to charwomen has already passed the House. The other four bills, which still re- quire House action, are the Gibson bill to give employes in Congress the option of joining the civil service retirement system, the ‘Copeland bill providing for automatic promotions in the customs service and a bill restor- ing to the civil service law the re- quirement that a person must reside for one year at the place claimed as residence in a civil service applica- tion. The committee also reported the O’Mahoney bill to equalize the hours and compensation of employes in the to | Bureau of Engraving and Printing who come under the classification act. Congress some time ago applied a 40-hour-week law to workers in the should have hands like yours.” She smiled a pleasant farewell. (Qfll‘“ 10352 bureau whose hours and wages are fixed by a wage board, but this did not -awwm-u-xn_mw- “Capt. Blood” will introduce the sea | chanteys to movies. | nothing at all without a “Yo-Ho-Ho, Me Hearties” and a rollicking tune. It must have been hard to walk the chantey behind you. “Forty-second Street” made honest woman out of the musical think this form of entertainment was | done for completely. The most interesting will be the adding of serious music | to Westerns. Now the radio has hiil- billied us almost out of our minds, so we have come to understand that a cowboy gave his first attention to twanging the old guitar and that | rounding up the cattle was a poor second. But when you recollect that in the early days every dance hall | had its “‘professor” at the old square | piano and every home had a wheezy | parlor organ in it, and when you con- | sider that the cowboys came by their Where and When Current Theater Attractions and Time of Showing. R-K-O Keith’s—"Jalna,” at 11:47 m., 1:49, 3:51, 5:53, 7:55 and 9:57 pm. Loew's Fox—“Man on Flying Trapeze,” at 10:50 -am. 1:35, 4:25, 7:15 and 10 pm. Stage shows at 12:20, 3:10, 6:05 and 8:50 p.m. Earle—“The Irish in Us,” at 10 am., 12:20, 2:45, 5:10, 7:40 and 10 pm. Stage shows at 11:35 am.,, 2, 4:25, 6:55 and 9:20 pm. * Palace—"Farmer Takes a wue." gt 11 am, 1:10, 3:20, 5:30, 7:40 and 9:50 p.m. Metropolitan—“Paris in "~ Spring,” at 11:40 am., 1:40, 3:40, 5:40, 735 and 9:35 p.m. Columbia—“Orchids to You,” at 12:10, 2:05, 4, 5:55, 7:50 and 9:45 pm. Tivoli—“The Arizonian,” at 2:05, 4:10, 6:10, 7:55 and 9:40 p.m. Ambassador—“The Nitwits,” at 2, 4, 6, 7:55 and 9:45 p.m. Roadside (Rockville pike)—"Trilby,” 3, at 8:30 It seems a pirate’s technique was | plank-with the boys bellowing a lively | an | quarreling lovers forgive one another | when most people were beginning to innovation | (a) “A Japanese Sunse (b) “In the Bazaar”__ Grand scenes from the opera, son and Delilah”. --Saint-Saens Porto Rican dance, “Rosita”_._Missud Valse intermezzo, “La Danseuse” Von Blon CHILD GANG BREAKS UP ADULT RED MEETING 50 Send Barrage of Fruit, Bottles | and Cans Into Session—Four Go to Hospital. By the Associated Press. NEW YORK, August 10.—A group | of about 50 children, ranging in age| from 8 to 16 years, descended upon | what was said to have been a Com- | munist meeting of adults on the lower West Side last night and sent four persons to the hospital under a shower | of tin cans, bottles, stones and over- lripe fruit. None of the injured was badly hurt. The men and women made a coun- ter attack on the children, scattering them, but a free-for-ail fight devel- oped among sympathizers of the Paraphrase, “Die Loreley”._Nesvadba youngsters and those attending the | March, “Zamboanca”. -Savoca meeting. When police arrived all the | “Song of India”____Rimsky-Korsakov | participants had disappeared. One Rhythmic classic, “Milenberg Joys” man was arrested when he was point- | Rappolo ed out as the person who allegedly | Tone poem, “Finlandia”______Sibelius hit another man in the eye. “The Star Spangled Banner. ] (CHESAPEAKE- BEACH, MD.) E One Hour Drive Via Marlbore PICNIC Shady Groves—Free Tables—Sand Beach for the Kiddies Salt Water All Popular BATHING—AMUS Try a Salt Water Swim—25c After 7 P. M. FREE—DANCING—FREE Every Wednesday and Thursday Evening FISHING—CRABBING—HALF-MILE PIER FREE PARKING AT SEASIDE For Information. Call NAt. 0213 W. M. & A. MOTOR LINES, Inc. E N. W Finale, “College Spirit”. “The Star Spangled Banner. Concert by the United States Army | Band, at the Capitol, at 7:30 p.m.| Thomas F. Davey, leader. Karl Hub- ner, assistant leader. March, “Purple Carnival Overture, “The Year 1812 ‘Tschaikowsky | Xylophone solo, “Kylorimba”.Young | Played by the composer, Joseph L. ‘Young. Scene, and fire music from “Nibelun- gen Ring”. -Wagner | Novelty, “From a Japanese Screen” Ketelbey ---Alford | 1ily Excursions om 403 11th St . Today---Tonite AND EV'RY DAY Dance—Swim—Amuse LANK BOOK A Complete Selection in Stock See Us for Your Blank Books E. Morrison Paper Co. 1009 Pa. Ave. Phone NA. 2945 Direetion SIDNEY ARCADE_ MATiEmiis, o £ - WOOLSEY, TRENTUCKY RERNELS RICHMOND ALEXA\DRIA Va _E._BROWN in_* ALIBI "IKE” AMBASSADOR ¢3%t & Col. 5595 Air_Conditioned. WOOLSEY, WHEELER _ AND NITWITS.” APOLLO Double Feature Sh DOLN! Feature OF “THE " Comedy. 624 B n N P 3375 OF HEARTS Novelty. AVALON Cmn-Ave & JicKinler JOE E. BRi LSt TR Comedy lmd Clrlonn at ! amusements. dancing, Dinners and Refreshmer (round trip), 63¢. MOONLIGHTS FREE DANCING to Bernie Jarboe’s Orchestra, New dance floor. Beer Gar 8:45, back 11:45. FREE PARKING. RIVER POTOMAC CINE Tth and Water Sts. 5. W. "Sea Food on beat. Children DI. 4248 RESORTS. | ATLANTIC CITY, N. J. HASTINGS HOTE Prvate. ths. Parking Space. Special rates until July 25 MRS, CHAS. LUDLAM. EDUCATIONAL. Fall Term Begins September 22, SCHOOL OF LAW School of Economics & Government Registrar’s Off Open for Rexisiration o & 818 13th STREET N.W. Tel. Natl. 6617 WARNER BROS. THEATERS 615 Pa. Av ‘E U 2406 .—Double l‘tnlu WHEELER A B Weo i TWITS MARIAN MARSH. AN. Comedy. CENTRAL "1 Oth St N.W. RICHARD DIX. “THE ARIZONTAN* Charlie _Chase Comedy COLONY GEORGE O'BRIEN HARRIGAN.” _Comedy._Cartoon. EAR E 13th Street Screen: o’ stage AVENUE GRAND Matinee [ N PHIL_ SPITALNY AND H XM _GIRLS. HOME Frane 1 10296, Duuhle Feature. Shn' Starts L PM. IOORA FOI ERN. Y s ENDY s.mnm A_SMALL WORL P METROPOLITAN TULLIO " CARMINATI _ Al Clask and McCullou SAVOY g MAE WEST. “GOIN' __Comedy. TNOLI l“ll !l . Pllt Il N.W. TO TOWN.” YOR e W WARNER oumn CHAELI! cmm " __Comedy. JESSE THEATER o Double Peature. “AIR_HAWKS.” RALPH BELLAMY. TALA BIRELL. ~ “BORDE! K _«BR! ANDS.” BUCK JONES. Cartoon. __ Matinee at SYLVAN "p3.5i} Deuble Fe “EIGHT BELLS." LPH “STONE OF BERNHEIMER S grm smy 8; lnllu at 2:00 ""_fi‘.’“{‘